Place: Spain

Translation Tuesday: “Surface Effects” by Francesc Serés

The ivy recovered. It spent two years fighting off that ochre evil until it returned to its formerly exultant state.

This week the eminent Lawrence Venuti brings us a curious story from Catalonia about a house consumed by ivy. The existence and appearance of this menacing plant dominates this rural community and the people who inhabit it.

The house came with a garden—like all the others in the promotion. It was large, three floors, and had a slate roof. Not till Cinta and Pere bought the thing did it change. Ivy began to envelop the ochre façade. They had planted it after falling out with the neighborhood. The houses were painted in a bright earth tone, an ochre that possessed a concrete reference. The only distinguishing feature was the uneven discoloration that the sun caused to the paint. At community meetings, Cinta and Pere would dig in their heels against their next door neighbors on either side and, finally, against everybody else. They (she, and he too, although not as much) wanted the ivy.

And so they planted it and installed an American mailbox, which wasn’t permitted either. That broke the perpetual peace that reigned over urbanization in the countryside. They contracted a gardening firm to fertilize the grounds and plant ivy all around the house. The ivy liked the place: it grew like a shot. From my house, just beyond the development, the ivy on the east wall seemed quite like a hand or paw clinging to it. Time passed quickly for the neighboring houses, and the hand continued to grow nonstop till its entwining tentacles reached the nearby façades.


Weekly Dispatches from the Frontlines of World Literature

Bringing you the latest in world literature news.

Never is there a dull period in the world of literature in translation, which is why we make it our personal mission to bring you the most exciting news and developments. This week our Editors-at-Large from Mexico, Central America, and Spain, plus a guest contributor from Lithuania, are keeping their fingers on the pulse! 

Paul M. Worley and Kelsey Woodburn, Editors-at-Large, reporting from Mexico: 

On February 21, numerous events throughout Mexico took place in celebration of the International Day of Mother Languages. In San Cristóbal de las Casas, Chiapas, CELALI (the State Center for Indigenous Language and Art) held a poetry reading featuring Tseltal poet Antonio Guzmán Gómez, among others, and officially recognized Jacinto Arias, María Rosalía Jiménez Pérez, and Martín Gómez Rámirez for their work in developing and fortifying indigenous languages in the state.

Later in San Cristóbal, at the Museum of Popular Cultures, there was a poetry reading that brought together four of the Indigenous Mexican poetry’s most important voices: Mikeas Sánchez, Adriana López, Enriqueta Lúnez, and Juana Karen, representing Zoque, Tseltal, Tsotsil and Ch’ol languages, respectively. Sánchez, Lúnez, and Karen have all published in Pluralia Ediciones’s prestigious “Voces nuevas de raíz antigua” series.


Announcing the Winter 2018 Issue of Asymptote

Celebrate our 7th anniversary with this new issue, gathering never-before-published work from 30 countries!

We interrupt our regular programming to announce the launch of Asymptote‘s Winter 2018 issue! Here’s a tour of some of the outstanding new work from 30 different countries, which we’ve gathered under the theme of “A Different Light”:

In “Aeschylus, the Lost,” Albania’s Ismail Kadare imagines a “murky light” filtering through oiled window paper in the ancient workroom of the father of Greek tragedy. A conversation with acclaimed translator Daniel Mendelsohn reveals the “Homeric funneling” behind his latest memoir. Polish author Marta Zelwan headlines our Microfiction Special Feature, where meaning gleams through the veil of allegory. Light glows ever brighter in poet Mohammed Khaïr-Eddine’s “syntactically frenetic” “Arachnid Sun”; and in Erika Kobayashi’s fiction, nuclear devastation blazes from Hiroshima to Fukushima.

The light around us is sometimes blinding, sometimes dim, “like a dream glimpsed through a glass that’s too thick,” as Argentine writer Roberto Arlt puts it, channeling Paul to the Corinthians in The Manufacturer of Ghosts. Something dreamlike indeed shines in César Moro’s Equestrian Turtle, where “the dawn emerges from your lips,” and, as if in echo, Mexican writer Hubert Matiúwàa prophecies for his people’s children “a house made of dawn.” With Matiúwàa’s Mè’phàà and our first works from Amharic and Montenegrin, we’ve now published translations from exactly 100 languages!

We hope you enjoy reading this milestone issue as much as everyone at Asymptote enjoyed putting it together. If you want to see us carry on for years to come, consider becoming a masthead member or a sustaining member today. Spread the word far and wide!


