Posts featuring Anton Hur

How Should We Review Translations? Part III

Reviewing poetry in translation means writing about the power of art. It means writing about something the market doesn’t want us to write about.

In this third and final installment, we hear from Johannes Göransson and Katherine Hedeen, both of whom direct our attention to what we should consider when engaging with poetry in translation.  Göransson details the idea of a deformation zone that disorients our conventional understanding of the relationship between the original and the translation. Calling on us to care about poetry in translation precisely because the market does not care about it, Hedeen envisions the practice of reviewing these translations as an act of subversion and as a gesture of solidarity. Be sure to check out parts I and II if you missed them. And if you’re interested in reading even more, at the end of today’s installment, Criticism Editor Ellen Jones has offered a list of other contributions to this ongoing and important conversation on what it means to review translations. 

 

Deformationszon

Viltstängslet har upphört
fladdermusar fittar sig
kring krubbet
Vårt pösmunkfetto slaggar
I sin goda roa,
som stötdämpad
av svallningar
I knubbet

— Aase Berg 

Deformation Zone

The wilderness fence has ceased
flutterbats cunt
around the grub
Our doughnutfatso slops
in peace and quiet,
as if shockmuffled
by ripples
in the plump.

— Translated by Johannes Göransson

 

1.

Anybody who is willing to engage deeply with a foreign text in translation can write a review of such a work. And it’s important that you do. You don’t need specialist knowledge of the foreign culture, nor do you need to be able to read the original. All you need to do is to open yourself up to poetry—even poetry that may come out of traditions different from those you are used to.  READ MORE…

Weekly Dispatches from the Frontlines of World Literature

All you the news updates you need—right here at Asymptote

Lots of things have been happening in the world of literature, but don’t worry—as always we’ve got you covered with news from far and wide. Maíra Medes Galvão serves up a rich helping of literary festivals and events around Brazil (and New York), including a celebration of Bloomsday. Sneha Khaund gives us the who’s who and the what’s what of India’s literary scene right now, including recently published authors and the most exciting literary readings and events. Stefan Kielbasiewicz provides some tragic, but at the same time uplifting news, and gets into the thick of prizes and festivals that have already happened and all that are yet to come. Strap yourselves in and enjoy the ride.

Maíra Mendes Galvão, Editor-at-Large, reports from Brazil:

As a plea to encourage people to acquire the habit of reading—famously said to be lacking in Brazil—four literature and entertainment blogs from Belém, capital of the State of Pará, have put on a literary festival dubbed a ‘Cultural Marathon‘, which started on June 17 and goes on until the 25th. There will be talks around themes such as sci-fi, the detective & crime genres, new Brazilian literature and others. The festival is hosted by the bookstore chain Leitura and supported by publishing houses Intrínseca, Pandorga and DarkSide.

Bloomsday did not go by unnoticed in Brazilian territory. The city of São Paulo traditionally holds its June 16 celebrations inspired by the initiative of brother poets and translators Haroldo and Augusto de Campos, who first brought the festive date over to São Paulo thirty years ago. Casa das Rosas, a cultural venue and museum dedicated to Haroldo de Campos, and Casa Guilherme de Almeida, dedicated to the eponymous translator and poet, have come together again this year with a program that included a festive wake (Finnegan’s wake, naturally) with live Irish music as well as conferences, talks and readings.

READ MORE…