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Weekly Dispatches From the Frontlines of World Literature

The latest literary news from Canada, Hong Kong, Ireland, and Spain!

This week, our team members bring us news from around the world, from worldbuilding at a conference in Canada to reflections on the ties between Ireland and Spain. Read on for more on a bilingual publication out of Hong Kong, and Irish press publishing literature from the Romanian diaspora, and more!

Heloisa Selles, Executive Assistant, reporting from Toronto, Canada

 It was the last Saturday of August when a crowd of speculative fiction lovers gathered to attend the AugurCon, in Toronto. It was the first in-person event promoted by Augur Magazine, a biannual publication that promotes Canadian and Indigenous voices writing fantasy, science fiction, and other uncommon forms of genre fiction. As a reader and an appreciator of the strange and unusual, I knew I had to be there.

As the afternoon went by—a mild, muggy breeze bringing spurts of rain and, consequently, people in and out of the venue—I noticed my perception of neighboring urban outlines changing, shaped by the imaginative perspectives on worldbuilding the conference highlighted. Author Larissa Lai, one of the participants of “The Speculative City” panel, spoke about utopia as more than the capacity to imagine something better (or as a concept on the flip side of pessimism), but as a continuous investigation that honors the function of the dream. What is better in the dream, and for whom? “The dream as we dream it may not come to pass,” she said, “but our dreams impinge on flows.” This lyrical statement about the ethics of creation reminded me of the proverb: “The best time to plant a tree was twenty years ago. The second-best time is now.” In SFF, creating new visions of what the world could become is also a way to keep the door open for those who will come after you, writers and readers alike.

Besides the panels, Augur also organized workshop AMAs with leading professionals in the publishing industry. I missed some discussions due to the overlapping agenda—and an enthusiastic, boisterous crowd—but I liked what I saw. I found the deliberate choice of keeping statistics out of discussion rather curious, especially in light of how BookTok helped boost sales in 2022 and fantasy genres went up 26.5% in sales in the first half of 2023, according to Publisher Weekly. Another overlooked but crucial aspect of publishing speculative fiction is the importance of funding for writers. This topic was partially addressed by a workshop about grants, which detailed the eligibility criteria for the Toronto Arts Council (TAC) Writers Program. In the federal sphere, the 2021-26 Strategic Plan created by the Canada Council for the Arts delineates how it is investing $1.6B in grants to authors to support artistic and literary creation.

The day was long and busy. As I packed up my modest book haul at the end of the one-day event, marinating in thoughts about fictional worlds, I noticed an old yearning being rekindled, the promise of being wrapped up in a fantastic story growing inside me. Maybe that is the primordial role of speculative fiction: to help us cope with real life by allowing us to step out of it, even if just for a little bit. READ MORE…