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An Inventory of Resistance: Notes on Catalan Language Politics in Literature

Perhaps part of the uniqueness of Catalan comes from this awareness of its influence on and disconnection from Castilian and European traditions.

Part I: The Nineteenth Century

At first, I was hesitant to write an article on the uses of the Catalan language in literature throughout recent history. After the referendum for Catalan independence held this past October 1, which was deemed illegal by the Spanish government, and the subsequent episodes of violence that occurred in the region, the topic has come to be a sensitive matter for any national. However, where there is a language, there is a literature, and the history of Catalan is one of stubborn resistance. It is my contention that the history of a language is somehow lived out in those who speak it, insofar as a sentiment of ambiguity still informs contemporary critical debates on the usefulness and adaptability of Catalan literature. “Is Catalan literature diverse enough? Can it cultivate all genres? Is it economically viable?” are questions that have resonated among critics and the public alike. Catalan literature inherits a sense of shame from its own fruition, and it is this feeling that I want to explore with this genealogy of usages.

This is not a history of Catalan literature and the texts featured here have not been selected according to an aesthetic canon. This is an archive of perceptions of Catalan language and literature as experienced throughout the nineteenth and twentieth centuries, from the literary resurgence known as La Renaixença in Catalan literary history (parallel to which political Catalan nationalism as we know it unfolds) to the relatively normalized literary field in existence today. While certainly not the only appropriate approach, in what follows I present a succession of events from the nineteenth century that Catalan historiography has employed to explain the evolution of the uses of the language.


Section Editors’ Highlights: Fall 2017

Our editors choose their favourites from this issue.

Asymptote’s new Fall issue is replete with spectacular writing. See what our section editors have to say about the pieces closest to their hearts: 

As writer-readers, we’ve all been there before. Who of us hasn’t been faced with that writer whose words have made us stay up late into the night; or start the book over as soon as we’re done; or after finally savoring that last word, weep—for all the words already written and that would never to be yours. The feeling is unmistakeable, physical. In her essay, “Animal in Outline,” Mireia Vidal-Conte describes this gut feeling after finishing El porxo de les mirades (The Porch of the Gazes) by Miquel de Palol: “What are we doing? I thought. What are we writing? What have we read, what have we failed to read, before sitting down in front of a blank sheet of paper? What does and doesn’t deserve readers?” There are the books that make you never want to stop writing, and the books that never make you want to write another word (in the best way possible, of course). Vidal-Conte reminds writers again that none of us is without context—for better or for worse. Her essay is smart, playful, honest, and a must-read from this issue.

—Ah-reum Han, Writers on Writers Editor


Close Approximations: In Conversation with Poetry Runner-Up Keith Payne

Language is local; for all our travel and world-webbed wideness, we are beasts of habit and most often stay within the same 10 square miles

Today, we continue our spotlight on the winners of Asymptote’s annual Close Approximations translation contest, now into its third edition. (Find the official results and citations by judges David Bellos and Sawako Nakayasu here.) From 215 fiction and 128 poetry submissions, these six best emerging translators were awarded 3,000 USD in prize money, in addition to publication in our Summer 2017 editionAfter interviews with fiction winner Suchitra Ramachandran, fiction runners-up Brian Bergstrom and Clarissa Botsford, and poetry runner-up Sarah Timmer Harvey, today we have poetry runner-up Keith Payne in conversation with Asymptote Assistant Interviews Editor, Claire Jacobson. 

Keith Payne is the Ireland Chair of Poetry Bursary Award winner 2015–2016. His collection Broken Hill (Lapwing Publications, Belfast, 2015) was followed by Six Galician Poets (Arc Publications, 2016). Forthcoming from Francis Boutle Publishers is Diary of Crosses Green, from the Galician of Martín Veiga. Keith is director of the La Malinche Readings between Ireland and Galicia and the PoemaRia International Poetry Festival, Vigo. His translation of Welcome to Sing Sing, by Galician poet Elvira Ribeiro Tobío, was a runner-up in Asymptote’s Close Approximations contest. A poet in addition to being a translator, he shares his time between Dublin and Vigo with the musician Su Garrido Pombo.

CJ: The motif of imprisonment strongly undergirds these poems, from Bob Dylan to Ethel Rosenberg and everything in between, with Rosenberg’s Sing Sing prison providing the title and backdrop for these reflections. Where does this theme come from, and what was the significance of writing (and now translating) these famous imprisoned women in verse? 


