Paula Gordon is a freelance editor and translator of Bosnian, Croatian, Serbian, and Montenegrin based in Delaware. She has lived in Bosnia and Herzegovina, working in the nonprofit sector as a translator, and on the staff of the Sarajevo Film Festival. Her translation of Ilija Đurović’s “Pod čistom podu” (“Across the Clean Floor”), in our Winter 2018 issue, is the very first translation from the Montenegrin to appear in Asymptote.
In her translator’s introduction, Gordon writes: “Many stories [by Đurović], but particularly this one, stand out for what remains unsaid as much as for what is spoken or described. “Across the Clean Floor” is told in the first person, but the narrator speaks tersely and dispassionately, leaving it to readers (should we be so inclined) to provide the backstory. It is as if we are observing a night in the life of this couple through a telephoto lens, or perhaps through a keyhole.”
Our interviews editor, Claire Jacobson, conducted this interview with Gordon.
Claire Jacobson (CJ): In your translator’s note, you talk about realizing that you were “filling in the gaps” in the narrative in English, and making changes (such as the tense) to your draft as a result. Where did you find yourself over-interpreting by translating, and how did you bring the piece back to its natural ambiguity?
Paula Gordon (PG): Interestingly, when I look back over my various drafts, I don’t find much proof in the text of what I said in my translator’s note. The biggest revision was in changing past tense to present fairly early on (and I tracked those changes, so I guess I wasn’t certain whether that would work or not).
We interrupt our regular programming to announce the launch of Asymptote‘s Winter 2018 issue! Here’s a tour of some of the outstanding new work from 30 different countries, which we’ve gathered under the theme of “A Different Light”:
In “Aeschylus, the Lost,” Albania’s Ismail Kadare imagines a “murky light” filtering through oiled window paper in the ancient workroom of the father of Greek tragedy. A conversation with acclaimed translator Daniel Mendelsohn reveals the “Homeric funneling” behind his latest memoir. Polish author Marta Zelwan headlines our Microfiction Special Feature, where meaning gleams through the veil of allegory. Light glows ever brighter in poet Mohammed Khaïr-Eddine’s “syntactically frenetic” “Arachnid Sun”; and in Erika Kobayashi’s fiction, nuclear devastation blazes from Hiroshima to Fukushima.
The light around us is sometimes blinding, sometimes dim, “like a dream glimpsed through a glass that’s too thick,” as Argentine writer Roberto Arlt puts it, channeling Paul to the Corinthians in The Manufacturer of Ghosts. Something dreamlike indeed shines in César Moro’s Equestrian Turtle, where “the dawn emerges from your lips,” and, as if in echo, Mexican writer Hubert Matiúwàa prophecies for his people’s children “a house made of dawn.” With Matiúwàa’s Mè’phàà and our first works from Amharic and Montenegrin, we’ve now published translations from exactly 100 languages!
We hope you enjoy reading this milestone issue as much as everyone at Asymptote enjoyed putting it together. If you want to see us carry on for years to come, consider becoming a masthead member or a sustaining member today. Spread the word far and wide!
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