Place: New York

Winter 2014: A Rookie Among Giants

Living now under the shadow of Trump, the contents of the issue seem even more desperately near to us.

It takes a while for the blog to hit its stride. Editing to a quarterly schedule is different than editing to a daily one, we quickly discover. It does not help that both ‘founding’ blog editors jump ship within three months (Nick’s elegiac last post goes up on 30 October; Zack’s 31 December). Fortunately, the rest rally and get us through. (One bright spot from that time is Patty Nash’s breezy roundupsa breath of fresh air.) Five weeks after it inaugurates, Aditi Machado’s post on the blog gets picked up by Poetry’s Harriet Blog, joining mentions in BBC Culture and The Guardian. The Guardian article gives a nod to Asymptote’s first-ever London event in January 2014, also the first of many multi-continental events in honor of our 3rd anniversary. These go on to include panels and readings in New York, Zagreb, Boston, Philadelphia, Shanghai, Berlin, and Sydney over the next three months. A point of pride: determined to organize an event in Asia, I somehow manage to pull off a reading without a single team member on the ground, thanks to NYU Shanghai, contributors Eleanor Goodman and Eun Joo Kim, and a friend who happens to pass through. In New York, under real threat of snowpocalypse, Asymptote supporters Eliot Weinberger, Robyn Creswell, Idra Novey, Jeffrey Yang, and Daniella Gitlin all show up to our anniversary event at Housing Works emceed by then Assistant Managing Editor, Eric M. B. Becker, to read alongside Cory Tamler, first prize-winner of our inaugural Close Approximations translation contest (as written up in WWB Daily’s dispatch here). Here to get you excited for the Winter 2014 issue (featuring, among others, a translator’s note that I got J. M. Coetzee to write) is Alexander Dickow, runner-up to that very contest and Asymptote Communications Manager since April 2017. But, first, check out Winter 2014’s issue trailer—probably our best ever—by then Video Producer Sarah Chan.

I knew of Asymptote since its inception in 2011, but it was only in January 2014 that I was named runner-up in the first edition of Asymptote’s Close Approximations translation contest. That contest has had a lasting impact on my work: I later won a Pen/Heim Translation Fund Grant to finish translating Sylvie Kandé’s Neverending Quest for the Other Shore, which was first showcased in Asymptote and is now under consideration by a major publisher. Evoking the Winter 2014 issue of Asymptote, then, cannot not be a little about my own relationship to Asymptote, even though I was an eager young rookie among the issue’s giants— J. M. Coetzee, Jana Beňová, and Michael Hofmann, to name a few. READ MORE…

Asymptote Podcast: #30Issues30Days Edition

Dig through our archive with Dominick Boyle, who unearths gems from South India, Chile, Sweden and more!

In celebration of Asymptote’s milestone 30th issue, Podcast Editor Dominick Boyle dives into the archives to uncover some of his favorite recordings from the archive. In this episode, he revisits poetry set to music in Tamil and Spanish from Aandaal and Enrique Winter, and snarky telephone conversations with a whole city by way of voice-mail from Jonas Hassen Khemiri. He also spotlights: the touching suicide notes left by Jean Améry, which reveal 3 different sides of a man in his death; experimental Vietnamese poetry by Bùi Chát, which comes to life read by translator Jack J. Huynh; and Owen Good’s translations of Hungarian poet Krisztina Tóth, which Eliot Weinberger awarded first prize in our inaugural Close Approximations contest. Take a walk down memory lane—this time with your headphones on!

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Winter 2013: The Journal That Never Sleeps

In a world that moves with bewildering speed, Asymptote stops to linger over each work and give it all the time and close attention it deserves.

