Place: London

Weekly Dispatches from the Frontlines of World Literature

New Guatemalan publications, a feminist conference, as well as awards in translation feature in this week's literary updates!

This week brings notable translations of up-and-coming Guatemalan authors, an insightful conversation between two Nigerian writers, and the announcement of highly-regarded translation prizes in the UK. If you’ve been searching for exciting new writers and translators, look no further!

José García Escobar, Editor-at-Large for Guatemala, reporting from Guatemala

In early December, Ugly Duckling Presse (UDP) put out No Budu Please, a selection of poems by the Guatemalan and Garifuna author Wingston González, translated by the Puerto Rican poet Urayoán Noel. No Budu, which has been favorably reviewed by Columbia Journal, Verse, and PANK, marks the first time Wingston’s work has been published in the United States. Additionally, Wingston’s book place of comfort has been incorporated into artist Naufus Ramírez-Figueroa’s performance and installation Heart of the Scarecrow, which will be on exhibit through March 9 at Simon Fraser University in Vancouver, Canada.

Across the pond, independent publishing house Charco Press is bringing another Guatemalan author into the English language. Celebrated short story writer Rodrigo Fuentes published a collection called Trucha panza arriba in Guatemala in 2017. Since then, the book has been reissued in Bolivia by Editorial El Cuervo and in Colombia by Laguna Libros. Trucha was even longlisted for the Premio Hispanoamericano de Cuento Gabriel García Márquez. And as of February 7, thanks to researcher and translator Ellen Jones, Trucha is now available in English as Trout, Belly Up. You can read one of the stories from the collection in our Winter 2019 issue.

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What’s New with the Crew? A Monthly Update

Catch up with the latest from our very international staff!

Curious about what our team has been up to in 2019? Read about our staff’s many achievements in the new year, including publications, art exhibitions, and reviews. 

Writers on Writers Editor Ah-reum Han received a distinguished mention in The Best American Short Stories 2018 for a story of hers originally published in StoryQuarterly.

Communications Manager Alexander Dickow’s latest book, Appetites, was reviewed on The Blunt Post by Linda Rijel.

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Behind the Scenes with Barbara Halla

There is happiness in sharing the struggles and successes of translation with a community of readers.

Enjoying our latest issue? You can be a part of the next one if you apply to our recruitment drive. (Just bear in mind that the application deadline is just two days away!) Some of you may wonder what drives us to do what we do, so today, in a special post, we are sharing a testimonial by Editor-at-large Barbara Halla, who tells us why she decided to take the leap and send us her application in September 2017.

121A few months ago, I was discussing a pitch for an essay with one of the blog editors at Asymptote. The idea was to explore the way Albania—almost thirty years after the fall of Communism—is trying to preserve the memory of life under the dictatorial regime through interactive museums and privately-owned hipster cafés. The issue at hand is this: to understand how we might be able to translate memory into a physical space, and in doing so preserve the past. I had began listing all the resources I was going to use—historical books on the nature of memory, space, and the ever-present danger of glorifying dictatorships.

In fact, I had barely hit “Send” for my latest email on the topic when I received in my inbox our Fortnightly Airmail. Included in the “In Transit” section for this issue was a recommendation for Karl Schögel’s In Space We Read Time translated by Gerrit Jackson, a book on the materiality of space. I keep thinking now that even if I had done extensive research for weeks I might have never stumbled on this book that may as well have been tailor-made to help solve the issue I was wrestling with.

This is not the first time that working for Asymptote has serendipitously led me to sources and people who could help me better understand and serve in my role as an editor. Often, I will write about something for the blog and be contacted by another editor who is working on a similar topic, or knows about a book or article I might be interested in. Our community of editors and translators feels at times like a physical extension of my own mind.

All these advantages are the lucky by-product of my joining Asymptote back in October. What led me here was another experience all-together. The final impetus for my decision to apply was a visit in June 2017 to Daunt Books, a landmark bookstore in London known for its collection of titles from all over the world. At Daunt, despite said extensive collection, I could find no books about Albania or by Albanian writers. There is a good reason for that: beyond Kadare and some sporadic voices here and there, few Albanian writers are actually translated into English.

