This week is an exciting one in the world of literature, and our editors are bringing you dispatches from the ground. Xiao Yue Shan discusses the winners of the 2018 and 2019 Nobel Prize in Literature. Julia Sherwood reports on a march from Prague to Terezín, a concentration camp established by the Nazis during their occupation of the Czech Republic. Poupeh Missaghi gives an account of literary podcasts in Iran, as well as the government’s role in quality control and censorship. Filip Noubel brings us an introduction of several new titles from the established authors of Uzbekistan.
Xiao Yue Shan, Assistant Blog Editor, reporting on the Nobel Prize for Literature
The long-awaited Nobel Prize in Literature announcement of 2019 was prefaced by the usual barrage of news and predictions—some cynical, some vaguely hopeful, and most of which hedged their bets on women writers and/or authors who did not write predominantly in English. After the controversy of last year’s award (or the lack thereof), it followed a natural trajectory that our current politics lead us to search for brilliant literary representation that breaches the limits of our accepted canon of well-celebrated white men, and the Swedish Academy had seemed eager to prove themselves to be advocates for social progress, as they once again took on the role of alighting the flames of literary luminaries that will forever be enshrined as embodiments of success in the world of letters.
In a case of half-fulfillment, the 2018 Nobel Prize in Literature went to Asymptote contributor Olga Tokarczuk, and the 2019 Prize was awarded to the prolific Austrian writer Peter Handke. The latter aroused quite the maelstrom of negative responses, even with most still acknowledging his significant contributions and his fearlessly bold oeuvre, while the former is being hailed as a well-deserving, original, feminist voice, standing in the exact spot of where the spotlight should be shone.
Let language be free! This week, our editors are reporting on a myriad of literary news including the exclusion of Persian/Farsi language services on Amazon Kindle, the vibrant and extensive poetry market in Paris, a Czech book fair with an incredibly diverse setlist, and a poetry festival in São Paolo that thrills in originality. At the root of all these geographically disparate events is one common cause: that literature be accessible, inclusive, and for the greater good.
Poupeh Missaghi, Editor-at-Large, reporting from New York City
Iranians have faced many ups and downs over the years in their access to international culture and information services, directly or indirectly as a result of sanctions; these have included limitations for publishers wanting to secure copyrights, membership services for journals or websites, access to phone applications, and even postal services for the delivery of goods, including books.
In a recent event, according to Radio Farda, Amazon Kindle Direct Publishing stopped providing Persian/Farsi language services for direct publishing in November 2018. (You can find a list of supported languages here.) This affects many Iranian and Afghan writers and readers who have used the services as a means to publish and access literature free of censorship. Many speculate that this, while Arabic language services are still available, is due to Amazon wanting to avoid any legal penalties related to the latest rounds of severe sanctions imposed on Iran by the U.S.
The days are opening wide this season, like the pages of a new book: for most of us growing longer and fuller. It’s a good thing, because we’ve got a lot to catch you up on. This week, we’re bringing a full dosage of global literature news with achievements from Hong Kong, rolling publications by Czech talent, and literary commemorations gliding through the literal end of an era in Japan.
Jacqueline Leung, Editor-at-Large, reporting from Hong Kong
This spring has been a series of firsts for Hong Kong literature. Continuing from my previous dispatch in March on Xi Xi winning the Newman Prize for Chinese literature, historically awarded to writers from mainland China and Taiwan, World Literature Today is dedicating its first annual city issue to writing from Hong Kong. Sourcing contributions from writers, translators, and academics at the forefront of Hong Kong literature, the issue includes poetry, essays, and creative nonfiction with a focus on food and languages as well as a selection of recommended reading about the city. Xi Xi and Bei Dao are among the list of writers featured in the magazine, as is Wawa—recently showcased in Asymptote’s Winter 2019 issue in an interview with Poupeh Missaghi, our editor-at-large in Iran—and Chris Song, one of the winners of the Fifth Hai Zi Poetry Prize which announced its results a few weeks prior.
