Posts by Layla Benitez-James

Weekly Dispatches from the Front Lines of World Literature

From literary festivals to prize winners, this is the week in world literature.

This week, dispatches from Spain and Central America witness the rise of Spanish-language writers and events that support and promote the literatures of up-and-comers alongside established stars of the field. To celebrate the community of world literature is a necessary joy, and our editors are here with the revelry. 

Layla Benitez-James, Podcast Editor, reporting from Spain  

It was time for big celebrations in a tiny, trilingual bookshop located in the centre of Madrid on the night of May 10. Francesca Reece had been named winner of the second ever Desperate Literature Short Fiction Prize, and ten other writers were being honoured alongside her in the publication of Eleven Stories 2019, the shortlist for the competition which follows after the sold out original Eleven Stories from their inaugural 2018 contest.

The event celebrated the launch of the mini collection with readings from ten of the eleven shortlisted authors. The project is an international prize based out of the bookshop Desperate Literature in Madrid, but with partners in London, Paris, and New York, it has drastically evolved over just its first year. After feedback from the inaugural winner and shortlist, the founders decided to add a one week stay as the artist-in-residence at the Civitella Ranieri in Italy, and a consultation with a New York literary agent who works for Foundry Literary + Media. With the aim of giving as much support to emerging and non-traditional writers as possible, they sought to develop additional assistance alongside a cash prize and are looking to continue this line of development for next year’s iteration. This year they partnered with five literary journals: 3:AM, Structo Magazine, Helter Skelter, The London Magazine, and The Second Shelf (women only), who will publish stories from the shortlist throughout the year. They also added a collaboration with the Casa Ana in Andalucia, who selected Jay G Ying from the shortlist for another residency.

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Weekly Dispatches from the Front Lines of World Literature

Join us in Spain, Brazil, and South Africa this week as we take you on a literary escapade.

The tides of cultural change are reflected in the literary festivals of Spain, Brazil, and South Africa this week as our editors point us to the increased awareness of both past misrepresentation and the lack of representation altogether. As more dismal political news from around the world rolls in, such instances of rectification and progress from the cultural sphere are a source of light and comfort.

Layla Benitez-James, Podcast Editor, reporting from Spain 

April might be the cruellest month for some glum, English poets, but in Spain, spring has arrived and ushered in a blossoming book fair season. Alicante has just wrapped up its 2019 Feria del Libre with a refreshing theme of Mujeres de Palabra, celebrated from March 28 to April 7. The long week was packed full of readings, signings, booths, and workshops. This year, many activities were aimed at younger readers.

Among many great Spanish writers was a personal favourite, Murcian writer Miguel-Ángel Hernández, whose 2013 novel Intento de Escapada (Anagrama) was translated into English by Rhett McNeil (Hispabooks, 2016) as Escape Attempt and was also translated into German, French, and Italian. Compared to both Philip Roth and Don DeLillo, Hernández’s El dolor de los demás (Anagrama, 2018), which he was signing at the fair, is now high on the reading list.

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Asymptote Podcast: Infinite Text

"I'm constantly trying to disrupt what I think I know."

During Madrid’s Year of Lorca, which commemorates the centenary of the poet’s arrival to the city, podcast editor Layla Benitez-James speaks with Rebecca Seiferle, whose brilliant essay on Lorca translations appears in Into English. A multi-award winning poet and noted translator of César Vallejo and other Spanish language poets, Seiferle is deeply passionate about teaching and served as the poet laureate of Tucson, Arizona between 2012 and 2016. On this edition of the podcast, she discusses how her translation practice has woven its way through her own writing and teaching, and reminds us of the importance of interrogating each and every word to get at the very heart and origin of a text’s language.

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Asymptote Podcast: International Blacknesses

Poet and comparatist Aaron Coleman on translation as a tool for making vivid the relationships between Afro-descendants around the world

“I felt myself in translation all the time.”