Working as an Editor-at-Large for Albania, I am slowly making my way through a list of voices I hope to feature in future issues, to bridge this gap. This has led me to venture into the world of literary translation myself. Through translation, I am re-discovering, after years of living through and studying in other languages, the beauty and singularity of my own native tongue. It is frightening to realize the struggles and limitations that underpin the work of a translator. I often find it very frustrating, how incredibly difficult it is to properly transmit into English the history that lends colour to our words and phrases. But there is happiness there, too, in sharing the struggles and successes of translation with a community of readers. It is their interest, their support, that ultimately makes the work worthwhile.

If you’re inspired to join our team after reading Barbara’s essay, check out some newly available openings (including Editor-at-Large) at our Recruitment page here. We look forward to receiving your application!

Under the Microscope: Theatre in Translation

Translated theatre can be transformative, while putting both source and target cultures under the microscope.

As a theatre translator and researcher working in London, the work that I create is motivated by a desire to enable British audiences to engage with a particular voice, author, theme, perspective, or situation from another country and culture. I seek to facilitate this in multiple ways through academic scholarship, through study in the classroom, and through rehearsal and performance. My translation decisions are informed by a process of in-depth analysis in which I ask the following questions: how might a text resonate in a local context, for example, in Britain today? What are the links between source and target culture that enable a play to become mobile? How can dialogue begin on stage and then extend into the audience, sparking new conversations, in a new context?

In 2017 I completed the translation of two plays; Ready or Not (Punto y Coma) by Uruguayan dramatist, Estela Golovchenko, and Summer in December (Verano en diciembre) by Spanish dramatist, Carolina Africa Martín. In Ready or Not, a young girl is separated from both of her parents during the period of intense military repression (1973-1985) in Uruguay and then later reunited with her father, who is a political activist turned Senator. They clash over their political views, their ways of remembering the past, and their roles in the present. In Summer in December, a family of six women is faced with seemingly small everyday dilemmas of worrying about what their neighbours might think about them, whether the food in the fridge has passed its sell-by date, and the latest diet fad. However, the play goes on to address much more significant concerns about new and old relationships, unplanned pregnancies, and what should happen to an ageing relative with dementia.

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Weekly Dispatches from the Frontlines of World Literature

Expired copyrights, new literature, and the difficulties faced by translated literature feature in this week's updates.

As we welcome the New Year in, join our Editor-in-Chief, Yew Leong, and one of our Assistant Managing Editors, Janani, as they review the latest in world translation news. From the trials and tribulations faced by indigenous languages to new literary journals and non-mainstream literature, there’s plenty to catch up on!

Lee Yew Leong, Editor-in-Chief:

Though it was actually in 2016 that the UNESCO declared this year, 2019, to be the Year of Indigenous Languages, recent unhappy events have revealed how of the moment this designation has proven to be. A 7-year-old Guatemalan girl who was unable to communicate how sick she was died while in U.S. Border Patrol Custody—only one of several thousands of undocumented immigrants who speak an indigenous language like Zapotec, Mixtec, Triqui, Chatino, Mixe, Raramuri, Purepecha, or one of many Mayan languages, according to The Washington Post. Jair Bolsonaro, the new Brazilian president who has made insulting comparisons of indigenous communities living in protected lands to “animals in zoos,” wasted no time in undermining their rights within hours of taking office and tweeted ominously about “integrating” these citizens. On a brighter note, Canada will likely be more multilingual this year as the Trudeau administration looks set to enforce the Indigenous Languages Act before the Canadian election this year. The act will not only “recognize the use of Indigenous languages as a ‘fundamental right,’ but also standardize them,” thereby assisting their development across communities. Keen to explore literary works from some of these languages? With poems from indigenous languages ranging from Anishinaabemowin to Cree, Asymptote’s Fall 2016 Special Feature will be your perfect gateway to literature by First Nations writers.

