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Weekly Dispatches from the Front Lines of World Literature

The latest news from Hong Kong and Thailand!

This weekour writers bring you the latest news of international book prizes and cultural events. In Thailand, Peera Songkünnatham sheds light on the highest-nominated titles in the “Books You Should Read” festival, while in Hong Kong, Charlie Ng introduces us to a recent article celebrating Hong Kong writer Liu Yichang. Read on to find out more! 

Peera Songkünnatham, Editor-at-Large, reporting from Thailand

For three years now, the annual book recommendation festival ความน่าจะอ่าน (Books You Should Read) has pooled Top 3 nominations from a cross-section of editors and readers in the Thai publishing industry. With fifty to sixty participants each year, this “mass” nomination system organized by the media website the101.world has helped spotlight a wide range of noteworthy books that would otherwise not be in the running for awards that only consider works not in translation or that judge in narrow categories (Thailand’s S.E.A. Write Award, for example, rotates between novel, short story, and poetry in three-year cycles).

The highest-nominated book has consistently been a creative account of political oppression in the country. A book that, in other words, combines urgency with craft. This year’s number one “Top Highlight,” with eight nominations, is ในแดนวิปลาส (In the Land of Madness), the book I also blogged about earlier last month. 2020’s top title was ตาสว่าง (Il Re di Bangkok), an Italian graphic novel grounded in ethnographic research whose English translation is forthcoming this December. And 2018-2019’s winner was มันทำร้ายเราได้แค่นี้แหละ (All They Could Do to Us), a lèse-majesté prison memoir hailed by many readers as Thailand’s Orange is the New Black—this rather clichéd comparison may now have more substance after the book gained praise from a high-profile showbiz executive. All these come from very, very small publishers who did not expect the widespread critical and commercial success. That this kind of dark-horse candidate appears to be obvious “winning material” now is a testament to how “Books You Should Read” has influenced public perception of literary noteworthiness. READ MORE…

Happy International Translation Day!

Join us in celebrating the ”great art” of translation today!

Dear reader,

Happy International Translation Day! As opposed to National Translation Month, this UNESCO-designated day—also the day of the feast of St. Jerome aka the patron saint of translators—recognizes the truly international nature of translation and as such holds a special place in our hearts. Here are just five suggestions for how to commemorate this day:

Read Herta Muller: “Translation requires an inner urgency that will make that which is different as close to the original as possible. Finding this eye-to-eye contact is extremely difficult. It is a great art.”

Get lost in our world map: Did you know? You can explore all the work that we have published in our ten years (hailing from 127 countries and 113 languages) through an interactive world map that also allows you to filter by genre.

Sign up for our Book Club: Subscribers receive a surprise title in the mail, join our community of translation fans, and get special access to Zoom Q&As with the author and/or translator of each book—all from as little as USD15 a month!

Discover the deformation zone: Says Editor Johannes Göransson: “In the deformation zone of poetry, the ‘original’ and the translation are involved in an atmospheric dance: their relationship is not the conventional one of original-versus-debased-copy but something more dynamic, something like forces and patterns that rewrite each other. The American Meteorological Society tells us that a deformation zone is ‘a region of the atmosphere where the stretching or shearing deformation is large.’ I would add that the deformation zone is where the most exciting writing and translating is taking place. To open up such zones, we need translations.”

Become a supporter of Asymptote: Unapologetically international, Asymptote does not receive ongoing funding from any organization, let alone qualify for emergency relief grants that our American counterparts receive. That’s why we are hoping that readers like you can keep us going. If you’ve personally benefitted from our work these past ten years, please take a few minutes to sign up in support of our mission today. We can’t wait to welcome you to the family!

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Sponsored Post: Join ALTA for a German-English Translation Slam on September 30!

Take a peek inside the translation process—and the fact that different translations can be equally valid!

This International Translation Day, come join the American Literary Translators Association (ALTA) for a lively, interactive event, where translators and non-translators alike get a peek inside the translation process—and the fact that different translations can be equally valid. 

Two translators, Didem Uca and Jon Cho-Polizzi, will arrive having independently completed an English translation of the same German poem by Keça Filankes. They’ll read their translations, and then describe their choices, as well as cultural and linguistic aspects of the original poem. Which parts of each version will you prefer? Are there other possible translations that you might suggest? During the reading and conversation moderated by David Gramling, you’ll be invited to offer your own suggestions in the chat, and the event will conclude with a live Q&A.

