Place: Central America

Weekly Dispatches from the Front Lines of World Literature

The glorious fragrance of fresh literary works, hot off the presses from around the world.

It seems that national literatures around the world are shaping their next representatives as we receive further updates of new works by authors from around the globe. From publications by a Guatemalan indie press, to a remarkably young award honouree in Brazil, to a historic list of nominations for the most prestigious literary prizes in Japan, our editors are bringing you a glimpse of what is in yourand your bookshelf’sfuture. 

José García Escobar, Editor-at Large, reporting from Central America 

The biggest book fair in Central America, the Feria Internacional del Libro en Guatemala (FILGUA) is only a few weeks away. And like every year, on the days leading to FILGUA, the Guatemalan indie press Catafixia has been announcing its newest drafts. Mid-July, Catafixia will put out books by Manuel Orestes Nieto (Panama), Jacinta Escudos (El Salvador), and Gonçalo M. Tavares (Angola-Portugal). 

Additionally, this year’s FILGUA marks the tenth anniversary of Catafixia, which has helped launch the careers of poets like Vania Vargas and Julio Serrano Echeverría.

Last month, Costa Rican press los tres editores put out Trayéndolo todo de regreso a casa by Argentine author Patricio Pron, who won the Alfaguara Prize in 2019. los tres editores have previously published books by Luis Chavez, Mauro Libertella, and Valeria Luiselli. 

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Weekly Dispatches from the Front Lines of World Literature

From literary festivals to prize winners, this is the week in world literature.

This week, dispatches from Spain and Central America witness the rise of Spanish-language writers and events that support and promote the literatures of up-and-comers alongside established stars of the field. To celebrate the community of world literature is a necessary joy, and our editors are here with the revelry. 

Layla Benitez-James, Podcast Editor, reporting from Spain  

It was time for big celebrations in a tiny, trilingual bookshop located in the centre of Madrid on the night of May 10. Francesca Reece had been named winner of the second ever Desperate Literature Short Fiction Prize, and ten other writers were being honoured alongside her in the publication of Eleven Stories 2019, the shortlist for the competition which follows after the sold out original Eleven Stories from their inaugural 2018 contest.

The event celebrated the launch of the mini collection with readings from ten of the eleven shortlisted authors. The project is an international prize based out of the bookshop Desperate Literature in Madrid, but with partners in London, Paris, and New York, it has drastically evolved over just its first year. After feedback from the inaugural winner and shortlist, the founders decided to add a one week stay as the artist-in-residence at the Civitella Ranieri in Italy, and a consultation with a New York literary agent who works for Foundry Literary + Media. With the aim of giving as much support to emerging and non-traditional writers as possible, they sought to develop additional assistance alongside a cash prize and are looking to continue this line of development for next year’s iteration. This year they partnered with five literary journals: 3:AM, Structo Magazine, Helter Skelter, The London Magazine, and The Second Shelf (women only), who will publish stories from the shortlist throughout the year. They also added a collaboration with the Casa Ana in Andalucia, who selected Jay G Ying from the shortlist for another residency.

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Weekly Dispatches from the Frontlines of World Literature

Expired copyrights, new literature, and the difficulties faced by translated literature feature in this week's updates.

As we welcome the New Year in, join our Editor-in-Chief, Yew Leong, and one of our Assistant Managing Editors, Janani, as they review the latest in world translation news. From the trials and tribulations faced by indigenous languages to new literary journals and non-mainstream literature, there’s plenty to catch up on!

Lee Yew Leong, Editor-in-Chief:

Though it was actually in 2016 that the UNESCO declared this year, 2019, to be the Year of Indigenous Languages, recent unhappy events have revealed how of the moment this designation has proven to be. A 7-year-old Guatemalan girl who was unable to communicate how sick she was died while in U.S. Border Patrol Custody—only one of several thousands of undocumented immigrants who speak an indigenous language like Zapotec, Mixtec, Triqui, Chatino, Mixe, Raramuri, Purepecha, or one of many Mayan languages, according to The Washington Post. Jair Bolsonaro, the new Brazilian president who has made insulting comparisons of indigenous communities living in protected lands to “animals in zoos,” wasted no time in undermining their rights within hours of taking office and tweeted ominously about “integrating” these citizens. On a brighter note, Canada will likely be more multilingual this year as the Trudeau administration looks set to enforce the Indigenous Languages Act before the Canadian election this year. The act will not only “recognize the use of Indigenous languages as a ‘fundamental right,’ but also standardize them,” thereby assisting their development across communities. Keen to explore literary works from some of these languages? With poems from indigenous languages ranging from Anishinaabemowin to Cree, Asymptote’s Fall 2016 Special Feature will be your perfect gateway to literature by First Nations writers.

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Weekly Dispatches from the Frontlines of World Literature

We're back with weekly updates in world literature from around the globe!