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Weekly Dispatches from the Frontlines of World Literature

The first ever Asymptote Book Club meet-up took place this week! Find out more, and read about news from El Salvador, in these dispatches.

In this week’s dispatches, we cover Salvadoran literary news and a special Asymptote event! We begin in London, where members of the Asymptote Book Club came together to chat about our fall book selections—and much more. From there, we delve into updates from El Salvador, including the death of a renowned poet and a women’s literary gathering.

Marina Sofia, Marketing Manager, reporting from the UK

One of the downsides of working for an international literary journal is that our volunteers and readers are scattered all over the world, so in-person gatherings are a rarity. It was therefore all the more special to see members of the Asymptote Book Club in London on November 29 at our first ever meet-up. Designed to be an informal drop-in event to celebrate our first anniversary, it included a quick tour of the current Rights for Women exhibition at the Senate House Library, followed by a discussion over drinks at the recently-opened Waterstones bookshop on Tottenham Court Road. Although we had to compete with a parallel (and noisy) event, our spirits were undampened as we discussed the surprisingly pulpy historical fiction of Ahmet Altan (October’s title) and the acrobatic linguistic challenges of translating Thai writer Prabda Yoon (September’s title). It was a great opportunity to see what readers thought we were getting right (diverse selection of genres, languages and countries; high literary quality) and what they would like to see more of (questions for online discussion; face-to-face events, perhaps including publishers). Thank you to all who ventured out on a windy and rainy evening and contributed to the lively debates!

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The 2018 Man Booker International Prize: And the Winner Is…

Flights won the Man Booker International because it is a beautiful book, truly “fiction at its finest.”

On May 22, Olga Tokarczuk won the Man Booker International Prize for her book Flights (which first appeared in English in our Winter 2016 issue), translated into English by Jennifer Croft for Fitzcarraldo Editions. Tokarczuk is already a household figure in her native Poland where Flights was first published in 2007. Two of her other novels have been translated by Antonia Lloyd-Jones, but it is only now with Flights that she is becoming a recognizable name for the English-speaking public. While the red Man Booker logo, signifying its triumph, will help it fly off the shelves in bookstores all over the United Kingdom, booksellers still face a tough challenge, for how do you summarize and sell a book like Flights?

Flights is categorized as a novel, although it eschews traditional plot and linear structure. At its most reductive, it can be described as a traveler’s diary through which an unnamed narrator contemplates and explores the roots of her nomadism. What follows is a compilation of fragments collected by the narrator throughout her journeys: short stories about home and travel, meditations on the human body, and even essays on sanitary pads, Wikipedia, and the English language. In the original Polish, the book is titled Bieguni, the name of a nomadic sect of Eastern European origin who believe the only way to escape the devil is by being in constant movement. And indeed, if the narrator of Flights has a life philosophy, it is this: “a thing in motion will always be better than a thing at rest.”

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What’s New with the Crew? A Monthly Update

Check in with the Asymptote crew's literary achievements!

We have such an amazing group of creative people over here at Asymptote. Check out some of our recent news and stay tuned for more of the international literature you love!

Poetry Editor Aditi Machado published a micro-review of Hirato Renkichi’s Spiral Staircase (translated by Sho Sugita) in The Kenyon Review.

Copy-editor Anna Aresi‘s Italian translation of Ewa Chrusciel’s poems from her new book, Of Annunciations (Omnidawn, 2017), appeared in El Ghibli, the first Italian journal of migrant literature.

Assistant Blog Editor David Smith presented original research on the life and work of Sherman Adams (an African-American activist, journalist, and author who migrated to Sweden in the 1960s) at the Lost Southern Voices festival in Atlanta on March 24. He will also be reading a paper at the Society for the Advancement of Scandinavian Studies conference in Los Angeles in May.

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Fear Everywhere: European Literature Days, Spitz/Krems Austria, 16–19 November 2017

“We live in societies which do not want a future; we just want to endlessly extend the present.”

