Posts filed under 'literary prizes'

Weekly Updates from the Front Lines of World Literature

This week’s latest news from Palestine, Serbia, and the United States!

This week’s literary news comes from our writers in Palestine, Serbia, and the United States. In Palestine, the winners of the Najati Sidqi Competition have been announced; in Serbia, the annual KROKODIL festival has welcomed an array of authors, with a particular emphasis on regional female poets and prose writers; and in the United States, the University of Notre Dame’s reading series began with a reading by Paul Cunningham and Johannes Göransson, in addition to the launch of a new program focusing on “Literatures of Annihilation, Exile & Resistance.” Read on to find out more! 

Carol Khoury, Editor-at-Large, reporting from Palestine

Out of eighty-nine applications from different parts of Palestine and the diaspora, the three winners of the Najati Sidqi Competition for Short Story by Young Writers (2020) have been announced: “al-Barzakh” (The Isthmus) by Muhammad Atef Ghuneim from Nuseirat Camp in Gaza; “al-Toot al-Faased” (Rotten Berries) by Dunya Yusef Abdullah from Salfit, which is published in Arabic here; and “al-Khalaas ka Dam’a: Seeret Bukaa’ al-Sayyed Meem” (Salvation As a Tear: Crying Biography of Mr M.) by Majd Abu Amer from Gaza. According to the jury (which consisted of three renowned Palestinian writers: Safi Safi, Ziad Khadash, and Amani Junaidi), the prize “comes in recognition of the importance of the role of youth in cultural life and building a national society capable of preserving the history and memory of place and man,” as well as to honor the legacy of Najati Sidqi.

In a new venture between Palestinians on both sides of the Green Line, Tibaq Publishing in Ramallah published Qalaaqel Jameel wa Hiyaam (Jamil and Hiyam’s Turbelences) by Hani Salloum from Nazareth. The play is about a romantic relationship, taking place between the two cities of Nazareth and Haifa, which sheds light on the social transformations that have affected Palestinian Arab communities in Israel. This is the second literary work by Salloum, after his novel al-Khuruuj min Halaqat al-Raaqisseen (Exiting the Dancers’ Circle) was published in 1997.

Five Palestinian authors have been selected for the new Arabic Stories by emerging writers, published bilingually in Arabic and English by adda. adda is an online magazine of new international writing, which supports and promotes stories and literary talent from the Middle East. Arabic Stories is part of the project Short Stories by KfW Stiftung in cooperation with the Goethe-Institut and Commonwealth Writers. The five selected stories are: Mai Kaloti’s “The Madman of Almond Hill,” translated by Basma Ghalayini; Majdal Hindi’s “Fly,” translated by Katharine Halls; Eman Sharabati’s “A Story from the South” —her first published story—also translated by Halls; Huda Armosh’s “Walking on Quicksand,” translated by Nariman Youssef; and Mira Sidawi’s “The Story of Nasr,” translated by Basma Ghalayini. READ MORE…

Weekly Updates from the Front Lines of World Literature

This week's latest news from Lebanon, Japan, Romania, and Hong Kong!

Our writers bring you the latest literary news this week from Lebanon, where writers have been responding in the aftermath of the devastating port explosion. In Japan, literary journals have published essays centred upon literature and illness, responding to the ongoing pandemic. Romanian literature has been thriving in European literary initiatives and in Hong Kong, faced with a third wave of COVID-19, the city’s open mic nights and reading series have been taking place online. Read on to find out more! 

MK Harb, Editor-at-Large, reporting from Lebanon

This week, as French President, Emmanuel Macron, began his Lebanon tour by meeting the iconic Lebanese diva, Fairuz, the literary world continued to grieve for Beirut in the aftermath of the explosion. Author Nasri Atallah, writing for GQ Magazine, recounts the cataclysmic impact of “Beirut’s Broken Heart.” Writer and translator Lina Mounzer and writer, Mirene Arsanios, exchanged a series of letters to each other for Lithub, talking about the anguish of distance and the pain of witnessing tragedy.Writer Reem Joudi also wrote an intimate essay exclusively for Asymptote, reflecting on her experience of the explosion and the uncertain future that Beirut now faces. Naji Bakhti, a young Lebanese writer, made his literary debut with Between Beirut and the Moon. Published on August 27 with Influx Press, the book is a sardonic coming of age story in post-civil-war Beirut (1975-1990). While Bakhti was chronicling the past, reading it now feels eerily relevant.