Thursday, September 30  ⧫  10-11am Pacific Time

Register here

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This free, virtual event kicks off the 44th annual ALTA conference, ALTA44: Inflection Points. To watch and take part in the Translation Slam, register at InEvent, our online conference platform, where you can select a “Free – Special Event Access” ticket to watch this event for free. Or, join us for the entire conference, which is taking place online on October 15-17 and in-person in Tucson, Arizona on November 11-13, by purchasing a paid ticket.

This event is a collaboration between ALTA and SAND journal and is sponsored by Wunderbar Together. It is part of the Arizona Translates! series and is affiliated with the Tucson Humanities Festival at the University of Arizona.

Weekly Dispatches from the Front Lines of World Literature

The latest in literature from India, Japan, and Sweden!

This week, our editors on the ground are bringing news of book fairs, prestigious awards, and new mediums for well-loved texts. Suhasini Patni takes us through the JCB Literary Prize longlist, David Boyd introduces a new adaptation of Banana Yoshimoto, and Eva Wissting welcomes back the revitalised, in-person edition of the Gothenburg Book Fair. Read on to find out more!

Suhasini Patni, Editor-at-Large, reporting from India

August and September have been the months of literary awards in India. The fourth iteration of the JCB Literary Prize, known as India’s most “valuable literary prize” has announced its longlist; the panel of judges—“author and translator Sara Rai—who will act as chair, 2018 JCB Prize-winner Shahnaz Habib, designer and art historian Dr. Annapurna Garimella, journalist and editor Prem Panicker, and writer and podcaster Amit Verma”—have chosen mainly debut novels for the longlist.

There are also three novels in translation, all from Malayalam. Notably, the prize last year went to Moustache, written by S. Hareesh and translated from Malayalam by Jayasree Kalathil. The books on the longlist are: Delhi: A Soliloquy, written by M Mukundan (translated by Fathima EV and Nandakumar M), Anti-Clock by VJ James (translated by Ministhy S), and The Man Who Leant to Fly but Could Not Land by Thachom Poyil Rajeevan (translated by PJ Mathew).

Delhi: A Soliloquy was the winner of Ezhuthachan Puraskaram, the highest literary award given by the government of Kerala. The book is set during the 60s-80s and follows the lives of Malayalis living in Delhi, exploring how the daily existence of migrants are full of disruption and longing. While the capital undergoes a war with China, the Emergency, and the anti-Sikh riots, the families struggle to earn money to send back home. “Delhi’s underbelly is laden with squalor and misery. I wanted to talk about these dark sides of the city,” said the author. But the loneliness and alienation of migration is captured through a discussion on language.

She didn’t know Hindi, and no one spoke Malayalam. For a few months, she had to live without language. For the first time in her life, she understood what it meant to be isolated.

The New India Foundation also announced its longlist for the fourth edition of the Kamaladevi Chattopadhyay NIF Book Prize, celebrating excellence in non-fiction writing. The foundation is also currently accepting translation fellows for work in non-fiction. The mentors for this fellowship include writers like Ayesha Kidwai, Vivek Shanbag, and Rana Safvi among many others. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

The latest in literary news from Vietnam, Bulgaria, and Taiwan!

As Venice makes its cinema showcase and the MET spreads its red carpets for the lavishly dressed, literature also serves up September as a memorable month with plenty of international displays and showcases of both known favorites and new releases. This week, a vital Vietnamese poet is commemorated in film, a varied arts festival takes place on Bulgarian shores, and an eminent Taiwanese author makes his English-language debut. Read on to find out more!

Thuy Dinh, Editor-at-Large, reporting from the Vietnamese Diaspora

Each year, on September 16, the village of Tiên Điền, in the province of Hà Tĩnh, commemorates the death anniversary of Nguyễn Du (1765-1820), its venerated native son and author of The Tale of Kiu—a 3,254-line epic poem unequivocally embraced as the Vietnamese soul. This year, to mark the 201st year of his passing, the three-hour biopic Đi Thi Hào Nguyn Du (The Great Poet Nguyn Du) will make its premiere at the XXII National Film Festival in Hue, Central Vietnam. The film’s original September release—meant to coincide with Nguyễn Du’s death anniversary—has now been rescheduled to November 2021, due to safety concerns related to Vietnam’s recent surge of COVID cases.

