What do Asymptote staff get up to when they’re not busy advocating for world literature? Answer: Quite a lot! For those interested in joining our team, please note that we have just completed the first phase of our recruitment drive and will conclude the second and final phase by the end of the month. It’s not too late to send in an application!
Communications Manager Alexander Dickow published two poems in Plume, in English and French versions.
Assistant editor Andreea Iulia Scridon‘s poem, Glossa, a re-writing of Mihai Eminescu’s Romanian poem of the same name, has been published by WildCourt.
Copy Editor Anna Aresi‘s Italian translation of Ewa Chrusciel’s Contraband of Hoopoe (Omnidawn, 2014) was released in May by Edizioni Ensemble.
Chris Tanasescu (aka MARGENTO, editor-at-large for Romania and Moldova) has been featured in a Romanian poetry anthology in Italian translation, Sette poeti rumeni (Seven Romanian Poets) edited by Matteo Veronesi.
Another issue of Asymptote means another dazzling array of voices, languages, and genres in translation. If you’re not sure where to begin, look no further than these recommendations from the editors who compiled this spectacular issue.
From Lee Yew Leong, Fiction and Poetry Editor:
This issue’s Fiction section is memorable for being the first fiction lineup in an Asymptote issue (and there are now 34 of them!) that does not include a single European author. Naguib Mahfouz and Bernardo Esquinca have already been singled out by the blog editors last week, so I’ll touch briefly on works by Bijan Najdi and Siham Benchekroun—two ambitious short stories that are remarkable in different ways. Showcasing the acclaimed narrative technique for which he was known, Najdi’s heartbreaking story “A Rainy Tuesday” (translated beautifully by Michelle Quay) unravels the thin seam between memory and reality, leading us on a nonlinear journey through grief. Benchekroun’s “Living Words,” on the other hand, is also a personal essay that exults in the very richness of language. Kudos to translator Hannah Embleton-Smith who masterfully tackled a text that leans so heavily on French phonetics to make synaptic leaps—and gave us something in English that preserves the delight of the original French. My personal favorites from the Poetry section this issue are the new translations of The Iliad by James Wilcox, which inject vigor into an ancient classic, and Tim Benjamin’s introduction of Leonardo Sanhueza, 2012 winner of the Pablo Neruda Prize for career achievement. Benjamin’s evocative translations bring into English for the first time an extraordinary poetic voice that deserves to reach a wider audience.
From Joshua Craze, Nonfiction Section Editor:
“Personal Jesus” by Fausto Alzati Fernández is a visceral study of the self that drugs make. Ably translated by Will Stockton, the prose slows down time, as we wait on the side of the highway, hoping for a fix, and then, finally, time stops, in the infinite space of the hit. Fernández explores an enchanted world, in which of all the dumb sad morass of the human animal is given the possibility of transcendence, and yet—cruelties of cruelties—it is this very transcendence that produces the animals living half-lives that stumble around his dealer’s living room. “Personal Jesus” is a love letter, written to a cleansing balm that leaves us only more pitiful than before.
Wake up where the clouds are far with Asymptote’s Summer 2019 edition—“Dreams and Reality” brings you stunning vistas from 30 countries, including new fiction from Nobel laureate Naguib Mahfouz, an exclusive interview with Edith Grossman, translator of Marquez’s Love in the Time of Cholera, and never-before-published translations of Nicole Brossard, recent winner of Canada’s Lifetime Griffin Trust Award for Poetry. In our Special Feature on Yiddish writing, published with the generous support from the Yiddish Book Center, you’ll find everything from Isaac Berliner’s dreams of ancient South America to Yermiyahu Ahron Taub’s modern-day America.
In Leonardo Sanhueza’s retelling of intimate life before, during, and after Chile’s Civil War, each poem an unforgettable portrait of a colonist, dreams are harbingers of death. In “A Rainy Tuesday,” Bijan Najdi’s nonlinear journey of grief, on the other hand, dreams are bulwarks against the almost certain demise of missing loved ones. When the veil breaks, the real returns. Internationally acclaimed Korean poet Kim Hyesoon tackles the reality of violence head-on in her latest collection, reviewed by Matt Reeck. For artist Jorge Wellesley, the emptiness of slogans lies exposed in images of rotting, blurred, or blank billboards. In a candid essay, Fausto Alzati Fernández confesses to the rituals of drug addiction, some of which attempt “to grab hold of reality and strip it.”
We’re thrilled to announce that none other than Nobel Prizewinner J. M. Coetzee (pictured above) will be helping us ring in our 9th anniversary in a special way—by helping us award up to $1,000 in prizes through an essay contest.
Open to translators and non-translators alike, this competition “invites essays introducing a writer working in a language other than English whose oeuvre deserves more attention than it currently receives from the English-speaking world.”
