Posts filed under 'european literature network'

European Literature Days 2023: Literature for a Better World

From the famed literary festival in Krems an der Donau!

Since 2009, acclaimed writers, artists, readers, and friends of literature have gathered in a small Austrian town for four days to attend the European Literature Days festival. With each edition addressing a vital, timely theme of contemporary European writing, the packed program features some of the most brilliant minds across the continent. In the following dispatch, Editor-at-Large MARGENTO reports from this singular event.

The town of Krems an der Donau in Austria is a unique place in Europe, conducive to genuinely special literary and arts events such as the annual European Literature Days. Off the trodden path of regular tourist destinations, it is both compellingly picturesque as well as conveniently distant from the hustle and bustle of the capital, but nevertheless retaining the latter’s intransigence for excellence in higher education and the arts. 

The city’s tortuously narrow medieval streets wind between old churches and traditional pubs, and every now and then, they open upon wide panoramas of the Danube and the terraced vineyards surrounding it, resulting in a landscape both mysterious and inspirational. Ancient, blurred guild symbols and still-colorful frescos of winemaking deities and feasts are punctured by modern glass-and-concrete design and dernier-cri technology logos and landmarks. The stately Minorite Church in the heart of the old town is one such hub that combines rich cultural and architectural traditions with widely relevant contemporary interests and activities; the church is nowadays a generous cultural event and concert hall of excellent acoustics and high-tech video and audio equipment. It was the venue of most of European Literature Days’ 2023 events, while the former monastery’s annexes host a museum, art galleries, and multiple multi-purpose spaces—some of which also played an important role in the logistics of the festival.

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Riveting Reviews: An interview with the European Literature Network

Our goal is to support others working in this area: publishers, translators, the trade, and bring them all together.

Over the past ten years the European Literature Networka tiny organization, run on a shoestring budgethas firmly established itself as the foremost champion of European writing in the UK. Asymptote’s editor-at-large for Slovakia, Julia Sherwood, caught up with the network’s founder and driving force, Rosie Goldsmith, and editor, West Camel.

Julia Sherwood (JS): Rosie, your name has become synonymous with European literature in the UK. You’ve chaired numerous European Literature Nights and, more recently, the jury of the EBRD Literature Prize. I can barely imagine the UK without your organization but some Asymptote readers, who are based elsewhere, may not be so familiar with what you do. Can you tell us what got you to start European Literature Network and what it does?

Rosie Goldsmith (RG): It all started with the European Literature Night (ELN) at the British Library in 2009, hence the rather long name, European Literature Network. I was asked to chair that and be one of the judges. We had to select from about 50-70 texts. Initially it was just me—I’d just left my job with the BBC, I had time on my hands, and when ELN was over, I felt that the momentum should be kept. After a trip to Brussels for the European Union Literature Prize with some twenty editors and publishers, I suggested that we keep this going. So many great books are being published but few people know about them, so I decided to do something I care passionately about and help everyone in the trade connect and get these books to the public. I organized the first meeting at the Goethe-Institut London and later we started meeting at Europe House, which was run by the European Commission but has sadly ceased to operate after Brexit. READ MORE…

Fear Everywhere: European Literature Days, Spitz/Krems Austria, 16–19 November 2017

“We live in societies which do not want a future; we just want to endlessly extend the present.”

A few days ago, just as the busy Christmas shopping season in London got underway, Oxford Circus underground station was evacuated with thousands of people fleeing from one of the city’s busiest spots. Soon it turned out that what triggered the panic weren’t shots fired but rather an altercation between two men on one of the platforms. Fear has now pervaded our everyday lives.

Fear is Everywhere. European Literature Days couldn’t have chosen a more apt theme for the time in which we live. “Fear of those who flee and fear of refugees; anxiety about poverty and collapse; fear of religious fundamentalism and the implosion of values; fear of technology and of technology making humans obsolete; fear of permanent communication and language loss; fear of disorientation as well as of total control—the list could go on endlessly.” This is how the Artistic Director of the European Literature Days, Austrian writer Walter Grond (whose latest book, the historical novel, Drei Lieben/Three Loves, was published earlier this year), defined the headline theme of the gathering of leading European authors, this year held from 16 to 19 November in Spitz on the bank of the Danube in Austria’s wine region.

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