We have such an amazing group of creative people over here at Asymptote. Check out some of our recent news and stay tuned for more of the international literature you love!
Poetry Editor Aditi Machado’s book of poetry, Some Beheadings, has been awarded The Believer Poetry Award.
Communications Manager Alexander Dickow has published an article in French on the creative imagination in Apollinaire’s Méditations esthétiques in Littérature’s 190th edition.
Editor-at-Large for Romania & Moldova Chris Tanasescu aka MARGENTO delivered a computational poetry paper at a major Artificial Intelligence conference, presented a Digital Humanities paper at Congress2018, and has flown to Europe to launch a computationally assembled poetry anthology.
It was during the summer of 2015, as I was doing research at the National Library in Singapore, that a small sheaf of papers fell—quite literally—into my lap. Covered in dense 1970s newsprint, I was about to place it back on the shelf when some handwritten Vietnamese at the top of a page caught my eye.
Trại tỵ nạn Hawkins: kiểu mẫu của sự hòa hợp, it read, accompanied by a translation: “The Hawkins Road Refugee Camp: A model of harmony.” I was intrigued. I had heard, of course, that “boat people” had arrived in Singapore after Vietnam’s reunification and subsequent invasion of Cambodia. I had heard, too, that most were turned away by the Singapore Navy after being provided with fuel and water, in a controversial exercise that came to be known as Operation Thunderstorm.
It is literary prize season and recent news that the Nobel Prize for Literature will not be awarded this year along with growing excitement for forthcoming award announcements have kept the literary community on our toes! This week we bring you the latest news from the Czech Republic, Hong Kong, Singapore, and Tunisia. Enjoy!
Julia Sherwood, Editor-at-large, reporting from the Czech Republic:
April 4 saw the announcement of the winners of the most celebrated Czech literary prize, the Magnesia Litera. For the first time in four years the title “book of the year” went not to a work of fiction but to an analysis of contemporary Czech politics against the backdrop of recent history, Opuštěná společnost (The Abandoned Society) by journalist Erik Tabery. The fiction prize was awarded to Jaroslav Pánek for his novel Láska v době globálních klimatických změn (Love in the Time of Global Climate Change), the story of a scientist forced to confront his own prejudices while attending a conference in Bangalore.
We have such an amazing group of creative people over here at Asymptote. Check out some of our recent news and stay tuned for more of the international literature you love!
Poetry Editor Aditi Machado‘s poem “Epistle” appeared in Boston Review, and another poem of hers, “Archaic”, was reprinted by the Poetry Society of America.
From May 1 – 5, Romania and Moldova Editor-at-Large Chris Tanasescu aka MARGENTO organized DHSITE, a bilingual event introducing new computing technologies and their uses in education and research, at the University of Ottawa. Later this month, he will present a paper at the Kanada Koncrete poetry conference in the same school.
Both Assistant Editor Lizzie Buehler and Blog Editor David Smith have accepted offers to attend the University of Iowa’s Literary Translation MFA this coming fall. David also wrote a review of an early Jon Fosse novel, Boathouse, for Reading in Translation.
Indonesia Editor-at-Large Norman Erikson Pasaribu spoke with Indonesian writer Eka Kurniawan about his conception of horror, the diversity of Indonesian literature, and the rebirth of the New Order in Mekong Review.
Assistant Managing Editor Sam Carter published an essay at Music & Literature on Jorge Barón Biza’s The Desert and Its Seed.
Blog Editor Sarah Booker‘s translation of Cristina Rivera Garza’s The Iliac Crest (Feminist Press and And Other Stories) was included on the long list for the Best Translated Book Award.
Singapore Editor-at-Large Theophilus Kwek contributed work to Carcanet Press’s latest New Poetries anthology. He also published a piece in The Straits Times comparing citizenship opportunities in the UK (where he was able to vote in the European Union referendum as a Commonwealth citizen) and Singapore.
For more news from the Asymptote blog:
It’s Friday, which means it is time to catch up on the literary news from around the world, brought to you by our fabulous Asymptote team! This week, we highlight France, Singapore, and the United States.