We’re back with our regular Friday column featuring weekly dispatches from our Asymptote team, telling you more about events in world literature. Join us on a journey to Guatemala and Chile, before heading to New York City, to find out more about the latest in world literature.

José García Escobar, Editor-At-Large, reporting from Guatemala:

We begin with great news coming from the Guatemalan author Eduardo Halfon whose novel Mourning (Duelo in Spanish) got shortlisted for the 2018 Kirkus Prize. Halfon, whom we interviewed for our blog last June, is sitting beside other fantastic writers such as Ling Ma, Nafissa Thompson-Spires, and Lauren Groff. Mourning, published by Bellevue Literary Press, was translated into English by Lisa Dillman and Daniel Hahn. The winner will be announced on Thursday, October 25, 2018.

Additionally, Halfon was just declared the recipient of the 2018 Miguel Angel Asturias National Prize in Literature, the most important literary prize in Guatemala.

On a much sadder note, recently, one of Guatemala’s most influential and emblematic poets, Julio Fausto Aguilera has passed away at the age of 88. He won the Miguel Angel Asturias prize, in 2002; he was part of the arts collective Saker-Ti, and one of the founding members of Nuevo Signo—arguably one of the most important literary groups in Central America. He wrote close to twenty books of poetry, and his family confirmed that he left two manuscripts that they hope will get published soon. Francisco Morales Santos, his friend en Nuevo Signo’s editor, called Julio Fausto a worthy and unbreakable man. Many other writers such as Vania Vargas and the most recent winner of the Miguel Angel Asturias Prize, Francisco Alejandro Méndez, also mourned the death of Aguilera.

To read more about Aguilera and Nuevo Signo, click here.

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On Translating Indigenous Languages

The translator bears a particular kind of ethical responsibility towards the text, the poet, and poet’s community.

Perhaps it goes without saying, but in 2018 translating Indigenous literatures in the Américas from Indigenous languages and/or Spanish is a political act. Even prior to now, at dinner parties and other settings for droll conversation in the United States, people have often perked up when I mention that I study Mesoamerican languages and cultures. With an interest typically grounded in lost civilizations, ancient mysteries, and, occasionally, UFOs, they usually then follow up with an inquiry as to why, if I study dead languages, I didn’t opt to study Latin, ancient Greek, or Biblical Hebrew instead. When I assert that no, Maya languages such as Yucatec and Tsotsil are far from dead, many people refuse to believe it and are more than happy to contest the point.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of the world's literary news brings us to Central America and Hong Kong.

You know the drill—time for another weekly update on literary happenings the world over. This week, we learn of the passing of several cherished Central American poets, as well as some recent developments in Hong Kong. 

José García Escobar, Editor-at-Large, reporting from Central America

Claribel Alegría, one of Central America’s most beloved poets, recently passed away at age ninety-three. Mere months after Alegría became the second Nicaraguan to receive the Reina Sofía Prize for Iberoamerican Poetry, only after Ernesto Cardenal, Claribel died last Thursday, January 25. Claribel is one of the cornerstones of Nicaraguan poetry and was the author of dozens of books of poetry, fiction, and non-fiction.

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Weekly Dispatches from the Frontlines of World Literature

Your weekly report on the latest in the world of literature.

We’re back for another exciting week of prizes, festivals and news about authors and events happening in the world of literature. Editors-at-Large on the ground in Nicaragua, Brazil and Egypt give us a run-down of the most important literary announcements from their regions. Watch this space for more news every Friday! 

José García Escobar, Editor-at-Large, reporting from Nicaragua:

Nicaragua hasn’t stopped celebrating its writers this week.

In perhaps the most important literary news from around the world, Nicaraguan writer, journalist, and politician Sergio Ramirez was announced as the latest recipient of the Miguel de Cervantes Prize, awarded annually to honor the lifetime achievement of a writer in the Spanish language. Awarded since 1976, previous recipients include Alejo Carpentier, Jorge Luis Borges, María Zambrano, Adolfo Bioy Casares, and Elena Poniatowska. Sergio became the first Central American writer to receive this distinction.

While the Cervantes Prize was still yet to be announced, the Nicaraguan poet Claribel Alegría got the prestigious Reina Sofía Prize for Iberoamerican Poetry. During the ceremony, Claribel received $49,000 and the publication of an anthology of her life’s work entitled Aunque dure un instante. 93-year old Claribel follows Sophia de Mello Breyner, Nicanor Parra, Antonio Gamoneda, and Ernesto Cardenal.

In Guatemala, F&G Editores just reissued and presented one of the most important poetry books in Guatemalan history, Vamos patria a caminar by the revolutionary poet Otto René Castillo. The book was originally published in 1965. One year later, in the early years of the Guatemalan armed conflict, Otto René returned to Guatemala after years of exile to join the guerrilla forces. In 1967 Otto René was captured, interrogated, tortured, and burned alive. To this day, Otto René Castillo remains one of the most important poets of Guatemala. His work has been praised by Luis Cardoza y Aragón, Roque Dalton, up to the newest generations of Central American poets. You can read some of his poems here.

