Posts filed under 'awards'

Weekly Dispatches from the Frontlines of World Literature

Your news from the literary world, all in one place.

Here we are with this week’s news on exciting developments in the world of literature! Our Editor-At-Large for Singapore, Tse Hao Guang, updates us on new translation initiatives and experimental literary events. Sarah Moses, our Editor-At-Large for Argentina and Uruguay, fills us in on recent literary festivals and on an event honoring everyone’s favorite cartoon cynic. Finally, Tomás Cohen, our Editor-At-Large for Chile, tells us about some exciting new publications appearing in the region.

Tse Hao Guang, Editor-At-Large, with the latest updates from Singapore: 

In the spirit of experimentation, stalwart independent bookstore Booksactually devised a Book Prescription Day (Sep 30) in conjunction with #BuySingLit, inviting the public to meet seven authors one-on-one as they administered literary balm to all manner of ailments. Literary nonprofit Sing Lit Station put on a zany, rave-reviewed, pro-wrestling-meets-spoken-word spectacle Sing Lit Body Slam (October 6-7), selling out on opening night. Sing Lit Station also announced the 2018 Hawker Prize for Southeast Asian Poetry, awarding the best poems published by SEA-affiliated journals to a combined tune of SGD$2500 (USD$1800). Finally, Singapore played host to the 2nd Asian Women Writers’ Festival (September 29-30), with Singaporean novelists Balli Kaur Jaswal and Nuraliah Norasid speaking alongside other writers from the UK, the Philippines, Pakistan, and India.

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Weekly Dispatches from the Frontlines of World Literature

Your news from the literary world, all in one place.

We’re back with another week full of exciting, new developments in the world of literature! Our Editor-At-Large for Australia, Tiffany Tsao, updates us with a fresh report of prizes and publications and the inauguration of an exciting new festival. Julia Sherwood, Editor-At-Large for Slovakia, is filling us in on the latest exciting news in neighbouring Poland, involving prizes, authors and translators. Last but not least, our Editor-At-Large for Indonesia, Valent Mustamin, serves up a full platter of festivals, publications and awards. 

Tiffany Tsao, Editor-At-Large, with the latest updates from Australia: 

Congratulations to Josephine Wilson, author of the novel Extinctions, for winning the 2017 Miles Franklin Literary Award, Australia’s most prestigious literary prize. The results were announced early last month.

Felicitations also to Stephanie Guest (former Asymptote Australia Editor-at-Large) and Kate Riggs on the publication of their piece “An Architecture of Early Motherhood (and Independence)” in The Lifted Brow’s September issue. The piece received the The Lifted Brow and non/fiction Lab Prize for Experimental Non-Fiction (announced at the end of August) and was lauded by the judges for its “determined fidelity to the banality and logistics of early motherhood—states of radical and ongoing beholden-ness—juxtaposed against reflections from an autonomous life in the margins.”

The shortlist for this year’s Richell Prize for Emerging Writers was announced earlier this week. The five finalist entries are: Michelle Barraclough’s “As I Am”; Sam Coley’s “State Highway One”; Julie Keys’ “Triptych”; Miranda Debljakovich’s “Waiting for the Sun”; and Karen Wyld’s “Where the Fruit Falls.” The prize was launched in 2015 as a joint initiative by the Emerging Writers Festival and the Guardian Australia. The winner will be announced November 1.

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Weekly Dispatches from the Frontlines of World Literature

Your weekly roundup of global literary news and intrigue.

Ever get the feeling that even with all the news happening right now in the world, you’re still not getting enough? Well, that’s what we’re here for, keeping you covered with the latest in global literary news from our Editors-at-Large who are on the ground as we speak. This week we have reports about censorship and activism from Singapore and Mexico, as well as important news about festivals and prizes in the UK, and much, much more. 