Barbara Halla, Editor-at-Large, reporting from France:
As previewed in our January dispatch, Paris is getting ready to host its annual Book Fair, starting March 16. The spotlight this year will be on contemporary Russian literature, with thirty-eight guests including Olga Slavnikova, Vladimir Charov, and Alexandre Sneguirev—all previous winners of the Russian Booker Prize. But even before the fair opens its literal doors, another event is organized in Southern France to satisfy those readers that can’t make it to Paris. Bron, a commune of Lyon, will hold its first Book Festival, dedicated entirely to contemporary fiction, between March 7 and 11. The festival celebrates those French authors who showcase the heterogeneous nature of the novel itself, with a spotlight on the works of Jean-Baptiste Andréa, Delphine Coulin, Pierre Ducrozet, Thomas Gunzig, and Monica Sabolo.
March is also Women’s History Month and French publishers have joined in the effort to promote literature by women and on women. Folio, a Gallimard imprint, has launched its “Femmes Prodigieuses” (“Brilliant Women”—a play on Elena Ferrante’s “My Brilliant Friend”) campaign on social media, urging readers to read and share the works of their favourite women authors. Folio’s own suggested reading list include classics and contemporary authors, from Virginia Woolf to Marie NDiaye and Chimamanda Ngozi Adichie. Beyond just the campaign, publishers are celebrating Women’s History Month by simply publishing more women. Simone de Beauvoir’s memoir “L’age de discrétion” (“The Age of Discretion”), analysing womanhood at sixty and beyond, will be published for the first time as a standalone book. Albin Michel, another major publisher, will publish Susan Rubin Suleiman’s “La question Némirovsky,” a biography of Irène Némirovsky, of “Suite Française” fame, to paint a portrait of a great, and yet forgotten, author.
Contributing Editor Aamer Hussein participated in the Sixth Annual Lahore Literary Festival on 24 February, 2018 at the Alhamra Arts Center.
Communications Manager Alexander Dickow won a PEN/Heim grant for his translation of Sylvie Kandé’s Neverending Quest for the Other Shore: An Epic in Three Cantos.
Drama Editor Caridad Svich published an article entitled Six Hundred and Ninety-Two Million: On Art, Ethics, and Activism on HowlRound. Her play, An Acorn, recently opened at Trinity Repertory Company in Providence, Rhode Island.
Poetry Editor Aditi Machado has created a teaching guide for her recent book of poetry, Some Beheadings (Nightboat Books, 2017). She was also interviewed by Chicago Review of Books about the translatability of poetry.
Communications Manager Alexander Dickow released a short monograph in French on Max Jacob called Jacob et le cinéma (Paris: Nouvelles Editions Jean-Michel Place, 2017).
Guest Artist Liaison Berny Tan’s first solo exhibition, ‘Thought Lines’, opened last month. She also currently has work displayed in an exhibition called ‘Journeys with “The Waste Land”’ at the Turner Contemporary in Margate, UK.
Our weekly news update continues in the dawn of this exciting and unpredictable year, but before we get down to business, Asymptote has some very important news of its own (in case you missed it): our new Winter 2018 issue has launched and is buzzing with extraordinary writing across every literary genre! Meanwhile, our ever-committed Editors-at-Large—this week from Brazil, Hungary and Singapore—have selected the most important events, publications and prizes from their regions, all right here at your disposal.
Theophilus Kwek, Editor-at-Large, reporting from Singapore:
2017 ended on a high note as Singapore’s literary community celebrated the successes—and homecomings—of four fiction writers who have gained international acclaim: Krishna Udayasankar, Rachel Heng, JY Yang, and Sharlene Teo. At a packed reading organized by local literary non-profit Sing Lit Station on December 30th, the four read excerpts from their recent or forthcoming work, from Yang’s Singlish-laced speculative short fiction, to fragments of Teo’s novel Ponti, winner of the inaugural Deborah Rogers Writer’s Award. The following weekend, Udayasankar and Heng joined other Singapore-based writers such as Toh Hsien Min and Elaine Chiew for two panel discussions on aspects of international publishing, which aimed to promote legal and ethical awareness among the community here.