Weekly Dispatches from the Frontlines of World Literature

Hot off the press—your handy guide to all the literary happenings in the UK, Spain, Argentina, and Peru!

We’re in the second half of the year and summer—or winter, depending on where you are located—is full of literary activities. From the announcement of the Man Booker Prize longlist and the release of a new book by a beloved Spanish poet to Argentinian bookselling events, Asymptote editors are telling it all!

Executive Assistant Cassie Lawrence reporting from the UK:

Two days ago, the Man Booker Prize longlist was released, comprising a list of literary heavyweights and two debut novelists. The most hyped title, perhaps—and the most expected one—is The Ministry of Utmost Happiness, Arundhati Roy’s first work of fiction in two decadesChosen from 144 submissions, the longlist has 13 titles, often referred to as the “Man Booker Dozen.” Other authors on the longlist include Zadie Smith, Mohsin Hamid, Ali Smith and Colson Whitehead.

On Monday, July 17, the London Book Fair (LBF) recorded a webcast on “Creativity, Crafts and Careers in Literary Translation.” Three panelists—translator Frank Wynne, agent Rebecca Carter and consultant and editor Bill Swainson—joined acclaimed journalist, Rosie Goldsmith to speak on the opportunities and challenges in getting world literature translated. The webcast followed from a successful programme at LBF’s Literary Translation Centre last spring, and was funded by Arts Council England.

In other news, two-times Booker-winning publisher One World have paid a six-figure sum for a YA trilogy from US actor Jason Segel, reports The Bookseller. The first title, Otherworld, is due to be released on October 31 this year, and will center on a virtual reality game with dark consequences. Segal, known for his roles in films such as Forgetting Sarah Marshall and I Love You, Man has written the trilogy with his writing partner, Kirsten Miller. READ MORE…

Section Editors’ Highlights: Summer 2017

From an essay investigating a literary hoax to new art responding to Trump's xenophobia, our editors share their favorites from the new issue!

Asymptote’s glorious Summer issue is chockablock with gems. Some of our section editors share their highlights:

“To assert that Tove Jansson’s invention of the Moomin world may be partially rooted in ancient lore is, for this writer, to fear performing an act of sacrilege,” confesses Stephanie Sauer in her essay on renowned Finnish author-artist, Tove Jansson. This confession is the crux of Sauer’s questionings. Journey with Sauer from the moment the Moomins were conceived, to its unlikely, subversive evolution. Hold tighter still as she dives into Jansson’s personal life, her questions of war, artistry, womanhood, and sexuality, and the fearless, unconventional course she cut through history.

—Ah-reum Han, Writers on Writers Editor

This issue features excerpts from two plays that deal with aspects of “disappearance” and surveillance. In Blanca Doménech’s The Sickness of Stone, translated from the Spanish by William Gregory, we take a look at a cold, dark world where random pieces of text read from discarded books become a kind of key to unlocking society’s ills or sickness. Gregory’s eloquent, tart translation finds the humor, bite and despair in this fascinating play.

In Hanit Guli’s Orshinatranslated from the Hebrew by Yaron Regev, a father must decide how he will disappear from his family’s life and what he will or will not tell them. An odd, compassionate family drama, Regev’s translation of Guli’s one-act is evocative and clear.

—Caridad Svich, Drama Editor


Blog Editors’ Highlights: Summer 2017

The blog team's top picks from the Summer Issue!

Juxtapositions are rife in Intan Paramaditha’s enchanting story, “Visiting a Haunted House,” translated from the Indonesian by Stephen Epstein. To me it read almost like an incantation, the words constantly looping memory upon the story’s present. As a granddaughter visits her dead grandmother’s house, she paints a pointillist picture of her grandmother’s life, whose colors soon run into her own. A broken red lipstick, a cloudy mirror, vanished smells of Gudang Garam cigarettes—the world spins, and so do familial memories, ancestral souvenirs, and time.

The granddaughter is an eternal migrant, “dashing around in bus terminals and airports with a backpack.” She remembers how her grandmother had always wanted to go abroad but contented herself with the thrill of riding a minibus to market while dressed in a flowery cotton dress. The story is ostensibly a simple tale of returning to an ancestral home. But the narrator’s voice soon bifurcates like a snake’s tongue, each sentence describing the grandmother and the granddaughter both. When speaking of a kuntilanak, “a woman no longer here, in our world, but not ‘over there’ either,” is she describing the ghost, or herself?


