Posts filed under 'weekly dispatches'

Weekly Updates from the Front Lines of World Literature

This week’s literary news from Singapore, Argentina, Sweden, and Malaysia!

This week, our writers bring you the latest news from Singapore, Argentina, Sweden, and Malaysia. In Singapore, the shortlist for the Singapore Literature Prize was announced; in Argentina, the Asociación Argentina de Traductores e Intérpretes has been celebrating National Translation month with a series of talks; in Sweden, the annual crime fiction festival Crimetime has begun; and in Malaysia, Erica Eng became the first Malaysian winner of the Eisner Award. Read on to find out more!

Shawn Hoo, Editor-at-Large, reporting from Singapore

Singapore’s premier literary award, the biennial Singapore Literature Prize, held a virtual awards ceremony for the first time last night, and handed out prizes across the nation’s four official languages (Malay, Tamil, Mandarin, and English). Notably, Marylyn Tan made history with her queer and transgressive poetry collection, GAZE BACK, when she became the first woman (and lesbian) writer to win the top prize for Poetry in English. Other big winners include Wong Koi Tet (published by City Book Room) and Sithuraj Ponraj, who walked away with two prizes each. Evidently, the arts have continued to feel the negative repercussions of the pandemic, as the top prize money was slashed from SGD$10,000 to SGD$3,000 this year due to a lack of funding.

Prior to the ceremony, Unggun Creative’s Jamal Ismail—who won the Merit Award for his novel Tunjuk Langit (Pointing the Sky)—had bemoaned the lesser prize money, but wondered if winners could alternatively be awarded the “translation of their works into other languages.” Literary translations across languages in Singapore remain an under-tapped potential.

Hearty congratulations to previous Asymptote contributors who made the shortlist: Hamid Roslan, for his inventive and cacophonous bilingual collection of poetry, parsetreeforestfire; and Amanda Lee Koe, for Delayed Rays of a Star, a novel that unfolds an ambitiously transnational history through the lives of cinema icons Anna May Wong, Marlene Dietrich, and Leni Riefenstahl.

In other prize-related news, the Epigram Books Fiction Prize—formerly reserved for Singaporean writers—was for the first time this year open to submissions from Southeast Asia. This year’s winning novel, How the Man in Green Saved Pahang, and Possibly the World, is written by Kuala Lumpur-born Joshua Kam and has just been released. Pre-orders are underway for the books by the other finalists who hail from across the region. With the emphasis on regional submissions continued for next year, the Singapore-based prize looks set to become an important institution shaping the regional English-language publication scene.

Finally, an online symposium held on August 12 explored the role of the anthology in Singapore’s literary ecosystem, and put the nation’s feast of anthologies into focus. In fact, the latest anthology to arrive just this month, Food Republic: A Singapore Literary Banquet (eds. Ann Ang, Daryl Lim Wei Jie, and Tse Hao Guang), describes itself as a literal feast: “a buffet, a banquet, an omakase, a smorgasbord, a nasi padang spread, a thali or a rijsttafel.”

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Weekly Updates from the Front Lines of World Literature

The latest literary news from Hong Kong, Argentina, and Iran!

Whilst coronavirus remains a concern for countries around the world, our weekly dispatches are a testament that world literature continues to thrive, with our writers reporting on new literary journal initiatives, publishing fairs, audio books, and newly released novels. In Hong Kong, writers are advocating Cantonese literature and boldly responding to the ongoing protests by launching two new literary journals, Resonate and Hong Kong Protesting. Lovers of Argentine literature will be excited by the release of English audio books from the Centro Cultural Kirchner, featuring authors such as César Aira and Hebe Uhart, and available for free. In Iran, the literary community mourns the passing of prominent linguistic scholar Badr al-Zaman Qarib but has also celebrated the new release by the renowned novelist and Man Asian Literary Prize nominee Mahmoud Dowlatabadi. Read on to find out more! 

Jacqueline Leung, Editor-at-Large, reporting from Hong Kong

Two weeks ago, University of Edinburgh student Andrew Yu tweeted that one of the journal reviewers of his academic paper claimed that the name of Hong Kong is inappropriately “foreign” and needs to be amended to appear alongside its Chinese equivalent (香港) and its Mandarin romanization (Xianggang). Despite its roots in British colonialism, “Hong Kong” has been used for at least 180 years and is a closer romanization of the city’s name in Cantonese, its local language. What the reviewer proposed is unnatural, but it is also reflective of the city’s larger struggles as it tries to maintain its own identity amid political pressure and the sweeping national security law.

