The days are opening wide this season, like the pages of a new book: for most of us growing longer and fuller. It’s a good thing, because we’ve got a lot to catch you up on. This week, we’re bringing a full dosage of global literature news with achievements from Hong Kong, rolling publications by Czech talent, and literary commemorations gliding through the literal end of an era in Japan.
Jacqueline Leung, Editor-at-Large, reporting from Hong Kong
This spring has been a series of firsts for Hong Kong literature. Continuing from my previous dispatch in March on Xi Xi winning the Newman Prize for Chinese literature, historically awarded to writers from mainland China and Taiwan, World Literature Today is dedicating its first annual city issue to writing from Hong Kong. Sourcing contributions from writers, translators, and academics at the forefront of Hong Kong literature, the issue includes poetry, essays, and creative nonfiction with a focus on food and languages as well as a selection of recommended reading about the city. Xi Xi and Bei Dao are among the list of writers featured in the magazine, as is Wawa—recently showcased in Asymptote’s Winter 2019 issue in an interview with Poupeh Missaghi, our editor-at-large in Iran—and Chris Song, one of the winners of the Fifth Hai Zi Poetry Prize which announced its results a few weeks prior.
To celebrate the launch of the issue, Cha, Hong Kong’s resident online literary journal, is organizing an event on April 27 at Bleak House Books, where eight contributors will be reciting and discussing their works. Tammy Lai-Ming Ho, founding co-editor of Cha and the guest editor of World Literature Today’s Hong Kong feature, will also speak about the conception of the special edition.
This week, we return with three dispatches exploring multicultural and multilingual connection. We begin with a reflection on the work of Humberto Ak’abal, an influential Indigenous poet who wrote in both K’iche’ Maya and Spanish. We also explore the multilayered dialogue between China and New York in the Hong Kong literary scene, and get an exciting firsthand account of the recent Creative Multilingualism conference in the UK.
Paul Worley and Kelsey Woodburn, Editors-at-Large, reporting from Guatemala
As declared by the United Nations, 2019 is the International Year of Indigenous Languages. According to their website, of the 7,000 languages currently spoken on the planet, over 2,500 are currently endangered. In Mexico, the rest of Latin America, and around the world, many hope this global recognition will lead to wider acceptance of Indigenous languages, as well as to increased opportunities for their oral and written expression.
World literature will be inclusive only through a continuous effort of organizing against the dominant, listening to the underrepresented, and making space for the unheard to bloom. This week our Editors-at-Large report such efforts from Australia, Hong Kong, and Slovakia. Read on to find out how the voices of women, indigenous and local peoples are being amplified around the world.
Tiffany Tsao, Editor-At-Large, reporting from Australia:
As part of an effort to resist the colonial systems that are the Australian publishing industry, the Australian media and arts industries, and modern Australia itself, the literary quarterly The Lifted Brow made the decision to hand over the entire production of their December issue to an all-First-Nations team of writers, editors, and ancillary staff. “We at TLB are too white, in all senses of that term,” read the magazine’s official statement on the matter. “[I]t’s way past the time that this should’ve changed. Our job and responsibility now is to push back against these oppressive and harmful regimes-within-regimes, not because we can undo the past, but because we can make better the present and the future.”