Looking for new books to read this year? Look no further with this edition of What’s New in Translation, featuring new releases translated from Kurdish, Dutch, and Spanish. Read on to find out more about Abdulla Pashew’s poems written in exile, Tommy Wieringa’s novel about cross-cultural identities, as well as Agustín Martínez cinematic thriller.
Dictionary of Midnight by Abdulla Pashew, translated from the Kurdish by Alana Marie Levinson-LaBrosse, Phoneme Media (2018)
Review by Jacqueline Leung, Editor-at-Large for Hong Kong
Dictionary of Midnight is a collection of several decades of Abdulla Pashew’s poetry as he recounts the history of Kurdistan and its struggle for independence. Translated from the Kurdish by Alana Marie Levinson-LaBrosse, the work includes a map of contemporary Iraq and a timeline of Kurdish history for those unfamiliar with the plight of the Kurds, something Pashew, one of the most influential Kurdish poets alive today, has taken upon himself to convey and to honor.
One challenge of translation is finding a text that appeals to an audience separated geographically and culturally from the author. Finding a nonfiction text with that kind of currency is all the more difficult. The translator of nonfiction is faced with a text tied to local events and often steeped in a historical, social, and political context. Why should the average international reader care about nonfiction in translation? Today, Asymptote sits down with Daniella Gitlin, the translator of the famous 1957 Argentinian reported novel, Rodolfo Walsh’s Operación Masacre (Operation Massacre), previously excerpted in our Summer 2013 issue, to discuss her encounters with a masterpiece of nonfiction and outline the urgent relevance of a text six decades old.
Lara Norgaard (LN): Tell me a bit about how you came to translate Operation Massacre.
Daniella Gitlin (DG): I spent the year after college in Buenos Aires working for a nonprofit, Poder Ciudadano, with a Princeton in Latin America Fellowship. I was back in Argentina for a visit and told my friends there that I was applying for the nonfiction writing program at Columbia. Before I left, my friend Dante gave me a copy of Operación Masacre with a dedication in it. He wrote, “Dani my dear, a little ‘Argentinian nonfiction’ will do you good. I hope you like it.” I took the book back with me. I had heard of Walsh, but I didn’t really know anything about him.
We’re back with another week full of exciting, new developments in the world of literature! Our Editor-At-Large for Australia, Tiffany Tsao, updates us with a fresh report of prizes and publications and the inauguration of an exciting new festival. Julia Sherwood, Editor-At-Large for Slovakia, is filling us in on the latest exciting news in neighbouring Poland, involving prizes, authors and translators. Last but not least, our Editor-At-Large for Indonesia, Valent Mustamin, serves up a full platter of festivals, publications and awards.
Tiffany Tsao, Editor-At-Large, with the latest updates from Australia:
Congratulations to Josephine Wilson, author of the novel Extinctions, for winning the 2017 Miles Franklin Literary Award, Australia’s most prestigious literary prize. The results were announced early last month.
Felicitations also to Stephanie Guest (former Asymptote Australia Editor-at-Large) and Kate Riggs on the publication of their piece “An Architecture of Early Motherhood (and Independence)” in The Lifted Brow’s September issue. The piece received the The Lifted Brow and non/fiction Lab Prize for Experimental Non-Fiction (announced at the end of August) and was lauded by the judges for its “determined fidelity to the banality and logistics of early motherhood—states of radical and ongoing beholden-ness—juxtaposed against reflections from an autonomous life in the margins.”
The shortlist for this year’s Richell Prize for Emerging Writers was announced earlier this week. The five finalist entries are: Michelle Barraclough’s “As I Am”; Sam Coley’s “State Highway One”; Julie Keys’ “Triptych”; Miranda Debljakovich’s “Waiting for the Sun”; and Karen Wyld’s “Where the Fruit Falls.” The prize was launched in 2015 as a joint initiative by the Emerging Writers Festival and the Guardian Australia. The winner will be announced November 1.