Podcast Editor Layla Benitez-James sits down via Google Hangouts with poet and translator Aaron Coleman in this third and final installment of interviews inspired by John Keene’s essay Translating Poetry, Translating Blackness. In October’s conversation with Keene and our previous podcast with Lawrence Schimel, we explored the more radical social possibilities of translation. Our discussion continues with Coleman, a Fulbright Scholar and recipient of the 2017 Philip K. Jansen Memorial Fellowship, awarded to outstanding translators of color. He joins us to talk about his studies in international Blacknesses, interpreting on the red carpet at the MTV Music Awards in Madrid, and playing basketball in Extremadura. Tune in for this and much, much more!

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Asymptote Podcast: Blackness Revisited

2018 MacArthur Genius John Keene on how translation underlies all artistic pursuit

“All art, all artistic production, entails the base of this word translation, a carrying over…”

In this latest edition of the Asymptote Podcast, we sit down with translator and writer John Keene on the heels of the tremendous news of his MacArthur Genius Award. Author of Annotations and Counternarratives, Keene was longlisted for the 2015 Best Translated Book Award for his translation from the Portuguese of Hilda Hilst’s Letters from a Seducer. But it was his essay Translating Poetry, Translating Blackness which inspired a panel at the most recent AWP Conference as well as our June podcast, so we wanted to get insight straight from the source. Join us as we talk about how translation carries over into a writer’s creative life, how English still holds powerful sway over writers working in other languages, and much much more! Listen to our latest podcast now!

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Asymptote Podcast: Cultivating Multilingual Spaces

What does it take to create a multilingual space? Layla Benitez-James explores this question with a dispatch from Alicante, Spain.

In honor of Asymptote‘s Summer 2018 edition, which marks our milestone 30th issue and includes a dazzling Multilingual Writing Feature, Podcast Editor Layla Benitez-James explores what it takes to create multilingual spaces by taking a visit to the IV Encuentro Internacional de Artistas de la Kasbah in Alicante, Spain. This festival, now in its fourth year, brings together over twenty artists from around the world in an effort to foster greater cultural exchange and artistic friendship. There, she chats with Colombian artist Manuel Antonio Velandia Mora about his work, as well as founders Nourdine Tabbai and Natalia Molinos about the event’s origins. READ MORE…

Asymptote Podcast: Translating Blackness

Listen in on a conversation with the eloquent Lawrence Schimel on translating blackness, female authors, and more!

In this episode of the Asymptote Podcast, we explore the identities of translators and authors via an interview with translator Lawrence Schimel whose groundbreaking translation from the Spanish of Trifonia Melibea Obono’s La Bastarda was recently reviewed on the Asymptote blog. (Obono is the first female author from Equatorial Guinea to be translated into English.) Podcast Editor Layla Benitez-James, returning from her sabbatical, sits down with Schimel in Madrid to discuss the challenges of translating this novel in the light of John Keene’s essay, “Translating Poetry, Translating Blackness.” We also delve into Schimel’s work at the helm of A Midsummer Night’s Press, the challenge of getting more female authors translated into English, and how to advocate for a more inclusive global literature.

Produced by:
Layla Benitez-James Featuring: Lawrence Schimel Music: Studio Mali – Wake Up – “It’s Africa Calling” by IntraHealth International. Creative Commons licenses can be found at http://freemusicarchive.org/. Some changes were made to these tracks. Photograph: Nieves Guerra

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Weekly Dispatches from the Frontlines of World Literature

Hot off the press—your handy guide to all the literary happenings in the UK, Spain, Argentina, and Peru!

We’re in the second half of the year and summer—or winter, depending on where you are located—is full of literary activities. From the announcement of the Man Booker Prize longlist and the release of a new book by a beloved Spanish poet to Argentinian bookselling events, Asymptote editors are telling it all!

Executive Assistant Cassie Lawrence reporting from the UK:

Two days ago, the Man Booker Prize longlist was released, comprising a list of literary heavyweights and two debut novelists. The most hyped title, perhaps—and the most expected one—is The Ministry of Utmost Happiness, Arundhati Roy’s first work of fiction in two decadesChosen from 144 submissions, the longlist has 13 titles, often referred to as the “Man Booker Dozen.” Other authors on the longlist include Zadie Smith, Mohsin Hamid, Ali Smith and Colson Whitehead.

