Apart from working hard on the Fall 2018 Issue, Asymptote staff have also been busy making waves in the literary world. Join us in celebrating their achievements!
Poetry Editor Aditi Machado published a chapbook, Prologue Emporium, with Garden-Door Press. She also discussed her editorial work at Asymptote and her translation of Farid Tali’s Prosopopoeia with the Wash U Translators Collective.
Communications Manager Alexander Dickow reviewed From the Files of the Immanent Foundation by Norman Finkelstein for Rain Taxi.
On the night of October 28, the Ubud Writers & Readers Festival (UWRF) wrapped up after four consecutive jam-packed days. Mornings, afternoons, and evenings were filled with stimulating conversations and lively panel discussions, film screenings and book launches, poetry slams and musical performances, all set in the culturally fertile town of Ubud in Bali, Indonesia. Australia Editor-at-Large Tiffany Tsao and Indonesia Editor-at-Large Norman Erikson Pasaribu were invited to speak in their capacities as writers. In this retrospective dispatch, each of them reflects candidly on their experiences at this year’s UWRF.
One Brain, Multiple Selves (Tiffany Tsao)
There was so much about participating in UWRF that was wonderful and exhilarating, but as I (Tiffany) write this, I’m realizing how exhausted I am! It’s mostly a good exhaustion—the kind that one experiences after being exposed to so many interesting ideas, books, and people. My head and heart are still abuzz, and the festival concluded several days ago!
There’s certainly some physical exhaustion thrown into the mix as well: I brought along my 10-month-old son, Azure. The festival was immensely supportive and bought him an infant plane ticket and made sure there was a crib in the room. Plus, my heroic father flew from Jakarta to babysit while I was busy participating in events and meeting people. Unfortunately, Azure slept fitfully during the nights before deciding at around 5:00 am each morning that it was time to rise and shine, which meant that I gained a new appreciation and appetite for coffee. Glorious, glorious coffee.
Greetings from the Ubud Writers and Readers Festival (UWRF), which has just concluded its second day. Here’s a bit of historical background: founded in response to the 2002 Bali bombings, the festival celebrates its fifteenth anniversary this year. Since then, UWRF has successfully surmounted several challenges: In 2015, the local government censored festival discussions of the 1965 mass killings in Indonesia; last year, volcanic activity took a toll on festival participation, with many attendees and speakers canceling their flights. This year, we (Norman Erikson Pasaribu and Tiffany Tsao) were both invited to speak at the festival in our capacity as writers, and we thought we would share some of our impressions so far.
On Wednesday, the festival held a press call immediately before the festival’s official opening gala event. The press call featured festival founders Janet DeNeefe and Ketut Suardana, as well as some of the festival’s speakers, including Hanif Kureishi, Reni Eddo-Lodge, Avianti Armand, and Norman Erikson Pasaribu (hooray!). Ketut Suardana spoke about how they coined this year’s theme, Jagadhita – the world we create, and how we should live life according to dharma (goodness) and strive to attain ultimate happiness. When Norman was asked what he expected his writing to achieve, took the opportunity to observe that perhaps “goodness” and “happiness” shouldn’t be so universalized. Quoting a line from Marianne Katoppo, that “language is where theology begins,” he noted how we rarely refer to either concept in plural form. Such language places limitations on what it means to be happy and good, pressuring queer communities in Indonesia to conform to society and engage in self-erasure. Reni, when asked what advice she had for Indonesian feminists, humbly answered that she isn’t in a position to suggest anything to them without listening to them first since their experiences are very culturally specific and very different from hers as a British-Nigerian woman.
Fresh from working on the fabulous Summer 2018 issue of Asymptote, our team members have been busy with their own creative endeavors. Read on to find out what we have been writing, doing, and learning!
Contributing Editor Aamer Hussein recently judged the McKitterick Prize. The prize, which honors the first novel by a writer over the age of forty, went to Nigerian writer Anietie Isong for his debut novel, Radio Sunrise.
Communications Manager Alexander Dickow has had quite a summer: other than publishing poetry in Place de La Sorbonne, he also recently wrote for Paragraph and Plume (which also ran his translations of Max Jacob’s poetry). His work also appeared in La Revue des Sciences Humaines, Littérature, and larevue*.
We have such an amazing group of creative people over here at Asymptote. Check out some of our recent news and stay tuned for more of the international literature you love!
Poetry Editor Aditi Machado‘s poem “Epistle” appeared in Boston Review, and another poem of hers, “Archaic”, was reprinted by the Poetry Society of America.
From May 1 – 5, Romania and Moldova Editor-at-Large Chris Tanasescu aka MARGENTO organized DHSITE, a bilingual event introducing new computing technologies and their uses in education and research, at the University of Ottawa. Later this month, he will present a paper at the Kanada Koncrete poetry conference in the same school.
Both Assistant Editor Lizzie Buehler and Blog Editor David Smith have accepted offers to attend the University of Iowa’s Literary Translation MFA this coming fall. David also wrote a review of an early Jon Fosse novel, Boathouse, for Reading in Translation.
Indonesia Editor-at-Large Norman Erikson Pasaribu spoke with Indonesian writer Eka Kurniawan about his conception of horror, the diversity of Indonesian literature, and the rebirth of the New Order in Mekong Review.
Assistant Managing Editor Sam Carter published an essay at Music & Literature on Jorge Barón Biza’s The Desert and Its Seed.
Blog Editor Sarah Booker‘s translation of Cristina Rivera Garza’s The Iliac Crest (Feminist Press and And Other Stories) was included on the long list for the Best Translated Book Award.
Singapore Editor-at-Large Theophilus Kwek contributed work to Carcanet Press’s latest New Poetries anthology. He also published a piece in The Straits Times comparing citizenship opportunities in the UK (where he was able to vote in the European Union referendum as a Commonwealth citizen) and Singapore.
For more news from the Asymptote blog:
Poetry Editor Aditi Machado has created a teaching guide for her recent book of poetry, Some Beheadings (Nightboat Books, 2017). She was also interviewed by Chicago Review of Books about the translatability of poetry.
Communications Manager Alexander Dickow released a short monograph in French on Max Jacob called Jacob et le cinéma (Paris: Nouvelles Editions Jean-Michel Place, 2017).
Guest Artist Liaison Berny Tan’s first solo exhibition, ‘Thought Lines’, opened last month. She also currently has work displayed in an exhibition called ‘Journeys with “The Waste Land”’ at the Turner Contemporary in Margate, UK.
Incoming Communications Manager Alexander Dickow has recently received tenure from the College of Liberal Arts and Human Sciences at Virginia Tech. He currently serves as Assistant Professor of French.
Spanish Social Media Manager Arthur Dixon has launched the second issue of Latin American Literature Today, a new journal where he serves as Managing Editor and Translator.
Drama Editor Caridad Svich has been named one of 2017’s O’Neill Finalists at the National Playwrights Conference for her play, Town Hall.
Romania and Moldova Editor-at-Large Chris Tanasescu (MARGENTO) has launched a book titled poetryartexchange, co-authored with 8 other British and Romanian poets and artists, at the Birmingham Literary Festival. The project is a collaboration between University of Bucharest Press and Centrala, and will see more events in London and Birmingham in May through early June.
Contributing Editor Ellen Elias-Bursac will speak alongside poets Athena Farrokhzad and Noemi Jaffe, and fellow translators Jennifer Hayashida and Julia Sanches, on a panel entitled ‘Corrosive Power’ at PEN America’s World Voices Festival.