In late 2016, the Guatemalan publishing house SOPHOS put out Rodrigo Fuentes’s literary debut, entitled Trucha panza arriba. The book follows, sometimes closely and at other times tangentially, Don Henrik, a white landowner living in Guatemala, and the way his decisions and economic and emotional downfall affect those around him. The book includes intense dramas like “Dive”—available in Asymptote’s Winter 2019 Issue—and “Ubaldo’s Island”; vibrating suspense stories like “Whisky”; and profound character explorations like “Henrik.” And all of them are wrapped in exquisite dialogue, like “Terrace,” my favorite story. I told Rodrigo it was my favorite.
“Really?” Rodrigo said, somehow confused.
“Sí,” I told him, and said it was a tight story. “Apretada,” I said, “elegantly condensed, effective, quick as a flash.” READ MORE…
Curious about what our team has been up to in 2019? Read about our staff’s many achievements in the new year, including publications, art exhibitions, and reviews.
Writers on Writers Editor Ah-reum Han received a distinguished mention in The Best American Short Stories 2018 for a story of hers originally published in StoryQuarterly.
Communications Manager Alexander Dickow’s latest book, Appetites, was reviewed on The Blunt Post by Linda Rijel.
We’re back with another round of exciting literary news from around the globe. This week’s dispatches take us to South Africa, the United States, and Guatemala.
Alice Inggs, Editor-at-Large, reporting from South Africa:
An anticipated event on the Cape Town literary calendar, the annual Open Book festival,will take place from September 5-9. The inclusive festival, at which spoken-word performances and bookmaking classes are added to the program alongside interviews with international authors and panel discussions on feminism, appears to have a particular focus on migrancy and notions of place this year, with several talks hosted by the African Centre for Cities.
The attendance of influential urbanist, researcher, and author AbdouMaliq Simone points to this unofficial theme. Simone’s enduring optimism with regards to city spaces and the possibilities they hold for producing new forms of trade, particularly in the context of those inhabitants who are forced to adapt for reasons such as crumbling infrastructure or illegal residency, is a trait that looks to carry over to the rest of the festival.