Posts featuring Erika Kobayashi

Announcing the Winter 2018 Issue of Asymptote

Celebrate our 7th anniversary with this new issue, gathering never-before-published work from 30 countries!

We interrupt our regular programming to announce the launch of Asymptote‘s Winter 2018 issue! Here’s a tour of some of the outstanding new work from 30 different countries, which we’ve gathered under the theme of “A Different Light”:

In “Aeschylus, the Lost,” Albania’s Ismail Kadare imagines a “murky light” filtering through oiled window paper in the ancient workroom of the father of Greek tragedy. A conversation with acclaimed translator Daniel Mendelsohn reveals the “Homeric funneling” behind his latest memoir. Polish author Marta Zelwan headlines our Microfiction Special Feature, where meaning gleams through the veil of allegory. Light glows ever brighter in poet Mohammed Khaïr-Eddine’s “syntactically frenetic” “Arachnid Sun”; and in Erika Kobayashi’s fiction, nuclear devastation blazes from Hiroshima to Fukushima.

The light around us is sometimes blinding, sometimes dim, “like a dream glimpsed through a glass that’s too thick,” as Argentine writer Roberto Arlt puts it, channeling Paul to the Corinthians in The Manufacturer of Ghosts. Something dreamlike indeed shines in César Moro’s Equestrian Turtle, where “the dawn emerges from your lips,” and, as if in echo, Mexican writer Hubert Matiúwàa prophecies for his people’s children “a house made of dawn.” With Matiúwàa’s Mè’phàà and our first works from Amharic and Montenegrin, we’ve now published translations from exactly 100 languages!

We hope you enjoy reading this milestone issue as much as everyone at Asymptote enjoyed putting it together. If you want to see us carry on for years to come, consider becoming a masthead member or a sustaining member today. Spread the word far and wide!


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Close Approximations: In Conversation With Fiction Runner-up, Brian Bergstrom

The translator on the complex interplay of Japanese and "hegemonic" English, and how the relationship informs his translation.

Today, we continue our spotlight on the winners of Asymptote’s annual Close Approximations translation contest, now into its 3rd edition. (Find the official results and citations by judges David Bellos and Sawako Nakayasu here.) From 215 fiction and 128 poetry submissions, these six best emerging translators were awarded 3,000USD in prize money, in addition to publication in our Summer 2017 edition. After our podcast interview with Suchitra Ramachandranwe are thrilled to bring you fiction runner-up Brian Bergstrom in conversation with Asymptote Assistant Interviews Editor, Claire Jacobson. 

Brian Bergstrom is a lecturer in the East Asian Studies Department at McGill University in Montréal. His articles and translations have appeared in publications including Granta, Aperture, Mechademia, positions: asia critique, and Japan Forum. He is the editor and principal translator of We, the Children of Cats by Tomoyuki Hoshino (PM Press), which was longlisted for the 2013 Best Translated Book Award.

His translation of “See” by Erika Kobayashi from the Japanese was a runner-up in Asymptote’s Close Approximations contest. This is what fiction judge David Bellos had to say about it: “Erika Kobayashi’s ‘See’ earns its place as a runner up by imagining a world just like ours save for a craze for a pill called ‘See’ that induces temporary blindness. People take it so as to go out on blind dates and drives to the sea. Read on! The English of the translation by Brian Bergstrom seems to me flawless.”