Other celebrations in the first fortnight of 2018 took on more deep-seated local issues. Writers, musicians and artists from among Singapore’s migrant community presented a truly cosmopolitan evening of song and poetry to a 400-strong audience that included fellow migrant workers, migrant rights activists, and members of the Singaporean public. Among the performers were the three winners of 2017’s Migrant Workers’ Poetry Competition, alongside Rubel Arnab, founder of the Migrants’ Library, and Shivaji Das, a prominent translator and community organizer. Several days after, indie print magazine Mynah—the first of its kind dedicated to long-form, investigative nonfiction—launched their second issue with a hard-hitting panel on ‘History and Storytelling’. Contributors Kirsten Han, Faris Joraimi and Yu-Mei Balasingamchow all spoke persuasively about contesting Singapore’s official narratives of progress and stability, and the role of writers in that truth-seeking work.
After the recently concluded blog series in which we looked back on 2017’s literary discoveries, we bring you our New Year’s reading resolutions.
Chris Power, Assistant Editor:
I work in French and German, so I’ll start with my French literary resolutions: I’m reading Marx et la poupée (Marx and the Doll) by Maryam Madjidi with my friend and former French professor, the psychoanalytic literary theorist Jerry Aline Flieger. Excerpts of the novel of course appear in our current issue. If it isn’t my favorite work we’ve published, then it stands out for being the one that overwhelmed my critical faculties. I couldn’t write about it in the disinterested manner that I prefer. Instead I wrote a confused, gushing blurb listing my favorite scenes and describing how it brought tears to my eyes. An emphatic “yes” was all I could muster. Next on my list is Réparer le monde (Repair the World) by Alexandre Gefen, to which Laurent Demanze dedicated a beautiful essay in Diacritik in late November. I’m looking forward not only to an insightful survey of contemporary French literature, but also to a provocative anti-theoretical turn in the history of literary theory, namely a theory of the utility of literature (to repair the world) which cites pragmatist philosophers like John Dewey. Gefen introduces this theory enticingly through a reading of Barthes in his lecture “A quoi bon ? Les pouvoirs de la littérature (La tentation de l’écriture)” / “What’s the use? The powers of literature (the temptation of writing)” which is available online, but I must admit that I’m reminded of a Baudelaire quote dear to me: “Être un homme utile m’a toujours paru quelque chose de bien hideux.” (“To be a useful man has always appeared to me to be particularly hideous.”) In 2018 I’ll also continue exploring the work of Sarah Kofman, who seems to me to be a diamond in the rough of historical amnesia and a potential dissertation topic. She’s exactly the kind of Nietzschean, Parisian philosopher-poet of the 1960s who worked at the intersection of philosophy and art that we’ve grown so comfortable labelling a “theorist,” but she hasn’t (yet) acquired the cult following of her dissertation advisor Gilles Deleuze or colleague Jacques Derrida.
Boey Kim Cheng’s reputation as a critically acclaimed writer rests on his work as a poet and essayist. He has authored five poetry collections—Somewhere-Bound (1989); Another Place (1992); Days of No Name (1996); After the Fire (2006); and Clear Brightness (2012)—the first two of which won Singapore National Book Development Council awards, and the last of which was selected by The Straits Times as one of the best books of 2012. His collection of essays Between Stations (2009) was shortlisted for the Western Australian Premier’s Prize in nonfiction.
This past October saw the publication of his first foray into novel writing. Set during a turbulent period in Tang-Dynasty-era China, Gull Between Heaven and Earth (Epigram Books, 2017) is a fictionalized biographical account of Du Fu, one of China’s most esteemed classical Chinese poets. The end-result of a ten-year-long, meticulously researched labor of love (the early fruits of which appeared in Asymptote’s inaugural issue), Gull represents the first extensive literary treatment of Du Fu’s life, fictional or otherwise, in any language.
In addition to venturing into the territory of prose fiction to complete the project, the Singaporean-born poet also undertook new translations of Du Fu’s poetry, which appear scattered throughout the novel, gem-like and epiphanic. In this interview with Asymptote Australia Editor-at-Large Tiffany Tsao, Boey recounts what compelled him to see this book to completion, as well as the challenges and joys of translating not only Du Fu’s poems, but his character and life.
Tiffany Tsao: On the one hand, your novel Gull Between Heaven and Earth represents a shift for you. Until now, you’ve been a poet and essayist. On the other hand, there’s considerable continuity between your previous works and this one: Gull is about a poet and his poetic calling; it contains poetry as well as themes of travel and nostalgia, which feature prominently in your past work. What prompted you to switch forms for this project? How have you found the experience of writing fiction in prose compared to writing poetry and nonfiction in prose?