We are not told officially; the longlist simply lands on 3:am’s website without fanfare. I stumble upon it two or three days after the fact. Disbelieving at first, I click on the hyperlink. Only when Asymptote’s familiar landing page flashes on my screen do I accept what has happened: Within two years of the magazine being launched, we have been nominated for Magazine of the Year! Just as miraculously, Jacob Severn (one of two amazing Jacobs interning for us that quarter; the other being Jacob Silkstone, who provides the inspired introduction below as Assistant Managing Editor) tells me his wife overheard someone next to her on the New York subway recommending the journal over the phone. Of the eight events ambitiously planned within three weeks of our second anniversary, I’m directly involved in two of them (find photos of all 34 events we have ever organized here). The Beijing one doesn’t go too smoothly (not only does photographic documentation fall through, I experience an embarrassing moment of brainfreeze during the event; I had planned to prepare for the panel after launching the issue and rushing to the airport for my flight to Beijing, but cold medicine knocked me out for most of the overnight flight and for most of the day leading up to the event itself, so I showed up to my first-ever Asymptote panel on an empty stomach, in the midst of a freezing Beijing winter). But that is irrelevant. I still wouldn’t have given up meeting readers in the flesh for anything. As, one by one, actual readers come up to talk to me after the panel, it feels I’m meeting whom all the hard work has been for.

Asymptote is the journal that never sleeps. Pick any hour of any day and you can be reasonably certain that, somewhere in the world, someone is working on an Asymptote article, someone else is editing a submission, and still another person is writing a review of a newly translated book. (In its early years, you could be reasonably certain that one of the three was our editor-in-chief,  tirelessly working to shape “the premier site for world literature in translation.”) The story of how the journal’s ninth issue came together is—at least from my perspective, the perspective of a 23-year-old intern—one of sleepless nights, dozens of emails back and forth, and marathon sessions in front of an increasingly blurry laptop screen.

Midway through 2012, I returned from half a year working at an international school in Dhaka after graduating from an MA programme. If you’ll allow me a couple of slightly over-indulgent metaphors, I’d imagined university life as a straight path leading into a mist-obscured wood, or a bright circle of fire around a thick knot of darkness. I’d reached the end of the path and the fire burned a little colder than before. To borrow Chuya Nakahara’s lines from Goat Songs”: READ MORE…

Asymptote Podcast: Translating Blackness

Listen in on a conversation with the eloquent Lawrence Schimel on translating blackness, female authors, and more!

In this episode of the Asymptote Podcast, we explore the identities of translators and authors via an interview with translator Lawrence Schimel whose groundbreaking translation from the Spanish of Trifonia Melibea Obono’s La Bastarda was recently reviewed on the Asymptote blog. (Obono is the first female author from Equatorial Guinea to be translated into English.) Podcast Editor Layla Benitez-James, returning from her sabbatical, sits down with Schimel in Madrid to discuss the challenges of translating this novel in the light of John Keene’s essay, “Translating Poetry, Translating Blackness.” We also delve into Schimel’s work at the helm of A Midsummer Night’s Press, the challenge of getting more female authors translated into English, and how to advocate for a more inclusive global literature.

Produced by:
Layla Benitez-James Featuring: Lawrence Schimel Music: Studio Mali – Wake Up – “It’s Africa Calling” by IntraHealth International. Creative Commons licenses can be found at http://freemusicarchive.org/. Some changes were made to these tracks. Photograph: Nieves Guerra

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What’s New with the Crew? A Monthly Update

A behind-the-scenes scoop on what our team members have been up to!

Communications Manager Alexander Dickow translated Guillaume Apollinaire’s celebrated “Song of the Unrequited Lover” for the Spring 2017 issue of Metamorphoses.

Assistant Blog Editor Aurvi Sharma was awarded the 2017 New York Foundation for the Arts fellowship in Nonfiction Literature.

Drama Editor Caridad Svich’s play Iphigenia Crash Land Falls On the Neon Shell That Was Once Her Heart was performed on 30 July at Bread and Roses Theatre in South London and by London-based company Clumsy Bodies from 4 to 12 August at theSpace on Niddry Street in conjunction with the Edinburgh Festival Fringe. Her essay, “Riding Uphill on a Red Bike,” based on her play Red Bike, is featured as the closing reflection on the making of the Stages of Resistance series.

Editor-at-Large for Romania and Moldova MARGENTO a.k.a. Chris Tanasescu will be presenting with his team a paper titled “Access(ed) Poetry. The Graph Poem Project and the Place of Poetry in Digital Humanities” at the 2017 Digital Humanities Conference in Montreal. Chris also recently presented a paper on automated metaphor detection in poetry at the Association for Computational Linguistic Conference in Vancouver.

