Posts featuring Chris Song

Weekly Dispatches from the Frontlines of World Literature

In these dispatches, we see efforts in world literature to feature underrepresented voices.

World literature will be inclusive only through a continuous effort of organizing against the dominant, listening to the underrepresented, and making space for the unheard to bloom. This week our Editors-at-Large report such efforts from Australia, Hong Kong, and Slovakia. Read on to find out how the voices of women, indigenous and local peoples are being amplified around the world.

Tiffany Tsao, Editor-At-Large, reporting from Australia:

As part of an effort to resist the colonial systems that are the Australian publishing industry, the Australian media and arts industries, and modern Australia itself, the literary quarterly The Lifted Brow made the decision to hand over the entire production of their December issue to an all-First-Nations team of writers, editors, and ancillary staff. “We at TLB are too white, in all senses of that term,” read the magazine’s official statement on the matter. “[I]t’s way past the time that this should’ve changed. Our job and responsibility now is to push back against these oppressive and harmful regimes-within-regimes, not because we can undo the past, but because we can make better the present and the future.”

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Weekly Dispatches from the Frontlines of World Literature

The most important literary news from Hong Kong, Romania, Moldova, and the UK.

It’s Friday and that means we are back with the latest literary news from around the world! From Hong Kong, Editor-at-Large Charlie Ng brings us the latest on theater, literary festivals, and poetry readings. MARGENTO brings us exciting news about past Asymptote-contributors and other brilliant writers from Romania and Moldova. Finally, our own assistant blog editor, Stefan Kielbasiewicz shares news about poetry in the UK. 

Charlie Ng, Editor-at-Large, Hong Kong

November is a month filled with vibrant literary performances and festivals in Hong Kong. On stage from late October to early November, a Cantonese version of The Father (Le Père) by French playwright, Florian Zeller, winner of the Molière Award for Best Play, is brought to Hong Kong audiences by the Hong Kong Repertory Theatre for the first time.

The seventeenth Hong Kong International Literary Festival kicked off on November 3 with a grand dinner with Scotland’s well-loved crime fiction writer, Ian Rankin, who also attended two other sessions as a guest speaker: Mysterious Cities: the Perfect Crime Novel and 30 Years of Rebus with Ian Rankin. Carol Ann Duffy was another Scottish writer featured in this year’s Festival. The British Poet Laureate read her poetry with musician John Sampson’s music accompaniment on November 9. The dazzling Festival programme includes both international authors such as Hiromi Kawakami, Amy Tan, Min Jin Lee, Ruth Ware, Hideo Yokoyama, and local writers and translators such as Xu Xi, Louise Ho, Dung Kai-cheung, Nicholas Wong, Tammy Ho, and Chris Song.

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