On Monday, July 17, the London Book Fair (LBF) recorded a webcast on “Creativity, Crafts and Careers in Literary Translation.” Three panelists—translator Frank Wynne, agent Rebecca Carter and consultant and editor Bill Swainson—joined acclaimed journalist, Rosie Goldsmith to speak on the opportunities and challenges in getting world literature translated. The webcast followed from a successful programme at LBF’s Literary Translation Centre last spring, and was funded by Arts Council England.

In other news, two-times Booker-winning publisher One World have paid a six-figure sum for a YA trilogy from US actor Jason Segel, reports The Bookseller. The first title, Otherworld, is due to be released on October 31 this year, and will center on a virtual reality game with dark consequences. Segal, known for his roles in films such as Forgetting Sarah Marshall and I Love You, Man has written the trilogy with his writing partner, Kirsten Miller. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

Your weekly ride around the literary universe!

This week we will bring you up to speed on what’s happening in Central America, Morocco, and Spain. José brings us the latest news from the world of independent bookstores and publishing houses that are a treat for bibliophiles in Central America. Layla too has updates about exciting literary festivals and meets in Spain which bring book lovers together. Jessie shares some sad news from Morocco which however, on an optimistic note, reminds us of the universal reach of literature. 

José García, a cultural journalist from Guatemala, covers Central America for us this week:

On June 20 in San José, Costa Rica, Uruk Editores released Bernabé Berrocal’s second novel Archosaurio (Archosaur). Fellow Costa Rican writers like Aquileo J. Echeverría Prize winner Warren Ulloa and philologist Manuela Álvarez Escobar have called Archosaurio disturbing and captivating.

In late 2016 los tres editores publishing house announced its creation in Costa Rica. On June 21 they revealed their first title, Vamos a tocar el agua (Let’s Go Touch the Water) by Luis Chaves, a celebrated author of eleven books, whose work has been translated into German and is considered one of the leading figures of contemporary in Costa Rican poetry. los tres editores is yet to announced the publication date of Chaves’s book.

Additionally, the renowned Guatemalan writer Eduardo Halfon and Guggenheim fellow—whose work has been translated into several language including English, French, and Italian—on June 22  presented his novels Pan y Cerveza (Bread and Beer) and Saturno (Saturn). These novels were originally published by Alfaguara in 2003 as a single book titled Esto no es una pipa, Saturno (This is not a pipe, Saturno), and are now separate, as the author originally intended them to be. Pan y Cerveza and Saturno were published thanks to the work of Guatemalan bookstore SOPHOS and Spanish publishing house Jekyll & Jill. Eduardo has also a new book entitled Duelo (Duel) coming out later this year.

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Asymptote Podcast

The Translator's Craft

In this week’s all new Asymptote podcast we’re getting crafty! We’ll be hearing from translator Roland Glasser about how he uses technology in his work, as well as getting sage advice from Susanna Basso who is featured in our new Spring Issue. We’ve also got a special dispatch from poet Suzannah V. Evans from the StAnza Poetry Festival in St Andrews, where she sat down with writers and artists Aurélia Lassaque and Tessa Berring to get the scoop on their translation workshop. Get ready to untangle a lot of French feelings: fear, dread, horror, terror, and finding out how marigolds inspire very different moods in standard French versus Occitan—and what exactly all this has to do with a giant fish.

Podcast Editor and Host: Layla Benitez-James

Audio Editor: Mirza Puric

Weekly Dispatches from the Frontlines of World Literature

The latest literary news from Brazil, Singapore, the Czech Republic, and Spain!

We have a busy schedule this week, Readers, so pack light and wear comfy shoes! First stop is Brazil, where we’ll board book-selling buses and more. Then we’re off to Singapore to check out a nation-wide, month-long poetry project before visiting a new cultural hub in the Czech Republic. And final destination: the vibrant literary scene in Spain! 