Criticism Editor Ellen Jones was awarded one of the 2017 ALTA Travel Fellowships to attend this year’s conference in Minneapolis.  She, like Social Media Manager Thea Hawlin, has written an essay for the upcoming anthology “The Digital Critic: Literary Culture Online,” published by OR Books.  

Contributing Editor Howard Goldblatt has published an essay in Korean Literature Now discussing the issue of translating fiction and creating fiction as two distinct literary genres.  

Editor-at-Large for Indonesia Norman Erikson Pasaribu is showcased as an emerging Indonesian writer in Kill Your Darlings, a cultural magazine based in Melbourne, in partnership with the upcoming Ubud Writers & Readers Festival (UWRF) in Bali.  

Social Media Manager Thea Hawlin wrote about the rise of female literary magazines for LitHub and reviewed a response to George Eliot’s ‘Silly Women Novelists’ for the Times Literary Supplement. She also published essays on Italian director Antonioni’s first color film and the designer Salvatore Ferragamo in AnOther magazine. It’s also her birthday today so please joining us in wishing her a very happy birthday!

Editors-at-Large for Singapore Theophilus Kwek and Tse Hao Guang have launched UnFree Verse, an anthology of formal verse from Singapore, co-edited with poet Joshua Ip. Theophilus was also featured last week in an episode of the new BBC4 series ‘Mother Tongue’, which focuses on poetry in translation.

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Blog Editors’ Highlights: Summer 2017

The blog team's top picks from the Summer Issue!

Juxtapositions are rife in Intan Paramaditha’s enchanting story, “Visiting a Haunted House,” translated from the Indonesian by Stephen Epstein. To me it read almost like an incantation, the words constantly looping memory upon the story’s present. As a granddaughter visits her dead grandmother’s house, she paints a pointillist picture of her grandmother’s life, whose colors soon run into her own. A broken red lipstick, a cloudy mirror, vanished smells of Gudang Garam cigarettes—the world spins, and so do familial memories, ancestral souvenirs, and time.

The granddaughter is an eternal migrant, “dashing around in bus terminals and airports with a backpack.” She remembers how her grandmother had always wanted to go abroad but contented herself with the thrill of riding a minibus to market while dressed in a flowery cotton dress. The story is ostensibly a simple tale of returning to an ancestral home. But the narrator’s voice soon bifurcates like a snake’s tongue, each sentence describing the grandmother and the granddaughter both. When speaking of a kuntilanak, “a woman no longer here, in our world, but not ‘over there’ either,” is she describing the ghost, or herself?

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What’s New with the Crew? A Monthly Update

A behind-the-scenes scoop on what our team members have been up to!

Poetry Editor Aditi Machado’s forthcoming collection, Some Beheadings, is available for pre-order from Nightboat Books. Her translation of Fariq Tali’s Prosopopoeia was recently reviewed by Jill Magi.

Drama Editor Caridad Svich‘s piece, Carthage, will be performed at TheatreLab in New York from 19 to 21 July, by Signdance Collective. She is also on the editorial board of Global Performance Studies, a new journal which has just launched its first issue, Fluid States—Performances of unKnowing.

Criticism Editor Ellen Jones has translated some poems by Enrique Winter, which are appearing in a bilingual chapbook called Suns, published by Cardboard House Press on 25th July.

Romania and Moldova Editor-at-Large Chris Tanasescu a.k.a. MARGENTO will be presenting a paper on “Metaphor Detection in a Poetry Corpus” at the Association for Computational Linguistics Conference in Vancouver. The paper is co-authored with Vaibhav Kesarwani, Diana Inkpen, and Stan Szpakowicz, and is a part of the GraphPoem research project he conducts on graph theory applications in poetry.  Earlier this month, MARGENTO co-edited a Romanian Poetry feature in Plume together with Tara Skurtu.

UK Editor-at-Large Megan Bradshaw has a new short story, Tigre, in the most recent issue of Litro Magazine. 

India Editor-at-Large Poorna Swami‘s essay, Wonder Woman, the Fierce Superhero Feminists Deserve, was published by The Wire. 

Chief Executive Assistant Theophilus Kwek has new poems in Hyphen Magazine and the Asia Literary Review. He also read at the 21st Anniversary Showcase of the Ledbury Poetry Festival alongside Fiona Sampson, A E Stallings, Tony Hoagland, and other featured poets.