Theophilus Kwek, Editor-at-Large, reporting from Singapore: 

The Singapore International Festival of the Arts (SIFA)―launched in 2014 to revive the Singapore Arts Festival, a landmark event in Southeast Asia’s arts calendar―drew to a close this week, concluding a month of theatre, film, music, and visual arts shows. These included a number of international partnerships such as Trojan Women, a Korean retelling of Homer’s epic directed by the SIFA’s founding festival director Ong Keng Sen; as well as Becoming Graphic, a collaboration between Australian theatre practitioner Edith Podesta and Eisner Award-winning graphic artist Sonny Liew, who previously had his funding withdrawn by the National Arts Council for his alternative political history of Singapore.

In a wide-ranging interview with The Guardian to mark his final year as festival director, Ong (who has previously spoken out against the censorship of SIFA’s programs by the government) lamented the “restrictive” attitudes of state funding agencies towards the arts, and said that he felt “drained by the fighting” of the past four years. His successor, fellow theatre practitioner Gaurav Kripalani―currently artistic director at the Singapore Repertory Theatre―struck a more conciliatory position earlier this year, saying that he would opt for increasingly “mainstream” programming.

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Weekly Dispatches from the Frontlines of World Literature

The international literary news you won't find anywhere else.

It’s Friday and we’re back with the latest news from our Editors-at-Large, providing us with their personal roundups of the most exciting literary developments in their region. We kick off with Jessie Stoolman in Morocco, where there’s never a shortage of intriguing events and publications; Julia Sherwood in Slovakia takes us on a tour of the various cross-cultural literary encounters that have been occurring recently in the Czech Republic; and finally, Omar El Adl gives us some insight into the latest talks, discussions and publications that are taking place right now in Egypt. 

Jessie Stoolman, Editor-at-Large, reporting from Morocco: 

July was filled with literary events throughout Morocco, starting with a conversation between two Moroccan Prix Concourt winners, Leila Slimani and Tahar Ben Jelloun, at the Minzah Hotel, where they discussed “Comment écrire et publier un livre?” (“How to write and publish a book”) Another star Moroccan author (and painter), Mahi Benibine, whose novel Horses of God, inspired by the 2003 suicide attacks in Casablanca, was made into a critically-acclaimed film, presented his newest novel Le fou du roi at Librairie les insolites in Tangier.

Speaking of new publications from major Moroccan authors, Dar Toubkal’s newly released publication of the poet Mohammed Bennis’ الأعمال النثرية (Works of Prose) was just reviewed in Al-Hayat.

Still staying within the Tangier region, the Galerie Delacoix hosted artists, academics, and students for the الجسد الإجتماعي والمحيط الحضري (Espace urbain & corps social) program and internal working week. Among the participants was Moroccan-French artist and co-founder of the Cinémathèque du Tanger, Yto Berrada. Given continued action from the Al-Hoceima-based protest movement (حراك الريف), the geographer William Kurtz’s talk on “La Globalisation de la Région Tangier Al-Hoceima et son impact sur les inégalites sociales et spatiales” (“Globalization of the Tangier Al-Hoceima Region and its impact on social and spatial inequalities”) was particularly timely.

If that was not enough activity in Tangier, Librairie des Colonnes hosted Zahra Al-Khamleshi, who presented her most recent work, الحدود في شمال المغرب: آمال وآلام النساء الحمالات (Borders in Northern Morocco: Hope and Suffering of Women Porters) on the women who carry products between Ceuta (a Spanish enclave/colony in northern Morocco) and Morocco.

Moving further south, in Casablanca, Kabareh Cheikhats was back again. Their travelling show aims to shed light on the history of Cheikhats, who are often mischaracterized as exotic dancers. Historically, Cheikhats throughout the Maghreb were skilled poets, improvising verses on such controversial topics as resistance to colonization, which they sang and set to music at community gatherings.

Lastly, check out the “Lilipad” project, started by young Moroccan activist Sara Arsalane, which aims to collect books and distribute them to underserved schools throughout Morocco.

