Annaliza Bakri is an educator and translator. She believes that literary works can be the subliminal voice that cultivates greater understanding, awareness and consciousness of the past, present and future. An ardent advocate of works that are beautifully penned in Singapore’s national language, she strongly believes in the divine art of translation where shared heritage and mutual discovery promote humanity. Our Editor-At-Large for Singapore, Tse Hao Guang, recently caught up with Annaliza about her work and about the politics of language and literature in Singapore.
Tse Hao Guang (HG): You teach, write papers, translate Malay texts into English, and organise programmes and panels on Malay culture, language and heritage. What is the driving force behind all this work? What first got you interested in this? You seem to be one of a few people here doing what I’d call literary activism.
Annaliza Barki (AB): There’s a lot of commitment and responsibility when you call yourself an activist. I don’t think it’s as much about activism as it is about sharing ideas and knowledge. In class, I use literature to teach the Malay language. Grammar and syntax can make for a dry learning experience. With literature, however, you examine ideas, explore culture, and enrich your worldview. Literature reveals intricacies of the human identity to us, and, I believe, reignites in us a flame of humanity. This is also one of the many reasons why I translate literary works. What I gain from the interweaving of cultures in my translation work allows me to better understand humanity and human predicaments.
I was part of the organising team that initiated the cultural-literary seminar series CITA@The Arts House in 2012. We provided a platform for the sharing of Malay culture, in both English and Malay, to both adults and students. Part of CITA involved inviting our older writers to speak about their work, writers who were active in the 1970s and still continue to write today. The kind of honour and gratitude we have for them made younger people curious to attend and listen, as it had been a while since we last heard from them. It was interesting for me too, as a teacher who had read and even taught their books, but had no idea who they were apart from their role as writers, or what their aspirations were. Beyond giving these writers prizes like the Cultural Medallion or the Tun Sri Lanang, I think we, as a nation, honour them by giving them a chance to engage an audience in person once again.
Here we are with this week’s news on exciting developments in the world of literature! Our Editor-At-Large for Singapore, Tse Hao Guang, updates us on new translation initiatives and experimental literary events. Sarah Moses, our Editor-At-Large for Argentina and Uruguay, fills us in on recent literary festivals and on an event honoring everyone’s favorite cartoon cynic. Finally, Tomás Cohen, our Editor-At-Large for Chile, tells us about some exciting new publications appearing in the region.
Tse Hao Guang, Editor-At-Large, with the latest updates from Singapore:
In the spirit of experimentation, stalwart independent bookstore Booksactually devised a Book Prescription Day (Sep 30) in conjunction with #BuySingLit, inviting the public to meet seven authors one-on-one as they administered literary balm to all manner of ailments. Literary nonprofit Sing Lit Station put on a zany, rave-reviewed, pro-wrestling-meets-spoken-word spectacle Sing Lit Body Slam (October 6-7), selling out on opening night. Sing Lit Station also announced the 2018 Hawker Prize for Southeast Asian Poetry, awarding the best poems published by SEA-affiliated journals to a combined tune of SGD$2500 (USD$1800). Finally, Singapore played host to the 2nd Asian Women Writers’ Festival (September 29-30), with Singaporean novelists Balli Kaur Jaswal and Nuraliah Norasid speaking alongside other writers from the UK, the Philippines, Pakistan, and India.
New week, new happenings in the world of literature. President Trump continues to make headlines (read our Spring Issue for an exploration of literature in the Trump era). Madeline Jone, Editor-at-Large for USA reports how it has affected the publishing industry. Across the Atlantic, Cassie Lawrence, Executive Assistant at Asymptote, relays heartening news about women in publishing and the buzz of literary festivals in London this weekend. Chief Executive Assistant Theophilus Kwek reports how Singapore’s novelists are fighting back, and more.
Editor-at-Large Madeline Jones gives us the round-up from USA:
US media narratives have been deluged with news of presidential catastrophes. No surprise, then, that this is reflecting in the publishing world, from book publishers struggling to understand how to talk about Trump to children, to books about the electoral process. With timing that seems ominous, in the light of the very popular TV adaptation of Margaret Atwood’s 1985 novel The Handmaid’s Tale, the book has edged its way between a Danielle Steel and a James Patterson on the New York Times Best Sellers list. Another notable that has been on the list is Shattered: Inside Hillary Clinton’s Doomed Campaign.
Speaking of which, the annual Book Expo America, popularly known as the BEA, is scheduled from May 31 to June 2, and Hillary Clinton is one of its top draws this year. A gathering of publishers, booksellers, agents, librarians, and authors in New York City, the Book Expo is the biggest event of its kind in North America.