To celebrate the launch of the issue, Cha, Hong Kong’s resident online literary journal, is organizing an event on April 27 at Bleak House Books, where eight contributors will be reciting and discussing their works. Tammy Lai-Ming Ho, founding co-editor of Cha and the guest editor of World Literature Today’s Hong Kong feature, will also speak about the conception of the special edition.
Weronika Gogola is a Polish writer and translator from Slovak and Ukrainian. Her first autobiographical book Po trochu (Little by Little, 2017), which depicts her childhood in the small village of Olszyny in the Carpathian mountains, is composed of “stories from real life that are usually told bit by bit, in snippets and fragments.” The book was nominated for several literary prizes and in October 2018 won the Conrad Award for a prose debut. For the past three years, Gogola has been based in Bratislava, where Julia Sherwood, Asymptote’s Editor-at-Large for Slovakia, caught up with her last November.
Julia Sherwood: First of all, congratulations on winning the Conrad Award! I loved your book and think that the prize was more than deserved. What does it mean for you?
Weronika Gogola: This award is incredibly important to me, especially since, in the case of the Conrad Award, it’s not just the judges who decide but, first and foremost, the readers. I’m incredibly grateful to them. Besides, a prize is a kind of validation, as well as a bargaining chip for the future. I know that sounds unfair but that’s how the world works—the more prizes and nominations you have the more seriously you are taken. Unfortunately. But, of course, it’s nice to be appreciated. In addition, the Conrad Award includes a grant, which has allowed me to concentrate on my writing without financial worries.
JS: Your book is very firmly located in the world of your childhood. You grew up in a small village in rural Poland, yet ended up living abroad, and are currently based in Slovakia. Were you already living abroad while working on your book, and did the geographical distance give you a new perspective on the place, or did this make the writing more challenging?
Blog Copy Editor Andrea Blatz’s 2018 reading list was packed with nineteenth-century science fiction and women in translation. In today’s post, she discusses the common themes that unite many of these books, among them the experience of trauma and the role of space and place in our lives, before looking ahead to her reading list for the new year!
Like most book lovers, I buy more books than I have time to read, so my “To Read” list is usually longer than my “Already Read” list. Having so many books to choose from for my next read means I usually pick something completely different than the book I’ve just read. However, this year, it seems as though spaces have been a prominent theme in much of what I’ve read.
I started the year with The Other City by Michal Ajvaz, translated by Gerald Turner. After finding a book written in a mysterious script in a bookshop, the narrator begins noticing strange things around him in his home city, Prague. The result is a strange, new reality composed of spaces that are ignored in the daytime. Fish talk to you, tiny elk live on the Charles Bridge, and ghosts appear as the mysterious narrator crosses a boundary into this “other city.”
This week, we travel to the Czech Republic, where the poet Kamil Bouška brings us ‘Labyrinth’, translated by Ondřej Pazdírek, winner of the 2017 Beacon Street Prize in poetry. Moving from a room to vast nature, to suburbia, and more, this poem rapidly moves between small and large worlds, negotiating a maze of all that ‘a strip of light’ touches.