In translation news, writer and transgender activist, Veronica Esposito, interviewed Yasmine Seale about her upcoming translation of the Thousand and One Nights. Seale, whose English translation of Aladdin is beautiful in the most transgressive sense, will be the first woman to translate the Thousand and One Nights into English. In the interview, she discusses the colonial and class legacy of translating classics and the wild possibility of re-translating and re-imagining many Arabic classics. Lastly, here at Asymptote, we are excited about acclaimed Egyptian author, Mansoura Ez-Eldin’s new novel, Basateen Al-Basra from Dar El-Shourouk publishing house. Her previous novel, Beyond Paradise, was shortlisted for the International Prize for Arabic Fiction in 2010. We eagerly await its translation from Arabic!

David Boyd, Editor-at-Large, reporting from Japan

This month, Japan’s major literary journals continue to showcase writing that deals with illness. The September issue of Subaru features several essays on the intersection between literature and illness, including “Masuku no sekai wo ikiru” (Living in the World of the Masque), in which Ujitaka Ito connects Sayaka Murata’s Convenience Store Woman to the current pandemic. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest literary news from Poland, Sweden, Mexico, and Argentina!

This week our writers report on literary prizes and new releases in Poland, a collaboration between two renowned Swedish authors, the 41st International Book Fair in Mexico City, and commemorative events for María Elena Walsh in Argentina. Read on to find out more! 

Julia Sherwood, Editor-at-Large, reporting from Poland

It’s never too late to #bemoreOlga—to quote Helen Vassallo (translatingwomen)—and report that Olga Tokarczuk is using some of her Nobel prize money to start a foundation to support writers and translators. To acknowledge the role translators played in her worldwide success, the Polish Association of Literary Translators has pulled together some stats: as of October 2019, 193 translations had appeared of Tokarczuk’s books into thirty-seven languages, with twelve more in the pipeline, by a total of ninety translators (names all listed here).

On January 20 the weekly Polityka awarded Olga Tokarczuk the Creator of Culture prize “for books that are ahead of their time, her style and for looking into the future of literature and our entire planet.” The prize was one of Polityka’s annual arts awards, with this year’s “Passport” for literature going to Dominika Słowik for her novel Zimowla (roughly, Huddling Together) a “thriller with horror elements, set in the small village of Cukrówka, a fascinating depiction of recent history.” In her acceptance speech, Słowik cheered the fact that, for the first time, all three shortlisted authors were women. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Catch up on this week’s latest news in Morocco, Sweden, Vietnam, and France!

This week, our editors are bringing you news from Morocco, Sweden, Vietnam, and France In Morocco, changes to the ministry of communication are affecting book imports. In Sweden, the announcement of the August Prize has brought excitement, whilst the awarding of the Tucholsky Prize to Swedish-Chinese writer Gui Minhai has been met with indignation in China. In Vietnam, the sales of a much-anticipated translation of bestseller South Korean writer Cho Nam-joo have not been as expected. In France, the centennial of Sylvia Beach’s Shakespeare and Company bookshop was celebrated. Read on to find out more!

Hodna Nuernberg, Editor-at-Large, reporting from Morocco

Last month, Morocco’s King Mohammed VI ordered major bureaucratic reform, slashing the government’s thirty-nine member cabinet to just twenty-four—the smallest ever—and doing away with the ministry of communication. While the official line was that the ministry was no longer necessary to regulate the kingdom’s newspapers (a convincing argument, given the state of Morocco’s oppositional press), the abolition of the ministry has had a perhaps unintended side effect: all book imports have been blocked in customs since early October.

The first article of Morocco’s 2003 Press Code guaranteed the freedom of domestic publications. Foreign books, on the other hand, were subject to the ministry of communication’s control. Prior to the October reform, this control was carried out by the foreign publications bureau of the ministry’s public relations division. As such, the bureau was responsible for “analyzing the content of foreign publications” and delivering (or not) the visas necessary for importation. Although Morocco does not officially practice state censorship, this process allowed the king to uphold his three red lines (the monarchy, the kingdom’s “territorial integrity,” and Islam), which were enshrined in article 29 of the Press Code. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

This week's literary news comes from Chile, Guatemala, and the UK.

