Weekly Dispatches from the Front Lines of World Literature

January 7, 2022 | in Dispatches, News, Weekly Roundup | by Carol Khoury, José García Escobar, and Suhasini Patni

The latest from India, Central America, and Palestine!

Despite the pandemic, literary festivals and magazines around the world continue to highlight important voices, both emerging and established. In India, the Bangalore Literature Festival presented a series of literary conversations, while the Sahitya Akademi announced the winners of its various awards. In Guatemala, the literary community mourned the loss of the beloved writer and editor, Julio Calvo Drago. In Palestine, the first-ever edition of Granta in Arabic was published. Read on to find out more!

Suhasini Patni, Editor-at-Large, reporting from India

Despite the restrictions COVID imposed, 2021 was a successful year for literature in India, with many virtual festivals and award ceremonies.

In Bangalore, the tenth edition of the Bangalore Literature Festival commenced in a hybrid form at the Bangalore International Center. Featuring authors such as Chitra Divakaruni, Dolly Kikon, Jahnavi Barua, Vivek Shanbhag, and Rijula Das, the festival was spread over two days. In one conversation, sociologist Arshia Sattar and filmmaker Anmol Tikoo introduced a new literary podcast on the life of Kannada playwright Girish Karnad. Titled “The River Has No Fear of Memories,” a line taken from the English translation of the play Hayavadana, the podcast follows the life of Karnad, including his work, inspirations, and personal life.

Sahitya Akademi also announced the winners of its prestigious awards: the Sahitya Akademi Award, Yuva Puraskar, and Bal Sahitya Puraskar 2021 on December 30. Twenty authors writing in different Indian languages were awarded the Sahitya Akademi Award. The award for the Sahitya Akademi in the Tamil language was given to Ambai for her short story collection Sivappu Kazhuththudan Oru Pachai Paravai (A Red-Necked Green Bird). Born in 1944 in Coimbatore, Ambai is only the fourth woman to win the award in her category, in the sixty-six years of the award’s history.

Meet the Publisher: Groundwood Books’ Patricia Aldana on Children’s Literature in Translation

February 26, 2018 | in Interviews, Publisher Profile | by Sarah Moses

"The key—to have children be so entranced by the books they read that they will be a reader for life."

Groundwood Books is a Toronto-based publisher of children’s and young adult literature. The press was founded by Patricia Aldana in 1978 and almost from the start has been publishing Canadian literature alongside titles from around the world in translation. Groundwood’s catalogue includes books from Egypt, Mexico, and Mongolia, to name a few, and the press is particularly interested in publishing marginalized and underrepresented voices. Though Aldana sold Groundwood to House of Anansi Press in 2012, she remains active in the area of children’s literature. She is currently president of the International Board on Books for Young People (IBBY) foundation and collaborates with the China Children’s Press and Publications Group, where she is responsible for bringing international literature to Chinese children. In an interview that took place in Buenos Aires during the TYPA Foundation’s workshop on translating literature for children and young adults, Aldana spoke with Asymptote’s Editor-at-Large for Argentina, Sarah Moses, about the qualities she looks for in books for children and the challenges of translating for young readers.

Sarah Moses (SM): When did Groundwood Books begin publishing children’s and young adult literature in translation?

Patricia Aldana (PA): Quite early, by 1981, I started doing translations of books in French from Québec. There were subsidies for translation from the Canada Council, which made it easier—especially novels. I was also going to Bologna and selling rights, and there I started finding books from other languages that were interesting to translate.

The Canadian market was quite healthy at that time and you could bring in books from other countries. But in 1992 provincial governments started to close down school libraries which affected the entire ecosystem of the Canadian market and we had to go into the U.S. market directly and publish books there ourselves. A lot of our authors were known in the States because we had sold rights to them, to compete with the U.S. giants and to differentiate ourselves from them as by that point they had virtually stopped translating anything—we seized the opportunity to publish translations for a much bigger market. The Canadian market had deteriorated to such a point by then that it couldn’t really justify publishing a translation—other than of a Canadian author from Québec.

Weekly Dispatches from the Frontlines of World Literature

December 1, 2017 | in Dispatches, News | by Alice Inggs, Sarah Moses, and Sergio Sarano

Your weekly report on the latest in the world of literature.

Following on the heels of exciting news about our recently-launched Book Club and amidst end-of-year lists highlighting the best of 2017, we are back with another round of literary news from around the world! First up, Sarah Moses brings us the latest on literary festivals and awards as well as updates on children’s literature. Sergio Sarano is up next with a preview of the Guadalajara International Book Fair.

Sarah Moses, Editor-at-Large, reporting from Argentina and Uruguay:

In early November, Argentinian author, essayist and literary critic, Silvia Molloy, returned to her native Buenos Aires for a series of talks and workshops around the topic of language and translation, held at the Latin American Art Museum of Buenos Aires (MALBA), and then at the Goethe-Institut, where she was interviewed during the Buenos Aires Literary Translator Club’s final get-together of the year. At the latter, Molloy discussed her recent book, Vivir entre lenguas (Eterna Cadencia, 2016), which weaves together anecdotes, memories and stories on multilingualism.