Looking for new books to read this April? Look no further with this edition of What’s New in Translation, featuring new releases translated from Thai, German, and Brazilian Portuguese. Read on to find out more about Clarice Lispector’s literature of exile, tales of a collection of eccentric villagers, and a comic book adaptation of Bertolt Brecht.
Tales of Mr. Keuner by Bertolt Brecht and Ulf K., translated from the German by James Reidel, Seagull Books, 2019
Review by Josefina Massot, Assistant Managing Editor
If Brecht’s bite-sized, biting tales of Mr. Keuner can be thought of as a corpus, it isn’t by virtue of their “what,” “when,” “where,” or “how”: they deal with everything from existentialism to Marxist politics, have often hazy settings, and run the gamut from parable to poem; it’s the titular “who” that pulls these sundry musings together.
Until recently, their fellowship was purely formal: Mr. Keuner (also known as Mr. K) was practically nondescript, a mere “thinking man” whom Walter Benjamin traced back to the Greek keunos and the German keiner—a universal no one. This seemingly baffling figure would have made sense given the original tales’ fifth W, their “why”: since they were meant to edify general audiences, they would have gained from as null a champion as possible. After all, a man stripped of his traits is stripped of individuality, untainted by bias; he is the ultimate thinker, the voice of global truth. READ MORE…
Reported Speech by Pavel Arseniev, Cicada Press, 2018
Reviewed by Paul Worley, Editor-at-Large
I tell my students that literature does things, but I prefer to do so in even less polished terms. From a more abstract perspective, I see current attacks on the humanities (especially literature) in the United States and elsewhere as being so vicious precisely because of the fact that literature does do things. It changes how we, as humans, relate to and understand others, as well as ourselves.
That said, there are moments when I profoundly doubt this. For example, I was recently discussing the fabricated crisis at the US-Mexico border and Trump’s wall with someone I had just met. During our discussion, this person informed me that Stephanie Elizondo Griest’s nonfiction All the Agents and Saints: Dispatches from the US Borderlands, a work that gives a nuanced, highly sensitive portrait of the US-Mexico border, actually serves to justify that border’s further militarization. It was like being told by someone with a very serious face that Shelley’s “Ozymandius” is a laudatory poem on the subject of indelible human achievement or that Swift’s A Modest Proposal provided a brilliant roadmap for the betterment of the Irish economy. And yet, even when my doubts about literature and its power dominate my thoughts, events like the murder of Iraqi novelist Alaa Mashzoub snap me back to reality. Literature matters, so much so that in other parts of the world literature can get you killed, even as I safely type this up in my home in the United States. Perhaps this will soon be the case here, too.
We are in the thick of the World Cup, but that does not mean that everything else stops! We are back with the latest literary updates from around the world. MARGENTO reports from Bookfest Bucharest on the latest of Romanian publishing and Romanian-US connections that emerged during the festival. Paul Worley and Kelsey Woodburn discuss the latest publications from the Yucatan Peninsula, focusing on indigenous writers. Finally, Theophilus Kwek tells us about recent news in the Singaporean literary world. Happy reading!
MARGENTO, Editor-at-Large, reporting from Romania:
Bookfest Bucharest is one of the largest international book festivals in Europe, growing larger and larger by the year. This year it featured over 150 publishers. Although expanding, the festival seemed less loud this time for a quite mundane reason: the organizers placed the beer patios further away from the pavilions than they did in the past. The atmospherics and the events felt really animated, though, and sometimes even intense. The guest of honor was the United States, with a centrally placed and welcoming space hosting four to six events every day. One of the most popular panels was chaired by the ambassador himself—HE Hans Klemm—on the life and work of Romanian-born American critic and fiction writer Matei Călinescu (and the dedicated Humanitas series).
Perhaps it goes without saying, but in 2018 translating Indigenous literatures in the Américas from Indigenous languages and/or Spanish is a political act. Even prior to now, at dinner parties and other settings for droll conversation in the United States, people have often perked up when I mention that I study Mesoamerican languages and cultures. With an interest typically grounded in lost civilizations, ancient mysteries, and, occasionally, UFOs, they usually then follow up with an inquiry as to why, if I study dead languages, I didn’t opt to study Latin, ancient Greek, or Biblical Hebrew instead. When I assert that no, Maya languages such as Yucatec and Tsotsil are far from dead, many people refuse to believe it and are more than happy to contest the point.
June is upon us and we are settling in for some summer reading. Join us as we catch up with our international correspondents about the literary happenings around the world. This week brings us the latest on indigenous literature from Colombia and Mexico, book fairs in Argentina, and new artistic endeavors in Indonesia!
Paul Worley and Kelsey Woodburn, Editors at Large, reporting from Colombia and Mexico:
From April 25 to 29 in Bogotá, Colombia, indigenous writers and scholars and critics of indigenous literatures from throughout the Américas came together in the 5th Continental Intercultural Encounter of Amerindian Literatures (EILA). The theme for this iteration of the bi-annual conference was “Indigenous Writing, Extractivism, and Bird Songs.” The centering of these concerns reflects a turn in the field of Indigenous literatures towards recognizing indigenous ways of writing that take place beyond Latin script, as well as ongoing ecological concerns that are at the heart of a good deal of indigenous literatures and Indigenous activism. In addition to literary readings and panels held at the Pontificia Universidad Javeriana, writers and critics presented to the general public at Bogotá’s International Book Festival (FILBO), and indigenous poets gave a reading in the town of Guatavita, home to a lake sacred to the Muisca people. Among the writers in attendance were (K’iche’) Humberto Ak’abal, (Yucatec) Jorge Cocom Pech, (Wayuu) Vito Apüshana, (Wayuu) Estercilla Simanca, (Wayuu) Vicenta Siosi, and (Yanakuna) Fredy Chicangana.
