Posts filed under 'chapbook'

Weekly Dispatches from the Frontlines of World Literature

Literary news from Central America, the Philippines, and the Romanian diaspora!

Join us this in this week of literary news from Central America, the Philippines, and the Romanian diaspora! From recent publications of women writers, to a collection of electronic-inspired poetry, to movements against the ongoing genocide in Gaza, read on to learn more.

José García Escobar, Editor-at-Large, reporting on Central America 

In December, Nicaraguan novelist and poet Gioconda Belli announced that Libros VISOR had just published a 900-page book collecting all her poetry books. Titled Toda la poesía (1974-2020), it includes a prologue written by Spanish poet Raquel Lanseros. This publication came only weeks after Belli won this year’s Premio Reina Sofía de Poesía Iberoamericana, one of the most prestigious awards given to poets of the Spanish language. 

Earlier, in late November, Alfaguara put out a book entitled Desde el centro de América, Miradas alternativas, which includes short stories by twenty one Central American women. The collection includes the likes of Nicté Sierra, Marta Sandoval, and Ixsu’m Antonieta Gonzáles Choc, from Guatemala; María Eugenia Ramos and Jessica Isla, from Honduras; and Madeline Mendienta and Carmen Ortega, from Nicaragua. The book was put together by writer and researcher Gloria Hernández, who, in 2022, received Guatemala’s highest literary honor: the Miguel Ángel Asturias National Prize in Literature. 

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In Review: “Sign Tongue” by Enrique Winter

Amy Rebecca Klein reviews David McLoghlin's translation: "to read Winter is to surrender to the flood of images we live in."

The title of Enrique Winter’s new chapbook, “Sign Tongue,” translated by David McLoghlin, poses a challenge for poetry: Can the flat mirror of language contain the fullness of the tongue, the way we taste and even kiss? Can we ever translate a single mother tongue into a form of collective experience when the real has no language at all, but has given rise to so many? Winter, who hails from Chile and has lived and studied in New York, and whose poems appear in “Sign Tongue” side-by-side in English and Spanish forms, understands that to name the world in only one language is to impose borders on his imagination.

Yes, if naming the world was the first thing Adam did, then it was also the task he could never do well enough—besides, of course, keeping Eve happy. How can one word—‘tongue’—mean both the cold and analytical and the warm and sensual? The sign, whether word or image, is always too simple to convey the thing we see.

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