After checking out the two Writers on Writers essays—introducing Samanta Schweblin and Wang Shuo—from our latest issue, get cracking on your own essay (full guidelines can be found here). As long as you enter by October 1st, you stand a chance of winning a share of the prize money and publication in our special Winter 2020 edition. If you frequent an English university department or cool bookstores or cafes, help spread the word by printing and putting up this poster below! READ MORE…
We have such an amazing collective of literary talent over here at Asymptote. Check out some of our news from the past quarter and stay tuned for more of the international literature you love! If you are interested in being a part of the team, please note that we will be extending our recruitment drive for two more weeks through May 21, out of consideration for those of you who are busy with end-of-semester work and graduation!
Communications Manager Alexander Dickow published a long poem, The Song of Lisaine, at the journal X-Peri.
Copy Editor Anna Aresi recently ran her Italian translation of Pulitzer-winning Forrest Gander’s “On a Sentence by Fernanda Melchor” on Interno Poesia’s Blog.
Criticism Editor Ellen Jones had an excerpt of her translation of Nancy by Bruno Lloret—forthcoming from Giramondo Publishing in 2020—showcased in a feature on Chilean domestic life in Words Without Borders. Her review of Samanta Schweblin’s Mouthful of Birds was also printed in The Irish Times. READ MORE…
Trace “Cosmic Connections” in Asymptote’s Spring 2019 edition, including 27 countries and 17 languages from every corner of our beautiful globe! Start with our double-whammy interviews with Viet Thanh Nguyen and Dubravka Ugrešić, or dance upon our “big old blue sphere” with the illustrious co-founder of Oulipo, Raymond Queneau. And don’t miss this quarter’s Special Feature, spotlighting creative reflections on the art of translation!
Translation can transport us to exotic locales—near or far. Daniel Guebel travels the lost world of Jewish pilpul, or “spicy thought,” an ancient method of interpreting the Talmud, while reconciling with the fact that the sages’ dialectical complexities cannot heal his dying father. Yet a life isn’t a mere journey from beginning to simple end: “All roads lead anywhere,” sings acclaimed Bulgarian poet Georgi Gospodinov, “not only to death.” For Mohsen Namjoo, the road must lead beyond nostalgia for hallowed national pasts to address the problems of the present. READ MORE…
We are proud to present “Body Memory,” our most diverse issue ever, featuring new work from a record-breaking 35 countries! Etel Adnan, Steinn Steinarr, and Argonauts author Maggie Nelson join us in celebrating our eighth anniversary and the six winners of our international translation contest picked by Edward Gauvin and Eugene Ostashevsky. Top honors go to two translators of underrepresented languages this year: Olivia Hellewell, who works with Slovenian fiction, and Daniel Owen, Indonesian poetry. Who else won a slice of USD3,000 in prizes? Find out here.
If you believe in our work, help us spread word of it in the physical realm with our Winter 2019 flyer (pictured above), or join us on Facebook and Twitter over the next two weeks especially as we push the glorious art and writing entrusted us out into the world. If you’re inclined to tweet, here’s a suggestion:
NEW ISSUE! Please RT @asymptotejrnl’s Winter 2019 “Body Memory” feat. Maggie Nelson, Etel Adnan, and Steinn Steinarr, among new work from 35 countries! Find out who took home $3,000 in prizes in the magazine’s annual translation contest, unveiled here: http://asymptotejournal.com/jan-2019
On social media, many have been posting before and after photos in response to a ten-year challenge. At Asymptote, we take this ten-year-challenge to mean something else altogether: the challenge is see through what we’ve done for a full ten years, at least. It may beggar belief that we have done all that we’ve done in the service of world literature (events, educational guides, podcasts, blog posts, newsletter dispatches, and even a Book Club) on little to no institutional funding. Truth is, it has been every bit as hard as you suspect it to be behind the scenes, as we recounted in last year’s #30issues30days showcase. Although we are one of the most generous resources for out there for world lit, chronic ineligibility for nation-based grants means we’re stranded without support. High-visibility literary festivals apply for and receive sponsorship all the time, but who will support the very private act of literary discovery on a computer screen? As we enter our ninth year, the last leg of this challenge, we hope you’ll stand with us and sign up either as a sustaining member or a masthead member. We need your support more than ever. Become a part of our global movement—join the Asymptote family today!
As we welcome the New Year in, join our Editor-in-Chief, Yew Leong, and one of our Assistant Managing Editors, Janani, as they review the latest in world translation news. From the trials and tribulations faced by indigenous languages to new literary journals and non-mainstream literature, there’s plenty to catch up on!
Lee Yew Leong, Editor-in-Chief:
Though it was actually in 2016 that the UNESCO declared this year, 2019, to be the Year of Indigenous Languages, recent unhappy events have revealed how of the moment this designation has proven to be. A 7-year-old Guatemalan girl who was unable to communicate how sick she was died while in U.S. Border Patrol Custody—only one of several thousands of undocumented immigrants who speak an indigenous language like Zapotec, Mixtec, Triqui, Chatino, Mixe, Raramuri, Purepecha, or one of many Mayan languages, according to The Washington Post. Jair Bolsonaro, the new Brazilian president who has made insulting comparisons of indigenous communities living in protected lands to “animals in zoos,” wasted no time in undermining their rights within hours of taking office and tweeted ominously about “integrating” these citizens. On a brighter note, Canada will likely be more multilingual this year as the Trudeau administration looks set to enforce the Indigenous Languages Act before the Canadian election this year. The act will not only “recognize the use of Indigenous languages as a ‘fundamental right,’ but also standardize them,” thereby assisting their development across communities. Keen to explore literary works from some of these languages? With poems from indigenous languages ranging from Anishinaabemowin to Cree, Asymptote’s Fall 2016 Special Feature will be your perfect gateway to literature by First Nations writers.