This week our writers report on a timely translation of a Chilean novel, a new translation of Antoine Saint-Exupéry’s classic, The Little Prince, into Kaqchikel, literary prizes in Guatemala, and grime rapper Stormzy’s pop-up publishing event in London. Read on to find out more!

Scott Weintraub, Editor-at-Large, reporting from Santiago

In a recent op-ed in the Chilean newspaper La Tercera (October 19, 2019; trans. Natasha Wimmer published in The Paris Review), writer Nona Fernández speculates as to the nature of the “big joke” responsible for the massive protests against President Sebastián Piñera’s neoliberal policies, among other social and political issues:

The fare hike? The minister of the economy’s advice to take advantage of cheaper early morning fares and get up at 6 A.M.? The pizza that President Piñera is eating right now at an upscale Santiago restaurant, deaf to the voice of the city? The pathetic pensions of our retirees? The depressing state of our public education? Our public health? The water that doesn’t belong to us? The militarization of Wallmapu, the ancestral territory of the Mapuche people? The incidents apparently staged by soldiers to incriminate Mapuches? The shameful treatment of our immigrants? The hobbling of our timid abortion law, due to government approval of conscientious objection for conservative doctors? The ridiculous concentration of privileges in the hands of a small minority? Persistent tax evasion by that same minority? The corruption and embezzlement scandals within the armed forces and the national police? The media monopoly of the big conglomerates, owners of television channels, newspapers, and radio stations? The constitution written under the dictatorship that still governs us to this day? Our mayors, representatives, and senators who once worked for Pinochet? Our pseudodemocracy?

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Weekly Dispatches from the Front Lines of World Literature

Literary updates from our editors on the ground in Albania and Slovakia.

As central Europe heats up this month, so does the literary scene! In Albania, an unprecedented $10,000 prize was awarded, while in Slovakia, readings are taking place everywhere: in gardens, on trams, and at an old mill! Read on for details.

Barbara Halla, Assistant Editor, reporting from Albania

Although it is only in its fifth year, the Kadare Prize is one of the most important prizes in Albanian literature at the moment. Readers might be forgiven for thinking that I use this label because the prize bears Kadare’s name, but I think its importance relies more on a few other elements, the first of which is not strictly literary. First of all, the Kadare Prize proclaims to award its winners the sum of $10,000 (though there has been gossip floating around that the awarding body has not been forthcoming with the cash) that includes financial help to get the book published in the first place. A not insignificant amount of money to consider, especially as in the Albanian publishing world, literary agents don’t exist and new authors have to pay publishing houses to get published in the first place.

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Meet the Publisher: Book*hug’s Hazel Millar and Jay MillAr on French Canadian Literature in Translation

"We realized that we were interested in risk."

Book*hug is an independent Canadian publisher based in Toronto. Since 2004, the press has been committed to bringing underrepresented voices into print and to pushing the boundaries of what literature can be. Book*hug’s first title was translated from the Danish and the press has gone on to publish numerous Scandinavian works in translation alongside French Canadian titles. Sarah Moses, Asymptote’s Editor-at-Large for Argentina, sat down with co-publishers Hazel Millar and Jay MillAr, to chat about their interest in works that take a risk, how translation fits in with what they’re doing as a press, and a few of the titles by French Canadian authors that they’re excited about.

Sarah Moses: How did Book*hug get started?

Jay MillAr: The first book that we ever published was a translation. The Toronto International Festival of Authors always has a country of focus and in 2004 it was Denmark. A focus of the festival that year was on Denmark and there were all these writers coming to Toronto that didn’t yet have books translated in English so the assistant to the director was calling publishers and asking them if they would consider applying for money from the Danish Arts Council and then producing a book in English by one of the authors coming to the festival. I was working at Coach House Books at the time but they didn’t want to do it so I asked if it would be okay if I did it with my imprint, BookThug, which was at that time more or less a chapbook press. They said sure, go ahead, so I applied for the money and received a grant to cover the translation of a book called Pencil of Rays and Spiked Mace, selected poems by Niels Lyngsø, which was translated by Gregory Pardlo, an American poet who had been living in Denmark for some time and was interested in translation.

