This week, we highlight a new Latinx literary magazine, an award-winning Catalan poet and translator, and a German-American literary festival in New York. We also learn about a Salvadoran who hopes to increase access to literature in his city by raising enough funds to build and stock a new library.
Nestor Gomez, Editor-at-Large for El Salvador, reporting from El Salvador
The Fall 2018 debut of Palabritas, an online Latinx literary magazine founded by Ruben Reyes Jr., is good news for Latinx writers from a variety of genres, especially those who are unpublished. Palabritas’ creation was inspired by a night of celebration of spoken word, poetry, and performances hosted by Fuerza Latina, a pan-Latinx organization of Harvard College. Reyes, a Harvard student and the son of Salvadoran immigrants, felt it was important to give access to unpublished writers from Latinx communities that are often ignored, such as LGBTQ+, the diaspora, and mixed-race communities. By providing a space for Latinx writers from all communities, Reyes hopes to minimize the exclusivity of published writers and bring them side-by-side with previously unpublished writers in the magazine.
Barbara Halla, Asymptote’s Editor-at-Large for Albania, walks us through her reading list for 2018, a diverse set of novels, short stories, and nonfiction books by women writers. Along the way, she reflects on feminist theory, the beauty of contemplative essays, and the power of collective memoirs.
Anyone who has had the (mis)fortune of following me on Twitter knows I am a dedicated disciple of Elena Ferrante. So, when I found out that Edizioni E/O had published an extended literary analysis of her work, I risked missing my flight by rushing to my favourite Milan bookstore (Rizzoli) to buy a copy.
Tiziana de Rogatis is an Italian professor of Comparative Literature, and her book Elena Ferrante. Parole Chiave (Elena Ferrante. Key Terms, not yet available in English) is exactly the kind of book my nerdy heart needed: an investigation into the literary and philosophical works underpinning Ferrante’s literary creations. I think it’s important to note that a great part of Ferrante’s appeal is in her ability to shore her works into a lived reality, one that does not require an extensive knowledge of Italian history, or feminist theory, to be appreciated fully. In fact, with the slight exception perhaps of her collection of essays and interviews Frantumaglia (translated by Ann Goldstein), you lose absolutely nothing if you go into it with little context. That being said, de Rogatis does a fantastic job at explicitly laying out and connecting Ferrante’s text to the literary foundation upon which they were built, her analysis a sort of Ariadne’s thread helping the reader through the labyrinth of Ferrante’s writing. Ferrante borrows heavily from Greek and Latin mythology, like Euripides’ Medea or Virgil’s The Aeneid. Many of the struggles her women experience and the way they think about those struggles can be mapped directly onto various modern feminist texts, including Gayatri Chakravorty Spivak’s “Can the Subaltern Speak?” and Adrienne Rich’s Of Woman Born. Hopefully Europa Editions will translate this book, too, because it is essential reading if you are even mildly obsessed with Ferrante. I am currently re-reading the series and am amazed at how much de Rogatis’s work enriched my understanding: Elena Greco, for example, uses the word “subaltern” frequently throughout the Quartet.
It’s Friday and that means we are back with the latest literary news from around the world! From Hong Kong, Editor-at-Large Charlie Ng brings us the latest on theater, literary festivals, and poetry readings. MARGENTO brings us exciting news about past Asymptote-contributors and other brilliant writers from Romania and Moldova. Finally, our own assistant blog editor, Stefan Kielbasiewicz shares news about poetry in the UK.
Charlie Ng, Editor-at-Large, Hong Kong
November is a month filled with vibrant literary performances and festivals in Hong Kong. On stage from late October to early November, a Cantonese version of The Father (Le Père) by French playwright, Florian Zeller, winner of the Molière Award for Best Play, is brought to Hong Kong audiences by the Hong Kong Repertory Theatre for the first time.
The seventeenth Hong Kong International Literary Festival kicked off on November 3 with a grand dinner with Scotland’s well-loved crime fiction writer, Ian Rankin, who also attended two other sessions as a guest speaker: Mysterious Cities: the Perfect Crime Novel and 30 Years of Rebus with Ian Rankin. Carol Ann Duffy was another Scottish writer featured in this year’s Festival. The British Poet Laureate read her poetry with musician John Sampson’s music accompaniment on November 9. The dazzling Festival programme includes both international authors such as Hiromi Kawakami, Amy Tan, Min Jin Lee, Ruth Ware, Hideo Yokoyama, and local writers and translators such as Xu Xi, Louise Ho, Dung Kai-cheung, Nicholas Wong, Tammy Ho, and Chris Song.