As we reported in Asymptote’s weekly dispatch a few weeks ago, Slovak literature made waves at this year’s Salon du Livre in Paris, where thirty-seven books by Slovak authors, including twenty-five brand new translations, were presented. Also in attendance was writer and past Asymptote contributor Marek Vadas, on this occasion wearing his hat as staff member of LIC (Centre for Information on Literature), the agency responsible for promoting Slovak literature abroad. He has agreed to share his insider’s view of the book fair with us.
There are two kind of stands at international book fairs. The first attract attention because of their long-term reputation, literary stars and talent, thoughtful cultural policy and diplomacy or, simply, thanks to the money lavished on them. The second kind—old-fashioned, lacking in invention or sophistication—rarely attract anyone apart from a narrow circle of specialists or the odd passerby. This year, all of a sudden, the Slovak stand found itself in the first category. What happened? READ MORE…
Weronika Gogola is a Polish writer and translator from Slovak and Ukrainian. Her first autobiographical book Po trochu (Little by Little, 2017), which depicts her childhood in the small village of Olszyny in the Carpathian mountains, is composed of “stories from real life that are usually told bit by bit, in snippets and fragments.” The book was nominated for several literary prizes and in October 2018 won the Conrad Award for a prose debut. For the past three years, Gogola has been based in Bratislava, where Julia Sherwood, Asymptote’s Editor-at-Large for Slovakia, caught up with her last November.
Julia Sherwood: First of all, congratulations on winning the Conrad Award! I loved your book and think that the prize was more than deserved. What does it mean for you?
Weronika Gogola: This award is incredibly important to me, especially since, in the case of the Conrad Award, it’s not just the judges who decide but, first and foremost, the readers. I’m incredibly grateful to them. Besides, a prize is a kind of validation, as well as a bargaining chip for the future. I know that sounds unfair but that’s how the world works—the more prizes and nominations you have the more seriously you are taken. Unfortunately. But, of course, it’s nice to be appreciated. In addition, the Conrad Award includes a grant, which has allowed me to concentrate on my writing without financial worries.
JS: Your book is very firmly located in the world of your childhood. You grew up in a small village in rural Poland, yet ended up living abroad, and are currently based in Slovakia. Were you already living abroad while working on your book, and did the geographical distance give you a new perspective on the place, or did this make the writing more challenging?
We have such an amazing group of creative people over here at Asymptote. Check out some of our recent news and stay tuned for more of the international literature you love!
Poetry Editor Aditi Machado’s book of poetry, Some Beheadings, has been awarded The Believer Poetry Award.
Communications Manager Alexander Dickow has published an article in French on the creative imagination in Apollinaire’s Méditations esthétiques in Littérature’s 190th edition.
Editor-at-Large for Romania & Moldova Chris Tanasescu aka MARGENTO delivered a computational poetry paper at a major Artificial Intelligence conference, presented a Digital Humanities paper at Congress2018, and has flown to Europe to launch a computationally assembled poetry anthology.
This week, we bring you news of literary festivities in Romania and Moldova, a resurgence of female writing in Slovakia, and the tragic loss of a promising young translator in Iran. As always, watch this space for the latest in literary news the world over!
MARGENTO, Editor-at-Large, reporting from Romania and Moldova:
A book of interviews with Romanian-German writer and past Asymptote contributor Herta Müller came out in French translation from Gallimard just a few days ago (on Feb 15). The book has already been praised for the lucidity showed by the Nobel-prize winner in combining the personal and the historical or the political.