Perhaps it goes without saying, but in 2018 translating Indigenous literatures in the Américas from Indigenous languages and/or Spanish is a political act. Even prior to now, at dinner parties and other settings for droll conversation in the United States, people have often perked up when I mention that I study Mesoamerican languages and cultures. With an interest typically grounded in lost civilizations, ancient mysteries, and, occasionally, UFOs, they usually then follow up with an inquiry as to why, if I study dead languages, I didn’t opt to study Latin, ancient Greek, or Biblical Hebrew instead. When I assert that no, Maya languages such as Yucatec and Tsotsil are far from dead, many people refuse to believe it and are more than happy to contest the point.
The translator bears a particular kind of ethical responsibility towards the text, the poet, and poet’s community.
Bringing you the latest in world literature news.
Never is there a dull period in the world of literature in translation, which is why we make it our personal mission to bring you the most exciting news and developments. This week our Editors-at-Large from Mexico, Central America, and Spain, plus a guest contributor from Lithuania, are keeping their fingers on the pulse!
Paul M. Worley and Kelsey Woodburn, Editors-at-Large, reporting from Mexico:
On February 21, numerous events throughout Mexico took place in celebration of the International Day of Mother Languages. In San Cristóbal de las Casas, Chiapas, CELALI (the State Center for Indigenous Language and Art) held a poetry reading featuring Tseltal poet Antonio Guzmán Gómez, among others, and officially recognized Jacinto Arias, María Rosalía Jiménez Pérez, and Martín Gómez Rámirez for their work in developing and fortifying indigenous languages in the state.
Later in San Cristóbal, at the Museum of Popular Cultures, there was a poetry reading that brought together four of the Indigenous Mexican poetry’s most important voices: Mikeas Sánchez, Adriana López, Enriqueta Lúnez, and Juana Karen, representing Zoque, Tseltal, Tsotsil and Ch’ol languages, respectively. Sánchez, Lúnez, and Karen have all published in Pluralia Ediciones’s prestigious “Voces nuevas de raíz antigua” series.
Celebrate our 7th anniversary with this new issue, gathering never-before-published work from 30 countries!
We interrupt our regular programming to announce the launch of Asymptote‘s Winter 2018 issue! Here’s a tour of some of the outstanding new work from 30 different countries, which we’ve gathered under the theme of “A Different Light”:
In “Aeschylus, the Lost,” Albania’s Ismail Kadare imagines a “murky light” filtering through oiled window paper in the ancient workroom of the father of Greek tragedy. A conversation with acclaimed translator Daniel Mendelsohn reveals the “Homeric funneling” behind his latest memoir. Polish author Marta Zelwan headlines our Microfiction Special Feature, where meaning gleams through the veil of allegory. Light glows ever brighter in poet Mohammed Khaïr-Eddine’s “syntactically frenetic” “Arachnid Sun”; and in Erika Kobayashi’s fiction, nuclear devastation blazes from Hiroshima to Fukushima.
The light around us is sometimes blinding, sometimes dim, “like a dream glimpsed through a glass that’s too thick,” as Argentine writer Roberto Arlt puts it, channeling Paul to the Corinthians in The Manufacturer of Ghosts. Something dreamlike indeed shines in César Moro’s Equestrian Turtle, where “the dawn emerges from your lips,” and, as if in echo, Mexican writer Hubert Matiúwàa prophecies for his people’s children “a house made of dawn.” With Matiúwàa’s Mè’phàà and our first works from Amharic and Montenegrin, we’ve now published translations from exactly 100 languages!
We hope you enjoy reading this milestone issue as much as everyone at Asymptote enjoyed putting it together. If you want to see us carry on for years to come, consider becoming a masthead member or a sustaining member today. Spread the word far and wide!
Read More News:
Paul Worley reviews the first volume of poetry to be published in the Me’phaa language of Mexico.