Never is there a dull period in the world of literature in translation, which is why we make it our personal mission to bring you the most exciting news and developments. This week our Editors-at-Large from Mexico, Central America, and Spain, plus a guest contributor from Lithuania, are keeping their fingers on the pulse!
Paul M. Worley and Kelsey Woodburn, Editors-at-Large, reporting from Mexico:
On February 21, numerous events throughout Mexico took place in celebration of the International Day of Mother Languages. In San Cristóbal de las Casas, Chiapas, CELALI (the State Center for Indigenous Language and Art) held a poetry reading featuring Tseltal poet Antonio Guzmán Gómez, among others, and officially recognized Jacinto Arias, María Rosalía Jiménez Pérez, and Martín Gómez Rámirez for their work in developing and fortifying indigenous languages in the state.
Later in San Cristóbal, at the Museum of Popular Cultures, there was a poetry reading that brought together four of the Indigenous Mexican poetry’s most important voices: Mikeas Sánchez, Adriana López, Enriqueta Lúnez, and Juana Karen, representing Zoque, Tseltal, Tsotsil and Ch’ol languages, respectively. Sánchez, Lúnez, and Karen have all published in Pluralia Ediciones’s prestigious “Voces nuevas de raíz antigua” series.
The Blind Man: 100th Anniversary Facsimile Edition edited by Marcel Duchamp, Henri-Pierre Roché, and Beatrice Wood (Ugly Duckling Press, 2017). Translated from the French by Elizabeth Zuba.
With all of the uncertainties of the current geopolitical climate, it is fitting that in the beginning of 2018 we turn our attention to the past for historical context and a better sense of the wider context of recent events. In Sophie Seita’s insightful essay that accompanies Ugly Duckling Presse’s one hundredth anniversary facsimile collection of Dadaist zines and ephemera associated with The Blind Man (referred to in Hyperallergic as “a trove of Dadaist fun”), the critic encourages readers to understand Ugly Duckling’s reissue of these magazines precisely within their broader context, with “a facsimile reprint like ours attempt[ing] to recreate the original print context and…forg[ing] new dialogues with contemporary literary and artistic communities today.” Of course, in 1917, Europe was in the throes of World War I, and the artistic movement which the The Blind Man is most closely associated, Dada, is frequently held up as “an artistic revolt and protest against traditional beliefs of a pro-war society.” Rather than simply the considerable achievement of reproducing a one hundred-year-old, self-consciously cheeky avant-garde magazine in a beautiful collector’s edition, I’m keenly interested in the dialogues Seita claims the re-edition seeks to cultivate, meditating as much on what The Blind Man tells us about the present as it tells us about the past. In my view, Ugly Duckling more than delivers.
Still happily reading through all the amazing pieces included in the brand new Winter 2018 issue, we bring you the latest literary news from around the world. Up first is Paul Worley with news about recent publications and translations. Julia Sherwood then fils us in on the latest from the Czech Republic. To close things out, Barbara Halla reports from France.
Paul Worley, Editor-at-Large, Reporting from Mexico:
From Quintana Roo, Mexico, The Maya cultural site La cueva del tapir (The Tapir’s Cave), announced the forthcoming publication of a new Maya arts and culture magazine, Sujuy Ts’ono’ot: El arte de los territorios en resistencia. The unveiling of the issue will be held February 3 at 7 PM in Bacalar’s International House of the Writer. According to the information released on Facebook, contributors to the first issue will include Maya writers from the region, in addition to writers from Guatemala (Walter Paz Joj) and Bolivia (Elías Caurey).
From the humorous to the profane and the sacred, Náhuatl poet Martín Tonalmeyotl’s poetic work is firmly rooted in the mountains of his native Guerrero (Mexico) and reflects his commitment to his culture and his language. Far from idealizing his home state, however, Tonalmeyotl’s work frequently takes an unflinching look at a sociopolitical situation where, in addition to the 2014 kidnapping and murder of forty-three students from Ayotzinapa amidst increasing violence from drug trafficking, Guerrero’s citizens have gone so far as to organize independent civil defense groups for protection. In “The Train,” the poet takes up another aspect of life in contemporary Mexico, human migration, in the series of freight trains otherwise known as La bestia (the Beast) or El tren de la muerte (the Death Train) that transport migrants from Central America to the US border.
Each step is a return: towards death, towards life
Each train is a nightmare: of blood, of hunger, of cobwebs
Each child is a piece of fruit: rotten, sweet, bitter, what does it matter
At any rate life is sold to the scavengers
To the rancid wolves who’d like to eat us whole
Because if they don’t devour our stick-thin bones
Their potbellies will become hollow
And they won’t have any shit to feed their own parasites
We should get drunk, I tell you,
So we forget that on this earth
Day by day we are hunted down like rabid dogs
Translated from the Náhuatl into Spanish by Martín Tonalmeyotl
Translated from the Spanish into English by Paul Worley