Julia Sherwood, Editor-at-Large, with all the latest news from the Czech Republic: 

On August 4, as we go to press, Czech poet and literary historian Petr Hruška and Georgian poet and musician Erekle Deisadze are reading from their works in the Ukrainian city of Lviv. Their performance brings to a close a 31-day long marathon tour of five cities, comprising Authors’ Reading Month (Měsíc autorského čtení or MAČ 2017), Central Europe’s largest literary festival. The readings, by two or more authors each day, are broadcast live and the recordings are available online. The festival’s founder Petr Minařík, whose publishing house Větrné mlýny is based in the Czech Republic’s second largest city Brno, has given a wide berth to capital cities, instead locating the festival in four other cities of similar size: Ostrava near the Polish border, Wrocław on the other side of the border in Poland, Košice in eastern Slovakia and, more recently, Lviv in Ukraine.

The guest country of this year’s festival, which kicked off in Brno on 1st July, is Georgia. This country in the Caucasus is fast becoming a trendy tourist destination, yet its literary riches are not all that well known in Central Europe. Thirty-one Georgian writers joined the tour, accompanied by acclaimed Czech authors, among them Ivan Klíma, Arnošt Goldflam, Ivan Binar, Marek Šindelka, Martin Reiner, Michal Viewegh and Jáchym Topol (whose 1995 novel Angel Station, just out from Dalkey Archive Press in Alex Zucker’s English translation, was reviewed by James Hopkin in last week’s Times Literary Supplement). A traditionally strong Slovak contingent was represented by poets Peter Repka and Ivan Štrpka, and fiction writers Balla, Monika Kompaníková, Ondrej Štefánik, Michal Havran, and Silvester Lavrík. Several Ukrainian and Polish writers and poets also took part in some of the readings.

One of the Polish festival participants, Zośka Papużanka, arrived in Brno fresh from another appearance, in Prague, with Czech writer Ivana Myšková. The two women read from their works at the (A)VOID Floating Gallery, a boat moored on the Vltava Riverbank, which serves as an art gallery and a venue for music, theatre and literary readings. Other writers reading there this summer include Ben Aaronovitch and Czech horror story writer Miloš Urban. The gallery provided a more than fitting venue for the launch of a bilingual Czech and English anthology, A Giant Barrel of Rotgut, that “celebrates the Vltava as a river of slain crocodiles, viziers and rotgut.” If that sounds intriguing, you can find out more in this interview with poet Sylva Fischerová on Radio Prague.

And, finally, emerging translators from the Czech (and Slovak) will be interested to hear that Underpass.co, an online journal for modern literature in translation, is seeking submissions specifically from these two languages. The journal aims to offer English-speaking readers a window into new countries, neighbourhoods, cultures, perspectives, and they are especially interested in stories with a strong sense of place.

Omar El Adl, Editor-at-Large, giving us the latest scoop from Egypt: 

Alia Mossallam presented a talk on August 3 in the Townhouse gallery in Downtown Cairo. The talk featured her text RAWI which deals with motherhood, writing, and revolutionary politics, according to Mada Masr. Mossallam has collected oral history testimonies in Nubia, Alexandria and Port Said, has been involved in alternative pedagogical structures in Cairo, and her dissertation focused on a popular history of Nasserist Egypt through stories and songs by people behind the 1952 revolution. The text was created as part of a long form essay workshop held in Cairo by 60pages, which describes itself as an international network of writers, artists, thinkers and scientists, based in Berlin. Other texts produced for 60pages include Arab Porn by Youssef Rakha (which will be published as a book featuring Rakha’s photography by Matthes and Seitz Berlin), Migrating the Feminine by Nora Amin and a forthcoming text by Amr Ezzat. The talk was held in Arabic, with a reading of the text in English.

Youssef Rakha is also to write a column as the central character from his Book of the Sultan’s Seal, Mustafa Çorbacı, according to his bimonthly newsletter. Rakha describes this development on his newsletter as follows:

“First, that mad newspaperman Mustafa Çorbacı has resolved to write a column. You may be familiar with Çorbacı from a certain, overrated Book of the Sultan’s Seal. In hopeless pursuit of the same meme, he has named his ephemeral effusions, “Postmuslim.” Raising vaguely relevant questions only to leave them grossly un-dealt with would not be untypical. But if mildly psychotic speculation on being in Cairo today holds some promise of amusement, do humour the unfortunate lunatic by reading and sharing his 400 words.”

