Posts featuring Mahmoud Shukair

Weekly Dispatches From the Frontlines of World Literature

The latest in letters from Hong Kong, Palestine, and Kenya.

This week, our editors are reporting on the intersection between literature and social movements. In Hong Kong, writers reflect on the June 4 protests at Tiananmen Square, in light of  the continual tensions between China and the island. In Palestine, a new podcast features writers orienting their own work within the \ body of Palestinian literature. And in Kenya, the country mourns the loss of revolutionary playwright Micere Mugo. 

Charlie Ng, Editor-at-Large, reporting from Hong Kong

Since the National Security Law in Hong Kong came into effect in June 2020, the annual candlelight vigil for commemorating the June Fourth Tiananmen Square protests have not been organized for four years; the event’s host, the Hong Kong Alliance in Support of Patriotic Democratic Movements of China, was also dissolved in September 2021. Additionally, the event’s traditional venue, the Victoria Park in Causeway Bay, was under renovation and not available to be booked this year.

Although public commemoration was forbidden, remembrance could still be possible through writing; Cha: An Asian Literary Journal called for short submissions of reflections written about June 4, 2023—which could be directly, indirectly, or even not related to the event. The project, “Just Another Day”, also welcomed written works accompanied with photos or artwork. Fifty-four submissions were published on Cha’s blog, presenting a wide range of reflections from local and overseas writers. Translator Lucas Klein contemplates on the protest culture in Hong Kong and what he witnessed outside of the Victoria Park in his post, while Hong Kong poet Jennifer Wong contributed a prose poem on the importance of memory. Asymptote’s assistant editor of fiction Michelle Suen interweaves childhood nostalgia and postcolonial politics in her reflection, and I also tell a brief story of my personal experience of June Fourth over the years. Varied as they are, the texts testify to the unstoppable impact of the historical event, in both people’s mind and reality.

Meanwhile, as issue 72 of local bilingual poetry magazine, Voice & Verse, was just published, the magazine is organizing a reading session in collaboration with Cha, a crossover that echoes the issue’s English section theme: “Crossings”. The reading session will take place on July 12, hosted by Tammy Ho and Matthew Cheng. Local and international contributors to both journals have been invited to read their works. READ MORE…

What’s New with the Crew? (Feb 2023)

From winning prestigious prizes to publishing creative work, critical reviews, even books, Asymptote staff kept busy this past quarter!

Editor-at-Large for Palestine and Book Club Manager Carol Khoury’s translation of Mahmoud Shukair’s YA book Ghassan Kanafani . . . The Eternal was released on Jan 14th in Ramallah, Palestine. The book is published jointly by Tamer Institute for Community Education, the Palestinian Ministry of Culture, and Palestine’s Forum for Arabic Literature.

Visual Editor Heather Green was the recipient of the inaugural Albertine Translation Prize in Fiction for her translation of Isabelle Sorente’s La femme et l’oiseau, or The Woman and the Falcon. As a member of the judging committee for the first National Book Critics Circle’s Barrios Prize for a book translated into English, she wrote about Jazmina Barrera’s Linea Nigra for the longlist appreciation in Words Without Borders.

Ian Ross Singleton, Nonfiction Editor, was interviewed on the Haight Ashbury Literary Review podcast about his novel Two Big Differences.

Outgoing Director of the Educational Arm Kent Kosack published short stories in Necessary Fiction and the Four Way Review.

Assistant Managing Editor (Fiction) Laurel Taylor’s experimental translations from the Japanese appeared in Ancient Exchanges.

Assistant Editor (Poetry) M.L. Martin published new translations from W&E, a refracted translation of “Wulf and Eadwacer” (forthcoming from Action Books) in the latest issue of Gulf Coast. Find out more on her website here. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

The latest from Japan, Taiwan, and Lebanon!

As certain places are heating up with a flurry of events, others are remaining cautious and mindful. Still, the good thing about the page is that it remains steadfast, and our work remains something that we can always turn to, celebrate, and share in. This week, our editors are once again bringing you the latest in world literature news, with a new Japanese literary translation workshop centering on heritage speakers and people of colour, a newly virtual Taipei Literature Festival, and a new winner of the prestigious Sheikh Zayed Book Award. 