On a final note, the Guatemalan children’s book publishing house Amanuense has released its new website after completing their move to South America. Amanuense is also finalizing the details of their participation in this year’s FIL (the Guadalajara International Book Fair), and they are days away from releasing Balam, Lluvia y la casa, the latest book of one of their champion writers, Julio Serrano Echeverría.

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Weekly Dispatches from the Frontlines of World Literature

Your news from the literary world, all in one place.

This week, our Editors-at-Large bring us up to speed on literary happenings in South Africa, Central America, and Brazil.

Alice Inggs, Editor-at-Large, South Africa: 

South Africa has eleven official languages, a fact not often evident in local literary awards and publications, which generally skew towards English and Afrikaans as mediums. However, the announcement of the 2017 South African Literary Awards (SALA) has done much to change this perception.

In addition to including five contributors to narratives in the extinct !Xam and !Kun languages (drawn from the Wilhelm Bleek and Lucy Lloyd archives), a biography in Sepedi (Tšhutšhumakgala by Moses Shimo Seletisha) and poetry collections in isiXhosa (Iingcango Zentliziyo by Simphiwe Ali Nolutshungu) and the Kaaps dialect (Hammie by Ronelda S. Kamfer) have been shortlisted.

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Weekly Dispatches from the Frontlines of World Literature

Traveling the world, one book at a time!

Your weekly shot of global literary news is here! Today we travel to Austria, Costa Rica, Guatemala, and Morocco to find out about the latest prizes, performances and literary festivals. 

Contributor Flora Brandl reporting from Austria: 

In the southern state of Styria, the oldest Austrian festival for contemporary art, Steirischer Herbst (Styrian Autumn), recently opened with a powerful speech by the Austrian composer Georg Friedrich Haas. Styrian-born, Haas is one of the most renowned figures of the international New Music scene and currently teaches at Columbia University.

In his opening speech, Haas reflected on the dynamics of the remnants of Nazism and the burgeoning avant-garde art scene in Styria. While Nazism was always at the forefront of fighting so-called “degenerate art”—“for they knew: art is dangerous for them”—it also provided fertile grounds for a creative form of resistance: “We [artists] were spurred by the pain and the rage and the grief,” Haas recounted. He ended with an invocation that the role of artists today is to “spread the virus of humanitarianism” in the wake of a worldwide rise of fundamentalism. A political speech with a very personal note, the entire speech can be read in the original German here.

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Reading Resolutions from the Asymptote Team (Part II)

More reading resolutions for 2017


Hannah Vose, Social Media Manager

I confess: 2016 was not a great reading year for me. Settling into a new job, traveling frequently—not to mention living through the U.S. election season!—made me retreat into videogames and the comforts of the suffering, over-handled paperbacks on my bookshelf. So in order to kick myself back out into the world of literature, I have two Reading Resolutions for 2017.

The first is to buy and read at least one book by an author from every continent, although since Antarctica is not awash in literature, Central America will be stepping in to play the role of the seventh. At a time when nationalism and xenophobia are rearing their ugly heads across the U.S. at an alarming rate, it feels more important than ever to remind myself of the incredible breadth and depth of international literature and to support the missions of the presses who publish and promote it by being an active consumer.

The second resolution is much simpler: to read at least one book in Spanish, because “rusty” is starting to become a generous description of my skill level.

hannah

Luckily, I’ve got my Spanish-language, European title all lined up. In Asymptote’s April 2016 issue, we published Close Approximations 2016 runner-up Ona Bantjes-Ràfols’s sample translation of El Mundo Sobre Ruedas by Albert Casals. As a sucker for travel narratives—and funny ones, at that—I was hooked. And since there’s no full English translation available, this is the perfect opportunity to work on my Spanish.

Africa also already has a spot on the reading roster. When Rochester Knockings by Hubert Haddad (trans. Jennifer Grotz) came out in 2015, it jumped straight onto my ever-growing wishlist. Written originally in French by a Tunisian author, it concerns the Fox Sisters, fraudulent mediums and Rochester, New York residents. As a former student of the University of Rochester, where Open Letter Books is based, and a two-time former Open Letter intern, this one is right up my alley. Supporting a favorite indie press and getting to read about fake mystics? Win-win!

Thinking ahead, I’m anticipating difficulties choosing an Australian title. Ideally, I would like to read something in translation from a native Australian language, but I’m having trouble finding something. Failing in that mission, I do want to read something by a native Australian author. As of now, The Swan Book by Alexis Wright and Swallow the Air by Tara June Winch have both entered consideration.

2017 should be a good year for reading. Two books picked out, five to go, and—sorry in advance for the cringe you’ll get out of this—a whole world to explore.

*****

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