In a 2015 Washington Post article on the state of world languages, Rick Noack and Lazaro Gamio note that of the roughly 7000 languages currently spoken on the planet, almost half that number—some 3500—are expected to die out by 2100. Although the authors themselves do not make such a connection, when they state that “Linguistic extinction will hit some countries and regions harder than others,” the areas they designate as those that stand to be hardest hit (Native American reservations in the Western and mid-Western US, the Amazon rainforest, sub-Saharan Africa, Oceana, Australia, and Southeast Asia) coincides roughly with a map of where global capitalism has increasingly sought to expand its reach into indigenous communities during the first few years of the 21st century. As evidenced by conflicts such as #NoDAPL in the US and the dynamiting of a sacred Munduruku site to make was for a dam in the Brazilian Amazon, the extinction of languages and cultures all too frequently goes hand-in-hand with state sponsored development projects that forcibly eject indigenous peoples from their ancestral lands in the name of national progress. When one comes to an understanding that language death is as much an economic as it is a cultural phenomenon, where do indigenous peoples, cultures, and languages fit within 21st century nation-states, if at all?
In comparison with many other countries in Latin America and the rest of the world, contemporary indigenous literatures from Mexico are notable precisely for this delicate dance between the Mexican state, a major sponsor of indigenous literatures since the late 1970s, and indigenous authors whose literary, linguistic, and political aims tend to diverge from those of their state-sanctioned patrons. In particular, the bilingual format of virtually all indigenous literatures published in Mexico during the past 40 years speaks to the realities of a complex relationship in which authors seek to represent themselves to themselves and their communities in their native languages, while simultaneously making these same selves intelligible to non-indigenous outsiders living in their same country.
This week's literary news from Singapore, Latin America, and the US
The week is drawing to a close, and it’s time for a quick wrap-up. This time we’re visiting South and North America where Mexico Editors-at-Large Paul Worley and Kelsey Woodburn, and Executive Assistant Nozomi Saito bring us the latest news. Our final pit stop is in Singapore, where Chief Executive Assistant Theophilus Kwek has been following a new literature campaign, among many other developments. Enjoy!
Our Mexico Editors-at-Large Paul Worley and Kelsey Woodburn had this to tell:
In collaboration with the Mexican Secretary of Culture, on January 24 in Mexico City’s Fine Arts Palace Pluralia Ediciones presented its latest publication, Xtámbaa/Piel de tierra (Earthen Skin) by Hubert Malina (Guerrero State, 1986). Malina’s volume is the first work of poetry published in the Me’phaa language (known by outsiders as Tlapaneco), a language with roughly 100,000 speakers. According to the press release, Malina’s work stands out for its lovingly realistic portrayal of life and community in the mountains of Guerrero. Zapaotec poets Natalia Toledo, 2004 winner of the Nezahualcóyotl Prize in Indigenous Literatures, and Irma Pineda participated in the event, providing commentary on Malina’s work. In particular, Toledo stated that a voice like Malina’s has been lacking within the contemporary indigenous language scene, while Pineda added that Malina’s work balances themes of traditional stories with current realities, guiding the reader through both the beautiful and the difficult contemporary indigenous life. The unveiling of this new book also precedes this February’s Me’phaa Language Festival, to be held in Paraje Montero, Mexico, on Tuesday, February 21 from 9am until 4pm.
In Guatemala City, Guatemala, on February 1 Caravasar hosted an event to celebrate the release of Tania Hernández’s latest work, Desvestir santos y otros tiempos [Undressing Saints and Other Epochs]. This latest publication will no doubt be an excellent addition to the author’s existing work that deals with life in contemporary Guatemala from a feminist perspective. The event was hosted by Rodrigo Arenas-Carter and the groundbreaking Maya poet, book artist, and performance artist Manuel Tzoc Bucup, among others. The event was streamed in real time via Facebook Live.
Finally, poets from all over the world will descend on Medellín, Colombia from July 8-15, 2017, to participate in the 27th International Medellin Poetry Festival. Updated in mid-January, the list of invited poets is a truly remarkable, international lineup, including authors from Algeria, India, Vietnam, Syria, and the UK, in addition to those from throughout Latin America. This will certainly be an event you can’t miss!