Posts featuring Yoko Ōgawa

A Paltry Little Scrap of the Past: Yoko Ogawa’s The Memory Police

Scrappy as memory may be . . . Ogawa emphasizes the importance of bearing witness to the past all the same.

The Memory Police by Yoko Ogawa, translated from the Japanese by Stephen Snyder, Pantheon, 2019

It is easy to read Yoko Ogawa’s The Memory Police as a political allegory, along the lines of Milan Kundera’s oft-quoted proclamation in The Book of Laughter and Forgetting: “the struggle of man against power is the struggle of memory against forgetting.” Upon The Memory Police’s release in English this summer, publishing presses label the novel “Orwellian;” critics have similarly gravitated toward the timely themes of state surveillance and totalitarianism that form the novel’s backdrop, to which I relate in some way.

At the time of writing this essay, Hong Kong, the city where I was born, has been entrenched in protest for three months against the institutional violence committed by the government and the police force. With a crowdfunded campaign to place protest ads on international newspapers, a post on the August 19, 2019 edition of The New York Times asked readers to “[b]ear witness to Hongkongers’ fight for freedom. Tell our story—especially if we can no longer do it ourselves.” A month after, when two shafts of light went up in New York City to commemorate the eighteenth anniversary of 9/11, news headlines and Twitter posts abounded with the slogan “Never Forget,” used year after year to show the resilience of memory against trauma. Never have we been more well-equipped to record and share our experiences, but we are also more afraid than ever of not retaining control over our narratives, or of going unheard amidst the overflow of calamities documented around the world.

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Weekly Dispatches from the Front Lines of World Literature

Follow our editors through France, Japan, and Vietnam as they bring a selection of literary news of the week.

This week, our editors are bringing you news from France, Japan, and Vietnam. After quiet summers in the literary world for many countries, September brings the literary scene back to life. In France, the anticipation is building ahead of the most prestigious literary prizes being awarded. In Japan, a new edition of a historic quarterly is uniting Japanese and Korean literature through a shared feminist voice. And in Vietnam, the launch of a new anthology, as well as events held by prestigious translators, celebrate the ties that are created through translation.

Sarah Moore, Assistant Blog Editor, reporting from France

September in France marks the rentrée littéraire, with hundreds of new titles published before the big award season starts in November. The prix Fémina, prix Renaudot, prix Interallié, prix Médicis, and the prix de l’Académie française will all be contested, as well as the prestigious prix Goncourt.

Amongst the French titles announced for the rentrée, Amélie Nothomb’s Soif (Albin Michel, 21 August) is highly anticipated, although not at all unexpected—an incredibly prolific author, she has consistently featured in the rentrée littéraire every year since the publication of her debut novel, Hygiène de l’assassin, in 1992 (Hygiene and the Assassin, Europa Editions, 2010). With a narrative that takes the voice of Jesus during the final hours of his life, Soif is sure to be as audacious, controversial, and successful as ever for Nothomb.

Marie Darrieussecq’s new novel, La Mer à l’envers (P.O.L, 2019), examines the migration crisis, narrating an encounter between a Parisian woman and a young refugee, rescued from a capsized boat. Many of Darrieussecq’s novels have already been translated into English, including her first novel Pig Tales (Faber & Faber, 2003), and, most recently, The Baby (Text Publishing, 2019). An interview with her translator, Penny Hueston, for Asymptote can be read here and an extract of her translation of Men was part of Asymptote‘s Translation Tuesday series for The Guardian.

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Weekly Dispatches from the Front Lines of World Literature

The glorious fragrance of fresh literary works, hot off the presses from around the world.

It seems that national literatures around the world are shaping their next representatives as we receive further updates of new works by authors from around the globe. From publications by a Guatemalan indie press, to a remarkably young award honouree in Brazil, to a historic list of nominations for the most prestigious literary prizes in Japan, our editors are bringing you a glimpse of what is in yourand your bookshelf’sfuture. 

José García Escobar, Editor-at Large, reporting from Central America 

The biggest book fair in Central America, the Feria Internacional del Libro en Guatemala (FILGUA) is only a few weeks away. And like every year, on the days leading to FILGUA, the Guatemalan indie press Catafixia has been announcing its newest drafts. Mid-July, Catafixia will put out books by Manuel Orestes Nieto (Panama), Jacinta Escudos (El Salvador), and Gonçalo M. Tavares (Angola-Portugal). 

Additionally, this year’s FILGUA marks the tenth anniversary of Catafixia, which has helped launch the careers of poets like Vania Vargas and Julio Serrano Echeverría.

Last month, Costa Rican press los tres editores put out Trayéndolo todo de regreso a casa by Argentine author Patricio Pron, who won the Alfaguara Prize in 2019. los tres editores have previously published books by Luis Chavez, Mauro Libertella, and Valeria Luiselli. 

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