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Weekly Dispatches from the Frontlines of World Literature

The latest in world literature can be found here in Asymptote's weekly roundup!

This week, our weekly dispatches take you to Poland, France, Mexico and Guatemala for the latest in literary prizes, and literary projects, featuring social media, and indigenous poets in translation.

Julia Sherwood, Editor-At-Large, reporting from Poland:

Hot on the heels of a US book tour for her International Man Booker Prize-winning novel Flights (translated by Jennifer Croft), the indefatigable Olga Tokarczuk appeared at a series of events to mark the UK publication of her newest book. The “existential thriller” Drive Your Plow Over the Bones of the Dead, translated by Antonia Lloyd-Jones and published by Fitzcarraldo Editions, is fast garnering rave reviews, and London audiences had an opportunity for a Q&A with the author combined with a screening of Spoor, the book’s film adaptation. There was also a lively conversation between Olga Tokarczuk and writer and chair of the International Man Booker judges, Lisa Appignanesi, at the Southbank Centre. Meanwhile, Flights has been shortlisted for the National Book Award for translation as well as for the Warwick Prize for Women in Translation, the shortlist of which includes another book by a Polish author, Żanna Słoniowska’s The House with a Stained Glass Window (also translated by Antonia Lloyd-Jones).

Anyone who may have been afraid to tackle the classics of Polish literature will no longer have any excuse now that Adam Mickiewicz’s epic poem Pan Tadeusz has appeared in a new and highly readable English version. “I undertook this translation out of the conviction that Pan Tadeusz is fundamentally an accessible poem for twenty-first-century non-Polish readers. It’s witty, lyrical, ironic, nostalgic, in ways that seem to me quite transparent and universal,” writes multi-award-winning translator Bill Johnston in his introduction. At a book launch at the Polish Hearth Club in London on October 8, Johnston compared notes with poet and translator George Szirtes, who introduced his translation of the Hungarian classic The Tragedy of Man by Imre Madách.

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Weekly Dispatches from the Frontlines of World Literature

Find out the latest in world literary news here!

In this edition of weekly dispatches, we remember Argentine author Hebe Uhart, celebrate the continuation of Guatemala’s national book fair, and look to China for news of cultural exchange and literary prizes. 

Sarah Moses, Editor-At-Large, reporting from Argentina:

Argentine author Hebe Uhart passed away on October 11 at the age of eighty-one. Uhart was the author of numerous collections of travel essays, stories, and novellas, and in recent years dedicated herself exclusively to the former, visiting towns in Argentina as well as countries in Latin America and further abroad to document what she saw. Her most recent work was a collection of non-fiction pieces about animals, which included her own sketches.

Uhart was born in the town of Moreno and moved to the capital to study philosophy at the University of Buenos Aires, where she later taught. For many years, she also led writing workshops out of her home. She was recognized as one of the greats among both readers and colleagues, and authors such as Mariana Enríquez and Inés Acevedo have written about her work. In 2017, she was awarded the prestigious Premio Iberoamericano de Narrativa Manuel Rojas.

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Weekly Dispatches from the Frontlines of World Literature

We're back with weekly updates in world literature from around the globe!

We’re back with our regular Friday column featuring weekly dispatches from our Asymptote team, telling you more about events in world literature. Join us on a journey to Guatemala and Chile, before heading to New York City, to find out more about the latest in world literature.

José García Escobar, Editor-At-Large, reporting from Guatemala:

We begin with great news coming from the Guatemalan author Eduardo Halfon whose novel Mourning (Duelo in Spanish) got shortlisted for the 2018 Kirkus Prize. Halfon, whom we interviewed for our blog last June, is sitting beside other fantastic writers such as Ling Ma, Nafissa Thompson-Spires, and Lauren Groff. Mourning, published by Bellevue Literary Press, was translated into English by Lisa Dillman and Daniel Hahn. The winner will be announced on Thursday, October 25, 2018.

Additionally, Halfon was just declared the recipient of the 2018 Miguel Angel Asturias National Prize in Literature, the most important literary prize in Guatemala.

