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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Albania, the United Kingdom, and Australia.

It is a summery Friday in the Northern Hemisphere and that means sun-filled afternoon beverages and literary updates from around the world! Barbara Halla discusses recent publications from Albania and delves into the political debates with which they engage. Daljinder Johal discusses conversations about libraries and marketing that were held at literary festivals around the United Kingdom. Finally, reporting from Australia, Tiffany Tsao discusses the controversy surrounding a recent literary journal cover and provides information on opportunities for emerging writers.

Barbara Halla, Editor-at-Large, reporting from Albania:

At barely three million people living in Albania, it has become a national sport of sorts to look for traces of Albanians and Albanian influences in other cultures. In this vein, one of the most anticipated books of the season has been Luan Rama’s Mbresa Parisiane (Parisian Impressions). Luan Rama is both a writer and a diplomat. Between 1991 and 1992 he was the Albanian ambassador to France, where has spent most of his life since, writing several titles on Albanian culture and its ties to France. A good portion of this new book veers toward familiar territory, dwelling on the lives of famous authors that made Paris their home. Yet its real appeal is Rama’s research into Albanians who lived in Paris and, more simply, reading the perspective of an Albanian writing about his life in Paris.

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Uncover New Worlds, Join Asymptote Today!

Apply by June 18th to join our dynamic crew!

Old maps often feature cherubs blowing gusts of wind, baroque allegorical figures—or sea monsters lurking in unknown waters. But for the reader of world literature, there are no known lands, for even the familiar deserves to be explored with fresh eyes—including sea monsters! Now you too can join Asymptote’s intrepid explorers: just apply to our mid-year recruitment drive! From Assistant Blog Editor (yes, of this Blog no less!) and Copy Editor to Social Media Manager and Graphic Designer, check out all available volunteer positions here, and then be sure to submit an application by June 18th! Summer internships are available for most positions as well.

Don’t wait! Apply to join the Asymptote team today!

Weekly Dispatches from the Frontlines of World Literature

This week we report from Slovakia, Brazil, and Egypt.

Welcome back for a fresh batch of literary news, featuring the most exciting developments from Slovakia, Brazil, and Egypt. 

Julia Sherwood, Editor-at-Large, reporting from Slovakia:

Hot on the heels of the prolonged Night of Literature, held from 16 to 18 May in sixteen towns and cities across Slovakia, the fifth annual independent book festival, BRaK, took place between 17 and 20 May in the capital, Bratislava. In keeping with the festival’s traditional focus on the visual side of books, the programme included bookbinding, typesetting and comic writing workshops, activities for children, and exhibitions of works by veteran Czech illustrator, poster and animation artist Jiří Šalamoun, as well as French illustrators Laurent Moreau and Anne-Margot Ramstein. The last two also held illustration masterclasses, while the German Reinhard Kleist launched the Slovak translation of his graphic novel Nick Cave: Mercy on Me, accompanied by a local band.

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What’s New with the Crew? A Monthly Update

Touch base with our industrious team's literary achievements as we approach the halfway mark of 2018!

We have such an amazing group of creative people over here at Asymptote. Check out some of our recent news and stay tuned for more of the international literature you love!

Poetry Editor Aditi Machado’s book of poetry, Some Beheadings, has been awarded The Believer Poetry Award.

Communications Manager Alexander Dickow has published an article in French on the creative imagination in Apollinaire’s Méditations esthétiques in Littérature’s 190th edition.

Editor-at-Large for Romania & Moldova Chris Tanasescu aka MARGENTO delivered a computational poetry paper at a major Artificial Intelligence conference, presented a Digital Humanities paper at Congress2018, and has flown to Europe to launch a computationally assembled poetry anthology.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Colombia, Mexico, Argentina, and Indonesia.

June is upon us and we are settling in for some summer reading. Join us as we catch up with our international correspondents about the literary happenings around the world. This week brings us the latest on indigenous literature from Colombia and Mexico, book fairs in Argentina, and new artistic endeavors in Indonesia!

