Jokha Alharthi’s Celestial Bodies was awarded the Man Booker International Prize earlier this year, making her the first author from the Arabian Gulf to win the prize. She was also the first Omani author ever to have her novel translated from Arabic into English. In the following essay, writer and anthropologist MK Harb examines how Oman’s overlooked history as an imperial dynasty, and its rapidly changing society are integral to the force of Alharthi’s novel.
The internal monologue of Abdallah is unnerving, and often unsettling. Lost between trauma and nostalgia, he repeatedly reflects on his fractured relationship with his father, a notorious merchant and slave owner. Situated in the balmy village of al-Awafi, Abdallah is one of the many members of an Omani family encountering the upheavals and changes of modernity brought on by the state. To some, Oman is an obscure country with an eccentric Sultan, whilst to others, its green pastures and monsoons represent a luscious geographic rarity in the Arabian Peninsula. Unknown to many is Oman’s long and complex history as an imperial dynasty. Oman’s history is as much African as it is Arab; with Zanzibar as its capital, the Sultanate ruled in East Africa from 1698 until the bloody revolution of 1963. Oman’s rule in East Africa represents a history of vernacular and mercantile economic systems that existed prior to the arrival of modern capitalism, but it also represents a racial history of manumission and slavery. Jokha Alharthi’s award-winning novel, Celestial Bodies, tells this history, unravelling the ghosts of an empire, and the precariousness of modernity in Omani society. READ MORE…
Barbara Halla, Asymptote’s Editor-at-Large for Albania, walks us through her reading list for 2018, a diverse set of novels, short stories, and nonfiction books by women writers. Along the way, she reflects on feminist theory, the beauty of contemplative essays, and the power of collective memoirs.
Anyone who has had the (mis)fortune of following me on Twitter knows I am a dedicated disciple of Elena Ferrante. So, when I found out that Edizioni E/O had published an extended literary analysis of her work, I risked missing my flight by rushing to my favourite Milan bookstore (Rizzoli) to buy a copy.
Tiziana de Rogatis is an Italian professor of Comparative Literature, and her book Elena Ferrante. Parole Chiave (Elena Ferrante. Key Terms, not yet available in English) is exactly the kind of book my nerdy heart needed: an investigation into the literary and philosophical works underpinning Ferrante’s literary creations. I think it’s important to note that a great part of Ferrante’s appeal is in her ability to shore her works into a lived reality, one that does not require an extensive knowledge of Italian history, or feminist theory, to be appreciated fully. In fact, with the slight exception perhaps of her collection of essays and interviews Frantumaglia (translated by Ann Goldstein), you lose absolutely nothing if you go into it with little context. That being said, de Rogatis does a fantastic job at explicitly laying out and connecting Ferrante’s text to the literary foundation upon which they were built, her analysis a sort of Ariadne’s thread helping the reader through the labyrinth of Ferrante’s writing. Ferrante borrows heavily from Greek and Latin mythology, like Euripides’ Medea or Virgil’s The Aeneid. Many of the struggles her women experience and the way they think about those struggles can be mapped directly onto various modern feminist texts, including Gayatri Chakravorty Spivak’s “Can the Subaltern Speak?” and Adrienne Rich’s Of Woman Born. Hopefully Europa Editions will translate this book, too, because it is essential reading if you are even mildly obsessed with Ferrante. I am currently re-reading the series and am amazed at how much de Rogatis’s work enriched my understanding: Elena Greco, for example, uses the word “subaltern” frequently throughout the Quartet.
We have such an amazing group of creative people over here at Asymptote. Check out some of our recent news and stay tuned for more of the international literature you love!
Poetry Editor Aditi Machado published a micro-review of Hirato Renkichi’s Spiral Staircase (translated by Sho Sugita) in The Kenyon Review.
Copy-editor Anna Aresi‘s Italian translation of Ewa Chrusciel’s poems from her new book, Of Annunciations (Omnidawn, 2017), appeared in El Ghibli, the first Italian journal of migrant literature.
Assistant Blog Editor David Smith presented original research on the life and work of Sherman Adams (an African-American activist, journalist, and author who migrated to Sweden in the 1960s) at the Lost Southern Voices festival in Atlanta on March 24. He will also be reading a paper at the Society for the Advancement of Scandinavian Studies conference in Los Angeles in May.