Today on the blog, podcast editor Layla Benitez-James draws us into the vibrant but seldom-discussed community of Black writers in Spain. In this essay-interview hybrid, she introduces us to two booksellers working to amplify the voices and and experiences of black Spanish writers.
In the past year, I have interviewed three of the panelists from the 2018 Tampa AWP panel sponsored by ALTA, “Translating Poetry, Translating Blackness,” for the Asymptote podcast: Lawrence Schimel, John Keene and, Aaron Coleman. My last interview with Coleman gave me a quote which has been rewritten at the beginning of each new journal I’ve started since December as it got at something that I have often felt but never expressed so well: literary translation is a tool to make more vivid the relationships between Afro-descendent people in the Americas and around the world.
I was reminded of the first time I read Tram 83 by Fiston Mwanza Mujila and Americanah by Chimamanda Ngozi Adichie. Of course, nothing overlapped with my life exactly, but there was this kind of constant shock and pleasure at recognizing pieces of my identity described by people from places I had never been, a sense of belonging and kinship.
Beyond dictionaries and historical reference works, in my latest projects I have relied heavily on community to understand the context of the text. I moved to Spain in 2014 to work on translation and improve my Spanish. I had fallen in love with the practice after a translation workshop at the University of Houston and started translating the work of Madrid-born and based poet Óscar Curieses. After a teaching placement in the city of Murcia flung me much farther south than I had originally planned, I began to find incredible Murcian poets, like Cristina Morano, Bea Mirales, José Daniel Espejo, and José Óscar López, whose work I wanted to bring into English.
This week, we highlight a new Latinx literary magazine, an award-winning Catalan poet and translator, and a German-American literary festival in New York. We also learn about a Salvadoran who hopes to increase access to literature in his city by raising enough funds to build and stock a new library.
Nestor Gomez, Editor-at-Large for El Salvador, reporting from El Salvador
The Fall 2018 debut of Palabritas, an online Latinx literary magazine founded by Ruben Reyes Jr., is good news for Latinx writers from a variety of genres, especially those who are unpublished. Palabritas’ creation was inspired by a night of celebration of spoken word, poetry, and performances hosted by Fuerza Latina, a pan-Latinx organization of Harvard College. Reyes, a Harvard student and the son of Salvadoran immigrants, felt it was important to give access to unpublished writers from Latinx communities that are often ignored, such as LGBTQ+, the diaspora, and mixed-race communities. By providing a space for Latinx writers from all communities, Reyes hopes to minimize the exclusivity of published writers and bring them side-by-side with previously unpublished writers in the magazine.
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“I felt myself in translation all the time.”
Podcast Editor Layla Benitez-James sits down via Google Hangouts with poet and translator Aaron Coleman in this third and final installment of interviews inspired by John Keene’s essay Translating Poetry, Translating Blackness. In October’s conversation with Keene and our previous podcast with Lawrence Schimel, we explored the more radical social possibilities of translation. Our discussion continues with Coleman, a Fulbright Scholar and recipient of the 2017 Philip K. Jansen Memorial Fellowship, awarded to outstanding translators of color. He joins us to talk about his studies in international Blacknesses, interpreting on the red carpet at the MTV Music Awards in Madrid, and playing basketball in Extremadura. Tune in for this and much, much more!
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“All art, all artistic production, entails the base of this word translation, a carrying over…”
In this latest edition of the Asymptote Podcast, we sit down with translator and writer John Keene on the heels of the tremendous news of his MacArthur Genius Award. Author of Annotations and Counternarratives, Keene was longlisted for the 2015 Best Translated Book Award for his translation from the Portuguese of Hilda Hilst’s Letters from a Seducer. But it was his essay Translating Poetry, Translating Blackness which inspired a panel at the most recent AWP Conference as well as our June podcast, so we wanted to get insight straight from the source. Join us as we talk about how translation carries over into a writer’s creative life, how English still holds powerful sway over writers working in other languages, and much much more! Listen to our latest podcast now!
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In this episode of the Asymptote Podcast, we explore the identities of translators and authors via an interview with translator Lawrence Schimel whose groundbreaking translation from the Spanish of Trifonia Melibea Obono’s La Bastarda was recently reviewed on the Asymptote blog. (Obono is the first female author from Equatorial Guinea to be translated into English.) Podcast Editor Layla Benitez-James, returning from her sabbatical, sits down with Schimel in Madrid to discuss the challenges of translating this novel in the light of John Keene’s essay, “Translating Poetry, Translating Blackness.” We also delve into Schimel’s work at the helm of A Midsummer Night’s Press, the challenge of getting more female authors translated into English, and how to advocate for a more inclusive global literature.
Produced by: Layla Benitez-James Featuring: Lawrence Schimel Music: Studio Mali – Wake Up – “It’s Africa Calling” by IntraHealth International. Creative Commons licenses can be found at http://freemusicarchive.org/. Some changes were made to these tracks. Photograph: Nieves Guerra