Posts featuring Charles Bernstein

Coals to Newcastle: A (biased?) Slovak overview of a century in American literature

The ambition of the “American” issue of RSL was to resist preconceptions and cross boundaries.

Small cultures import disproportionately more texts—both translated and original—than they export. However, literatures using a language with a limited number of speakers are not just markets for globalised goods. Translations quite naturally also help them develop and sometimes even exist, as cases of small languages that ceased to be the target languages for translations show. Revue svetovej literatúry (Review of world literature) is a Slovak magazine founded in the “golden” 1960s that brought an abundance of new impulses to Slovak literature from all over the world for the past fifty years. Late last year, writer and translator (and Asymptote past contributor) Peter Macsovszky and literature and translation scholar Ivana Hostová edited and co-translated (with the help of a team of translators) an issue of the magazine with a focus on contemporary and twentieth-century Anglophone literature from the US.

In her Buying into English (2008), Catherine Prendergast analyses the semantics and economics linked to the ability of speakers of a minor language—in this case Slovak—to use the language of global communication. She compares the perceived value of English in Slovakia immediately after the fall of state socialism and then in almost two decades in the post-communist Slovakia. The strict restriction of the flow of information between socialist Czechoslovakia and the Western world gave rise to an idealised notion of the Anglophone (and, more specifically, American and capitalist) world. It came to signify freedom and prosperity and was—in the minds of many Slovaks—expected to embrace and accept with curiosity and eagerness the cultures and peoples freed from the socialist regime. Prendergast suggests that the notion was only abandoned after it slowly became clear that “the lingua franca is language-as-battlefield; it is the terrain upon which players in the global information economy grapple for property, respectability, and political voice.” Now it has become obvious that it takes more than pureness of heart and an admiration for the American culture and way of life to extract any interest from what Michael Cronin in his Eco-Translation (2017) has called the crowded Anglophone attentionscape.

The proportion of imported versus exported goods including cultural products can be very well illustrated by the amount of translations produced in the Anglophone countries as opposed to cultural spaces[i] like Slovakia. Therefore, wanting to import even more texts from the dominant to small culture might seem like carrying coals to Newcastle. However, if we try to differentiate between a piece of writing as a commodity that primarily generates economic profit and institutional legitimation and look at the autonomous sections of the literary field—at those works that were not created to make the author famous or rich, but which came into being in order to exist for themselves and in their own right—it may come as a surprise that not much American writing can really be found in Slovak translation. In this context, an issue of a Slovak literary magazine bringing translations of Anglophone writing from the United States seems redundant only at first glance. Most of the literature written in the US that gets translated into Slovak nowadays can best be described as a commodity—currently, the best-selling book in the biggest Slovak bookshops is the translation of Dan Brown’s Origin (2017)—it is the kind of writing that, although undeniably culturally domineering and shaping the receiving context, does not inspire in the sense of creating resistance to the existing (cultural) preconceptions or fluent strategies of reading.

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Weekly Dispatches from the Frontlines of World Literature

The most important literary news from Slovakia, the UK, Mexico and Guatemala.

This week brings us some exciting news from Slovakia, the United Kingdom, and Mexico, thanks to Editors-at-Large Julia Sherwood, Paul Worley, and Kelsey Woodburn as well as Senior Executive Assistant, Cassie Lawrence. Here’s to another week!

Julia Sherwood, Asymptote Editor-at-Large for Slovakia:

Two festivals concluded the hectic literary festival season in Slovakia. LiKE 2017, a contemporary literature and multimedia festival was held in Košice, the eastern metropolis, running parallel with the 14th Žilina Literature Festival in the country’s north. The latter, held from September 28 to October 8 in the repurposed New Synagogue and entitled Fakt?Fakt! (Fictitious Truth or Truthful Fiction?), focused on the alarming spread of disinformation, pre-empting the decision by Collins Dictionary to declare “fake news” the official word of the year 2017. The programme featured student discussions, workshops on how to distinguish fact from fiction, as well as readings and meetings with literary critics and writers. Michal Hvorecký discussed his latest novel, Trol (The Troll), a dark dystopia set in the murky world of Russian fake news factories, which has acquired a frightening new relevance far exceeding what the author had anticipated when he set out to write his book a few years ago.

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Weekly Dispatches from the Frontlines of World Literature

The most important literary news from Hong Kong, Romania, Moldova, and the UK.

It’s Friday and that means we are back with the latest literary news from around the world! From Hong Kong, Editor-at-Large Charlie Ng brings us the latest on theater, literary festivals, and poetry readings. MARGENTO brings us exciting news about past Asymptote-contributors and other brilliant writers from Romania and Moldova. Finally, our own assistant blog editor, Stefan Kielbasiewicz shares news about poetry in the UK. 

Charlie Ng, Editor-at-Large, Hong Kong

November is a month filled with vibrant literary performances and festivals in Hong Kong. On stage from late October to early November, a Cantonese version of The Father (Le Père) by French playwright, Florian Zeller, winner of the Molière Award for Best Play, is brought to Hong Kong audiences by the Hong Kong Repertory Theatre for the first time.

The seventeenth Hong Kong International Literary Festival kicked off on November 3 with a grand dinner with Scotland’s well-loved crime fiction writer, Ian Rankin, who also attended two other sessions as a guest speaker: Mysterious Cities: the Perfect Crime Novel and 30 Years of Rebus with Ian Rankin. Carol Ann Duffy was another Scottish writer featured in this year’s Festival. The British Poet Laureate read her poetry with musician John Sampson’s music accompaniment on November 9. The dazzling Festival programme includes both international authors such as Hiromi Kawakami, Amy Tan, Min Jin Lee, Ruth Ware, Hideo Yokoyama, and local writers and translators such as Xu Xi, Louise Ho, Dung Kai-cheung, Nicholas Wong, Tammy Ho, and Chris Song.

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