A few days ago, just as the busy Christmas shopping season in London got underway, Oxford Circus underground station was evacuated with thousands of people fleeing from one of the city’s busiest spots. Soon it turned out that what triggered the panic weren’t shots fired but rather an altercation between two men on one of the platforms. Fear has now pervaded our everyday lives.

Fear is Everywhere. European Literature Days couldn’t have chosen a more apt theme for the time in which we live. “Fear of those who flee and fear of refugees; anxiety about poverty and collapse; fear of religious fundamentalism and the implosion of values; fear of technology and of technology making humans obsolete; fear of permanent communication and language loss; fear of disorientation as well as of total control—the list could go on endlessly.” This is how the Artistic Director of the European Literature Days, Austrian writer Walter Grond (whose latest book, the historical novel, Drei Lieben/Three Loves, was published earlier this year), defined the headline theme of the gathering of leading European authors, this year held from 16 to 19 November in Spitz on the bank of the Danube in Austria’s wine region.

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Weekly Dispatches from the Frontlines of World Literature

The most important literary news from Slovakia, the UK, Mexico and Guatemala.

This week brings us some exciting news from Slovakia, the United Kingdom, and Mexico, thanks to Editors-at-Large Julia Sherwood, Paul Worley, and Kelsey Woodburn as well as Senior Executive Assistant, Cassie Lawrence. Here’s to another week!

Julia Sherwood, Asymptote Editor-at-Large for Slovakia:

Two festivals concluded the hectic literary festival season in Slovakia. LiKE 2017, a contemporary literature and multimedia festival was held in Košice, the eastern metropolis, running parallel with the 14th Žilina Literature Festival in the country’s north. The latter, held from September 28 to October 8 in the repurposed New Synagogue and entitled Fakt?Fakt! (Fictitious Truth or Truthful Fiction?), focused on the alarming spread of disinformation, pre-empting the decision by Collins Dictionary to declare “fake news” the official word of the year 2017. The programme featured student discussions, workshops on how to distinguish fact from fiction, as well as readings and meetings with literary critics and writers. Michal Hvorecký discussed his latest novel, Trol (The Troll), a dark dystopia set in the murky world of Russian fake news factories, which has acquired a frightening new relevance far exceeding what the author had anticipated when he set out to write his book a few years ago.

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What’s New with the Crew? A Monthly Update

A monthly peek at what our superstar Asymptote team members have been up to!

Poetry Editor Aditi Machado’s debut collection of poems, Some Beheadings, “exploring territories as disparate as India’s Western Ghats and the cinematic Mojave Desert,” has just been published by Nightboat Books.

Drama Editor Caridad Svich’s Red Bike has been selected for NNPN’s 2017 National Showcase of New Plays this December.

Contributing Editor Ellen Elias-Bursac was given an award by the Serbian PEN Center for her work translating Serbian writers into English.

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What’s New with the Crew? A Monthly Update

A behind-the-scenes scoop on what our team members have been up to!

Communications Manager Alexander Dickow translated Guillaume Apollinaire’s celebrated “Song of the Unrequited Lover” for the Spring 2017 issue of Metamorphoses.

Assistant Blog Editor Aurvi Sharma was awarded the 2017 New York Foundation for the Arts fellowship in Nonfiction Literature.

Drama Editor Caridad Svich’s play Iphigenia Crash Land Falls On the Neon Shell That Was Once Her Heart was performed on 30 July at Bread and Roses Theatre in South London and by London-based company Clumsy Bodies from 4 to 12 August at theSpace on Niddry Street in conjunction with the Edinburgh Festival Fringe. Her essay, “Riding Uphill on a Red Bike,” based on her play Red Bike, is featured as the closing reflection on the making of the Stages of Resistance series.

Editor-at-Large for Romania and Moldova MARGENTO a.k.a. Chris Tanasescu will be presenting with his team a paper titled “Access(ed) Poetry. The Graph Poem Project and the Place of Poetry in Digital Humanities” at the 2017 Digital Humanities Conference in Montreal. Chris also recently presented a paper on automated metaphor detection in poetry at the Association for Computational Linguistic Conference in Vancouver.