The brand new Fall 2018 issue of Asymptote was released last week and we are still enjoying its diverse offerings from 31 countries, including a Special Feature on Catalan fiction. After the blog editors posted their highlights two days ago, the quarterly magazine’s section editors share their favorites from this season’s haul:
What good is French today? After years of patient apprenticeship, and years of mastery, perhaps writing in French was only a means of escape, or a way of doing battle. These are the questions that Abdellah Taïa battles with, in ‘To Love and to Kill: Why Do I Write In French?’ Beautifully translated by Hodna Bentali Gharsallah Nuernberg, Taïa’s essay attacks the French language, with great vigor and style, and—of course—in French. In a succinct essay, Taïa adroitly sets out the class politics of speaking French in Morocco, and the satisfactions (and oblivions) of conquering a language and a place, and all the complicated forms of hatred (and self-hatred) that come with it.
—Joshua Craze, Nonfiction editor
The Fall issue of Asymptote, “Transfigurations,” is now live. Our nets cast wide, we showcase never-before-published work by some of the most beloved figures working in world literature: Jon Fosse, Osama Alomar, Breyten Breytenbach, and Margaret Jull Costa. In our Catalan Fiction Special Feature, we present celebrated writers J. V. Foix, Cèlia Suñol, and Manuel Baixauli alongside emerging voices that represent the future of Catalan literature: Najat El Hachmi, Marta Rojals, and Neus Canyelles.
This edition’s many protean forms are deftly fixed in photography by New York-based guest artist Olaya Barr. In Korean playwright Sam-Shik Pai’s hilarious drama, the narrator morphs mid-sentence into a hairy beast while in Mexican author José Revueltas’s hypnotic fiction, apes turn into people then back into apes again. Hong Kong visual artist Chan Sai-lok and his Brazilian counterpart Guga Szabzon both transform writing into image into word. In a generous interview, Phillip Lopate reflects on the metamorphic affective life of the essayist.
Nguyễn Đức Tùng’s moving account of memory loss in exile opens a powerful nonfiction section that bears witness to a swiftly changing world. In this issue’s poetry, George Prevedourakis adapts Allen Ginsberg’s “Howl” into his own vision of contemporary Greece while Elvira Hernández weaves fragments of the story of Chile into her vision of the Chilean flag, swelling up “like an ulcerated belly.” READ MORE…
This September, we interrupted our usual blog programming to celebrate Asymptote’s 30 issues since our debut in January 2011 and draw awareness to National Translation Month while we are at it! Whether you discovered Asymptote early on or just recently, we invite you to join us as we retrace the steps that brought us here. Beginning with the inaugural Winter 2011 issue, we will work our way chronologically through the archive, weighing in both as editors, shedding new light on how our editions are assembled, and as readers, drawing connections within each issue. Finally, don’t forget that you too can play a part in catalysing the transmission of world literature: share this #30issues30days showcase (and the actual issues themselves) far and wide!
—Lee Yew Leong, Editor-in-Chief
Revisit every issue before reading about our 30th issue below:
ANATOMY OF AN EDITOR’S NOTE
World literature is the literature of many worlds, intersecting on one “endlessly rotating earth” (Chen Li). This summer, come play Spin the globe! with the only magazine that could assemble never-before-published writing from 27 countries and 21 languages in one issue. Alongside an interview with Michael Hofmann, fiction by master story-teller Mercè Rodoreda, poetry by Ghassan Zaqtan and Marosa di Giorgio, essays on Bohumil Hrabal and Tove Jansson, and reviews of the latest titles, we celebrate the very best the canon has to offer via a showcase of contest winners picked by judges David Bellos and Sawako Nakayasu. While new words pave the way for new worlds, every one of these gems, to quote repeat contributor Ko Un, also represents “[a] world…in want of the world.”
Noemi Schneider’s Life as Trauma introduces us to Binjamin Wilkomirski, the author of a fabricated Holocaust memoir, and hence a man who has never existed. In Orshina, Hanit Guli’s poignant drama, a promise to the family is revealed to be empty when, all packed up, the father remembers he has no address to provide the movers. And in Mercè Rodoreda’s Aloma, remembrance of childhood loss punctuates a woman’s mundane existence, just as Ah-reum Han’s tribute to Kerascoët’s “dazzling, ruthless worlds” is interwoven with the mourning for a deceased teacher. While Samudra Neelima’s narrator plants “black seeds” in order to grow a “beloved black tree,” Alejandro Albarrán desires to “write the amputation”—both poets sketch writing’s failure, but, through performing failure, succeed.