Posts filed under 'Tiananmen Square'

Weekly Dispatches from the Front Lines of World Literature

June is a month of commemoration and celebration from opposite sides of the Pacific.

Literature has always been at the forefront in movements for societal change, and, in the efforts to continually push for action, we perceive the bold literary markers that fulfill art’s role to pay tribute, to inspire, and to call for attention. It’s been thirty years since the Tiananmen Square massacre occurred on June 4, 1989 in Beijing. It’s been over fifty years since the Latin American Studies Association was founded in the spirit of building civic engagement. It’s been fifty years since the Stonewall Riots began on June 28th, 2019 in New York City. From commemorations in Hong Kong, joyous displays of pride in the US, and unprecedented exchange of Latin American academic dialogues occurring in Boston, our editors bring you news that show a valiant, ongoing endeavour towards justice.

Jacqueline Leung, Editor-at-Large, reporting from Hong Kong

2019 marks the thirtieth anniversary of the Tiananmen Square protests, also called the June Fourth Incident, for which it is tradition among different parties in Hong Kong to hold annual commemoration. In light of the anniversary, the city’s literary journals are organizing special features and events to take stock of the cultural, political, and social changes the incident has caused in Hong Kong, China, and beyond.

Cha, Hong Kong’s resident literary journal in the English language, is publishing a special edition of original English and translated works, photography, and art exploring the incident and its aftermath. The issue will include a selection of translated works by Chinese poets Duo Duo (featured in Asymptote’s Summer issue last year, also translated by Lucas Klein), Meng Lang, Lin Zhao, Xi Chuan, and Yian Lian, as well as a translation of “One Family’s Story” by Ding Zilin, co-founder of the Tiananmen Mothers. Alongside the Tiananmen issue, Cha is also collaborating with PEN Hong Kong to hold a remembrance reading with local writers at Bleak House Books on June 3.

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Weekly Dispatches from the Front Lines of World Literature

We come to you this week armed with manifestos from Hong Kong, recipes from India, and voices giving shapes to poetry in Barcelona.

We look both backward and forward: a revolution in China, an election in India, poets uniting in Barcelona to cohere past and future with performance and verse. This week our editors are here with literary news items that display a history starkly immediate, a present gathering visions, and tomorrows which hope that remembrance may also be an act of resistance. 

Charlie Ng, Editor-at-Large, reporting from Hong Kong:

The May Fourth Movement was one of the most influential events for China in the twentieth century as it powerfully revolutionised Chinese culture and society. The cultural movement complemented the political Xinhai Revolution led by Sun Yat-sen in heralding China’s modern era. Its centenary is celebrated across the Straits, and Hong Kong is no exception. Hong Kong’s Dr. Sun Yat-sen Museum is in collaboration with the Beijing Lu Xun Museum to organise “The Awakening of a Generation: The May Fourth and New Culture Movement” Exhibition, displaying relevant collections from both Beijing and the Hong Kong Museum of History to the public, including the handwritten manuscripts of Chen Duxiu and Hu Shih. The exhibition will also showcase visual and multimedia artworks that are inspired by the event.

The Hong Kong Literary Criticism Society has inaugurated the “Hong Kong Chinese Literary Criticism Competition 2019” to promote literary criticism in Hong Kong, and the launch ceremony of the competition was held in the Hong Kong Arts Development Council on May 18. Hong Kong writer Yip Fai and Chinese scholar Choy Yuen-fung from Hong Kong Baptist University were invited to give a talk on the necessity of literature and literary criticism, moderated by the chairman of Hong Kong Literary Criticism Society, Ng Mei-kwan.

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