We are in the thick of the World Cup, but that does not mean that everything else stops! We are back with the latest literary updates from around the world. MARGENTO reports from Bookfest Bucharest on the latest of Romanian publishing and Romanian-US connections that emerged during the festival. Paul Worley and Kelsey Woodburn discuss the latest publications from the Yucatan Peninsula, focusing on indigenous writers. Finally, Theophilus Kwek tells us about recent news in the Singaporean literary world. Happy reading!
MARGENTO, Editor-at-Large, reporting from Romania:
Bookfest Bucharest is one of the largest international book festivals in Europe, growing larger and larger by the year. This year it featured over 150 publishers. Although expanding, the festival seemed less loud this time for a quite mundane reason: the organizers placed the beer patios further away from the pavilions than they did in the past. The atmospherics and the events felt really animated, though, and sometimes even intense. The guest of honor was the United States, with a centrally placed and welcoming space hosting four to six events every day. One of the most popular panels was chaired by the ambassador himself—HE Hans Klemm—on the life and work of Romanian-born American critic and fiction writer Matei Călinescu (and the dedicated Humanitas series).
June is upon us and we are settling in for some summer reading. Join us as we catch up with our international correspondents about the literary happenings around the world. This week brings us the latest on indigenous literature from Colombia and Mexico, book fairs in Argentina, and new artistic endeavors in Indonesia!
Paul Worley and Kelsey Woodburn, Editors at Large, reporting from Colombia and Mexico:
From April 25 to 29 in Bogotá, Colombia, indigenous writers and scholars and critics of indigenous literatures from throughout the Américas came together in the 5th Continental Intercultural Encounter of Amerindian Literatures (EILA). The theme for this iteration of the bi-annual conference was “Indigenous Writing, Extractivism, and Bird Songs.” The centering of these concerns reflects a turn in the field of Indigenous literatures towards recognizing indigenous ways of writing that take place beyond Latin script, as well as ongoing ecological concerns that are at the heart of a good deal of indigenous literatures and Indigenous activism. In addition to literary readings and panels held at the Pontificia Universidad Javeriana, writers and critics presented to the general public at Bogotá’s International Book Festival (FILBO), and indigenous poets gave a reading in the town of Guatavita, home to a lake sacred to the Muisca people. Among the writers in attendance were (K’iche’) Humberto Ak’abal, (Yucatec) Jorge Cocom Pech, (Wayuu) Vito Apüshana, (Wayuu) Estercilla Simanca, (Wayuu) Vicenta Siosi, and (Yanakuna) Fredy Chicangana.
Never is there a dull period in the world of literature in translation, which is why we make it our personal mission to bring you the most exciting news and developments. This week our Editors-at-Large from Mexico, Central America, and Spain, plus a guest contributor from Lithuania, are keeping their fingers on the pulse!
Paul M. Worley and Kelsey Woodburn, Editors-at-Large, reporting from Mexico:
On February 21, numerous events throughout Mexico took place in celebration of the International Day of Mother Languages. In San Cristóbal de las Casas, Chiapas, CELALI (the State Center for Indigenous Language and Art) held a poetry reading featuring Tseltal poet Antonio Guzmán Gómez, among others, and officially recognized Jacinto Arias, María Rosalía Jiménez Pérez, and Martín Gómez Rámirez for their work in developing and fortifying indigenous languages in the state.
Later in San Cristóbal, at the Museum of Popular Cultures, there was a poetry reading that brought together four of the Indigenous Mexican poetry’s most important voices: Mikeas Sánchez, Adriana López, Enriqueta Lúnez, and Juana Karen, representing Zoque, Tseltal, Tsotsil and Ch’ol languages, respectively. Sánchez, Lúnez, and Karen have all published in Pluralia Ediciones’s prestigious “Voces nuevas de raíz antigua” series.
Ever get the feeling that even with all the news happening right now in the world, you’re still not getting enough? Well, that’s what we’re here for, keeping you covered with the latest in global literary news from our Editors-at-Large who are on the ground as we speak. This week we have reports about censorship and activism from Singapore and Mexico, as well as important news about festivals and prizes in the UK, and much, much more.
Theophilus Kwek, Editor-at-Large, reporting from Singapore:
The Singapore International Festival of the Arts (SIFA)―launched in 2014 to revive the Singapore Arts Festival, a landmark event in Southeast Asia’s arts calendar―drew to a close this week, concluding a month of theatre, film, music, and visual arts shows. These included a number of international partnerships such as Trojan Women, a Korean retelling of Homer’s epic directed by the SIFA’s founding festival director Ong Keng Sen; as well as Becoming Graphic, a collaboration between Australian theatre practitioner Edith Podesta and Eisner Award-winning graphic artist Sonny Liew, who previously had his funding withdrawn by the National Arts Council for his alternative political history of Singapore.
In a wide-ranging interview with The Guardian to mark his final year as festival director, Ong (who has previously spoken out against the censorship of SIFA’s programs by the government) lamented the “restrictive” attitudes of state funding agencies towards the arts, and said that he felt “drained by the fighting” of the past four years. His successor, fellow theatre practitioner Gaurav Kripalani―currently artistic director at the Singapore Repertory Theatre―struck a more conciliatory position earlier this year, saying that he would opt for increasingly “mainstream” programming.