Weekly Dispatches from the Frontlines of World Literature

Your weekly ride around the literary universe!

This week we will bring you up to speed on what’s happening in Central America, Morocco, and Spain. José brings us the latest news from the world of independent bookstores and publishing houses that are a treat for bibliophiles in Central America. Layla too has updates about exciting literary festivals and meets in Spain which bring book lovers together. Jessie shares some sad news from Morocco which however, on an optimistic note, reminds us of the universal reach of literature. 

José García, a cultural journalist from Guatemala, covers Central America for us this week:

On June 20 in San José, Costa Rica, Uruk Editores released Bernabé Berrocal’s second novel Archosaurio (Archosaur). Fellow Costa Rican writers like Aquileo J. Echeverría Prize winner Warren Ulloa and philologist Manuela Álvarez Escobar have called Archosaurio disturbing and captivating.

In late 2016 los tres editores publishing house announced its creation in Costa Rica. On June 21 they revealed their first title, Vamos a tocar el agua (Let’s Go Touch the Water) by Luis Chaves, a celebrated author of eleven books, whose work has been translated into German and is considered one of the leading figures of contemporary in Costa Rican poetry. los tres editores is yet to announced the publication date of Chaves’s book.

Additionally, the renowned Guatemalan writer Eduardo Halfon and Guggenheim fellow—whose work has been translated into several language including English, French, and Italian—on June 22  presented his novels Pan y Cerveza (Bread and Beer) and Saturno (Saturn). These novels were originally published by Alfaguara in 2003 as a single book titled Esto no es una pipa, Saturno (This is not a pipe, Saturno), and are now separate, as the author originally intended them to be. Pan y Cerveza and Saturno were published thanks to the work of Guatemalan bookstore SOPHOS and Spanish publishing house Jekyll & Jill. Eduardo has also a new book entitled Duelo (Duel) coming out later this year.


Translation Tuesday: Two Poems by Andrés Sánchez Robayna

far away, the shapeless clouds slide off at their leisure

Andrés Sánchez Robayna’s poems are a treat — in delicately constructed verses, they evoke deeply visual associations. The lines are startling in their clarity, and yet succeed in wrapping the reader in their complex ambiguities. 

The Sleeper Who Heard the Most Diffuse Music

The delicate backstrokes of sleep
rise red over the ocean,

thick, warm clouds
on the far side of the vaulted day,

the sea in this summer breeze.
The most diffuse music, in a dream,

the most intense vision, he dreams
the ebbing waves, the sun, the pines

twirling amidst these swells and drafts.
His back dissolves into clouds.

Neither the sun nor the dawn will be for him
the illusion of sun or dawn or blue.

On a Swimmer’s Shadow

not in living rock: out of granite
sculpted angles of the pool

the shadow on the mosaic below
sketches the figure above

far away, the shapeless clouds
slide off at their leisure

in the blind light of the edges
labile light, still shadow

so his written body flees
sculpted thus, the light dives deep

 Translations from the Spanish by Arthur Dixon & Daniel Simon

Editorial note: From Al cúmulo de octubre: antología poética, 1970–2015 (Madrid: Visor Libros, 2015). Translated by permission of the author.

A prolific author, editor, critic, and translator, Andrés Sánchez Robayna has published more than sixty books of poetry, essays, and translations. He completed a PhD in philology at the University of Barcelona in 1977, directed the magazines Literradura and Syntaxis, and is currently professor of Spanish literature at the University of La Laguna.

Arthur Dixon works as a translator and as managing editor of World Literature Today’s affiliated journal Latin American Literature Today. His translation of Andrés Felipe Solano’s The Nameless Saints (World Literature Today, September 2014) was nominated for a 2014 Pushcart Prize. His most recent project is a book-length translation of Arturo Gutiérrez Plaza’s Cuidados intensivos (World Literature Today, September 2016). He is Asymptote’s Spanish Social Media Manager. 

Daniel Simon is a poet, translator, and the editor in chief of World Literature Today. His latest verse collection, After Reading Everything, has been nominated for the Forward Prize, the T. S. Eliot Prize, a Pushcart, and several other awards. His translation credits include Ramón Gaya, Eduardo Mitre, Mario Arteca, José Mateos, Abdellah Taïa, and Boualem Sansal.