According to Rakha, the column will appear printed in Al-Ahram Weekly as well as on this site every Friday starting from July 7.

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Weekly Dispatches from the Frontlines of World Literature

No matter where you are, we've got you covered.

Since 2013 we’ve been bringing you the latest news in the literary world, and we’re not about to stop anytime soon! This week our Executive Assistant, Cassie Lawrence, showcases the latest exciting books being published and prizes being awarded in the UK; our new Editor-at-Large from Brazil, Lara Norgaard, focuses on racial and gender diversity in festivals across the country, as well as newly published work that had been previously lost; finally, our Editor-at-Large for Taiwan, Vivian Szu-Chin Chih, fills us in on the latest prizes as well as film festivals happening right now! 

Cassie Lawrence, Executive Assistant at Asymptote, reports from the UK: 

An unpublished manuscript from the late author Maurice Sendak (known for Where the Wild Things Are) has been discovered. The manuscript is complete with illustrations and is said to date from twenty years ago, according to Publishers Weekly. A publisher for the new title has not yet been announced.

June 20-23 saw twenty British writers and over fifty literature professionals from around the world gather in Norwich as part of the International Literature Showcase. An online platform that allows the showcasing and collaboration of international literature organisations, the live event included panel discussions and readings from Elif Shafak, Graeme Macrae Burnet, David Szalay, and more.

Good news for libraries finally! Following the cuts that have taken place across the country in recent years, The Bookseller brings news that 14 libraries across Lancashire are set to reopen later this year and early next year. These will be partly run by community groups, but with the majority still being run by the council.
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Weekly Dispatches from the Frontlines of World Literature

The international literary news you won't find anywhere else.

It’s Friday and we’re back with the latest news from our Editors-at-Large, providing us with their personal roundups of the most exciting literary developments in their region. We kick off with Jessie Stoolman in Morocco, where there’s never a shortage of intriguing events and publications; Julia Sherwood in Slovakia takes us on a tour of the various cross-cultural literary encounters that have been occurring recently in the Czech Republic; and finally, Omar El Adl gives us some insight into the latest talks, discussions and publications that are taking place right now in Egypt. 

Jessie Stoolman, Editor-at-Large, reporting from Morocco: 

July was filled with literary events throughout Morocco, starting with a conversation between two Moroccan Prix Concourt winners, Leila Slimani and Tahar Ben Jelloun, at the Minzah Hotel, where they discussed “Comment écrire et publier un livre?” (“How to write and publish a book”) Another star Moroccan author (and painter), Mahi Benibine, whose novel Horses of God, inspired by the 2003 suicide attacks in Casablanca, was made into a critically-acclaimed film, presented his newest novel Le fou du roi at Librairie les insolites in Tangier.

Speaking of new publications from major Moroccan authors, Dar Toubkal’s newly released publication of the poet Mohammed Bennis’ الأعمال النثرية (Works of Prose) was just reviewed in Al-Hayat.

Still staying within the Tangier region, the Galerie Delacoix hosted artists, academics, and students for the الجسد الإجتماعي والمحيط الحضري (Espace urbain & corps social) program and internal working week. Among the participants was Moroccan-French artist and co-founder of the Cinémathèque du Tanger, Yto Berrada. Given continued action from the Al-Hoceima-based protest movement (حراك الريف), the geographer William Kurtz’s talk on “La Globalisation de la Région Tangier Al-Hoceima et son impact sur les inégalites sociales et spatiales” (“Globalization of the Tangier Al-Hoceima Region and its impact on social and spatial inequalities”) was particularly timely.

If that was not enough activity in Tangier, Librairie des Colonnes hosted Zahra Al-Khamleshi, who presented her most recent work, الحدود في شمال المغرب: آمال وآلام النساء الحمالات (Borders in Northern Morocco: Hope and Suffering of Women Porters) on the women who carry products between Ceuta (a Spanish enclave/colony in northern Morocco) and Morocco.

Moving further south, in Casablanca, Kabareh Cheikhats was back again. Their travelling show aims to shed light on the history of Cheikhats, who are often mischaracterized as exotic dancers. Historically, Cheikhats throughout the Maghreb were skilled poets, improvising verses on such controversial topics as resistance to colonization, which they sang and set to music at community gatherings.

