Follow our editors through Italy, the UK, and Shanghai as they bring a selection of literary news of the week.
Prizes, festivals, and book fairs! This week, our editors bring us news about Italy’s most prestigious literary prize, the Premio Strega, Mantua’s Festivalletteratura, Edinburgh’s vibrant International Book Festival, and Shanghai’s vast international Book Fair. At the heart of all these dispatches is the wonderful ability of cities to draw huge numbers of people together to celebrate a year in literature.
Barbara Halla, Editor-at-Large, reporting from Italy
In early June, Antonio Scurati won the 2019 Premio Strega, Italy’s most important literary prize, for his book M. Il figlio del secolo (M. Child of the Century). Scurati’s book is the epitome of ponderous tome: at more than eight hundred pages it is the first of what will be three volumes that novelize the life of Benito Mussolini, with this first title covering Mussolino’s rise to power. The book has been hugely popular with the Italian public, selling some one hundred and twenty thousand copies before it snatched the prize and has even given rise to some interesting debates with some critics calling into question whether Scurati’s book can actually be considered fiction at all, rather than a straightforward biography. What is particularly interesting is the fact that last year’s winner was also a novelized biography set in 1930s Europe: Helena Janeczek’s The Girl with the Leica (translated by Ann Goldstein) traces the final years of Gerda Taro, a German-Jewish war photographer, who bore witness to the Spanish Civil War and the rise of Nazism.
Looking forward, if you happen to find yourself in northern Italy between September 4 and 8, it might be worth popping by the small city of Mantua in Lombardy which hosts one of the biggest literary festivals in the country: Festivalletteratura. The line-up of guests could put the Edinburgh literary festival to shame, with a very international cast of writers and themes. Margaret Atwood will be popping by, as will Ali Smith, Valeria Luiselli and Elif Shafak. The festival will explore the contradictions of current American society with the help of Colson Whitehead and Meg Wolitzer among others, and academics like Amin Maalouf and Simon Schama will be hosting talks and debates around the future of the European Union. Other interesting events will be centered around modern Albanian and even Italian literature, science and the environment. You can check a full guide of the guests and events here. READ MORE…
Confronting the most immediate limits on human experience while resisting the arbitrary, narrow scope imposed by the commercial book market.
On 19 February 2018, responding to a pitch from Alessandro Raveggi—editor of Italy’s first bilingual literary magazine, The Florentine Literary Review—I arrange for Newsletter Editor Maxx Hillery to run in ourFortnightly Airmail the first of Raveggi’s two-part conversation with John Freeman on the occasion of Freeman’s Italian debut. “I do not feel American literary journals are doing a very good job of curating the best of our present moment,” the former editor of Granta says. “I think an American or American-based literary journal faces two ethical challenges right now, both of them related to aesthetics: 1) to try to redefine the cultural world as not being American-centric, and 2) to reveal America for what it is and has always been, but is just more apparently so now. Attacking these challenges means catching up with the best writers from around the world.” This brings me back thirteen years to the moment I stood up and posed a question to a panel of New York editors: “I am a Singaporean writing about Singapore; would my work be of interest to American publishers?” The immediate response: “Have your characters come to the US.” I end up submitting a story about Chinese diaspora in New York to a literary journal; the rejection letter that comes back reads: “Too much very culturally-specific backstory…that western readers would find compelling.” I remember a third encounter, this time with a literary agent who has read my work before our one-on-one meeting; she articulates very memorably why my fiction won’t be a hit: “A writer expresses his intelligence through plot.” But I like T. S. Eliot’s quote better: “Plot is the bone you throw the dog while you go in and rob the house.” Sometimes, in founding Asymptote, I wonder whether I was in fact revolting against all these things that all these well-meaning people have tried to tell me. But if the magazine isn’t a hit, at least I’ll have one fan in John Freeman: he very coincidentally writes me just as I’m composing this preface to say “how important what it is you do there has been for me and for a lot of us who itch to read away from the mundane.” Here to introduce our Spring 2018 issue and the Korean Fiction Feature I edited is Interviews Editor Henry Knight.