The Tale of Kiu, created during a time of warring loyalties and written in the Nôm (Southern) script with Chinese characters modified to reflect Vietnamese spoken vernacular, has been endlessly adapted into ci lương (“reformed” Southern Vietnamese folk opera), chèo (Northern Vietnamese musical theatre), Western-styled opera, and films. Since the idea of trinh 貞 (chastity/integrity/ faithfulness) in Nguyễn Du’s oeuvre represents both a conceptual and linguistic challenge, its complexity has inspired at least six English translations in recent decades. Huỳnh Sanh Thông’s Nguyn Du, The Tale of Kieu–A Bilingual Edition (Yale University Press, 1983), while still considered the gold standard, employs unrhymed iambic pentameter that often lapses into wooden syntax. Vladislav Zhukov’s The Kim Vân Kiu of Nguyn Du (Cornell University Press, 2013), in grafting iambic pentameter to lc bát (six-eight syllable Vietnamese rhyme scheme), results in obtuse renderings reminiscent of Nabokov’s eccentric translation of Eugene Onegin. Most recently, Timothy Allen’s The Song of Kieu: A New Lament (Penguin, 2019), while ebullient with vivid syntax, contains numerous errors and self-indulgent interpretations.

Nguyễn Du’s mistrust of chastity goes hand in hand with his concept of exile; his heroine wanders far-flung places and learns to survive by endless transformations—also a recurring theme in Kiu Chinh: Ngh Sĩ Lưu Vong (Kiu Chinh: Artist in Exile) (Văn Học Press, 2021). Penned by veteran Vietnamese American actress Kiều Chinh, the memoir echoes Nguyễn Du’s art of story-telling “to beguile an hour or two of your long night.”[i] The Joy Luck Club actress—whose dramatic flight to freedom is recounted in Viet Thanh Nguyen’s The Sympathizer—will embark on a September-November book tour to Vietnamese diasporic communities in the U.S., sharing chapters from her own life that reflect the larger history of Vietnam.

[i]Huỳnh Sanh Thông’s English translation, The Tale of Kiều, line 3254, p. 167.

READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Music festivals, poetry readings, and the launch of a new dawn in academic publishing in Sri Lanka!

This  week, our editors on the ground report from events and lectures, spanning large-scale festivals and intimate readings. Julia Sherwood discusses a spotlight on Slovak authors at Month of Authors’ Readings, and Thirangie Jayatilake is here with notes from a talk regarding the current state of Sri Lankan academic publishing. Read on for more!

Julia Sherwood, Editor-at-Large, reporting from Slovakia

Over the summer, literary organizers in Slovakia have tentatively returned to live events, mostly held in the open air. Audience sizes were kept smaller and featured mostly domestic authors because of continuing travel restrictions. Many of these events were streamed and can be watched later—this hybrid format may be one positive legacy of the pandemic.

Slovak writers were the guests of honour at Central Europe’s largest literary festival, the annual Month of Authors’ Readings (MAČ) organized by Větrné mlýny, a publishing house in Brno, Czech Republic and, on the Slovak side, by Literárnyklub.sk. Though the number of locations and participating writers was slightly scaled down, its ambition was certainly not, with thirty-one pairs of Slovak and Czech authors reading from their works every day of the month in both Bratislava and Brno, with some also travelling to Ostrava and Lviv in neighbouring Ukraine. Videos of all readings are available on the MAČ website alongside podcast interviews with the Slovak writers.

Although Pohoda, Slovakia’s largest outdoor music festival, was held from July 7 to 11 at its usual location—a former airfield in Trenčín—was limited to one thousand spectators per day, undaunted publisher Kali Bagala continued the tradition of presenting established as well as emerging authors at the Martinus Literary Tent (sponsored by the bookselling chain Martinus and also organized by Literárnyklub.sk). Young poets Richard L. Kramár and Michal Baláž introduced their second poetry collections, and Lukáš Onderčanin talked about Utópia v Leninovej záhrade [A Utopia in Lenin’s Garden], his documentary novel about some thousand idealistic men and women from Czechoslovakia who headed for Kyrgyzstan in the 1920s to help build socialism. Acclaimed poet and writer and past Asymptote contributor Jana Beňová discussed her latest non-fiction book of rambles around Bratislava, Flanérova košeľa (The Flâneur’s Shirt). There were readings by authors shortlisted for this year’s Anasoft Litera Prize, Ivana Gibová (Eklektik Bastard) and Zuzana Šmatláková (Nič sa nestalo/Nothing Happened),  as well as by Alenka Sabuchová whose novel Šeptuchy (The Whisperers) won the award in 2020. A sample from The Whisperers can be heard on the LIC_Online YouTube Channel, along with excerpts from several other books by contemporary Slovak writers in English and German translation. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Stay up to date with the literary world from Hong Kong to Palestine to India!