Lastly, check out the “Lilipad” project, started by young Moroccan activist Sara Arsalane, which aims to collect books and distribute them to underserved schools throughout Morocco.

Julia Sherwood, Editor-at-Large, with all the latest news from the Czech Republic: 

On August 4, as we go to press, Czech poet and literary historian Petr Hruška and Georgian poet and musician Erekle Deisadze are reading from their works in the Ukrainian city of Lviv. Their performance brings to a close a 31-day long marathon tour of five cities, comprising Authors’ Reading Month (Měsíc autorského čtení or MAČ 2017), Central Europe’s largest literary festival. The readings, by two or more authors each day, are broadcast live and the recordings are available online. The festival’s founder Petr Minařík, whose publishing house Větrné mlýny is based in the Czech Republic’s second largest city Brno, has given a wide berth to capital cities, instead locating the festival in four other cities of similar size: Ostrava near the Polish border, Wrocław on the other side of the border in Poland, Košice in eastern Slovakia and, more recently, Lviv in Ukraine.

The guest country of this year’s festival, which kicked off in Brno on 1st July, is Georgia. This country in the Caucasus is fast becoming a trendy tourist destination, yet its literary riches are not all that well known in Central Europe. Thirty-one Georgian writers joined the tour, accompanied by acclaimed Czech authors, among them Ivan Klíma, Arnošt Goldflam, Ivan Binar, Marek Šindelka, Martin Reiner, Michal Viewegh and Jáchym Topol (whose 1995 novel Angel Station, just out from Dalkey Archive Press in Alex Zucker’s English translation, was reviewed by James Hopkin in last week’s Times Literary Supplement). A traditionally strong Slovak contingent was represented by poets Peter Repka and Ivan Štrpka, and fiction writers Balla, Monika Kompaníková, Ondrej Štefánik, Michal Havran, and Silvester Lavrík. Several Ukrainian and Polish writers and poets also took part in some of the readings.

One of the Polish festival participants, Zośka Papużanka, arrived in Brno fresh from another appearance, in Prague, with Czech writer Ivana Myšková. The two women read from their works at the (A)VOID Floating Gallery, a boat moored on the Vltava Riverbank, which serves as an art gallery and a venue for music, theatre and literary readings. Other writers reading there this summer include Ben Aaronovitch and Czech horror story writer Miloš Urban. The gallery provided a more than fitting venue for the launch of a bilingual Czech and English anthology, A Giant Barrel of Rotgut, that “celebrates the Vltava as a river of slain crocodiles, viziers and rotgut.” If that sounds intriguing, you can find out more in this interview with poet Sylva Fischerová on Radio Prague.

And, finally, emerging translators from the Czech (and Slovak) will be interested to hear that Underpass.co, an online journal for modern literature in translation, is seeking submissions specifically from these two languages. The journal aims to offer English-speaking readers a window into new countries, neighbourhoods, cultures, perspectives, and they are especially interested in stories with a strong sense of place.

Omar El Adl, Editor-at-Large, giving us the latest scoop from Egypt: 

Alia Mossallam presented a talk on August 3 in the Townhouse gallery in Downtown Cairo. The talk featured her text RAWI which deals with motherhood, writing, and revolutionary politics, according to Mada Masr. Mossallam has collected oral history testimonies in Nubia, Alexandria and Port Said, has been involved in alternative pedagogical structures in Cairo, and her dissertation focused on a popular history of Nasserist Egypt through stories and songs by people behind the 1952 revolution. The text was created as part of a long form essay workshop held in Cairo by 60pages, which describes itself as an international network of writers, artists, thinkers and scientists, based in Berlin. Other texts produced for 60pages include Arab Porn by Youssef Rakha (which will be published as a book featuring Rakha’s photography by Matthes and Seitz Berlin), Migrating the Feminine by Nora Amin and a forthcoming text by Amr Ezzat. The talk was held in Arabic, with a reading of the text in English.