Maíra Mendes Galvão, Editor-at-Large for Brazil, gives us the latest:

Brazilian writer João Gilberto Noll passed away at age 70 on March 29 in his house in Porto Alegre, in the State of Rio Grande do Sul. Noll stood out among his contemporaries in the 1980s for his language-driven writing at a time when Brazilian literature favored narrative and plot. His novels Quiet Creature in the Corner and Hotel Atlântico were translated into English by Adam Morris, and Harmada was translated by David Treece.

Rizoma Livros is an itinerant bookstore on a bus that tours the city of São Paulo, Brazil, offering books by independent publishers such as n-1 and elefante. It will be parked in front of Middle-Eastern food restaurant Al Janiah, owned by Palestinian refugees and Brazilian friends, in the Bixiga neighborhood of São Paulo until the end of April.

Another book bus is touring the Northeast State of Ceará as part of the project “Ceará Leitor” [Ceará Reader], aimed at encouraging the population of smaller towns such as Baturité, Aquiraz, Maracanaú and Horizonte to read more by offering discounted books by publishing houses from Ceará. The will also donate book baskets to the visited municipalities’ book collections for public and school libraries, and offer an orientation on how to start book clubs. Organized by the Viva Brasil institute and the Ceará Book Chamber, with the support of SEBRAE, the Secretariat of Culture of the State of Ceará, and the Government of the State of Ceará, the project hopes to open up, for as many people as possible, the possibility of acquiring the habit of reading as a form of entertainment and education.

The Brazilian Academy of Letters has elected writer and diplomat João Almino as a new member, taking up its 22nd Chair, previously occupied by the recently deceased physician and academic Ivo Pitanguy. Some of Almino’s fiction work has been translated into English, French, Spanish and Italian, and he’s also written non-fiction books about historical and political philosophy.

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What’s New in Translation? March 2017

Our team reviews some of the newest translations published in English this month

heretics

Heretics by Leonardo Padura, tr. by Anna Kushner, FSG

Review: Layla Benitez-James, Podcast Editor

Leonardo Padura’s novel, Heretics, has finally made its way to North American shores and English speakers everywhere thanks to translator Anna Kushner’s work for Farrar, Straus and Giroux. Originally published by Tusquets Editores of Spain as Herejes in 2013, Heretics is a startlingly, and in many ways disturbingly, relevant work for 2017—as rising levels of xenophobia and nationalism are straining already tense relationships across many borders and affecting refugees throughout Europe and North America. Padura’s novel opens in the Havana of 1939 with the rejection of the St. Louis, a German transatlantic liner sailing from Hamburg whose 937 almost entirely Jewish passengers were fleeing the Third Reich. Their tragic return to Europe—a effective death sentence—is watched by Daniel Kaminsky, the first character introduced and the namesake of the first of the novel’s four sections. Daniel has high hopes in his nine-year-old heart that his parents and sister aboard the ship will make it to land.

At 525 pages, Padura has ample space to leap through an ever thickening plot as his characters become more and more entangled in a seemingly unlikely series of events. Yet the read is a quick one, driven forward by drastic jumps between Havana and Amsterdam and a narrative structure which throws the reader several curveballs in the pages where a more traditional detective story might feel the need for resolution. It’s especially relentless in its final two dozen pages. This book, addicting in and of itself, will also compel readers to dive into the real history of the events on which it centers; they are oftentimes much stranger than any fiction could hope to be, even though Padura tells us right before we embark that “history, reality, and novels run on different engines.” However, to describe the work as a historic thriller, or even to focus on the mystery of a stolen Rembrandt that is woven throughout the larger plot, only hits at one level of Padura’s game. He lets us fall through history almost effortlessly, revealing the inevitable repetition of human cruelty from biblical times through the 17th century, the 20th and up through our own muddy 21st. He neither sugar coats nor exploits these horrors, to his credit.