This week, allow our editors-at-large to take you around the world to find out about the most exciting literary news. From Hong Kong, the highly anticipated 21st Hong Kong International Literary Festival has announced its first slate of writers. New lyric dispatches allow us to hear from a variety of voices from Palestine. Finally, fellowships and festivals from India are worth your attention. Read on to learn more! 

Jacqueline Leung, Editor-at-Large, reporting from Hong Kong:

After a two-year-long hiatus with its main website, Cha, Hong Kong’s popular English literary journal, is open for submissions again from July for their Auditory Cortex 2021 special feature. Co-edited by Lian-Hee Wee and Tammy Lai-Ming Ho, the issue accepts poetry written in various Englishes, acknowledging the diversity of the language across multiple territories. The auditory cortex is the first point in the brain reacting to sound, and as such the publication is looking to document the acoustics of lesser known varieties through a series of recordings accompanying the texts. Cha is also calling for abstracts for the Backreading Hong Kong’s 2021 academic symposium, “Translating Hong Kong,” with Hong Kong Baptist University and The University of Toronto Scarborough this December. In addition to new insights into translation practice, the symposium hopes to explore the cultural and linguistic implications of interpreting works about Hong Kong, whether translation reiterates the colonial dominance of English and how it feeds into the city’s culture.

Back for its 21st year, the Hong Kong International Literary Festival just announced its initial line-up of writers and speakers. Held between November 5 to 15, this year’s festival is entitled the Rebound Edition and will focus on themes of resilience, recovery, and mental health. It has so far confirmed the appearance of Amor Towles, Paula Hawkins, Damon Galgut, and Mary Jean Chan, as well as local emerging writers Alice Chan, Virginia Ng, and Angus Lee, with more details to be announced in late September.

Beyond the page—and my usual reportage of Chinese-English translation happenings—Asia Society Hong Kong Center is hosting a series of six screenings and talks of Korean films with English subtitles between now and December. Titled “Beyond K-pop: Korean Families in Films,” the program features new and classic hits including Bong Joon-ho’s Parasite (2019), Ode to My Father (2014), and Minari (2021) which won the BAFTA Award for Best Film Not in the English Language. The films offer portrayals of Korean families in different eras and social contexts, addressing issues of historical strife, separation, and immigration. READ MORE…

A Thousand Lives: Staff Reads from Around the World

A selection of staff reads from Asymptote’s Fortnightly Airmail

We hope you’re staying dry. If you’re looking for a book to curl up with, check out these staff reads—hailing from Colombia, Germany, and India. Sign up for our newsletter to get these recommendations delivered right to your inbox.

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Like an archaeology museum, Judith Schalansky’s An Inventory of Losses (New Directions, 2020), translated from the German by Jackie Smith and longlisted for the 2021 International Booker Prize, catalogues objects, places, artwork, people, and animals lost to history across centuries of time and continents through twelve genre-bending and essayistic pieces, one of which was previously featured in Asymptote. Schalansky is a German writer and editor, whose previous novels grappled with the transience of things, isolation, and the disappearance of islands and species. Schalansky adopts a wide range of styles to enter the world of her material and reanimate the objects under consideration, while Jackie Smith captures the idiosyncratic form of each piece. Schalansky’s pieces are indeterminate, meandering collages of history, biography, memoir, and criticism. They are linked through their concerns with the ravages of time, the processes of decay, and memorialization. In the style of W.G. Sebald and Sir Thomas Browne, these pieces represent memento mori, in that they meditate on the disintegration of things, while also asking us to consider how the past is interpreted from writings, artifacts, and a discontinuous archive. These retellings of history are acts of preservation—they give voice to the silenced, reorient the reader toward an era, a place, or a person, while also probing the political and philosophical dimensions of memory and forgetting.