A strip of light
in a threadbare carpet
lights up cities,
By April 2014, Asymptote has snowballed into a team of 60. Though I never signed up to lead so many team members, expansion is a matter of inevitability for a magazine that publishes new work from upwards of 25 countries every quarter (and that prides itself on editorial rigor). After all, if Asymptote section editors only relied on personal connections, it would only be a matter of time before available leads dried up. There is simply no substitute for local knowledge and, more importantly, local networking, since getting the author’s permission to run or translate his or her work is often the hardest part. (For the English Fiction Feature in the Spring 2014 issue alone, I sent solicitations, directly or indirectly, to Rohinton Mistry, Chimamanda Ngozi Adichie, Jhumpa Lahiri, Ha Jin, Chang-rae Lee, Tash Aw, Akhil Sharma, and Tao Lin—all in vain alas.) An entire book could probably be written about how Asymptote wooed author X or translator Y or guest artist Z to come on board as contributor. One particularly memorable (and—I assure you—not representative of the way we operate) episode comes to mind: When her phone call to an author was intercepted and met with a flat rejection by his secretary, a particularly persistent team member signed up for a two-day workshop conducted by said author. At an intermission, she casually makes the ask. The author agrees to discuss the matter the next day, at a restaurant. During dinner, our team member is subjected to intensive grilling before permission is finally granted to run and translate his work. Here to recount how we managed to ask Nobel laureate Herta Müller to come on board as contributor (and to give us permission to translate her moving essay into 8 additional languages) is editor-at-large Julia Sherwood:
I was invited to join the Asymptote team as editor-at-large for Slovakia after volunteering to translate into Slovak Jonas Hassen Khemiri´s Open Letter to Beatrice Ask, which appeared in 20 languages in the Spring 2013 issue of Asymptote. The journal had only been around for two years, but it had already established a reputation for featuring translations from a staggering array of languages and authors who had never been published in English. Slovak, my native language, had yet to make an appearance, so I immediately set out to source suitable texts in high-quality translations. My first success came when “Where to in Bratislava”, a story by Jana Beňová and translated by Beatrice Smigasiewicz, was chosen for the Winter 2014 issue. Soon after that I managed something of a scoop: bringing to Asymptote “The Space Between Languages,” an essay by Nobel laureate Herta Müller. READ MORE…
It is literary prize season and recent news that the Nobel Prize for Literature will not be awarded this year along with growing excitement for forthcoming award announcements have kept the literary community on our toes! This week we bring you the latest news from the Czech Republic, Hong Kong, Singapore, and Tunisia. Enjoy!
Julia Sherwood, Editor-at-large, reporting from the Czech Republic:
April 4 saw the announcement of the winners of the most celebrated Czech literary prize, the Magnesia Litera. For the first time in four years the title “book of the year” went not to a work of fiction but to an analysis of contemporary Czech politics against the backdrop of recent history, Opuštěná společnost (The Abandoned Society) by journalist Erik Tabery. The fiction prize was awarded to Jaroslav Pánek for his novel Láska v době globálních klimatických změn (Love in the Time of Global Climate Change), the story of a scientist forced to confront his own prejudices while attending a conference in Bangalore.
Still happily reading through all the amazing pieces included in the brand new Winter 2018 issue, we bring you the latest literary news from around the world. Up first is Paul Worley with news about recent publications and translations. Julia Sherwood then fils us in on the latest from the Czech Republic. To close things out, Barbara Halla reports from France.
Paul Worley, Editor-at-Large, Reporting from Mexico:
From Quintana Roo, Mexico, The Maya cultural site La cueva del tapir (The Tapir’s Cave), announced the forthcoming publication of a new Maya arts and culture magazine, Sujuy Ts’ono’ot: El arte de los territorios en resistencia. The unveiling of the issue will be held February 3 at 7 PM in Bacalar’s International House of the Writer. According to the information released on Facebook, contributors to the first issue will include Maya writers from the region, in addition to writers from Guatemala (Walter Paz Joj) and Bolivia (Elías Caurey).
A few days ago, just as the busy Christmas shopping season in London got underway, Oxford Circus underground station was evacuated with thousands of people fleeing from one of the city’s busiest spots. Soon it turned out that what triggered the panic weren’t shots fired but rather an altercation between two men on one of the platforms. Fear has now pervaded our everyday lives.
Fear is Everywhere. European Literature Days couldn’t have chosen a more apt theme for the time in which we live. “Fear of those who flee and fear of refugees; anxiety about poverty and collapse; fear of religious fundamentalism and the implosion of values; fear of technology and of technology making humans obsolete; fear of permanent communication and language loss; fear of disorientation as well as of total control—the list could go on endlessly.” This is how the Artistic Director of the European Literature Days, Austrian writer Walter Grond (whose latest book, the historical novel, Drei Lieben/Three Loves, was published earlier this year), defined the headline theme of the gathering of leading European authors, this year held from 16 to 19 November in Spitz on the bank of the Danube in Austria’s wine region.