MK Harb, Editor-at-Large, reporting from Lebanon

Poet and academic Iman Mersal has won the prestigious Sheikh Zayed Book Award! Her creative non-fiction work, In the Footsteps of Enayat Al-Zayyat, is part journalistic excellence, part poetic elegy, all while maintaining the sensibility of writing in the life of a complex character. It traces chronicles the late Egyptian writer Enayat Al Zayat, her struggles with mental illness, and her tragic death in the 1960s.

What’s new in Arabic literature? Banipal Magazine’s Spring issue is out, and it’s dedicated to Jerusalem and the acclaimed Palestinian auteur, Mahmoud Shukair, who has penned over forty-five books and six television series. This comes at a time when the Arab literary scene has overwhelmingly expressed its solidarity with the Palestinian people. Also on the subject of Palestinethis spring, I interviewed Palestinian-French writer and researcher, Karim Kattan, over here at Asymptote where we discussed belonging, the craft of writing, and other curious things. Also, Palestinian-Chilean writer Lina Meruane has a new novel out; Nervous System, translated into English by Megan McDowell, deals with the daunting specter of writer’s block. Read a review of the acclaimed work right here on the Asymptote blog!

How about some Arab cabaret? Well-read academic and translator Raphael Cormack’s Midnight in Cairo: The Female Stars of Egypt’s Roaring 20’s is an engrossing retelling of vagabonds, feminists, and performers as they defied gender norms, transgressed class lines, and created iconic productions. Another beautiful and timely publication by Saqi Books is We Wrote in Symbols: Love and Lust by Arab Women Writers. Edited by British-Palestinian writer, Selma Dabbagh, the anthology celebrates and examines the tradition of erotic writing in Arabic literature and its many women pioneers. Lastly, yours truly has a short story out with The Bombay Review, dealing with censorship and artificial intelligence. READ MORE…

Weekly Updates from the Front Lines of World Literature

At home or not, travel the world with the latest in literary news.

This week, our editors from Argentina, Sweden, and Palestine have plenty to report. In Argentina, readers have paid homage to writer Rodolfo Fogwill on the tenth anniversary of his death, and a new imprint has been translating classics of Argentine noir into Greek; in Sweden, the annual Göteborg Book Fair is taking place online; and in Palestine, Adania Shibli’s Minor Detail has been nominated for a US National Book Award, whilst a new exhibition at the Palestinian museum has hosted a series of authors, including Mahmoud Shukair. Read on to find out more!

Allison Braden, Editor-at-Large, reporting from Argentina

Ten years ago, Argentina’s literary world was stunned at the news of Rodolfo Fogwill’s death. The writer, whom The Guardian called “loud-mouthed, provocative, and downright rude,” loomed large in Argentine letters, by dint of both his literary accomplishments and outsize personality. (His anti-war novel Malvinas Requiem was written in one cocaine- and whiskey-fueled week, and remains the only novel of his translated into English.) Last month, the country commemorated the decade since Fogwill’s death with a slew of virtual tributes: The National Library of Argentina’s YouTube channel featured a playlist of interviews and other audiovisual artifacts of his career; his publisher, Alfaguara, hosted Fogwill Week on their social media channels; and readers and writers paid homage to a writer whose works have remade the literary landscape. The enfant terrible lives on.

In Greece, classics of Argentine noir are finding new life with Carnívora, a new imprint dedicated to translating and publishing Latin American crime fiction in Greek. “In Argentina, literary talent abounds, and we could say that the reading public in Greece has had a kind of literary love for Argentina since the Latin American boom,” Carnívora editor and translator Aspasía Kampyli told La Nación this week. “That’s why it’s no coincidence that the first two writers we published, Guillermo Orsi and Raúl Argemí, have been Argentine, and the reception from critics and Greek readers has been especially warm.” In less than a year since its launch, the imprint has also won design awards for its logo and book covers. You can’t judge a book by its cover, but Carnívora’s positive coverage bodes well for Latin American noir in Greece.

More recent works are also getting buzz in foreign markets. Asymptote’s own Sarah Moses translated Agustina Bazterrica’s novel about a cannibalistic future for the human race, Tender Is the Flesh, for Pushkin Press (UK) and the Scribner (US). The book, recently reviewed in The New York Times, is available now in the US. Though it’s not traditional noir, Bazterrica’s book seems to fit Carnívora’s description of the genre: “crimes wrought by history or tragedy.” Perhaps we’ll soon see the novel in Greek. READ MORE…