Paul Worley and Kelsey Woodburn, Editors at Large, reporting from Colombia and Mexico:

From April 25 to 29 in Bogotá, Colombia, indigenous writers and scholars and critics of indigenous literatures from throughout the Américas came together in the 5th Continental Intercultural Encounter of Amerindian Literatures (EILA). The theme for this iteration of the bi-annual conference was “Indigenous Writing, Extractivism, and Bird Songs.” The centering of these concerns reflects a turn in the field of Indigenous literatures towards recognizing indigenous ways of writing that take place beyond Latin script, as well as ongoing ecological concerns that are at the heart of a good deal of indigenous literatures and Indigenous activism. In addition to literary readings and panels held at the Pontificia Universidad Javeriana, writers and critics presented to the general public at Bogotá’s International Book Festival (FILBO), and indigenous poets gave a reading in the town of Guatavita, home to a lake sacred to the Muisca people. Among the writers in attendance were (K’iche’) Humberto Ak’abal, (Yucatec) Jorge Cocom Pech, (Wayuu) Vito Apüshana, (Wayuu) Estercilla Simanca, (Wayuu) Vicenta Siosi, and (Yanakuna) Fredy Chicangana.

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The 2018 Man Booker International Prize: And the Winner Is…

Flights won the Man Booker International because it is a beautiful book, truly “fiction at its finest.”

On May 22, Olga Tokarczuk won the Man Booker International Prize for her book Flights (which first appeared in English in our Winter 2016 issue), translated into English by Jennifer Croft for Fitzcarraldo Editions. Tokarczuk is already a household figure in her native Poland where Flights was first published in 2007. Two of her other novels have been translated by Antonia Lloyd-Jones, but it is only now with Flights that she is becoming a recognizable name for the English-speaking public. While the red Man Booker logo, signifying its triumph, will help it fly off the shelves in bookstores all over the United Kingdom, booksellers still face a tough challenge, for how do you summarize and sell a book like Flights?

Flights is categorized as a novel, although it eschews traditional plot and linear structure. At its most reductive, it can be described as a traveler’s diary through which an unnamed narrator contemplates and explores the roots of her nomadism. What follows is a compilation of fragments collected by the narrator throughout her journeys: short stories about home and travel, meditations on the human body, and even essays on sanitary pads, Wikipedia, and the English language. In the original Polish, the book is titled Bieguni, the name of a nomadic sect of Eastern European origin who believe the only way to escape the devil is by being in constant movement. And indeed, if the narrator of Flights has a life philosophy, it is this: “a thing in motion will always be better than a thing at rest.”

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Weekly Dispatches from the Frontlines of World Literature

International literary news for an international audience.

Another week has flown by and we’re back again with the most exciting news in world literature! This time our editors focus on Central America, Germany, and Spain. 

José García Escobar, Editor-at-Large, reporting from Central America: 

Sadly, Centroamérica has been officially put on hold this year. After five years of unflagging work, the festival Centroamérica Cuenta, hosted each year across Nicaragua, has become the most significant and important literary gathering of the region, annually welcoming writers, journalists, filmmakers, editors, and translators from over thirty countries around the world. This year’s CC was scheduled to unfold May 21-25. However, since Nicaragua’s tense political situation that has taken the lives of so many civilians shows no signs of slowing down, the Centroamérica Cuenta committee has decided to suspend the festival until further notice.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to five different countries.

Woah! It has apparently been a busy week in world literature. Today we bring you news from not just one, not two, but five different countries: Iran, Morocco, Spain, Argentina, and France. 

Poupeh Missaghi, Editor at Large, reporting from Iran:

The 31st Tehran International Book Fair was held from May 2nd to May 12th, 2018, in Tehran, Iran.

In this year’s fair, a much-awaited novel by Iran’s foremost novelist, Mahmoud Dowlatabadi, was finally offered to readers. طریق بسمل‌ شدن , a novel about the Iran-Iraq war, had been awaiting a publication permit from the Iranian Ministry of Culture and Islamic Guidance for ten years. The book has, however, already been offered to English readers, under the title Thirst, translated by Martin E. Weir and published by Melville House in 2014. (You can read a review of Thirst here.) (You can also read a piece by Dowlatabadi in Asymptote’s special feature on the Muslim ban here.)