Criticism Editor Ellen Jones was awarded one of the 2017 ALTA Travel Fellowships to attend this year’s conference in Minneapolis.  She, like Social Media Manager Thea Hawlin, has written an essay for the upcoming anthology “The Digital Critic: Literary Culture Online,” published by OR Books.  

Contributing Editor Howard Goldblatt has published an essay in Korean Literature Now discussing the issue of translating fiction and creating fiction as two distinct literary genres.  

Editor-at-Large for Indonesia Norman Erikson Pasaribu is showcased as an emerging Indonesian writer in Kill Your Darlings, a cultural magazine based in Melbourne, in partnership with the upcoming Ubud Writers & Readers Festival (UWRF) in Bali.  

Social Media Manager Thea Hawlin wrote about the rise of female literary magazines for LitHub and reviewed a response to George Eliot’s ‘Silly Women Novelists’ for the Times Literary Supplement. She also published essays on Italian director Antonioni’s first color film and the designer Salvatore Ferragamo in AnOther magazine. It’s also her birthday today so please joining us in wishing her a very happy birthday!

Editors-at-Large for Singapore Theophilus Kwek and Tse Hao Guang have launched UnFree Verse, an anthology of formal verse from Singapore, co-edited with poet Joshua Ip. Theophilus was also featured last week in an episode of the new BBC4 series ‘Mother Tongue’, which focuses on poetry in translation.

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Read more dispatches from around the world:

Weekly Dispatches from the Frontlines of World Literature

Hot off the press—your handy guide to all the literary happenings in the UK, Spain, Argentina, and Peru!

We’re in the second half of the year and summer—or winter, depending on where you are located—is full of literary activities. From the announcement of the Man Booker Prize longlist and the release of a new book by a beloved Spanish poet to Argentinian bookselling events, Asymptote editors are telling it all!

Executive Assistant Cassie Lawrence reporting from the UK:

Two days ago, the Man Booker Prize longlist was released, comprising a list of literary heavyweights and two debut novelists. The most hyped title, perhaps—and the most expected one—is The Ministry of Utmost Happiness, Arundhati Roy’s first work of fiction in two decadesChosen from 144 submissions, the longlist has 13 titles, often referred to as the “Man Booker Dozen.” Other authors on the longlist include Zadie Smith, Mohsin Hamid, Ali Smith and Colson Whitehead.

On Monday, July 17, the London Book Fair (LBF) recorded a webcast on “Creativity, Crafts and Careers in Literary Translation.” Three panelists—translator Frank Wynne, agent Rebecca Carter and consultant and editor Bill Swainson—joined acclaimed journalist, Rosie Goldsmith to speak on the opportunities and challenges in getting world literature translated. The webcast followed from a successful programme at LBF’s Literary Translation Centre last spring, and was funded by Arts Council England.

In other news, two-times Booker-winning publisher One World have paid a six-figure sum for a YA trilogy from US actor Jason Segel, reports The Bookseller. The first title, Otherworld, is due to be released on October 31 this year, and will center on a virtual reality game with dark consequences. Segal, known for his roles in films such as Forgetting Sarah Marshall and I Love You, Man has written the trilogy with his writing partner, Kirsten Miller. READ MORE…

What’s New with the Crew? A Monthly Update

Awards, publications, and readings—our team members have been keeping busy!

Writers on Writers Section Editor Ah-reum Han’s fiction, The Blind Bride, published in Okey-Panky, was recognized in The Wigleaf Top 50 (Very) Short Fictions of 2017.

Assistant Blog Editor Aurvi Sharma was interviewed by Wasafiri. She was also awarded a Bread Loaf-Rona Jaffe Foundation Scholarship and her essay, Hymns for the Drowning appeared in Pleiades Magazine.

Criticism Editor Ellen Jones published a review of Juan Carlos Márquez’s novel Tangram, translated by James Womack, in the Glasgow Review of Books. 

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