The Spring 2018 issue is one of Asymptote’s most asymptotic. Its pages are bound together by the familiar themes of futility and compromise and populated by people running up against the invisible but all too real limits imposed on them by the mysterious contours of the self, the precarious obligations of kinship, and the arbitrary structures of power undergirding society. Orphans, émigrés, postwar castaways, and second-generation immigrants all struggle to make sense of asymptotes of personal relationship (how close can we get to one another?), teleology (to fulfilling our desires?), epistemology (to knowing ourselves?), language (to legibility?), and narrative (to completion?). The issue, if it is about anything, is about how people situate themselves in the lacunae that shrink and expand as one approaches only for the other to recede. READ MORE…
Living now under the shadow of Trump, the contents of the issue seem even more desperately near to us.
It takes a while for the blog to hit its stride. Editing to a quarterly schedule is different than editing to a daily one, we quickly discover. It does not help that both ‘founding’ blog editors jump ship within three months (Nick’s elegiac last post goes up on 30 October; Zack’s 31 December). Fortunately, the rest rally and get us through. (One bright spot from that time is Patty Nash’s breezy roundups—a breath of fresh air.) Five weeks after it inaugurates, Aditi Machado’s post on the blog gets picked up by Poetry’s Harriet Blog, joining mentions in BBC Cultureand The Guardian. The Guardian article gives a nod toAsymptote’s first-ever London event in January 2014, also the first of many multi-continental events in honor of our 3rd anniversary. These go on to include panels and readings in New York, Zagreb, Boston, Philadelphia, Shanghai, Berlin, and Sydney over the next three months. A point of pride: determined to organize an event in Asia, I somehow manage to pull off a reading without a single team member on the ground, thanks to NYU Shanghai, contributors Eleanor Goodman and Eun Joo Kim, and a friend who happens to pass through. In New York, under real threat of snowpocalypse, Asymptote supporters Eliot Weinberger, Robyn Creswell, Idra Novey, Jeffrey Yang, and Daniella Gitlin all show up to our anniversary event at Housing Works emceed by then Assistant Managing Editor, Eric M. B. Becker, to read alongside Cory Tamler, first prize-winner of our inaugural Close Approximations translation contest (as written up in WWB Daily’s dispatch here). Here to get you excited for the Winter 2014 issue (featuring, among others, a translator’s note that I got J. M. Coetzee to write) is Alexander Dickow, runner-up to that very contest and Asymptote Communications Manager since April 2017. But, first, check out Winter 2014’s issue trailer—probably our best ever—by then Video Producer Sarah Chan.
I knew of Asymptote since its inception in 2011, but it was only in January 2014 that I was named runner-up in the first edition of Asymptote’s Close Approximations translation contest. That contest has had a lasting impact on my work: I later won a Pen/Heim Translation Fund Grant to finish translatingSylvie Kandé’s Neverending Quest for the Other Shore, which was first showcased in Asymptote and is now under consideration by a major publisher. Evoking the Winter 2014 issue of Asymptote, then, cannot not be a little about my own relationship to Asymptote, even though I was an eager young rookie among the issue’s giants—J. M. Coetzee,Jana Beňová, andMichael Hofmann, to name a few.READ MORE…
Check out highlights from our past celebrations in London and New York, and don't miss our upcoming events!
We’re thrilled to announce that Asymptote’s globetrotting third anniversary party, which kicked off in London and New York in January, will continue across fivecontinents over the next month—watch our brand-new video trailer below for a taste, and don’t forget to RSVP at our Shanghai (March 29), Philadelphia (March 29), Berlin (April 3), and Sydney (April 11) Facebook Event pages, already live.
In case you can’t make it, don’t fret: we’ve launched a new Events page, where you can find photos, podcasts, videos, and dispatches of all the events we’ve ever organized, as well as an up-to-date pulse for all upcoming events!