Youssef Rakha is also to write a column as the central character from his Book of the Sultan’s Seal, Mustafa Çorbacı, according to his bimonthly newsletter. Rakha describes this development on his newsletter as follows:

“First, that mad newspaperman Mustafa Çorbacı has resolved to write a column. You may be familiar with Çorbacı from a certain, overrated Book of the Sultan’s Seal. In hopeless pursuit of the same meme, he has named his ephemeral effusions, “Postmuslim.” Raising vaguely relevant questions only to leave them grossly un-dealt with would not be untypical. But if mildly psychotic speculation on being in Cairo today holds some promise of amusement, do humour the unfortunate lunatic by reading and sharing his 400 words.”

According to Rakha, the column will appear printed in Al-Ahram Weekly as well as on this site every Friday starting from July 7.

****

Read More News:

Weekly Dispatches from the Frontlines of World Literature

This week's literary news from the Nordic countries, the UK and Israel.

The week is nearly over, which not only means it’s the weekend but also that it’s time for our literary catch-up! For this edition, Blog Editor Hanna Heiskanen shares updates on the upcoming awards season, among other news from Scandinavia. Editor-at-Large Julia Sherwood then reports on literary happenings from the UK. Rounding it all up is our correspondent for Israel, Alma Beck, currently residing in New Orleans, where she teaches philosophy for children.

Obligatory reminder: After you’ve caught up with all the news, head over to our just-launched Fall 2016 issue here!

First up, Blog Editor Hanna Heiskanen has the latest from the Nordic countries:

Lars Huldén, the Swedish-speaking Finn poet, has passed away at the age of 90. Born in Pietarsaari, Finland, Huldén was a much loved and highly regarded writer, scholar, translator, and recipient of the Swedish Academy Nordic Prize in 2000. He grew up among a tradition of oral storytelling in the local Swedish dialect and worked tirelessly throughout his adult life, publishing a large collection of poetry, prose, plays, and sonnets, among other works. He also produced Swedish translations of Finnish and English classics, such as the Finns’ national epic, Kalevala, and Shakespearean texts.

Finnish Literature Exchange (FILI) is accepting applications for grants until November 1. If you are a publisher, translator, author, or event organizer interested in working with Finnish literature, FILI has a handy guide on their site to guide you through the options. FILI, founded in 1977, hands out approximately 700,000€ worth of grants annually, in addition to hosting translator residencies and maintaining a database of translations of Finnish literature.

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Weekly Dispatches from the Frontlines of World Literature

This week's literary news from Egypt, Bangladesh, the ALTA conference and on the recent Nobel Prize list.

Welcome to this edition of Asymptote’s weekly update, a hop, step, and jump tour de force bringing you the latest from three continents of literature in translation. To kick off, our Egyptian Editor-at-Large Omar El Adi sends us his bulletin, including news on literary prizes and an upcoming event in London. We then zoom in on Bangladesh, where Editor-at-Large for India Naheed Patel reports on recent festivals and the passing of Bangla authors. Also, US-based Assistant Editor Julia Leverone visited the ALTA conference so you didn’t have to. And finally Assistant Managing Editor Janani Ganesan gives us the round-up from the literary world on the Nobel Prize in Literature being awarded to Bob Dylan. 

Editor-at Large Omar El Adi has the latest literary news from Egypt:

The inaugural annual lecture of the Saif Ghobash Banipal Prize for Arabic Literary Translation will be given by Palestinian author Anton Shammas at the British Library in London on 14 October. The jury for this year’s prize includes last year’s winning translator Paul Starkey, professor of Arabic Zahia Smail Salhi, writer and journalist Lucy Popescu, and literary consultant and publisher Bill Swainson. Paul Starkey’s 2015 win came for his translation of Youssef Rakha’s The Book of the Sultan’s Seal: Strange Incidents from History in the City of Mars (2014). An excerpt of Rakha’s third book Paulo (forthcoming in English) was featured in the Spring 2016 issue of Asymptote. The winner of the prize will be announced this December.

