In this week’s dispatches, we travel to Hong Kong to remember wuxia writer, Jin Yong, who passed away late in October. More recently, Hong Kong played host to an international literary festival that was unfortunately plagued by controversy. Elsewhere, National Novel Writing Month kicks off in the UK, even as two large publishing houses begin outreach initiatives, and another lands itself in a Twitter controversy.
Charlie Ng, Editor-At-Large, reporting from Hong Kong
In recent weeks, Hong Kong’s literary scene has been clouded by loss and anxiety. On October 30th, the prominent Hong Kong martial arts fiction writer Jin Yong passed away. His oeuvre of fifteen fictional works spawned numerous film and TV adaptations, and even popular computer games widely played by young and old alike in the Sinophone world. The Jin Yong Gallery at the Hong Kong Heritage Museum has set up a condolence point for the public to commemorate the wuxia fiction master from November 13th to 30th.
At the same time, this year’s Hong Kong International Literary Festival took place from November 2nd to 11th. The festival experienced an unexpected setback when the main venue provider, the Tai Kwun Centre for Heritage and Arts, abruptly decided to cancel the venues for two talks involving Chinese dissident writer Ma Jian, namely “Hong Kong through the Lens of Literature” and “Ma Jian: China Dream”. The English translation of Ma’s most recent work, China Dream, has just been published by Penguin Random House, while the original Chinese version is forthcoming from a Taiwanese publisher. The cancellation provoked a fierce reaction from local literary and cultural circles. PEN Hong Kong issued a statement to express the organisation’s concern over Tai Kwun’s self-censorship and its threat to Hong Kong’s freedom of speech. Tai Kwun finally withdrew the cancellation and restored the events.
One of the festival’s panels, “Hong Kong through the Lens of Literature” (moderated by Asymptote’s Editor-At-Large for Hong Kong, Charlie Ng), featured a vibrant conversation between Hong Kong writers Ng Mei-kwan, Hon Lai-chu, and Ma Jian on the current state of Hong Kong literature and its possible future developments. The three writers affirmed the uniqueness of Hong Kong literature as a varied body of creative writing that expresses Hong Kong’s identity and experience and is shaped by special historical and linguistic contexts. In the nearly-cancelled “Ma Jian: China Dream” panel, Ma also engaged in a dialogue with moderator Maura Cunningham about his satirical dystopian novel China Dream, which presents a scathing portrait of Chinese president Xi Jinping’s grand vision of national greatness.
We are in the thick of the World Cup, but that does not mean that everything else stops! We are back with the latest literary updates from around the world. MARGENTO reports from Bookfest Bucharest on the latest of Romanian publishing and Romanian-US connections that emerged during the festival. Paul Worley and Kelsey Woodburn discuss the latest publications from the Yucatan Peninsula, focusing on indigenous writers. Finally, Theophilus Kwek tells us about recent news in the Singaporean literary world. Happy reading!
MARGENTO, Editor-at-Large, reporting from Romania:
Bookfest Bucharest is one of the largest international book festivals in Europe, growing larger and larger by the year. This year it featured over 150 publishers. Although expanding, the festival seemed less loud this time for a quite mundane reason: the organizers placed the beer patios further away from the pavilions than they did in the past. The atmospherics and the events felt really animated, though, and sometimes even intense. The guest of honor was the United States, with a centrally placed and welcoming space hosting four to six events every day. One of the most popular panels was chaired by the ambassador himself—HE Hans Klemm—on the life and work of Romanian-born American critic and fiction writer Matei Călinescu (and the dedicated Humanitas series).
It’s Friday and that means we are back with the latest literary news from around the world! From Hong Kong, Editor-at-Large Charlie Ng brings us the latest on theater, literary festivals, and poetry readings. MARGENTO brings us exciting news about past Asymptote-contributors and other brilliant writers from Romania and Moldova. Finally, our own assistant blog editor, Stefan Kielbasiewicz shares news about poetry in the UK.
Charlie Ng, Editor-at-Large, Hong Kong
November is a month filled with vibrant literary performances and festivals in Hong Kong. On stage from late October to early November, a Cantonese version of The Father (Le Père) by French playwright, Florian Zeller, winner of the Molière Award for Best Play, is brought to Hong Kong audiences by the Hong Kong Repertory Theatre for the first time.
The seventeenth Hong Kong International Literary Festival kicked off on November 3 with a grand dinner with Scotland’s well-loved crime fiction writer, Ian Rankin, who also attended two other sessions as a guest speaker: Mysterious Cities: the Perfect Crime Novel and 30 Years of Rebus with Ian Rankin. Carol Ann Duffy was another Scottish writer featured in this year’s Festival. The British Poet Laureate read her poetry with musician John Sampson’s music accompaniment on November 9. The dazzling Festival programme includes both international authors such as Hiromi Kawakami, Amy Tan, Min Jin Lee, Ruth Ware, Hideo Yokoyama, and local writers and translators such as Xu Xi, Louise Ho, Dung Kai-cheung, Nicholas Wong, Tammy Ho, and Chris Song.
We are back with literary news you simply cannot miss! This week we will take you to Romania where MARGENTO will help you discover the intricate networks of performance art. Also reporting from Europe is Fiona Le Brun who discusses the eclectic list of recent French literary prize winners, while subtly underlining the theme of migration that cuts across the various literary events. Far away from Mexico, Paul Worley and Kelsey Woodburn will highlight the increasingly important role of translation in its contemporary cultural landscape.
Editor-at-Large from Romania and Moldova, MARGENTO, provides us with an insider’s view of the exciting world of Romanian artistic experimentation:
The Bucharest International Poetry Festival featured last month an impressive line-up of international writers and performers, among whom were Christian Bök from Canada, LaTasha Nevada Diggs from the US, Steven Fowler of the worldwide prolific Enemies Project, Max Höfler (the tireless organizer of the yearly Text-World—World-Text Symposium in Graz, Austria), the multilingual performance vocalist Maja Jantar of Belgium, the Bucharest-based American poet and translator Tara Skurtu, and many more, alongside local poets such as Claudiu Komartin and Razvan Tupa. Organized by London-based Romanian poet and curator Simona Nastac, this annual event has grown more and more visible and central in a country where the tradition of performance poetry going at least as far back as Tristan Tzara’s DADA seems to be thriving more than ever, with festivals thrown from Craiova in the south to Brasov and Sibiu in Transylvania to Cluj and Iasi up north (some of them performance-driven events, other more standard literary ones with a strong reading or performance section).
Petrila is a one-of-a-kind venue among all of the above, both in Romanian and international terms. The derelict milltown riddled with condemned coal mines and shutdown falling-apart factories has been transformed over the last two decades by visual artist, political caricaturist, and curator Ion Barbu into a mecca of non-conformist festivals (initially thrown in his own backyard), eclectic or scandalous arts events, and improbable post-communist absurdist or faux-kitsch museums (including one that has resonantly revived the memory of once-censored outstanding dissident writer I.D. Sirbu). A competitor—or rather concurrent event—has been the CUCA Festival organized over the past couple of years in Cartisoara, up in the mountains of Sibiu County, where cutting-edge and indie performances and installations converge with Romanian traditional architecture restoration work done by international volunteers. A long-feature documentary titled Planet Petrila casting Ion Barbu in the lead role and portraying his eclectic personality and work against the background of the (post)communist history of his hometown has recently been widely praised and awarded at the international film festival TIFF.