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to the Czech Republic, Hong Kong, Singapore, and Tunisia.

It is literary prize season and recent news that the Nobel Prize for Literature will not be awarded this year along with growing excitement for forthcoming award announcements have kept the literary community on our toes! This week we bring you the latest news from the Czech Republic, Hong Kong, Singapore, and Tunisia. Enjoy!

Julia Sherwood, Editor-at-large, reporting from the Czech Republic:

April 4 saw the announcement of the winners of the most celebrated Czech literary prize, the Magnesia Litera. For the first time in four years the title “book of the year” went not to a work of fiction but to an analysis of contemporary Czech politics against the backdrop of recent history, Opuštěná společnost (The Abandoned Society) by journalist Erik Tabery. The fiction prize was awarded to Jaroslav Pánek for his novel Láska v době globálních klimatických změn (Love in the Time of Global Climate Change), the story of a scientist  forced to confront his own prejudices while attending a conference in Bangalore.

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What’s New with the Crew? A Monthly Update

What is our literary powerhouse of a crew up to this May? Read on to find out!

We have such an amazing group of creative people over here at Asymptote. Check out some of our recent news and stay tuned for more of the international literature you love!

Poetry Editor Aditi Machado‘s poem “Epistle” appeared in Boston Review, and another poem of hers, “Archaic”, was reprinted by the Poetry Society of America.

From May 1 – 5, Romania and Moldova Editor-at-Large Chris Tanasescu aka MARGENTO organized DHSITE, a bilingual event introducing new computing technologies and their uses in education and research, at the University of Ottawa. Later this month, he will present a paper at the Kanada Koncrete poetry conference in the same school.

Both Assistant Editor Lizzie Buehler and Blog Editor David Smith have accepted offers to attend the University of Iowa’s Literary Translation MFA this coming fall. David also wrote a review of an early Jon Fosse novel, Boathouse, for Reading in Translation.

Indonesia Editor-at-Large Norman Erikson Pasaribu spoke with Indonesian writer Eka Kurniawan about his conception of horror, the diversity of Indonesian literature, and the rebirth of the New Order in Mekong Review.

Assistant Managing Editor Sam Carter published an essay at Music & Literature on Jorge Barón Biza’s The Desert and Its Seed.

Blog Editor Sarah Booker‘s translation of Cristina Rivera Garza’s The Iliac Crest (Feminist Press and And Other Stories) was included on the long list for the Best Translated Book Award.

Singapore Editor-at-Large Theophilus Kwek contributed work to Carcanet Press’s latest New Poetries anthology. He also published a piece in The Straits Times comparing citizenship opportunities in the UK (where he was able to vote in the European Union referendum as a Commonwealth citizen) and Singapore.

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Weekly Dispatches from the Frontlines of World Literature

The best in the international literary scene right here at Asymptote

Welcome back for a fresh week of literary news from around the globe, featuring the most exciting developments from Hungary, Norway, Spain and the Caribbean. 

Diána Vonnák, Editor-at-Large, reporting from Hungary: 

A major literary event, the 25th International Book Festival was held in Budapest between 19-22 April. The annual festival is not only a feast of newly published Hungarian literature with roundtable discussions, speeches, and meet-ups, but also a hub for translated literature. This year, Serbia was the guest country, with invited authors such as Milovan Danojlić, Laslo Blasković, Dragan Hamović, Igor Marojević, Radoslav Petković, Dragan Velikić, and Vladislava Vojnović. Authors discussed the place of Serbian literature in the broader European context, and their Hungarian translators talked about the translation process.

A highlight of the Festival was guest of honour Daniel Kehlmann’s discussion of his recent book Tyll, a chronicle of the Thirty Years War, featuring the archetypical German trickster Till Eulenspiegel. Kehlmann received the chief award of the Festival, the Budapest Prize, previously awarded to Jorge Semprún, Orhan Pamuk, Günter Grass, and Michel Houellebecq, among others.

