On the night of October 28, the Ubud Writers & Readers Festival (UWRF) wrapped up after four consecutive jam-packed days. Mornings, afternoons, and evenings were filled with stimulating conversations and lively panel discussions, film screenings and book launches, poetry slams and musical performances, all set in the culturally fertile town of Ubud in Bali, Indonesia. Australia Editor-at-Large Tiffany Tsao and Indonesia Editor-at-Large Norman Erikson Pasaribu were invited to speak in their capacities as writers. In this retrospective dispatch, each of them reflects candidly on their experiences at this year’s UWRF.
One Brain, Multiple Selves (Tiffany Tsao)
There was so much about participating in UWRF that was wonderful and exhilarating, but as I (Tiffany) write this, I’m realizing how exhausted I am! It’s mostly a good exhaustion—the kind that one experiences after being exposed to so many interesting ideas, books, and people. My head and heart are still abuzz, and the festival concluded several days ago!
There’s certainly some physical exhaustion thrown into the mix as well: I brought along my 10-month-old son, Azure. The festival was immensely supportive and bought him an infant plane ticket and made sure there was a crib in the room. Plus, my heroic father flew from Jakarta to babysit while I was busy participating in events and meeting people. Unfortunately, Azure slept fitfully during the nights before deciding at around 5:00 am each morning that it was time to rise and shine, which meant that I gained a new appreciation and appetite for coffee. Glorious, glorious coffee.
We’re back with another week full of exciting, new developments in the world of literature! Our Editor-At-Large for Australia, Tiffany Tsao, updates us with a fresh report of prizes and publications and the inauguration of an exciting new festival. Julia Sherwood, Editor-At-Large for Slovakia, is filling us in on the latest exciting news in neighbouring Poland, involving prizes, authors and translators. Last but not least, our Editor-At-Large for Indonesia, Valent Mustamin, serves up a full platter of festivals, publications and awards.
Tiffany Tsao, Editor-At-Large, with the latest updates from Australia:
Congratulations to Josephine Wilson, author of the novel Extinctions, for winning the 2017 Miles Franklin Literary Award, Australia’s most prestigious literary prize. The results were announced early last month.
Felicitations also to Stephanie Guest (former Asymptote Australia Editor-at-Large) and Kate Riggs on the publication of their piece “An Architecture of Early Motherhood (and Independence)” in The Lifted Brow’s September issue. The piece received the The Lifted Brow and non/fiction Lab Prize for Experimental Non-Fiction (announced at the end of August) and was lauded by the judges for its “determined fidelity to the banality and logistics of early motherhood—states of radical and ongoing beholden-ness—juxtaposed against reflections from an autonomous life in the margins.”
The shortlist for this year’s Richell Prize for Emerging Writers was announced earlier this week. The five finalist entries are: Michelle Barraclough’s “As I Am”; Sam Coley’s “State Highway One”; Julie Keys’ “Triptych”; Miranda Debljakovich’s “Waiting for the Sun”; and Karen Wyld’s “Where the Fruit Falls.” The prize was launched in 2015 as a joint initiative by the Emerging Writers Festival and the Guardian Australia. The winner will be announced November 1.