There have been recent initiatives to better protect Hong Kong’s unique culture and literature. Launched in June, Resonate is the world’s first literary journal written completely in Cantonese, which is seen mainly as a spoken language and is rarely written out in formal or literary contexts. Featuring fiction and criticism, the journal also publishes articles about the language itself, debunking myths long believed by its speakers—like the idea that Cantonese was spoken during the Tang dynasty. In fact, it is a modern variety of Middle Chinese, used from the Northern and Southern dynasties to the Song dynasty (roughly, from around A.D. 600  to A.D. 1200). Mandarin and Shanghainese also developed from Middle Chinese.

Cha, Hong Kong’s English-language literary journal, has also initiated a new project amassing writing about the Hong Kong protests, recently stifled by mass arrests of pro-democracy figures and the disqualification of lawmakers and election hopefuls. Hong Kong Protesting is a growing collection of original and translated poetry, essays, criticism, and art from various contributors. In particular, several translations of works by Hong Kong poets are available, including poems by Cao Shuying (trans. Andrea Lingenfelter), Derek Chung (trans. Tammy Lai-Ming Ho), Liu Waitong (trans. Lucas Klein), and Jacky Yuen (trans. Nicky Admussen). Many of the works evoke the start of the movement last summer when two million people marched peacefully, and when violating incidents, such as the attacks on journalists and citizens, became more frequent, altering the city once and for all. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

This week's latest news from Czech Republic, Moldova, and El Salvador!

The engines of global literature churn on amidst a summer full of suspensions, and our editors on the ground are here to bring you the latest in their developments. Though the Czech Republic and El Salvador mourn the losses of two literary heroes, their legacies are apparent in the multiple peregrinations of their works, continuing. Furthermore: an exciting new Moldovan translation and a resurfaced scandal implicating the widely-lauded Milan Kundera.

Julia Sherwood, Editor-at-Large, reporting from Czech Republic

Poet and essayist Petr Král, who died on June 17 at the age of seventy-eight, was not only an original poet continuing the surrealist tradition, but also a distinguished translator who moved freely between his native Czech and French, the language he adopted after emigrating to Paris in 1968, following the Soviet-led invasion of Czechoslovakia. Král’s translations introduced key poets of the French avant-garde to Czech readers, and the three anthologies he translated and published also helped to put Czech poetry on the map in France. After 1989, he moved back to Prague, and in 2016 was honoured with the Czech State Prize for Literature, while in 2019 he was awarded the Grand Prix de la Francophonie by the Académie française. His loss is mourned equally in Prague and in Paris.

Just over ten years ago, another great Czech-born writer who has made Paris his home, Milan Kundera, was embroiled in a huge controversy after an article in the Czech weekly Respekt alleged that, as a student and an ardent communist, the future writer had denounced another young man to the secret police, resulting in the latter’s arrest and years spent in labour camps. These allegations, which Kundera has always strenuously denied, reared their ugly head again last month, when Czech-American writer Jan Novák published Kundera’s unauthorized biography. As the title suggests, Kundera. Český život a doba (Kundera. His Czech Life and Times) concentrates on the writer’s early life and career before his emigration to France and purports to lift the veil further on “the moral relativist’s” infatuation with communism. The book has caused quite a stir, with some critics hailing it as well-researched and highly readable, while others, including journalist Petr Fischer and author and former Asymptote contributor Radka Denemarková, regard it as little more than a hatchet job, questioning Novák’s use of secret police files as a reliable source of information. Milan Kundera has maintained silence.

On the other hand, underground writer and philosopher Egon Bondy (1930–2007), the enfant terrible of Czech literature and lyricist for the punk band Plastic People of the Universe, never denounced his left-wing beliefs and took revelations of his collaboration with the secret police on the chin. In protest against the splitting of Czechoslovakia, Bondy moved to the Slovak capital, Bratislava, where he devoted himself to the study and translation of Chinese philosophy. In 1997 he wrote his final book, inspired by the life of Lao Tzu. Dlouhé ucho (The Long Ear), which had long been considered lost, was finally published this May, thirteen years after Bondy’s death in a fire that broke out in his flat when he fell asleep with a burning cigarette. READ MORE…

Weekly Updates from the Front Lines of World Literature

This week’s latest news from Argentina, Central America, and the United States!

