Posts featuring Megan McDowell

Who Will Win the 2019 Man Booker International?

I tried to decipher from their inflection and word choices whether perhaps one of the books held their attention more than the others.

We know you’re just as eager as we are to learn who will win the Man Booker International Prize tomorrow, so we’ve enlisted our very own Barbara Halla to walk you through her predictions! A member of this year’s Man Booker International Shadow PanelBarbara has read every book on the short- and longlists, making her our resident expert. Read on for her top 2019 MBI picks!

Last year, someone called the Man Booker International my version of the UEFA Champions League, which is fairly true. Although I don’t place any bets, I do spend a lot of my time trying to forecast and argue about who will win the prize. And I am not alone. For a community obsessed with words and their interpretation, it is not surprising that many readers and reviewers will try to decipher the (perhaps inexistent) breadcrumbs the judges leave behind, or go through some Eurovision level of political analysis to see how non-literary concerns might favour one title over the other. Speaking from personal experience, this literary sleuthing has been successful on two out of three occasions. After a meeting with some of the judges of the 2016 MBI at Shakespeare & Company, I left with the sense that Han Kang’s The Vegetarian (translated by Deborah Smith) would take home the prize that year. In 2018, Olga Tokarczuk’s Flights (translated by Jennifer Croft) seemed to be everyone’s favourite, and despite a strong shortlist, I was delighted, although not shocked, to see it win.

The winner of this year’s Man Booker prize is proving more elusive. The shortlist is strong, but no one title has become a personal, or fan-, favourite. And I find the uncertainty at this stage in the competition very interesting. It is almost in direct contrast to how the discussion around the prize unfolded between the unveiling of the longlist and the shortlist. When the longlist was announced on 12 March, it was immediately followed by a flurry of online reactions that are all part of a familiar script: despite predictions by “expert” readers, few big names and titles made it onto the longlist. With good reason, some literary critics addressed the list’s shortcomings with regards to its linguistic and national diversity. Independent presses were congratulated for again dominating the longlist, a reward for their commitment to translated fiction. But as dedicated readers tackled the longlist head-on, there was a general feeling of disappointment with a good portion of the titles, which allowed the best to rise to the top quickly.

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Section Editors’ Highlights: Spring 2019

Special selections from our Spring 2019 issue!

If you have yet to read our spectacular Spring 2019 issue, what are you waiting for? Maybe for our Section Editors to give you their favourites so you can get off of the right foot—well, we’ve delivered. From the poetry by the hand of acclaimed fiction writers, to century-traversing tales, to contemporary criticism on the role of the translator, here are the highlights, straight from those who have devoted themselves to perfecting this issue.

From Lee Yew Leong, Fiction and Poetry Section Editor:

This issue’s fiction lineup is bookended by two Argentine authors (born in 1956) who grapple with Jewish identity in their work. With The Planets shortlisted for the Best Translated Book Award in 2013, Sergio Chejfec is much better known to Anglophone readers, but Daniel Guebel is not exactly an unknown entity—recently the publisher Beatriz Viterbo released an anthology of essays contributed by such writers as César Aira celebrating Guebel’s work. Via “Jewish Son,” Jessica Sequeira’s perfectly pitched translation, English readers are introduced to bits of a weltanschauung that include pilpul (aka spicy thought, a method of interpreting the Talmud), tango singers, readings of Kafka and The Aeneid, all taking place in the last act of a father-son relationship. Yet, it is also very emotional—despite, or perhaps all the more so because of, the philosophical exposition. As with the best fictions, Guebel gestures toward a gestalt beyond the text. I can’t wait for more of this heavyweight to appear in English.

In the poetry section, which I also assembled, two highlights (also bookending the section) are Raymond Queneau, co-founder of the now-international formalist Oulipo movement, and Georgi Gospodinov, acclaimed for The Physics of Sorrow, showing that they have as much talent as poets as they do as fiction writers. An especially exciting discovery is Gertrud Kolmar, nom de plume of Gertrud Käthe Chodziesner, advocated by cousin Walter Benjamin, but only now celebrated as one of the great forgotten poets. Characterized by mystery, the taut but dreamlike poems channeled with elan by Anna Henke and Julia Gutterman are fueled by an “ache unnamed”; “a glimmer burning out its flame.” 

