Weronika Gogola is a Polish writer and translator from Slovak and Ukrainian. Her first autobiographical book Po trochu (Little by Little, 2017), which depicts her childhood in the small village of Olszyny in the Carpathian mountains, is composed of “stories from real life that are usually told bit by bit, in snippets and fragments.” The book was nominated for several literary prizes and in October 2018 won the Conrad Award for a prose debut. For the past three years, Gogola has been based in Bratislava, where Julia Sherwood, Asymptote’s Editor-at-Large for Slovakia, caught up with her last November.
Julia Sherwood: First of all, congratulations on winning the Conrad Award! I loved your book and think that the prize was more than deserved. What does it mean for you?
Weronika Gogola: This award is incredibly important to me, especially since, in the case of the Conrad Award, it’s not just the judges who decide but, first and foremost, the readers. I’m incredibly grateful to them. Besides, a prize is a kind of validation, as well as a bargaining chip for the future. I know that sounds unfair but that’s how the world works—the more prizes and nominations you have the more seriously you are taken. Unfortunately. But, of course, it’s nice to be appreciated. In addition, the Conrad Award includes a grant, which has allowed me to concentrate on my writing without financial worries.
JS: Your book is very firmly located in the world of your childhood. You grew up in a small village in rural Poland, yet ended up living abroad, and are currently based in Slovakia. Were you already living abroad while working on your book, and did the geographical distance give you a new perspective on the place, or did this make the writing more challenging?
Looking for new books to read this year? Look no further with this edition of What’s New in Translation, featuring new releases translated from Kurdish, Dutch, and Spanish. Read on to find out more about Abdulla Pashew’s poems written in exile, Tommy Wieringa’s novel about cross-cultural identities, as well as Agustín Martínez cinematic thriller.
Dictionary of Midnight by Abdulla Pashew, translated from the Kurdish by Alana Marie Levinson-LaBrosse, Phoneme Media (2018)
Review by Jacqueline Leung, Editor-at-Large for Hong Kong
Dictionary of Midnight is a collection of several decades of Abdulla Pashew’s poetry as he recounts the history of Kurdistan and its struggle for independence. Translated from the Kurdish by Alana Marie Levinson-LaBrosse, the work includes a map of contemporary Iraq and a timeline of Kurdish history for those unfamiliar with the plight of the Kurds, something Pashew, one of the most influential Kurdish poets alive today, has taken upon himself to convey and to honor.
Podcast: Play in new window
| Download (Duration: 26:01 — 28.5MB)
In this week’s all new podcast, dive deeper into our Special Feature on Literature from Banned Nations from our Spring Issue with exclusive interviews with two of our contributors. Writer and educator Lauren Camp speaks about the experiences that inspired her poem Given a Continuous Function, We Define a New Function and what it’s like navigating family history though fragments. Then, translator Ghada Mourad talks with us about the striking work of Syrian poet and journalist Omar Youssef Souleimane, and her translation of his poem, Away from Damascus, which powerfully distills the experiences of Syrian refugees. We also discuss what it’s like to translate the work of those in exile and others from the in-between, and the power of poetry across borders. Welcome to the Asymptote Podcast, available to download today!
Podcast Editor and Host: Dominick Boyle
All sound recorded and produced by Dominick Boyle, or available in public domain.