The International Book Festival was not the only place where great news about translated literature could be shared these weeks. The Hungarian Books and Translations Office of the Petőfi Literary Museum announced the list of subventioned books for the first half of 2018. Asymptote contributor and Close Approximations winner Owen Good received support for Krisztina Tóth’s Pixel, soon to be published by Seagull Books. We can also look forward to Peter Sherwood’s translation of The Birds of Verhovina by Ádám Bodor, supported by the same agency.

András Forgách’s No Live Files Remain has just been published by Simon and Schuster in Paul Olchváry’s translation. The book narrates Forgách’s reckoning with his mother’s past as an informant of the Kádár regime. Facing family histories and friendships compromised by agent activities is a peculiar genre in Hungarian literature—and literary traditions of virtually every country that experienced intense state surveillance. No Live Files Remain is a crucial addition to this thread, a mother’s story that could serve as a counterpart of Péter Esterházy’s account of his father in Revised Edition.

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Weekly Dispatches from the Frontlines of World Literature

This week we report from Mexico, Guatemala, and the UK.

We’re still elated over the launch of our Spring 2018 issue, but that doesn’t mean the work of compiling literary news ever stops. Our weekly roundup brings us to Mexico, Guatemala, and the United Kingdom.

Paul Worley and Kelsey Woodburn, Editors at Large, reporting from Mexico

April has been an exciting month for the Tsotsil Maya poetry collective Snichimal Vayuchil. First, on April 12 the collective participated in a transnational indigenous poetry reading with Kimberly L. Becker, a poet of mixed Cherokee, Celtic, and Teutonic descent. Poems were read in English, Spanish, and Tsotsil, with collective coordinator Xun Betán translating several of Becker’s works into Tsotsil. The event was sponsored by Western Carolina University in Cullowhee, North Carolina, United States, and Abuelita Books in San Cristóbal de las Casas, Chiapas, Mexico.

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The 2018 Man Booker International Shortlist: the Subjective Nature of Literary Merit

"Fiction at its finest”, as the Man Booker tagline describes its self-imposed mission.

“A good reader, a major reader, an active and creative reader is a re-reader,” Vladimir Nabokov reminds us in his article “Good Readers and Good Writers”. There are so many books in this world, and unless your life revolves solely around books, it might be hard to be widely read and an active re-reader. Attaining this level of perfection that Nabokov describes is impossible, but the idea of re-reading as a tool to better understanding the value of a book underpins the philosophy of the Man Booker Prize International’s judging panel since its inception.

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Section Editors’ Highlights: Spring 2018

Our Section Editors pick their favorite pieces from the Spring 2018 issue!

The brand new Spring 2018 issue of Asymptote Journal is almost one week old and we are still enjoying this diverse set of writing. Today, our section editors share highlights from their respective sections. 

The phrase “Once upon an animal” has been circulating in me for ​months, ever since I first read Brent Armendinger’s translations of the Argentine poet Néstor Perlongher. The familiar fairy tale opening​, ​”Once upon a . . .” asks ​one ​to think of a moment, distant, in time, when such and such happened—happened miraculously or cruelly and from which ​one might take (dis)comfort or knowledge of some, perhaps universal, human frailty or courage. But Perlongher/Armendinger replace “time” with “animal”—a body. Against time, in its very absence, we’re asked to look at this body, which is in anguish, now. Perhaps now too is in anguish.

I can’t read Spanish, but the translation suggests ​a poetry of ​complex syntactical structures and lexical shock:

Once upon an animal fugitive and fossil, but its felonies
betrayed the same sense of petals
in whose gums it stank, tangled, the anguish
impaled, like a young invader

​A feat of translation, no doubt. ​Armendinger writes that “this intensely embodied and unapologetically queer language” is what drew him to Perlongher, and now we too are drawn in.

Perlongher was a founder of the Frente de Liberación Homosexual Argentino, agitated against the military dictatorship, and, as an anthropologist, wrote about sex workers, and gay and transgender subcultures. All this—writing, work, and play—w​as perhaps​ yet another​ way of saying: “Be still, death:”​; “in the steam of that / eruption: ruptured play, rose / the lamé.”

—Aditi Machado, Poetry Editor

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