Need another reason to welcome the weekend? We heard you! We’ve got literary scoop from three continents—literary prizes, festivals, and much besides to help you travel the world through books (is there really a better way?)
From Singapore comes a dispatch from Editor-at-Large, Theophilus Kwek:
Celebrations were in order last month as graphic novelist Sonny Liew became the first Singaporean to win—not one, but three—Eisner Awards for The Art of Charlie Chan Hock Chye, originally published by Epigram in 2015 and later released in the US by Pantheon. The volume, which narrates an alternative political history of Singapore through the life and work of a fictional Singaporean artist, also received the most nominations in this year’s awards, which were presented at Comic-Con International in San Diego on July 22. The National Arts Council (NAC), which had previously drawn criticism for withdrawing Liew’s publishing grant on the grounds of ‘sensitive content’, came under fire once again for its brief (and some argued, half-hearted) congratulatory remarks on Facebook which did not mention the title of the winning work. Liew’s forthcoming projects include a take on the story of Singapore WWII heroine Elizabeth Choy.
Just a week after Liew’s win, Singapore’s Minister for Culture, Community and Youth, Grace Fu, responded to a parliamentary question over another NAC grant decision, this time concerning a novel by Asymptote contributor Jeremy Tiang, State of Emergency—also published by Epigram this year. According to Fu, funding was withdrawn from Tiang’s novel, which traces the lives of several fictional political activists and detainees, because its content had “deviated from the original proposal”—a statement which immediately drew mixed responses from Singapore’s literary community. At around the same time, fellow novelist Rachel Heng joined the ranks of Singaporean authors gaining recognition abroad as her forthcoming dystopian title, Suicide Club, was picked up by both Hodder & Stoughton in the UK and Henry Holt & Co. in the US.
Finally, on the eve of National Day (August 9) just this week, twenty-four writers and poets from Singapore presented a marathon 4-hour reading at BooksActually, which also runs an independent publishing arm, Math Paper Press. In addition to the literary delights on offer, the bookstore also served up another spicy and flavourful local favourite—fried chicken wings.
The literary world is having a buzzing summer—or winter, depending on your hemisphere. From literary festivals in Singapore, non-traditional methods of distributing poetry by indigenous poets in Mexico to daring theatre in Austria, there is a lot to discover his week.
First stop—Singapore, with Chief Executive Assistant Theophilus Kwek:
Singapore’s literary scene is gearing up for its annual Poetry Festival held for the third time this year over the last weekend of July. The festival incorporates a full-day conference jointly organized by the National University of Singapore’s Faculty of Arts and Social Sciences, and PoetryWalls, a cultural non-profit. The winners of this year’s National Poetry Competition will also be announced on Saturday afternoon, kicking off a day and a half of readings, book launches and discussions featuring both new and established names— from Cultural Medallion-winner Edwin Thumboo to Pooja Nansi, recipient of the Young Artist Award for 2016. READ MORE…
We are back with literary news you simply cannot miss! This week we will take you to Romania where MARGENTO will help you discover the intricate networks of performance art. Also reporting from Europe is Fiona Le Brun who discusses the eclectic list of recent French literary prize winners, while subtly underlining the theme of migration that cuts across the various literary events. Far away from Mexico, Paul Worley and Kelsey Woodburn will highlight the increasingly important role of translation in its contemporary cultural landscape.
Editor-at-Large from Romania and Moldova, MARGENTO, provides us with an insider’s view of the exciting world of Romanian artistic experimentation:
The Bucharest International Poetry Festival featured last month an impressive line-up of international writers and performers, among whom were Christian Bök from Canada, LaTasha Nevada Diggs from the US, Steven Fowler of the worldwide prolific Enemies Project, Max Höfler (the tireless organizer of the yearly Text-World—World-Text Symposium in Graz, Austria), the multilingual performance vocalist Maja Jantar of Belgium, the Bucharest-based American poet and translator Tara Skurtu, and many more, alongside local poets such as Claudiu Komartin and Razvan Tupa. Organized by London-based Romanian poet and curator Simona Nastac, this annual event has grown more and more visible and central in a country where the tradition of performance poetry going at least as far back as Tristan Tzara’s DADA seems to be thriving more than ever, with festivals thrown from Craiova in the south to Brasov and Sibiu in Transylvania to Cluj and Iasi up north (some of them performance-driven events, other more standard literary ones with a strong reading or performance section).
Petrila is a one-of-a-kind venue among all of the above, both in Romanian and international terms. The derelict milltown riddled with condemned coal mines and shutdown falling-apart factories has been transformed over the last two decades by visual artist, political caricaturist, and curator Ion Barbu into a mecca of non-conformist festivals (initially thrown in his own backyard), eclectic or scandalous arts events, and improbable post-communist absurdist or faux-kitsch museums (including one that has resonantly revived the memory of once-censored outstanding dissident writer I.D. Sirbu). A competitor—or rather concurrent event—has been the CUCA Festival organized over the past couple of years in Cartisoara, up in the mountains of Sibiu County, where cutting-edge and indie performances and installations converge with Romanian traditional architecture restoration work done by international volunteers. A long-feature documentary titled Planet Petrila casting Ion Barbu in the lead role and portraying his eclectic personality and work against the background of the (post)communist history of his hometown has recently been widely praised and awarded at the international film festival TIFF.