Darren Huang, Editor-at-Large for Taiwan

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David, an aging painter losing his vision to macular degeneration, reflects on the most difficult night of his life: his son’s euthanasia twenty years ago. Such is the plot of Tomás González’s elegiac novel Difficult Light, translated from the Spanish by Andrea Rosenberg, and released by Archipelago Books. As David writes, he keeps returning to the night in New York City when his family waited to hear if his son, paralyzed and suffering, had followed through with his decision to die. Will the doctor show for the illegal assisted suicide in Portland? Will his son change his mind? Death permeates the novel. His son’s. His wife’s. His own, impending. But so does beauty, love, humor, and though it’s difficult, light.

—Kent Kosack, Director, Educational Arm READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Catch up on literary news from our editors on the ground!

This week, our editors report on literary gatherings, from a Chinese organization that seeks to bridge the cultural divide between the mainland and Taiwan, and Central America’s biggest book fair, FILGUA. Read on to find out more!

Xiao Yue Shan, Blog Editor, reporting for China

The Taiwan Strait measures only 130 km at its narrowest point, but it is the other distance—the unphysical distance, imposed by human prescriptions—that defines it. Recently, with the US’s withdrawal from Afghanistan, Taiwan’s own future was placed into question, with many remarking that the island was due to become “the next Afghanistan,” and criticizing American foreign policy as a hasty manifestation of 始乱终弃—to play with and abandon as if with a toy. Whether or not the US will continue its disengagement of military intervention, the geopolitical tension has deepened the chasm between the island and the mainland—in history if not in nature—with the continual wear of weariness, suspicion, and speculation.

Yet in Pingtan, Fujian, from where Taiwan is vivid and impossibly near on the other side of the waters, there persists certain attempts of breaching the cultural distance, most recently by the Pingtan Cross-Strait Sinology Center, established in 2018. Regularly hosting forums and lectures on Chinese and Taiwanese scholarship and texts, the Center, on August 18, held a talk on Taiwanese women writers, and how they write about love.

As Taiwanese writer 余光中 Yu Guangzhong once remarked, it is the work of women writers that have contributed most significantly to the nation’s exceptional range of contemporary essays. The traditional memoirist 林海音 Lin Haiyin, the nomadic and impassioned diarist Sanmao 三毛, the erudite humanist 琦君 Chi Chun—the works of such women essayists both expanded and challenged the imagination and logics of Taiwanese letters, intervening in the traditional discourse with intelligent intimations of selfhood, voyage, and being. While delivering the lecture, professor Yuan Yonglin remarked on how writers such as 张晓风 Zhang Xiaofeng and 简媜 Jian Zheng impressed deeply in their works by giving personal insight as to how they defined their relationships with the men in their lives—the former with the letters written to her husband, and the latter with writings on her father. In the depiction of men as subjects of love, these texts identified passions, affections, and aestheticizations specific to the female experience, addressing their complexity and bringing them into public language. READ MORE…

Weekly Dispatches from the Front Lines of World Literature

This week, our editors report from Thailand, Sweden, and the USA.

Around the world, the way we read is changing: Eva Wissting digs into book sales data in Sweden and finds a spike in digital subscription services amid the pandemic, Peera Songkünnatham reports that Thai poets are reinventing a classic form, and Allison Braden rounds up a slew of Women in Translation Month events. The annual celebration, dedicated to shaking up the canon, makes for a perfect moment to envision the heady, vivid future of literature.

Eva Wissting, Editor-at-Large, reporting from Sweden

A literary project called Bokbastionen (“The Book Bastion”) is finally about to launch in Sweden. The Swedish Arts Council has granted Svenska Bokhandlareföreningen, an association of Swedish booksellers, 400,000 SEK to support in-store events with authors. Although it was the challenges posed by the pandemic that led to the idea of supporting booksellers, coronavirus restrictions have delayed its start because gatherings have not been possible until now. Finally, the first event supported by the project will be held this coming week at a poetry festival in picturesque Söderköping. The initial plan for Bokbastionen included twenty author events this year, but about half of these will spill over into next year instead. The interest to host events has been particularly large among smaller, independent bookstores, which now are looking for ways to create interest among readers and book lovers.