In Alexandria, Tara Al-Bahr, an interactive online platform, is launching its second print edition with original essays as well as translations into Arabic on the topics of cultural and artistic practices and urban change in contemporary Alexandria. Tara Al-Bahr launched in May this year, and its second printed edition came out on Thursday, 6 October.

The Facebook group Alexandria Scholars is commencing a series of talks, titled “The City Dialogue Series”, with the support of the Swedish Institute in Alexandria, and curated by the sociologist Amro Ali. The first lecture, “Alexandria and the search for meaning”, was on 10 October and explored solutions to the city’s problems “through the terrain of historical, urban, and philosophical analysis”. Future events involving writers, academics, political figures, and researchers have already been planned for November and December.

In publishing news, Mohamed Rabie’s Otared (2016) was released in English translation in September by AUC Press. The novel was shortlisted for the International Prize in Arabic Fiction in 2016 and is set in a dystopian post-revolutionary Egypt. An excerpt is available here.

Halal If You Hear Me, a forthcoming anthology of writings by Muslims who are queer, women, gender nonconforming or transgender, is calling for submissions. Editors Fatimah Asghar and Safia Elhillo are looking for submissions of up to five poems or two essays, including a cover letter with contact info and a short bio. Those interested should email halalifyouhearme@gmail.com before 1 December, 2016.

Editor-at-Large for India Naheed Patel shares some stories from the neighbouring Bangladesh:

Next month sees Bangladesh’s capital revving up for the annual Dhaka Literary Festival, which runs from November 17-19.  The festival has been held at the historic Bangla Academy since 2012, and is directed and produced by Sadaf Saaz, Ahsan Akbar, and K. Anis Ahmed. In the face of numerous recent Freedom of Expression violations in Bangladesh, the festival marks a resurgence of Bangladeshi literary culture, reaching across a number of different disciplines and genres: from fiction and literary non-fiction to history, politics and society; from poetry and translations to science, mathematics, philosophy and religion. The festival has more than 20,000 attendees and past contributors include Vikram Seth, Tariq Ali, Rosie Boycott, William Dalrymple, Ahdaf Soueif, Shashi Tharoor, Jung Chang, and Pankaj Mishra as well famous writers of Bangla literature like Hasan Azizul Huq, Selina Hossain, Debesh Roy, and Nirmalendu Goon.

In August and September Bangladesh mourned the passing of two prominent Bangla poets. Author, poet, and playwright Syed Shamsul Haq died at the age of 81 in Dhaka on September 27, 2016, and renowned Bangladeshi poet Shaheed Quaderi passed away in New York at the age of 74 on August 28, 2016. Haq was given the Bangla Academy Award in 1966 and the Ekushey Padak, the highest national award of Bangladesh, in 1984. He was also honored with a Swadhinata Padak in 2000 for his contribution to Bangla Literature. Payer Awaj Paoa Jay’ [We Hear the Footsteps] and Nuruldiner Sara Jibon [The Entire Life of Nuruldin], his most popular plays, are considered to be cornerstones of Bangladeshi theatre. Shaheed Quaderi received the Ekushey Padak in the category of Language and Literature in 2011 and was previously awarded the Bangla Academy Award in 1973. Prominent Bengali scholars such as Kabir Chowdhury, Kaiser Haq, and Farida Majid have translated his poems into English.

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Weekly News Roundup, 13 November 2015: The Most Knausgaardy

This week's literary news from around the world

Happy Friday, Asymptote! If you need a pick-me-up this week, here’s a friendly reminder of why translation’s so important: translating books often means saving them (essay comes to us thanks to LitHub, by former contributor André Naffis-Sahely). After all, without translation (and translators), we could never read this New York Times book review: literary phenomenon and badboy Norwegian Karl Ove Knausgaard writes the most Knausgaard-y book review on  French writer Michel Houellebecq’s latest-into-English, Submission. 

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Weekly News Roundup, 7th August 2015: Nah Nah Nah NEA!

This week's literary highlights from across the world

Weekly News Roundup, 31st July 2015: Book the Booker & Submit to Our Emerging Translators Contest

This week's literary highlights from across the world

Weekly News Roundup, 5th June 2015: Don’t Write Your Memoir.