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Translator’s Diary: Vincent Kling

​Like most other translators, I’m plagued by the feeling that it can be done better, though not by me, not here, not now.

This week we bring you the sixth installment of Translator’s Diary, a column by Vincent Kling, winner of the 2013 Schlegel-Tieck Prize. As Kling translates the 909-page  Die Strudlhofstiege by Heimito von Doderer for New York Review Books, he allows us to peek into the translation process, including the anxieties of the translator. You might like to revisit the first, second, thirdfourth, and fifth installments to follow his progress.  

Same Thomism, Different Place: Last month I wrote from Ghent, New York, where ten translators had gathered for a week of all-day workshop sessions. Warm thanks to Shelley Frisch and Karen Nölle for their expert guidance. Now I’m in Straelen, Germany until late June, at the European Translators’ Colloquium, meeting colleagues from all over (Turkey, Japan, Italy, Albania, Canada, and more) and free to concentrate on Strudlhofstiege. That’s just as well, because I’m at a very difficult place, working even more slowly than usual. My colleagues keep saying, “Es wird schon”—“It’ll turn out fine,” but it doesn’t feel that way.

And while I want to get back to specifics of Doderer’s novel, I’m finding more to say about Thomism, since I’m starting to consider the influence of Aquinas more and more central to my understanding of what happens in Strudlhofstiegewhat happens and how it happens.

The Word Made Flesh: To a Thomistic-minded creative writer, every use of words is an incarnation (capital ‘I’ included), an exercise in logos. All creation came about through God’s words: “‘Let there be light’: and there was light” (Genesis 1:3-5). No gap, no sequence, no first and second steps. Logos makes the word and the deed, the name of the thing and the thing itself, indissolubly identical. From the moment God gave Adam the power of naming the animals, a shadow of logos (Genesis 2:19-20); in the rapture empowering Coleridge’s Kubla Khan simply to “decree” a pleasure dome and make it rise; in the all-encompassing mythic vision of the America Hart Crane created in The Bridge; in the hermetic compression of Paul Celan’s late verse—threatening to enter a black hole of linguistic density—the dream of all writers has been to make the utterance the actuality, to make the word flesh. (The opening of John’s gospel is a kind of refresher course.)

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Trishanku―Language as Purgatory

“My adulthood is covered with the bubble-wrap of English.”

So here’s a story―Trishanku was a mythological king, the ancestor of the Hindu god Ram. When Trishanku grew old, the gods invited his soul to heaven, but he wanted to rise to paradise in his earthly body. “Impossible,” the gods shuddered. Trishanku went to the sage Vishwamitra for help. Vishwamitra conducted a great yagya for Trishanku, and with the power of his ritual, started levitating Trishanku―body and all―towards heaven. But when the gods barred the gates, Vishwamitra built an entirely new universe between heaven and earth where Trishanku dangles, upside down, for eternity.

As a bilingual writer, I often feel like Trishanku. Having grown up in a postcolonial country with the shadow of a foreign language colouring every aspect of my existence, a duplicity cleaves my life. I inhabit two languages―English and Hindi―but I’m never fully comfortable in either. It’s telling perhaps that Trishanku is also the name of a constellation that in English is known as Crux. This confusion of languages I reside in, this no woman’s land of living between tongues defines me.

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Weekly Dispatches from the Frontlines of World Literature

A trip around the literary world, from USA to Latin America to the Czech Republic.

The weekend is upon us—here’s a detailed look at the week that was by our editors-at-large. In the United States, Madeline Jones reports directly from the trenches of the Book Expo in New York City. A gathering of publishers, booksellers, agents, librarians, and authors, the event is the largest of its kind in North America. We also have Sarah Moses filling us in with tidings from Colombia and Argentina, and updates on the Bogotá39, a group of thirty-nine Latin American writers considered to be the finest of their generation. Finally, Julia Sherwood brings us some hot off the press literary news from the Czech Republic. Settle in and get reading.