While the novel takes one of Padura’s recurring characters, Mario Conde, as its hero, a reader uninitiated into this Cubano’s world will have no trouble becoming quickly acquainted. His prose style is elliptical; events and ideas are repeated by different characters as if Padura holds each piece of plot up to the light like a precious stone, turning it this way and that to appreciate its different angles and facets. Though Salinger undoubtedly receives the most attention, influences from Chandler, Hemmingway, Murakami, Kundera, and the occasional phrases from Voltaire’s Candide, which perhaps even inspired the name of Conde’s most pious friend, Candito, also find their place. Readers will note quite a bit of Nietzsche, too, as our hero is forced to try and make sense of the emo subculture springing up on the Island, not to mention a healthy dose of Blade Runner and Nirvana references to even things out.

Perhaps one of the most delightful plays between reality and fiction is the one Padura plays with the genre itself.  Despite some dark passages, the work is deeply humorous and self-reflective, especially in the periodic wish of our narrator to compose his own hard-boiled thriller as he continually feels trapped in one himself. No stranger to taking on huge historical figures (from Adiós Hemmingway to The Man Who Loved Dogs, which stars Leon Trotsky), Padura’s Rembrant is compelling and once again does that work of blurring fact and fiction that inspires a desire for the work to have come wholly from the real world.

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Asymptote Podcast: Of Hybrids and Habitats

Thriving in a new creative (eco)system.

It’s early March and here in the northern hemisphere, we’re all ready for spring. Take a walk in the park with the new Asymptote podcast as Layla Benitez-James discusses all manner of transplants. Crossing borders and taking root in a new creative (eco)system, artist Lauren Moya Ford shares new writing in her native English and non-native Portuguese—a language she is still learning, but already exploring in her composition. In a kind of mixture of translation and botanical study, these writings blend bright description with flora inspired research calling back to the likes of Andrea Wulf’s The Brother Gardeners and W. G. Sebald’s own hybrid text Austerlitz. Imagine flowers “the size of loose fists or dinner plates”, or hothouses that defy natural habitats and artificial borders. Our latest episode will be a breath of fresh air and more.

 

Podcast Editor and Host: Layla Benitez-James

Music provided by TinyTiny Trio, free for non-commercial and artistic use.

Weekly Dispatches from the Frontlines of World Literature

Your Friday update from Spain, Morocco, and Slovakia!

This week, we begin our world tour on the Iberian Peninsula in the midst of political unrest—Podcast Editor Layla Benitez-James is on the ground in Spain with the full report. Then south to Morocco: we’ll catch up with Editor-at-Large Jessie Stoolman about the latest book fairs and literary trends. And finally, we’ll wrap up in Slovakia with Editor-at-Large Julia Sherwood, who has the scoop on the latest Slovak poetry available to English readers and more.

Podcast Editor Layla Benitez-James reports from Spain:

Political actions and gestures have been more overtly woven through the Spanish literary scene as writers seek to speak back against increasingly divisive governments. Writers called for remembrance of fifteen people killed in Tarajal on the two year anniversary of their deaths on February 6, 2014; a documentary about the tragedy was made to both inform the public and denounce such instances of institutional racism in the country.

Amidst celebrations of women’s roles in science, Bellver, the cultural journal of the Diario de Mallorca, highlighted three recent anthologies written by women: Poesía soy yo, 20 con 20,  and (Tras)lúcidas.

Another recent book has been getting a lot of attention not for its political weight, but because of the strange circumstances under which it’s being published. Michi Panero, who came from a very literary family but died young in 2004 has had his first book, Funerales vikingos, published by Bartelby Editores. La Movida madrileña called him the writer without books, as he had famously shunned the writing life. He wrote in secret, however, and eventually entrusted the work to his stepson, Javier Mendoza, who has finally sought to publish the unedited stories, together with his own work narrating his relationship with Panero. The product is bound to be an interesting read.

Similarly mysterious and posthumously discovered is a recent gift to the Madrid art world: drawings and sketches by the painter Francis Bacon that were previously unascertained. Bacon had also famously declared that he did not sketch or plan in this way, but some nearly 800 drawings were given to Cristiano Lovatelli Ravarino, the journalist and a partner of Bacon’s for some years. The works will be on display in the Círculo de Bellas Artes in Madrid until May 21.

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