This week, our writers bring you the latest news from Argentina, Central America, and the United States. In Argentina, Chris Andrews’s forthcoming translation of César Aira’s novel The Divorce was awarded a PEN Translates award; in Guatemala, a new posthumous collection by Kaqchikel Maya writer Luis de Lión was published; and in the United States, bookstores and libraries have been supporting the Black Lives Matter protests by publishing recommended reading lists. Read on to find out more! 

Allison Braden, Editor-at-Large, reporting from Argentina

English PEN announced the winners of its PEN Translates award earlier this month, and among them was Chris Andrews’s translation of César Aira’s The Divorce, forthcoming from And Other Stories in 2021. The Argentine author and translator continues to have a powerful influence both at home and abroad. His short novel Artforum, published in March by New Directions, earned glowing praise in an April NPR review: “Aira is unencumbered. He does what he does, and what we receive is giddy, unquestionably self-indulgent, and yet absolutely perfect.” The review, it should be noted, doesn’t reference the translator, Katherine Silver. It’s almost unbelievable that Aira can work at such a remarkable pace—he publishes two or three short novels a year—and continue to get such good reviews. (His most recent release in Argentina, Fulgentius, was also lauded.) The good news is that his pace of writing ensures work for translators and new releases into English for years to come.

Perhaps soon there will be a service to have Aira’s new releases delivered to your door monthly. Buenos Aires is a hotbed for independent publishers, and book clubs have sprung up as a way to promote and discuss new offerings. In a market inundated with new books each month—at least until recently—the clubs also provide vetting and a way to make sense of the noise. Some require members to obtain the book themselves, but others do the task of curating and sending members their selections each month. Pez Banana works this way (the name, which means banana fish, is a homage to Salinger). Founded by two veterans of the Buenos Aires publishing industry, Florencia Ure and Santiago Llach, the service sends a new release novel and reading guide each month. Among other book club choices, Bukku also sends out a monthly selection, and the decision of which service to subscribe to may come down to what else is in the box: Bukku deliveries include the book, a bookmark, a playlist curated by the author, and a surprise book-related, locally designed gift. Sign me up.  READ MORE…

Weekly Updates from the Front Lines of World Literature

This week's latest news roundup from the United Kingdom, Argentina, and Mexico!

This week our writer’s bring you the latest news from the United Kingdom, Argentina, and Mexico. In the UK, Oxford Translation Day welcomed past Asymptote contributor Sophie Hughes to talk about her Booker-shortlisted translation of Fernanda Melchor’s Hurrican Season. In Argentina, the rising cases of COVID-19 have prompted the Fundación Filba to organize virtual classes with well-known Latin American writers. In Mexico, booksellers are finding innovative solutions to reach readers as the stores remain closed. Read on to find out more! 

Andreea Scridon, Assistant Editor, reporting from the United Kingdom

Every year, research center Oxford Comparative Criticism and Translation hosts Oxford Translation Day, consisting of workshops, readings, and talks, as a prelude of sorts to the award of the Oxford-Weidenfeld Translation Prize on the June 13, at its home base of St. Anne’s College, Oxford.

Given this year’s unusual global situation, Oxford Translation Day is taking place online over the span of several weeks. We are particularly looking forward to Asymptote contributor Sophie Hughes’s talk on her Booker-shortlisted translation of Fernanda Melchor’s Hurricane Season (Fitzcarraldo Editions), which we’ve featured here and here, on June 13. Another event that seems particularly intriguing is poet and translator A.E. Stallings’s discussion of two contemporary Greek female poets, Katerina Anghelaki-Rooke and Kiki Dimoula, also on June 13. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

This week’s latest news from Sweden, France, United States, and Tibet!

This week, our writers bring you news from Sweden, where readers have been mourning the loss of two esteemed writers, Per Olov Enquist and Maj Sjöwall; the United States and Europe, where writers and artists have been collaborating for online exhibitions; and Tibet, where the Festival of Tibet has organized an unprecedented “Poets Speak from Their Caves” online event. Read on to find out more! 

Eva Wissting, Editor-at-Large, reporting from Sweden

Recently, Sweden lost two of its most prominent writers. On April 25, writer and journalist Per Olov Enquist, also known as P. O. Enquist, died at the age of eighty-five. He first became known to readers outside of Sweden with the novel The Legionnaires (in English translation by Alan Blair) which was awarded the Nordic Prize in 1969. In fact, many of his over twenty novels were awarded, including The Royal Physician’s Visit (translated by Tiina Nunnally), for which he received The August Prize in 1999, the most prestigious literary prize in Sweden. Enquist was also a literary critic, an essayist, a screenwriter, as well as a playwright. Several of his plays premiered on The Royal Dramatic Theatre and were directed by Ingmar Bergman. Furthermore, Enquist translated Friedrich Schiller’s play Mary Stuart and Henrik Ibsen’s Rosmersholm. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

This week's literary news from Mexico, Argentina, and China!