Even though the pandemic has had severe consequences for much of the cultural sector, book sales have had a positive development in Sweden, according to a new report from the Swedish Publishers’ Association. In the first half of 2021, overall book sales have increased by over 10 percent, but there is an ongoing shift between sales channels. The largest growth is in digital subscriptions with almost 20 percent, followed by an almost 15 percent increase in online bookstores. Physical bookstores, on the other hand, have had an 8 percent decrease in sales during the first half of this year. Both digital and printed books increased in sales, by 14 percent and 7 percent respectively, indicating that ebooks are not replacing physical books. Out of all book sales in Sweden, almost 80 percent take place online—50 percent through online bookstores and 28 percent through digital subscriptions. The report concludes that book sales have been greatly influenced by the pandemic. More customers have turned to online options, including digital subscription services. Though there are more bookstores closing down permanently than there are starting up, readers seem to be returning to physical bookstores as vaccination rates increase. READ MORE…

Announcing A Three-Day Flash Sale!

Even better than ice cream in August, our Book Club will take your reading to the next level!

Splash into savings this August with a special 10% discount off three-month Asymptote Book Club subscriptions, now fortified with monthly Zoom Q&As with the author and/or translator of each title. Offer ends Aug 15, so don’t wait: Try our Book Club for as little as USD15 a month!

BONUS: If you’re among our first five new subscribers, we’ll even throw in our July Book Club title for free!

What’s New with the Crew? (Aug 2021)

In addition to editing your favorite literary journal, Asymptote staff are publishing books and winning awards!

After organizing a #GraphPoem computational poetry event that attracted hundreds of participants and thousands of viewers at DHSI 2021, Chris Tanasescu aka MARGENTO, Editor-at-Large for Romania and Moldova, is in the process of collaboratively starting a Digital Literature Lab at the Royal Library of Belgium on a FED-tWIN grant involving Université catholique de Louvain.

Chinese Social Media Manager Jiaoyang Li has received a China-Scotland Digital Collaboration Grant from the British Council and the City Artist Corps Grant from New York Foundation for the Arts to work on a series of community based literary events and workshops.

Assistant Director of Outreach Ka Man Chung’s English translation of Over the Left Bank of the River by Chung Wenyin has been awarded a translation and publication grant by Taiwan’s Ministry of Culture. The work is expected to be released by Serenity International in 2022.

Educational Arm Assistant Katarzyna Bartoszyńska’s new book Estranging the Novel: Poland, Ireland, and Theories of World Literature has just been published this month by Johns Hopkins University Press.

Director of the Educational Arm Kent Kosack has a new short craft essay on the retrospective narration in J.D. Salinger’s “De Daumier-Smith’s Blue Period” up at Fiction Writers Review.

Assistant Editor (Poetry) M.L. Martin’s collection of ekphrastic prose poems, Theater of No Mistakes, won the 2021 Rick Campbell Chapbook Award, and will be published later this year with Anhinga Press (USA). In addition, her anti-translation of the Anglo-Saxon poem by the anonymous, pre-10th c. proto-feminist, Wulf & Eadwacer, was named a finalist for CSU’s 2021 Lighthouse Poetry Series (USA). READ MORE…

A Thousand Lives: Staff Reads from Around the World

Here to help you diversify your bookshelf, a selection of staff reads from Asymptote’s Fortnightly Airmail

If, as the adage goes, readers experience a thousand lives before they die, then readers of translated literature experience a thousand cultures without ever leaving their armchair. Set in Canada, India, Finland, Italy, and Jordan, here is a selection of international reads recommended by our staff for the newsletter. Get ready to be transported!

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The year is 1506. The great artist Michelangelo is furious at his stingy patron the Pope, “the bellicose pontiff who had thrown him out like a beggar.” But as one door closes, another opens in the form of an invitation from the Sultan of Constantinople to come to his city and design a bridge to cross the Golden Horn. Tell Them of Battles, Kings & Elephants, written by Mathias Énard and translated by Charlotte Mandell, is a feat of richly-imagined historical fiction that tells the tale of this sculptor’s journey. Michelangelo is abstemious and driven, consumed by his art and ego. But he soon succumbs to the charms of cosmopolitan Constantinople, its sounds and smells, its poets and performers. Yet dark forces conspire to thwart the artist from completing his designs. Intrigue. Assassins. Daggers in the night. Will Michelangelo complete his bridge and join cultures and continents? What will be the legacy of his journey? You’ll have to read it to find out.