Madeline Jones, Editor-at-Large, reports from the United States:

Last week in New York City, Book Expo (formerly Book Expo America) set up shop at the famously-disliked Javits Center on western edge of Midtown Manhattan. Publishers, literary agencies, scouts, booksellers, and readers gathered for discussions about the future of publishing, meetings about foreign rights deals, publicity and media “speed-dating” sessions, and more. Authors and editors spoke about their latest books for audiences of industry insiders, and lines trailed from various publisher booths for galley signings.

Though the floor was noticeably quieter than previous years, and certainly nothing compared to the busy hub of foreign rights negotiations that the London and Frankfurt book fairs are, Asymptote readers will be pleased to hear that multiple panel discussions and presentations were dedicated to foreign publishers, the viability of selling translations in the U.S., and indie books (which more often tend to be translations than major trade publishers’ books). READ MORE…

What’s New with the Crew? A Monthly Update

Awards, publications, and readings—our team members have been keeping busy!

Writers on Writers Section Editor Ah-reum Han’s fiction, The Blind Bride, published in Okey-Panky, was recognized in The Wigleaf Top 50 (Very) Short Fictions of 2017.

Assistant Blog Editor Aurvi Sharma was interviewed by Wasafiri. She was also awarded a Bread Loaf-Rona Jaffe Foundation Scholarship and her essay, Hymns for the Drowning appeared in Pleiades Magazine.

Criticism Editor Ellen Jones published a review of Juan Carlos Márquez’s novel Tangram, translated by James Womack, in the Glasgow Review of Books. 

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Weekly Dispatches from the Frontlines of World Literature

Today we delve into the literary goings-on in USA, UK and Singapore

New week, new happenings in the world of literature. President Trump continues to make headlines (read our Spring Issue for an exploration of literature in the Trump era). Madeline Jone, Editor-at-Large for USA reports how it has affected the publishing industry. Across the Atlantic, Cassie Lawrence, Executive Assistant at Asymptote, relays heartening news about women in publishing and the buzz of literary festivals in London this weekend. Chief Executive Assistant Theophilus Kwek reports how Singapore’s novelists are fighting back, and more.  

Editor-at-Large Madeline Jones gives us the round-up from USA:

US media narratives have been deluged with news of presidential catastrophes. No surprise, then, that this is reflecting in the publishing world, from book publishers struggling to understand how to talk about Trump to children, to books about the electoral process. With timing that seems ominous, in the light of the very popular TV adaptation of Margaret Atwood’s 1985 novel The Handmaid’s Tale, the book has edged its way between a Danielle Steel and a James Patterson on the New York Times Best Sellers list. Another notable that has been on the list is Shattered: Inside Hillary Clinton’s Doomed Campaign.

Speaking of which, the annual Book Expo America, popularly known as the BEA, is scheduled from May 31 to June 2, and Hillary Clinton is one of its top draws this year. A gathering of publishers, booksellers, agents, librarians, and authors in New York City, the Book Expo is the biggest event of its kind in North America.

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Translation Tuesday: Three poems by Choi Seung-ja

Last night’s dreams, sins of the past, unlivable dreams, the sin of living incompletely.

Relentless time is the subject of these poems by Choi Seung-ja, an iconic figure in Korean literature, so influential that she was called “the common pronoun of the 80s’ poets.” But the existential despair captured in broad bravura strokes here transcends both culture and era.

 

Two Kinds of Death

Like a rumor or drifting cloud
the lodger in Cheongpa-dong passes away
and morning’s black phone call rings.
Suddenly at the edge of the dining table
the species of mothers and fathers
melt into the longing spirit of water and fire
the rice and soup in a chorus
recite the deceased’s prehumous words:

Wishing to die
yet going mad

A black boat appears from the blue sky.
Full of cosmic humidity
transmitting an extraterrestrial Morse code
on and off
Death sends us a message.

Someday in Manhattan
John Lennon dies and
the voice of the dead is floating.

Mama don’t go
Daddy come home

 

At the End of the Deserted Street

The smell of sin, the smell of sin, ruins of sadness,
still lingering in my soul.

Every day I wake up at the end of the deserted street.
Last night’s dreams, sins of the past,
unlivable dreams, the sin of living incompletely.
In the dark of last night
the clock that measured all of me
keeps ticking in the same countdown.

