This week, publishing gets political in Morocco, Polish authors show us their best hands, and a scatter of multilingual literary soirées light up eastern USA. Paul Bowles once said that Tangier is more New York than New York, and this week, you can make the comparison. Our editors around the world have snagged a front-row view, and here are their postcards.
Hodna Bentali Gharsallah Nuernberg, Editor-at-Large, reporting from Morocco
The 23rd edition of Le Printemps du Livre et des Arts took place in Tangier from April 18-21. This literary event, hosted by the Institut Français in the stately Palais des Institutions Italiennes, stood in stark contrast to the hurly-burly of the Casablanca book fair. A reverent hush filled the air at Le Printemps as small clusters of well-heeled attendees browsed the books on offer or closed their eyes to drink in the plaintive melodies of the malhoun music playing in the palm-lined courtyard.
To further its stated mission of “fostering debate and discussion between writers and thinkers on both sides of the Mediterranean,” Le Printemps offered ten roundtable discussions and conferences—all delivered in French (Morocco’s official languages are Arabic and Amazigh). Questioning the sidelining of Arabic, journalist and publisher Kenza Sefrioui called French a “caste language” and a social marker during a standout roundtable discussion on publishing.
Your weekly shot of global literary news is here! Today we travel to Austria, Costa Rica, Guatemala, and Morocco to find out about the latest prizes, performances and literary festivals.
Contributor Flora Brandl reporting from Austria:
In the southern state of Styria, the oldest Austrian festival for contemporary art, Steirischer Herbst (Styrian Autumn), recently opened with a powerful speech by the Austrian composer Georg Friedrich Haas. Styrian-born, Haas is one of the most renowned figures of the international New Music scene and currently teaches at Columbia University.
In his opening speech, Haas reflected on the dynamics of the remnants of Nazism and the burgeoning avant-garde art scene in Styria. While Nazism was always at the forefront of fighting so-called “degenerate art”—“for they knew: art is dangerous for them”—it also provided fertile grounds for a creative form of resistance: “We [artists] were spurred by the pain and the rage and the grief,” Haas recounted. He ended with an invocation that the role of artists today is to “spread the virus of humanitarianism” in the wake of a worldwide rise of fundamentalism. A political speech with a very personal note, the entire speech can be read in the original German here.
A language is alive—it’s a breathing, blooming entity that metamorphoses as worlds turn. Often, we turn to the literary when charting these changes, but language goes where the people are. Asymptote Editor-at-Large for Morocco, Hodna Nuernberg, writes about the changes that the Internet—blogs, texting, social media—is catalyzing in transliterated versions of spoken Arabic around the world.
According to the United Nation’s 2016 Measuring the Information Society Report, approximately 47 percent of the world’s population are internet users, and nearly 3.6 billion people are expected to rely on messaging apps as a primary means of communication by 2018. Thanks in no small part to the pervasiveness of computer-mediated communication, we are reading and writing more than ever—in fact, Andrea Lunsford, a professor of writing and rhetoric at Stanford University and principal investigator for the Stanford Study of Writing, speaks of a literacy revolution in which “life writing” (in the form of texts, tweets, emails, status updates, or blogs) accounts for a massive 38 percent of the average Stanford student’s written production.
For many of us, the distance between our spoken language and its written form is small enough as to seem nonexistent, so converting our speech into print is a fairly straightforward process. But this isn’t always the case.