This week, we return with three dispatches exploring multicultural and multilingual connection. We begin with a reflection on the work of Humberto Ak’abal, an influential Indigenous poet who wrote in both K’iche’ Maya and Spanish. We also explore the multilayered dialogue between China and New York in the Hong Kong literary scene, and get an exciting firsthand account of the recent Creative Multilingualism conference in the UK.
Paul Worley and Kelsey Woodburn, Editors-at-Large, reporting from Guatemala
As declared by the United Nations, 2019 is the International Year of Indigenous Languages. According to their website, of the 7,000 languages currently spoken on the planet, over 2,500 are currently endangered. In Mexico, the rest of Latin America, and around the world, many hope this global recognition will lead to wider acceptance of Indigenous languages, as well as to increased opportunities for their oral and written expression.
This week, we remember a prolific Catalan novelist and celebrate the achievements—including prizes, publications and a Ph.D.—of Indigenous writers from Mexico, Colombia and Australia.
Tiffany Tsao, Editor-at-Large, reporting from Australia
In October, Australian literary magazine The Lifted Brow announced that their fortieth issue would be produced entirely by a First Nations collective of writers, artists, editors, academics, and activists. The cover and contributors for the issue, which was titled Blak Brow, were revealed in late November. The issue launched on Wednesday, December 12th, at the Footscray Community Arts Centre in Melbourne, and is also now available to be ordered.
Need another reason to welcome the weekend? We heard you! We’ve got literary scoop from three continents—literary prizes, festivals, and much besides to help you travel the world through books (is there really a better way?)
From Singapore comes a dispatch from Editor-at-Large, Theophilus Kwek:
Celebrations were in order last month as graphic novelist Sonny Liew became the first Singaporean to win—not one, but three—Eisner Awards for The Art of Charlie Chan Hock Chye, originally published by Epigram in 2015 and later released in the US by Pantheon. The volume, which narrates an alternative political history of Singapore through the life and work of a fictional Singaporean artist, also received the most nominations in this year’s awards, which were presented at Comic-Con International in San Diego on July 22. The National Arts Council (NAC), which had previously drawn criticism for withdrawing Liew’s publishing grant on the grounds of ‘sensitive content’, came under fire once again for its brief (and some argued, half-hearted) congratulatory remarks on Facebook which did not mention the title of the winning work. Liew’s forthcoming projects include a take on the story of Singapore WWII heroine Elizabeth Choy.
Just a week after Liew’s win, Singapore’s Minister for Culture, Community and Youth, Grace Fu, responded to a parliamentary question over another NAC grant decision, this time concerning a novel by Asymptote contributor Jeremy Tiang, State of Emergency—also published by Epigram this year. According to Fu, funding was withdrawn from Tiang’s novel, which traces the lives of several fictional political activists and detainees, because its content had “deviated from the original proposal”—a statement which immediately drew mixed responses from Singapore’s literary community. At around the same time, fellow novelist Rachel Heng joined the ranks of Singaporean authors gaining recognition abroad as her forthcoming dystopian title, Suicide Club, was picked up by both Hodder & Stoughton in the UK and Henry Holt & Co. in the US.
Finally, on the eve of National Day (August 9) just this week, twenty-four writers and poets from Singapore presented a marathon 4-hour reading at BooksActually, which also runs an independent publishing arm, Math Paper Press. In addition to the literary delights on offer, the bookstore also served up another spicy and flavourful local favourite—fried chicken wings.
This week we bring you a generous helping of news from Flora Brandl, our contributor in Austria, reporting on the rich array of literary festivals and cultural events that took place in April and are coming up in May; Paul M. Worley and Kelsey Woodburn, our Editors-at-Large Mexico, take a look at one Guatemalan Maya writer’s highly original work, but also record the brutal continuation of violence against journalists in Mexico just last month; last but not least, our very own grant writer Catherine Belshaw writes on the hope for greater diversity in Canada’s literary scenes.
Contributor Flora Brandl gives us the round-up from Austria:
Despite winter being rather stubborn (only last week there was still some snow), the Austrian literary and cultural scene has witnessed a so-called Frühlingserwachen, a spring awakening, with numerous events, publications and national and international festivals taking place across the country.
At the end of April, the Literasee Wortfestival was hosted in Bad Aussee, a rural community and historical literary getaway for writers such as Arthur Schnitzler and Hugo von Hofmannsthal. This year, six German and Austrian writers, including Franzobel, Walter Grond and Clemens Meyer, were featured during the three-day festival.
However, it is not only German-language art that is currently being showcased in Austria: the Festival Europa der Muttersprachen (Europe of Mother Tongues) invited Ukrainian filmmakers, photographers, musicians and writers—amongst whom was the highly celebrated author Jurij Andruchowytsch—to the Literaturhaus Salzburg. Earlier in April, more international artists and audiences had frequented the city for the Osterfestspiele, the Easter feature of the internationally renowned Salzburg festival for classical music and drama.
TGIF because we have so much to tell you about the literary goings-on around the world! From book fairs in Argentina to new electronic media in indigenous languages from Mexico, to touring documentary screenings in Taiwan, this week has been packed with exciting news.
Sarah Moses, Editor-at-Large for Argentina, reports on upcoming events:
On March 22, The Museo del Libro y de la Lengua launched “Déjalo Beat. Insurgencia poética de los años 60,” an exhibit that seeks to bring attention to the beatniks porteños, a group of Buenos Aires authors and poets who embodied 1960s counterculture through works that were genre-bending and anti-academic. Open until July, the exhibit showcases magazines, photographs, early editions of novels, and other audiovisual material from writers including Reynaldo Mariani, Poni Micharvegas, Sergio Mulet, Ruy Rodríguez, and Néstor Sánchez. “Celebración Beat. La belleza de lo roto,” a multidisciplinary work of theatre based on texts from fifteen of the authors included in “Déjalo Beat” will be performed at the museum on April 7.
Bar Piglia, located in Buenos Aires’s Library of Congress, was inaugurated on March 31. The café commemorates Ricardo Piglia, who passed away on January 6; its walls are decorated with a mural and photos of the writer, and its shelves contain copies of his books. Piglia knew of the homage and, hours before his death, completed a piece tracing a history of the library and the role it had played in his life. The text was read by actress Cristina Banegas on the first night of “Palabras Vivas,” a reading series that will take place at the café.