Run, time, run
putting on my frail weight
made of only dream and sin
speed like a bullet.
I want to watch my bones shatter.
I want to snigger in the windblown
dust of my bones.

 

Fearful Green

The earth emits mysterious heat.
The chirping of birds withers midair.
While the ashen sky retreats
aching leaves turn.
The thirsty verdure grows by degrees.
At last green’s fearful chaos pours out.
Everything will be over.
Time will come to rest.
In the air, the sneer of green afire.

Into the deep, deep earth, the sap drains.
The barren background sways.
The sun comes to a halt forever.
Like a ghost only green remains in the world.

 

Translated from the Korean by Lei Kim

 

Choi Seung-ja was born in 1952 and made her literary debut in 1979. Shortly afterwards, she became the icon of youth and freedom in Korean literature. She lived through the 1980s, the Dark Age in modern Korean history, both in political and social aspects, and she was called “the common pronoun of the 80s’ poets.” For her the time was “time… feeding me shit / yet ruthlessly leaving me alive” (“Unforgettableness or Oblivion”) and “never-ending period.” She declared herself “the priest of void” and executed poems that manifested the indignity of the period. Among her poems, the expression of assumed evil, masochism, self-contempt, and stark vulgarism signal the advent of a new style of poetry. Women in the patriarchal society are bound to live with self-abuse as a pathetic defense to overcome the crisis of self-existence. Her works show how far she has pushed the bar set by the male dominant system, and in some point, she made her own escape from the conventional women’s poetry. In consequence, she is reputed to have started “feminist poetry” for the first time in the history of Korean poetry, so it is nonsense, without consideration of her impact on others, to talk about Korean women’s poetry. Her works include The Love Of This Age, A Merry Journal, The House Of Memory, My Green Grave, and Lonely And Faraway.

Lei Kim is a literary translator. She has translated Lee Jangwook’s poetry collection, Request Line at Noon (Codhill Press, 2016), and received the Modern Korean Literature Translation Commendation Award.

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November News from the Asymptote team

From erotica in translation to magazine launches, no rest for world literature!

Spanish Social Media Manager Arthur Dixon has helped to found Latin American Literature Today, a new online literary journal, with support from World Literature Today! He will serve as its Managing Editor when it launches on January 31, 2017.

Contributing Editor Ellen Elias-Bursać will be part of an evening of readings in translation at Berl’s Brooklyn Poetry Shop on December 17, 2016, presented by Harlequin Creature. Her translation of Dubravka Ugrešić’s brilliant address on receiving the Neustadt International Prize for Literature 2016 has been published on LitHub.

Slovakia Editor-at-Large Julia Sherwood‘s co-translation (with Peter Sherwood) of Uršuľa Kovalyk’s short story “Julia” was published in the latest issue of SAND, Berlin’s English literary journal.

Romania & Moldova Editor-at-Large, Chris Tanasescu, aka MARGENTO, will be launching an anthology of contemporary Romanian erotic poetry in New York together with past Asymptote contributor Martin Woodside.  Another contributor to the project is Ruxandra Cesereanu, the primary editor of Moods & Women & Men & Once Again Moods.

Editor-at-Large for India Poorna Swami‘s poetry reading in Bangalore was featured by The Hindu, Metro Plus. Her poem “River Letters” was published in Prelude, Volume 3. She also wrote a blog piece on the politics of social media friendship for The Huffington Post, India. She has been long-listed for the 2017 Toto Awards for Creative Writing (English).

English Social Media Manager Thea Hawlin‘s ‘five-point guide’ to avant-garde artist Yves Klein was published in AnOther magazine.

Chief Executive Assistant Theophilus Kwek  placed Second in the Stephen Spender Prize 2016 for poetry in translation, and his translation of Wong Yoon Wah’s poem, ‘Shadow Puppets’, was featured in The Guardian‘s Translation Tuesday series in collaboration with Asymptote. He was also part of recent poetry readings at the Woodstock Poetry Festival and the Pitt Rivers Museum in Oxford.

Indonesia Editor-at-Large Tiffany Tsao has had two translations and a short story published in BooksActually’s Gold Standard 2016—a “best of” anthology of short fiction by cult writers from East and Southeast Asia that aims to counter the tokenistic way Asian writing is often curated in the West.

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