What an overwhelming ten days since the launch of the Asymptote Book Club! We received queries from as far afield as Australia and Canada—so much interest from Canada, in fact, that we decided to open our book club to Canadians four days ago. But why a book club in the first place? some asked. Well, in a nutshell: the idea was to take the important work we have done with our award-winning, free online journal and our Translation Tuesday showcases at the Guardian—that is to say, showcasing the best new writing from around the world, and giving it a physical presence outside of the virtual arena. We also wanted to celebrate (as well as support) the independent publishers who work hard behind the scenes to make world literature possible.
What sets your book club apart from others?
Curation is a big part of what makes the book club special. We have a large team of editors based in six continents to research and pick the best titles available from a wide variety of publishers. Subscribers will receive a brand-new (just published or, in many cases, not even in the bookshops yet), surprise work of fiction delivered to their door each month. This is another thing that distinguishes us from a few other book clubs before us: we choose from new releases only—nothing from a backlist that readers may already have on their bookshelves.
Subscriptions are for three or 12 months (for as little as USD15 a month, shipping included!) and, depending on the package the subscriber picks, they may receive additional perks in the form of Asymptote merchandise and ebooks (see below), but the real focus here is on creating a serious book club for a dedicated reading public. Many subscription services focus as much on the gifts as the books themselves, but we do not see ourselves as experts in tea or socks, so we’re concentrating rather on ensuring our readers get their hands on the most amazing literature we can source, applying the same curatorial instincts that won us a London Book Fair Award in 2015. READ MORE…
Contributing Editor Adrian Nathan West has two new translations out: Rainald Goetz’s Insane published by Fitzcarraldo Editions, and reviewed in The Economist; and Juan Benet’s Construction of the Tower of Babel, published by Wakefield Press.
Writers on Writers Editor Ah-reum Han‘s flash fiction, “The Last Heifer,” was published in Fiction International, for its 50th Issue.
Copy Editor Anna Aresi’s translation of Gifts & Bequests by Carol Aymar Armstrong was published on the Italian poetry blog InternoPoesia (IP). She also edited “Poetry in Translation,” the 2017 issue of Mosaici: Learned Online Journal of Italian Poetry, which went live in November.
Annaliza Bakri is an educator and translator. She believes that literary works can be the subliminal voice that cultivates greater understanding, awareness and consciousness of the past, present and future. An ardent advocate of works that are beautifully penned in Singapore’s national language, she strongly believes in the divine art of translation where shared heritage and mutual discovery promote humanity. Our Editor-At-Large for Singapore, Tse Hao Guang, recently caught up with Annaliza about her work and about the politics of language and literature in Singapore.
Tse Hao Guang (HG): You teach, write papers, translate Malay texts into English, and organise programmes and panels on Malay culture, language and heritage. What is the driving force behind all this work? What first got you interested in this? You seem to be one of a few people here doing what I’d call literary activism.
Annaliza Barki (AB): There’s a lot of commitment and responsibility when you call yourself an activist. I don’t think it’s as much about activism as it is about sharing ideas and knowledge. In class, I use literature to teach the Malay language. Grammar and syntax can make for a dry learning experience. With literature, however, you examine ideas, explore culture, and enrich your worldview. Literature reveals intricacies of the human identity to us, and, I believe, reignites in us a flame of humanity. This is also one of the many reasons why I translate literary works. What I gain from the interweaving of cultures in my translation work allows me to better understand humanity and human predicaments.
I was part of the organising team that initiated the cultural-literary seminar series CITA@The Arts House in 2012. We provided a platform for the sharing of Malay culture, in both English and Malay, to both adults and students. Part of CITA involved inviting our older writers to speak about their work, writers who were active in the 1970s and still continue to write today. The kind of honour and gratitude we have for them made younger people curious to attend and listen, as it had been a while since we last heard from them. It was interesting for me too, as a teacher who had read and even taught their books, but had no idea who they were apart from their role as writers, or what their aspirations were. Beyond giving these writers prizes like the Cultural Medallion or the Tun Sri Lanang, I think we, as a nation, honour them by giving them a chance to engage an audience in person once again.