The east coast of the US is thriving this summer season with literary news celebrating new publications by Latin American poets in Cambridge, a reading series at the Bryant Park Reading Room, and many more notable events featuring acclaimed authors. Over in the United Kingdom, writers are also lighting up stages and claiming accolades. Our editors are taking you into this literary landscape.
Scott Weintraub, Editor-at-Large, reporting from the USA
On Friday, May 24, the famed Grolier Poetry Book Shop in Cambridge, MA hosted a book launch for two spectacular volumes of Latin American poetry in translation, both of which were recently published by Ugly Duckling Presse: Materia Prima, by Amanda Berenguer (eds. Kristin Dykstra and Kent Johnson; reviewed in Asymptote in April 2019) and The Winter Garden Photograph, by Reina María Rodríguez (trans. Kristin Dykstra, with Nancy Gates Madsen). Grolier is truly hallowed ground; located on Plympton Street, around the corner from Harvard Square, this specialty bookstore has been in business since 1927 and boasts a collection of over fifteen thousand poetry titles. The launch of these two books took place off-site during the world’s largest conference of Latin American Studies, the Latin American Studies Association’s annual meeting, which featured over five thousand participants.
It’s never a slow news day on Fridays at Asymptote. This week we bring you the latest publications, events, and news from France, Brazil, and Argentina.
Barbara Halla, Editor-at-Large, reporting from France
Is it perhaps time to talk about a renaissance for French literature in English translation? More classic French literature has always had an audience in the English-speaking world, but in the past few months new authors are taking the literary world by storm. Édouard Louis is only twenty-five but already a public figure in France. His latest book, a semi-autobiographical work, History of Violence (translated by Lorin Stein) was published to great acclaim in late June. Alison L. Strayer translated for Seven Stories Press Annie Ernaux’s The Years (published in the UK by Fitzcarraldo Editions), an innovative collective autobiography that is both memoir and social critique of our times. To continue the trend, in June came also the publication of Gaël Faye Small Country (translated by Sarah Ardizzone), a coming-of-age story that tackles hard issues, including the Rwandan genocide and Civil War in Burundi. The Guardian went so far as to call Faye “the next Elena Ferrante.”
After the recently concluded blog series in which we looked back on 2017’s literary discoveries, we bring you our New Year’s reading resolutions.
Chris Power, Assistant Editor:
I work in French and German, so I’ll start with my French literary resolutions: I’m reading Marx et la poupée (Marx and the Doll) by Maryam Madjidi with my friend and former French professor, the psychoanalytic literary theorist Jerry Aline Flieger. Excerpts of the novel of course appear in our current issue. If it isn’t my favorite work we’ve published, then it stands out for being the one that overwhelmed my critical faculties. I couldn’t write about it in the disinterested manner that I prefer. Instead I wrote a confused, gushing blurb listing my favorite scenes and describing how it brought tears to my eyes. An emphatic “yes” was all I could muster. Next on my list is Réparer le monde (Repair the World) by Alexandre Gefen, to which Laurent Demanze dedicated a beautiful essay in Diacritik in late November. I’m looking forward not only to an insightful survey of contemporary French literature, but also to a provocative anti-theoretical turn in the history of literary theory, namely a theory of the utility of literature (to repair the world) which cites pragmatist philosophers like John Dewey. Gefen introduces this theory enticingly through a reading of Barthes in his lecture “A quoi bon ? Les pouvoirs de la littérature (La tentation de l’écriture)” / “What’s the use? The powers of literature (the temptation of writing)” which is available online, but I must admit that I’m reminded of a Baudelaire quote dear to me: “Être un homme utile m’a toujours paru quelque chose de bien hideux.” (“To be a useful man has always appeared to me to be particularly hideous.”) In 2018 I’ll also continue exploring the work of Sarah Kofman, who seems to me to be a diamond in the rough of historical amnesia and a potential dissertation topic. She’s exactly the kind of Nietzschean, Parisian philosopher-poet of the 1960s who worked at the intersection of philosophy and art that we’ve grown so comfortable labelling a “theorist,” but she hasn’t (yet) acquired the cult following of her dissertation advisor Gilles Deleuze or colleague Jacques Derrida.