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Weekly Dispatches from the Frontlines of World Literature

Your one-stop spot for all you want to know about world literature

This week we bring you news from Spain, Slovakia, and Brazil. We will begin our journey with Editor-at-Large Carmen Morawski who captures the excitement leading up to the Madrid Book Fair. We will land next in Slovakia where Editor-at-Large Julia Sherwood updates us about the buzz surrounding the country’s most prestigious literary prize, Anasoft Litera. We will finish our journey across the world in Brazil to read Maíra Mendes Galvão’s report of writers’ protests against the impeachment of Dilma Rousseff. 

Carmen Morawski, Editor-at-Large from Spain, reports:

In its seventy-sixth year, the Madrid Book Fair (Feria del Libro de Madrid) has yet again marked the transition from spring to summer for Spanish book lovers. Taking place in the Buen Retiro Park in Madrid from May 26 to June 11, this year’s fair will open with a lecture by Eduardo Lourenco, the Portuguese essayist and philosopher, in the Pabellón Bankia de Actividades Culturales.

Although a detailed schedule for this year’s fair isn’t available yet, a glance through last year’s schedule should give Asymptote readers a flavor for the lectures, readings, and other events typical to the fair. Whether on the look out for children’s literature, YA or adult fiction, non-fiction reportage, essay collections, philosophy, specialty and minority literatures, visitors to the fair can browse a wide array of contemporary offerings from the Spanish publishing scene, take advantage of special discounts, and even meet a favorite author at one of the many book signing sessions. If you want to learn more about the  history of the fair and are interested in sampling previous years’ fairs, you may enjoy this brief video of the 2014 fair.

Asymptote readers interested in more historical literary fare might prefer to visit the Spanish National Library’s (Biblioteca Nacional de España) special exhibition, Scripta: Tesoros manuscritos de la Universidad de Salamanca. Intended to commemorate the 800-year anniversary of Alfonso IX’s order to create ‘Schools in Salamanca,’ that in turn led to the founding of the first universities in Europe, the exhibition showcases 23 pieces spanning the history of the manuscript in Europe, from medieval Visigoth codexes belonging from the eleventh and twelfth centuries through the sixteenth century. The exhibition is on loan from the University of Salamanca and is divided into four main sections. It includes a section devoted to Humanism and the Vulgate languages, thereby acknowledging the prominent role of romance languages derived from Latin as vehicles for literature and scientific works. The exhibition runs from May 4 to June 4.


Section Editors’ Highlights: Spring 2017

Insights from the experts on the Spring 2017 Issue of Asymptote

Looking for new entry points into the latest issue of the journal? The section editors of this behemoth cash of international literature, out just last week, are here to guide you!  

In this spring issue, the drama section features two complementary pieces—one from Catalonia and the other from Poland. Both portray hellish, nightmarish worlds in a distinct, unique theatrical manner. Grzegorz Wroblewski’s The New Colony in translation by Agnieska Pokojska depicts a claustrophobic asylum where patients/citizens live out their days in a state of restless, mocking unease. Wroblewski’s text is typical of what has been deemed “post-dramatic” theatre (in Hans Lehmann’s terms). It is an open text which offers its audience an intentionally disorientating roadmap to a contemporary world that is fractured and broken, where individuals seek wholeness despite all signs that such a search is hopeless.

Written as a proto-feminist cabaret, Beth Escudé i Gallès’s Diabolic Cabaret in translation by Phyllis Zatlin, looks at an elemental Eve, channeling visions of historical female icons throughout history. Is guilt a woman? To whom will society place its blame in times of war? Helen of Troy? Other alluring, bewitching sirens up to no good? Escudé i Gallès teases and cajoles her audience in a piece that through anarchic humor questions the roles we all play to claim concepts of territory, identity, and ownership. Both Wroblewski and Escudé I Gallès are from the same generation, even though they represent different cultures and sensibilities as dramatists. It’s fascinating to see two skilled and provocative playwrights, in fine translations, address states of fear and anxiety all too prevalent in the modern world.

—Drama Editor Caridad Svich

Among three exceptional essays—including one that introduces readers to the brilliant but tortured Swiss writer, Hermann Burger, and another that briefly loiters at the fork in Iran’s contemporary literary scene—I found myself particularly drawn to Noh Anothai‘s generous and intimate reflections on a world turned akimbo, seen through the eyes of Thai poet, Saksiri Meesomsueb. As we follow Anothai through the pages of Meesomsueb’s award-winning collection, That Hand is White, and from north Bangkok to Chicago and back, I’m reminded once more of literature’s gift in transgressing borders, its necessary lucidity, kindness, and prescience; and consequently, its call for response. Only with clean hands can we clean the world, Meesomsueb tells us. Dear Reader, what will you do next?

