Posts filed under 'geography'

Physical Object and Metaphysical Destiny: To the Lake Journeys to the Heart of the Balkans

Kapka Kassabova’s English-language travelogue invites readers in the Balkans to consider local culture with a fresh perspective.

On a website called Lost Bulgaria, anyone curious enough can browse thousands of carefully preserved and curated photographs depicting the poignant yet essential ways in which the people, customs, and landscape have transformed or been transformed from the last quarter of the 1800s until 2010. About a dozen of the blurred images kept in this time machine take us back to the first half of the twentieth century and Lake Ohrid, one of the world’s oldest and deepest, which nowadays is split by the border between North Macedonia and Albania. The majority of the visuals reveal everyday life near the shores, the monasteries that dot the mountainous terrain, the traditionally clad locals, or the passers-by who felt the need to extend a prayer to Saint Naum of Ohrid. Kapka Kassabova’s latest travelogue with distinct autobiographical elements, To the Lake: A Balkan Journey of War and Peace, offers a similar but much more powerful passage through the lake’s past and present.

The book, which reviewers often place in the travel fiction genre, is pronouncedly personal, even though the disclosed memories, both on an individual level and as an outlet for the collective subconscious, undoubtedly remind readers from diverse regions of the globe of their unique roots and unending voyage of self-discovery.

The author (b. 1973) spent her childhood and teenage years in Sofia and later moved with her family to New Zealand, only to finally—or at least for the time being—settle down in the Scottish Highlands. Her extensive travels have informed her writing, which encompasses poetry collections and novels, in addition to literary travelogues. Although Kassabova’s mother tongue is Bulgarian, she writes in English, a practice that evokes the likes of Vladimir Nabokov, Khalil Gibran, and Joseph Conrad and makes her Bulgarian translations all the more fascinating.

Located on the edge of her grandmother’s homeland, Lake Ohrid is where she passed a few of her summer holidays. Once considered the pearl of the Balkans, nowadays it is listed as a UNESCO World Heritage site and boasts endemic species and unique prehistoric remnants. Despite this international protection however, its pristine waters are still threatened by climate change and widespread pollution. While making a convincing case for immediate preservation action of global scale, Kassabova’s fictionalized reportage can also be perceived as a continuation to her previous one, Border: A Journey to the Edge of Europe, in which she sets on a quest to comprehend the meaning of the separation points not only between countries, but also between people. In a similar fashion, To the Lake prompts us to tag along as she traces the ancient Via Egnatia and dives into the bloody history of the region, where Bulgarians, Macedonians, Albanians, and Greek are always at crossroads, especially in the aftermath of the two Balkan wars and the ensuing decades under communist rule. READ MORE…

Bringing the World Into the Classroom: The Winter 2020 Educator’s Guide

One focus of these lesson plans is that students engage in deep thinking and writing, another is to connect reading with their own experience.

Often, our love for literature is catalyzed by a journey taken within a classroom. No matter where and how we teach literature, it is always an opportunity for our students to engage with their world in a new way. The Asymptote Educator’s Guide is a resource we’ve developed to facilitate more of these expeditions, bringing important, diverse works from our issues into the classroom by way of a curated and detailed guide for teachers. In the following essay, Barbara Thimm, Assistant Director of Asymptote’s Educational Arm, discusses the immense potentials and applications of the Winter 2020 Educator’s Guide.

Jerome Bruner, the famous cognitive psychologist and one of the most important contributors to the theory of education, likened reading to a journey into new terrains without the help of a map: “As our readers read, as they begin to construct a virtual text of their own, it is as if they are embarking on a journey without maps.“ Yet that emerging virtual text is shaped by our previous reading experiences, “based on older journeys already taken . . .” Eventually, that journey becomes a thing of its own, a generator of new maps and thus an extension of the reader’s world, an addition to her repository of maps.

World literatures are particularly apt in expanding their readers’ collections of maps, that is, to enrich their reading of the world, not only literally in the sense that they raise awareness of writing and thinking in parts of the world more likely to be “known” via externalized news reports, if at all. Through their defined difference, world literatures confront us with names, places, and narrative patterns that are farther removed from the “older journeys already taken,” and thus extend the routes we can travel in the future. It follows that world literature can be made uniquely productive in encouraging our students to expand their horizons by adding to the variety and reach of their reading maps.

Asymptote’s mission, “to unlock the literary treasures of the world,” thus becomes a rich resource for a variety of classrooms in the English language arts, not least because the vast majority of the pieces published here are contemporaneous—that is, they reflect the thinking, storytelling, and creativity of artists writing in our present moment. Often, these texts are not part of a canon, nor can they be found in print outside their countries of origin. What they have in common is that someone who speaks both English and the language of the original artist found them worthy of her or his attention and effort, and brought them forward so that we may connect their ideas, experiences, and visions of the world to ours. Bringing these voices to the attention of our students is an ever more urgent endeavor in a time where nationalist interests and perspectives crowd out more unifying visions.  READ MORE…

Weekly Dispatches from the Frontlines of World Literature

This week's literary news roundup brings us to South Africa, the United States, and Guatemala.

We’re back with another round of exciting literary news from around the globe. This week’s dispatches take us to South Africa, the United States, and Guatemala. 

Alice Inggs, Editor-at-Large, reporting from South Africa:

An anticipated event on the Cape Town literary calendar, the annual Open Book festival,will take place from September 5-9. The inclusive festival, at which spoken-word performances and bookmaking classes are added to the program alongside interviews with international authors and panel discussions on feminism, appears to have a particular focus on migrancy and notions of place this year, with several talks hosted by the African Centre for Cities.

The attendance of influential urbanist, researcher, and author AbdouMaliq Simone points to this unofficial theme. Simone’s enduring optimism with regards to city spaces and the possibilities they hold for producing new forms of trade, particularly in the context of those inhabitants who are forced to adapt for reasons such as crumbling infrastructure or illegal residency, is a trait that looks to carry over to the rest of the festival.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup lands us in Romania, Moldova, India and Egypt.

Prizes, events, book publications, festivals—whatever you can think of, our Weekly Dispatches have you covered from one end of the world to the other. This week our editors are focusing on the most exciting news from India, Romania and Moldova, and Egypt. 

Janani Ganesan, Assistant Managing Editor, reporting from India: 

When everything is sponsored by a multinational company, from football to governments, literature is no different. India’s richest literary award was announced this March by JCB group. An annual prize money of INR twenty-five lakhs (USD 38,400) for a fiction book could have only come from a company manufacturing construction equipment.

(The DSC Prize, which was the most generous literary award in the country till its prize money was reduced from USD 50,000 to USD 25,000 in 2017, is also funded by a company specializing in infrastructure.)

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