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Weekly Dispatches from the Frontlines of World Literature

From the contemporary to the ancient, this week's roundup of literary news covers Argentina, Latin America, and Hong Kong.

This week, we’re taking a look at the precise and haunting work of a thrilling young Argentinian writer, celebrating and revelling in Latin American Indigenous literatures, and queuing up for a veritable mélange of literary and artistic events in the international hub of Hong Kong. It’s been a pretty good month.

Scott Weintraub, Editor-at-Large for Chile, reporting from Buenos Aires and Berlin:

On January 1, 2019, the New York Times reviewed Megan McDowell’s powerful translation of Argentine writer Samanta Schweblin’s book of short stories, Mouthful of Birds (originally titled Pájaros en la boca). In this review, the Times reveals what fans of contemporary Latin American fiction have known for years: that Schweblin’s haunting, claustrophobic writing is fascinating and addictive. Admittedly, Schweblin had previously received ample praise from critics in both the Spanish-speaking and Anglophone world. Among other accolades, we might consider: in 2010, the British magazine Granta named her a top young Spanish-language writer; Schweblin is a winner of the prestigious Juan Rulfo short story prize; she appeared on the Bogotá 39 list (2017), which lauded the top 39 Spanish-language authors under 40 years of age. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

New Guatemalan publications, a feminist conference, as well as awards in translation feature in this week's literary updates!

This week brings notable translations of up-and-coming Guatemalan authors, an insightful conversation between two Nigerian writers, and the announcement of highly-regarded translation prizes in the UK. If you’ve been searching for exciting new writers and translators, look no further!

José García Escobar, Editor-at-Large for Guatemala, reporting from Guatemala

In early December, Ugly Duckling Presse (UDP) put out No Budu Please, a selection of poems by the Guatemalan and Garifuna author Wingston González, translated by the Puerto Rican poet Urayoán Noel. No Budu, which has been favorably reviewed by Columbia Journal, Verse, and PANK, marks the first time Wingston’s work has been published in the United States. Additionally, Wingston’s book place of comfort has been incorporated into artist Naufus Ramírez-Figueroa’s performance and installation Heart of the Scarecrow, which will be on exhibit through March 9 at Simon Fraser University in Vancouver, Canada.

Across the pond, independent publishing house Charco Press is bringing another Guatemalan author into the English language. Celebrated short story writer Rodrigo Fuentes published a collection called Trucha panza arriba in Guatemala in 2017. Since then, the book has been reissued in Bolivia by Editorial El Cuervo and in Colombia by Laguna Libros. Trucha was even longlisted for the Premio Hispanoamericano de Cuento Gabriel García Márquez. And as of February 7, thanks to researcher and translator Ellen Jones, Trucha is now available in English as Trout, Belly Up. You can read one of the stories from the collection in our Winter 2019 issue.

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Weekly Dispatches from the Frontlines of World Literature

Find the latest in world literature here!

This week, join our wonderful Asymptote staff members, Barbara, Rachael, and Nina, as they bring you literary updates from Albania, Spain, and the United States. From prestigious national literary awards to new and noteworthy titles and translations, there is plenty to discover in this week’s dispatches. 

Barbara Halla, Editor-at-Large for Albania, reporting from Albania:

December was a productive month for Albanian publishers, a natural result of the conclusion of the Tirana Book Fair and the expected increase in book sales that marks the holiday period. On December 18, 2018, the Albanian Ministry of Culture conferred the National Award for Literature for the best books published in 2017. Henrik Spiro Gjoka won the “Best Novel” award for his work Sonatë për gruan e një tjetri (A Sonnet for Another Man’s Wife), which details the life of a psychiatrist who falls in love with one of his patients. Translator Aida Baro won the “Best Translated Novel” award for her rendition into Albanian of Primo Levi’s The Truce (translated into English by Stuart J. Woolf), the continuation of Levi’s autobiography, If This is a Man.

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