—Kent Kosack, Director of Educational Arm

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Kjell Westö’s novel The Wednesday Club, translated from the Swedish by Neil Smith, takes us to Helsinki in 1938–ten years after the Finnish Civil War. The Second World War has not yet started, but Hitler and his policies are already a recurring discussion topic far beyond Nazi Germany. Lawyer and recent divorcee Claes Thune wants to keep the gentleman’s club with his three friends amicable but not only the world around them but also the past keeps intruding. As some of the friends start drifting apart, Thune finds a friend in his new secretary Matilda Wiik. But why is she so secretive about her background? Westö is one of the most highly praised Swedish-language writers in Finland. Although he writes poetry and short stories as well, it’s with his novels set in twentieth century Helsinki that he has truly established himself as a writer. Readers of the engaging and intriguing The Wednesday Club understand why.

—Eva Wissting, Editor-at-Large for Sweden

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Smita sends her daughter to the village school in Badlapur for the first time, an action that sets a daring journey in motion. Guila works in her family’s wig workshop, the House of Lanfredi in Palermo, but soon receives news that changes the course of their business forever. In Montreal, a successful lawyer, mother of two, and woman who has it all, Sarah’s priorities are about to shift dramatically. Laetitia Colombani’s The Braid, published by Picador in 2019, interlaces the stories of Smita, Guila, and Sarah—each on the precipice of change. Cinematic in scope and expertly translated from French by Louise Rogers Lalaurie, it is ideal for binge reading. Set in the present day, the alternating perspectives flow seamlessly and are further linked through a poem. Colombani creates a deeply personal tale of women building new paths upon generations of faith, culture, and tradition, while revealing unexpected ways in which our modern lives intersect.

Mary Hillis, Educational Arm Assistant READ MORE…

Weekly Dispatches from the Front Lines of World Literature

Our editors report from the Czech Republic, Slovakia, Myanmar, and Hong Kong in this week's roundup of literary news!

“Braid your hair, my boys, with greener leaves / We still have verse among us.” In Adonis’ s long work, “Elegy for the Time at Hand,” the poet enchants with the perseverance of language and beauty throughout all things. This week, our editors from around the world bring news of writers weaving, observing, resisting, and changing the world around them. In the Czech Republic, poetry enjoys its moment in the spotlight. In Myanmar, the illegal regime continues to jail and silence its writers and poets. In Hong Kong, the young generation of writers prove their capabilities, and a new volume of poetry traces the current precarious politics. 

Julia Sherwood, Editor-at-Large, reporting for the Czech Republic

Czech poetry is enjoying something of a moment in the new millennium, says writer and translator Pavla Horáková in the latest installment of her series for Prague Radio International, Czech Books You Must Read, which presents two “poets of the everyday”—Petr Hruška and Milan Děžinský. As his collection, A Secret Life, translated by Nathan Fields, comes out from Blue Diode Publishing, Děžinský—who is also a translator and has introduced Czech readers to leading American poets such as Sharon Olds, Robert Lowell and James Wright—explains in this brief video (in English) how much it means to him that his own work has now found its way to Anglophone readers.

Both Děžinský and Hruška are past recipients of the Magnesia Litera Prize for poetry; this year, the award—the Czech Republic’s most prestigious—went to Pavel Novotný for his collection Zápisky z garsonky (Notes from a Bedsit). Another poet, Daniel Hradecký, bagged the prize in the prose category for Tři kapitoly (Three Chapters), an autofictional work described by one critic as “brimming with cynicism, causticity, alcohol and the existential  philosophy of those on the margins of society.” One of the five authors that Hradecký beat to the prize, Lucie Faulerová, had the consolation of being among the winners of the 2021 EU Prize for Literature, for her novel Smrtholka (The Deathmaiden). You can read an excerpt translated into English by Alex Zucker here. The winner of the 2021 Magnesia Litera Book of of the Year is veteran translator and emeritus professor of English literature Martin Hilský’s Shakespearova Anglie, Portréte doby (Shakespeare’s England. A Portrait of an Age), nominated in the non-fiction category. The jury praised this monumental work, which explores Elizabethan society in extraordinary detail and represents “the culmination of Hilský’s lifelong interest in the work of William Shakespeare and makes a significant contribution to our knowledge of Elizabethan culture.” READ MORE…