This week's literary highlights from across the world

Happiest of Fridays, Asymptote pals! This is the first week Katrine, new blog co-editor, is on board—so let’s give her a big web-round-of-applause (tapping on the keyboard in the comments section helps). Hi Katrine! You might recognize Katrine because she was a judge for the Best Translated Book Award so, yeah—she’s a celeb.

Speaking of celebs, our former Central Asia Editor-at-Large, Alex Cigale, recently guest-edited a section on Russian poetry over at the Atlanta Review—it’s definitely worth checking out (and look for a blog interview on the guest-editing process soon). If you are a fan of the Norwegian Nobel Prizewinning bard, Tomas Transtömer, here’s a treat—his final interview given before his death, in translation. And, speaking of poetry—the New Yorker has an interesting piece on Jihadi poetry and what it means to share some words.

Multitasking artists: American playwright Tennessee Williams took up painting, once (just like American ex-President Dubya, whose outsider-art paintings I frankly prefer). And Dany Lafferière, a Haitian novelist who came of age in Canada, is the first non-French citizen to be admitted in the prestigious Académie Française.

What are your favorite authors’ favorite words? Here’s a little list. And what’s your favorite curse word—it might not have existed too long ago (except, of course, for “fart,” which has stood the test of time).

How does it feel to write and never be read? Most of us know, all too bitterly. But perennial Nobel-speculation and speculative-fiction writer, Canadian novelist/poet Margaret Atwood, has written for a library that won’t be available for another one hundred years. Will we all be screened-up e-readers by then? The Chicago Tribune thinks not. Nine hundred years later, we’re still collectively obsessed with the old Icelandic god, Loki, though. What gives?

Finally, please, and for the love of God—unless you are Karl Ove (in which case it is already too late): delete your memoir. If it’s written from a female perspective, it’s less likely to win any big prizes, anyway (ugh), unless, of course, it is the Bailey’s Women’s Prize for Fiction (congrats Ali Smith for How to Be Both, this year’s prizewinner). Prizes aren’t always great, though: even judge Marina Warner (from the Man Booker!) is bemoaning the dearth of world literature available in English—good thing journals like Asymptote are working to buck that trend.

Weekly News Roundup, 15th Mary 2015: PEN or Sword, Too Many Prizes

This week's literary highlights from across the world

Happy Friday, Asymptote friends! Another day, another dollar, another slew of literary prizes to report. This week, the PEN prizes were of special interest: Two Lines Press’ translation of Baboon, written by Danish author Naja Marie Aidt with translation by Denise Neuman has snagged the PEN Translation Prize (for a short-story excerpt from Baboon, click here!—or better yet: read Eric MIchael Becker’s exclusive interview with the author here). Meanwhile, the Helen and Kurt Wolff Translator’s Prize (for translations of German-into-English) is slated to go to Catherine Schelbert, for her translation of Hugo Ball’s Flametti. And the Oxford-Weidenfeld Translation Prize has announced its shortlist, which includes our own friend of the blog (and Tiff-ster) Susan Bernofsky, for her translation of German writer Jenny Erpenbeck’s The End of Days (coincidentally reviewed here in our latest issue). READ MORE…

Weekly News Roundup, 1 May 2015: PEN or Sword?

This week's literary highlights from across the world

Happy first of May, Asymptote readers! On this first of May, readers and observers are reeling at a bit of a scuffle around awards (this happens more rarely than you’d think): a few authors, among them Michael Ondaatje, Rachel Kushner, Salman Rushdie, and Joyce Carol Oates have formally withdrawn from a gala event honoring the French newspaper Charlie Hebdo with its Freedom of Expression award, citing discomfort with the periodical’s inflammatory depictions. If you’re interested in an insider look at the controversy, here’s the letter between the PEN exec and a dissident. Meanwhile, French cartoonist at Charlie Hebdo says he’s withdrawing from depictions of Mohammed altogether, for reasons you may not anticipate. And altogether less contentious is the PEN Manheim award for translation, given to Chinese and Japanese scholar/translator Burton Watson.

READ MORE…