Language: Zoque

Weekly Dispatches from the Frontlines of World Literature

The most important literary news from Slovakia, the UK, Mexico and Guatemala.

This week brings us some exciting news from Slovakia, the United Kingdom, and Mexico, thanks to Editors-at-Large Julia Sherwood, Paul Worley, and Kelsey Woodburn as well as Senior Executive Assistant, Cassie Lawrence. Here’s to another week!

Julia Sherwood, Asymptote Editor-at-Large for Slovakia:

Two festivals concluded the hectic literary festival season in Slovakia. LiKE 2017, a contemporary literature and multimedia festival was held in Košice, the eastern metropolis, running parallel with the 14th Žilina Literature Festival in the country’s north. The latter, held from September 28 to October 8 in the repurposed New Synagogue and entitled Fakt?Fakt! (Fictitious Truth or Truthful Fiction?), focused on the alarming spread of disinformation, pre-empting the decision by Collins Dictionary to declare “fake news” the official word of the year 2017. The programme featured student discussions, workshops on how to distinguish fact from fiction, as well as readings and meetings with literary critics and writers. Michal Hvorecký discussed his latest novel, Trol (The Troll), a dark dystopia set in the murky world of Russian fake news factories, which has acquired a frightening new relevance far exceeding what the author had anticipated when he set out to write his book a few years ago.

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Weekly Dispatches from the Frontlines of World Literature

Your news from the literary world, all in one place.

Here we are again with literary updates from around the world. This week we bring you news on cultural responses to the earthquakes in Mexico and the latest on indigenous writers via Editors-At-Large for Mexico Paul Worley and Kelsey Woodburn. UK-based Executive Assistant Cassie Lawrence brings us up to speed on the latest from the UK, including recent prizes and publications. Finally, contributor Julia Chien and Editor-At-Large for Taiwan Vivian Szu-Chin Chih discuss the latest poetry and film initiatives in Taiwan.

Paul Worley and Kelsey Woodburn, Editors-At-Large, Mexico:

This week on Thursday, October 12, the 17th Annual Book Fair opened in México City’s Zócalo (main square downtown), and will run through October 22. As reported by Mexico’s Cultural Secretary, under the hashtag #CulturaSolidaria, the event will explore the role that the arts and culture play in rebuilding a city devastated by the September 19 earthquake that took over two hundred lives and left parts of the city in ruins.

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Translating Indigenous Mexican Writers: An Interview with Translator David Shook

"I suspect many casual bookstore readers might not know how many languages are still spoken in Mexico. The sheer diversity is astounding."

David Shook is a poet, translator, and filmmaker in Los Angeles, where he serves as Editorial Director of Phoneme Media, a non-profit publishing house that exclusively publishes literature in translation. Their newest book is Like a New Sun, a collection of contemporary indigenous Mexican poetry, which Shook co-edited along with Víctor Terán.

Seven translators in total—Shook, Adam W. Coon, Jonathan Harrington, Jerome Rothenberg, Clare Sullivan, Jacob Surpin, and Eliot Weinberger—translated poets from six different languages: Juan Gregorio Regino (from the Mazatec), Mikeas Sánchez (Zoque),  Juan Hernández Ramírez (Huasteca Nahuatl), Enriqueta Lunez (Tsotsil), Víctor Terán (Isthmus Zapotec), and Briceida Cuevas Cob (Yucatec Maya). I corresponded with Shook over gchat to speak with him about the project.

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Today is Columbus Day, a controversial holiday in the United States. Several cities have recently adopted Indigenous Peoples’ Day over Columbus Day, clearly a victory for recognizing indigenous cultures in the United States. Which leaves me wondering: how are the indigenous Mexican writers recognized today in the Mexican literary landscape?

As someone who regularly visits Mexican literary festivals and also translates from the Spanish, I’ve observed the under-appreciation of indigenous writers firsthand. Mexico’s indigenous communities make up 10 to 14% of its total population, and you certainly don’t find anywhere near that percentage of literature being published in Mexico today. READ MORE…