On a much sadder note, recently, one of Guatemala’s most influential and emblematic poets, Julio Fausto Aguilera has passed away at the age of 88. He won the Miguel Angel Asturias prize, in 2002; he was part of the arts collective Saker-Ti, and one of the founding members of Nuevo Signo—arguably one of the most important literary groups in Central America. He wrote close to twenty books of poetry, and his family confirmed that he left two manuscripts that they hope will get published soon. Francisco Morales Santos, his friend en Nuevo Signo’s editor, called Julio Fausto a worthy and unbreakable man. Many other writers such as Vania Vargas and the most recent winner of the Miguel Angel Asturias Prize, Francisco Alejandro Méndez, also mourned the death of Aguilera.

To read more about Aguilera and Nuevo Signo, click here.

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Weekly Dispatches from the Frontlines of World Literature

This week's literary news roundup brings us to Vietnam and El Salvador.

This week, the Asymptote team fills us in on updates from around the world, featuring literary prizes awarded in both Vietnam and El Salvador. Speaking of prizes… if you are a translator, why not submit to Close Approximations, Asymptote’s annual translation contest! A year’s subscription to the Asymptote Book Club as well as cash prizes and inclusion in the Winter 2019 issue are all up for grabs, so get writing! 

Khai Q. Nguyen, Editor-At-Large, reporting from Vietnam:

In the second half of July, Nguyen Ngoc Tu, one the most prominent living female Vietnamese writers, was awarded a 3,000 euro prize by Litprom (the Society for the Promotion of African, Asian, and Latin American Literature founded in Frankfurt in 1980) for her widely acclaimed collection of short stories Endlose Felder (The Endless Field), translated into German by Gunter Giesenfeld and Marianne Ngo. Nominees include other notable female writers from around the world: Nona Fernandez (Chile, featured in our Summer 2014 and Winter 2017 issues), Ayelet Gundar-Goshen (Israel, featured in our Summer 2018 issue), Han Kang (South Korea, Man Booker International prize laureate for The Vegetarian, translated by Deborah Smith), Ae-ran Kim (South Korea), Shenaz Patel (Mauritius), Shumona Sinha (India/France), Kim Thuy (Canada, of Vietnamese origin).

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news focuses on Latin America.

It was a busy week for literature in Latin America. Festivals, conventions, and prize ceremonies brought writers and translators together, and our team members are soothing our fomo with their reporting. Find the latest news about world literature on the Asymptote blog every Friday!

Lara Norgaard, Editor-at-Large, reporting from Brazil:

The hottest summer I ever saw was the winter I spent in Rio de Janeiro. That is likely what writers and readers say as they flock to the tropical state for major literary festivals this July and August.

Brazil’s most important literary event of the year, the Paraty International Literary Festival (Flip), took place from July 25–29 in Paraty, Rio de Janeiro. The festival organizer, Joselia Aguiar, explains in an interview that this year’s edition focused on interiors—“love, death, desire, God, transcendence.” Aguair also sought to include other artistic genres at the event, inviting guests such as actor Fernanda Montenegro. Also in Paraty and simultaneous to Flip, a group of publishers hosted book releases and even more literary programming in an event called Casa Paratodxs.

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The Trouble with Prizes and Translation

Prizes may be good for publishing, but are they good for all authors and translators?

If you love reading fiction by writers from around the globe, you are used to hearing about the big prizes that put international literature in the spotlight: the Nobel Prize for Literature, the Neustadt International Prize for Literature, the Man Booker International, the Caine Prize, the Prix Goncourt, the German Book Prize, the Cervantes Prize, the Tanazaki Prize, and many others.

In fact, you might even have trouble keeping up with the variety of United States–based awards just for literature in translation, from the Best Translated Book Award (now eleven years old) to the National Book Award’s new Translated Literature category. It’s getting to be like following the Olympics, without all the fuss over new stadium construction. For one thing, winning books, like medal-bedecked Olympians, don’t get to the podium all by themselves. Winners need a team (and a coach and money) behind them. For another, we know that lots of great contenders don’t make it to the final round.

So what should we know about book prizes as we are reading the shortlisted candidates or hoping for a win for one of our favorite writers?

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