—Writers on Writers Editor Ah-reum Han


Blog Editors’ Highlights: Spring 2017

Dive into our Spring Issue, starting with an Italian short story, Assamese poetry, and Catalan drama!

Here at the Asymptote blog, we’re mining the new Spring 2017 Issue for all its treasures and have selected a few our favorite pieces to introduce here. And while we’re making introductions, I’m pleased to present two new members of the Asymptote team, Assistant Blog Editors Stefan and Sneha, who will have much more content and expertise to share in the coming months. For now, enjoy our highlights from the new issue! 

‘A Dhow Crosses the Sea’ by Ubah Cristina Ali Farah, translated from the Italian by Hope Campbell Gustafson, is a story that rises and falls from dreams to the visceral reality of the author’s roots in Somalia and Italy. Between dreams of the protagonist’s grandmother, an ecological disaster, and a capsizing dhow (a type of traditional sailing vessel), the sea is at the very heart of the narrative, its significance alternating between loss and attachment, hope and tragedy. Farah’s blending of Somali oral tradition into her writing also gives an incantatory quality to the work, wrapping you up in its sounds and smells. Those few lines from Somali, “a dhow crosses the sea, carrying incense and myrrh,” have stayed with me, sweet and comforting on the one hand, but on the other filled with an inescapable sense of danger and apprehension.”

—Assistant Blog Editor Stefan Kielbasiewicz

“Of all the uniquely special pieces in the Spring Issue brought to you by the Asymptote staff, Sananta Tanty’s poems spoke the most to me, not least because the poems were originally written in Assamese, my first language.

The fact that the poems are by an Assamese poet is significant. As you might be aware, Assam is the major language spoken in the Northeast Indian state of Assam. The region is widely regarded to have a distinct social and cultural identity compared to ‘mainstream’ India. These differences have unfortunately led to its neglect by the power centres of mainstream India, and the region has been marked by ethnic strife, political conflict, and insurgencies against the Indian state since Independence from the erstwhile British Empire. Highlighting Assamese poetry probes the fault-lines of marginality, underwriting that, even as Indian literature has been a recurring focus of the journal in an attempt to break away from the Western canon, engagement with identity politics requires constant reflection and self-reflexivity.

It is also important to note that the poet was born to a family of tea plantation workers. Assam is known around the world for tea, a legacy of British colonialism. Unfortunately the tea gardens are notorious to this day for deep class divides between the upper management and the manual labourers who were drawn from Central Indian tribal communities to work in the estates by the British tea planters in conditions many argue are akin to slavery.  Tanty, a name carrying the history of his working class background, thus writes a poetry of protest against the indignities of the conditions of his community’s existence: “All twelve men were landless and without independence”. Tanty’s modernist verse is brought out in all its sparkling clarity by the translator, Dibyajoti Sarma, who is a poet and has written introspective pieces on the politics of representing literature from Northeast India in the Indian publishing industry. You can read more of Tanty’s work in the book Selected Poems Sananta Tanty, translated to English by Dibyajoti Sarma. You can also have a look at Sameer Tanti’s poems (translated by Sarma) for similar themes.”

—Assistant Blog Editor Sneha Khaund

“The excerpt from Beth Escudé i Gallès’s Diabolic Cabaret, translated by Phyllis Zatlin, made me so excited. I realize that is probably a bizarre thing to say about a rather absurd, darkly comic work of social commentary, but I couldn’t help but imagine some of my theater friends from college working on this in the basement of a dorm in preparation for an amateur production that we would have imbued with overblown significance and that uniquely naïve brand of activism that can only flourish in a walled-off university setting. It might have turned out decently and not remotely done justice to the script.

So that’s not to say there is anything naïve or amateurish about the play in the least. It’s only to say that reading the excerpt was an experience I’m sure you’ve all had: a spark of joy, perhaps even bringing you to a giggle, that is completely incongruous with the tone of what you’re reading, but that’s a result of being surprised and tickled by how incredibly good it is. Which, though I’m sure it wasn’t the reason for the title, makes calling it a cabaret more than apt. Part corrective history, part satire, and part poignant, confessional monologue, this piece of the Diabolic Cabaret was not enough for me. Here’s hoping the entire play gets staged, and published, in English very soon.”

—Blog Editor Madeline Jones


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