With much of the world now weeks into lockdown, our writers bring you news of its continued impact upon both the publishing and bookselling industries, as well as on writers’ own responses. In Mexico, authors such as Olivia Teroba and Jazmina Barrera have continued to engage with audiences; in Argentina, bookshops have been embracing solidarity to overcome the current challenges; and in China, the lifting of the lockdown in Wuhan has brought fresh poetry broadcasts and publications along with it. Read on to find out more! 

Andrew Adair, Editor-at-Large, reporting from Mexico

Here in Mexico City, the lockdown has been largely optional, with much frustration over President López Obrador’s casual, relaxed approach before a global pandemic. Until a few weeks ago, there was no lockdown whatsoever, which left people to follow their own moral code when it came to deciding what to stop doing and when. Now, restrictions are in place and movement in the city has calmed down, though with such lackadaisical direction, many still continue to gather. Of course, many more have no choice but to work, as Mexico is the second-most impoverished country in Latin America (Brazil being the first) and many live, not week-to-week, but day-to-day.

And so, with that, we’ve moved online with the rest of the world, shifting many literary conversations to all manner of digital platforms: Zoom, Instagram, YouTube Live—surely you know the drill by now.

One particularly busy author is Olivia Teroba, a newcomer whose first publication of feminist-edged essays, Un lugar seguro (A Safe Place) arrived last year from Paraíso Perdido. Teroba has given workshops and talks through various institutions and bookstores, most notably her Zoom videoconference “New Genealogies” with Casa Tomada, an independent cultural space which has done an impressive job of moving online.

On April 24, la UNAM (National Autonomous University of Mexico) celebrated International Book Day with a series of rousing talks from a wide range of authors as part of their new program #CulturaUNAMenCasa. Topics included, appropriately, “Reading poetry in digital environments,” “Books that save our lives,” and “Feminine Verse in Latin America”—a talk between Claudia Masin and Mexico City-based poet/translator Robin Myers. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest news from Albania, France, and Japan!

Many countries around the world are now weeks into their lockdown, but literature continues to thrive and is necessarily concerned with the current crisis. In Albania, literary events are moved online whilst booksellers are expected to continue working; in France, a Romanian writer and opponent of the Romanian communist regime sadly passed away from coronavirus. In Tokyo, pandemic literature sees a revival. Read on to find out more! 

Barbara Halla, Assistant Editor, reporting from Albania

There was a moment when it felt like an early April literary dispatch from Albania would just be a chance to mourn the events that I was excited about but that never came to pass. Albania registered its first cases of COVID-19 on March 8 and went into full lockdown less than 48 hours after. That obviously means that for almost the entire duration of March, literary news and activities have been scarce. There was one event that I was sad to see postponed: a panel and discussion to be held on the lost voices of Albanian women writers, something that was long overdue.

That being said, Albanians with a literary inclination have found other ways to remain engaged with their reading lists or interests. Radical Sense is a reading group that meets weekly in Tirana to read and discuss radical leftist texts at 28 November, a versatile bookstore/safe space for readers and activists, among its many other uses. Although the physicality of the charming attic where these discussions are held is sacred to the group, participants have taken a page from universities and workplaces across the globe and have just held their first online book club meeting through Zoom. Readings and discussion happen in English, so for those who live in Albania and are interested in participating, you can check in with the lovely owners of 28 November here for more details. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

This week we report from Slovakia, Brazil, and Egypt.

Welcome back for a fresh batch of literary news, featuring the most exciting developments from Slovakia, Brazil, and Egypt. 

Julia Sherwood, Editor-at-Large, reporting from Slovakia:

Hot on the heels of the prolonged Night of Literature, held from 16 to 18 May in sixteen towns and cities across Slovakia, the fifth annual independent book festival, BRaK, took place between 17 and 20 May in the capital, Bratislava. In keeping with the festival’s traditional focus on the visual side of books, the programme included bookbinding, typesetting and comic writing workshops, activities for children, and exhibitions of works by veteran Czech illustrator, poster and animation artist Jiří Šalamoun, as well as French illustrators Laurent Moreau and Anne-Margot Ramstein. The last two also held illustration masterclasses, while the German Reinhard Kleist launched the Slovak translation of his graphic novel Nick Cave: Mercy on Me, accompanied by a local band.

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