Language: Spanish

Hope and Money Unites Us All: On The Hand That Feeds You by Mercedes Rosende

February 9, 2023  |  in Reviews  |  by Chinmay Rastogi

. . .the visceral, gripping event only serves as backdrop—like the mentions of unusual weather—never bursting to take centre stage.

The Hand That Feeds You by Mercedes Rosende, translated from the Uruguayan Spanish by Tim Gutteridge, Bitter Lemon Press, 2023 

The Hand That Feeds You is Uruguayan author Mercedes Rosende’s sequel to Crocodile Tears, the thriller that won her the prestigious German literary award LiBeraturpreis in 2019, and it continues the author’s track record of bringing powerful, darkly comic crime novels to her readers. The duo of Rosende and translator Tim Gutteridge work together to fill these pages with characters both strong and deeply flawed—none more so than the protagonist Ursula López—living in the Old Town of Montevideo which, similar to its inhabitants, hides more than it shows. 

The high octane beginning nails the reader into their seat in Rosende’s theatre; the narrative feels cinematic throughout, with the author always adept in choosing what to spotlight, what to lampshade, when to pan out, and when to zoom in. The narrator is all-knowing, telling us what is happening and what will happen in the same sentence, but also proves adept at knowing when to let the characters speak for themselves for the benefit of the reader—a mark of Rosende’s command over her prose’s flow. There are many places where the focus shifts from the action to the characters, integral in showing the individual states of mind: 

We see her face in close-up: she is flushed, and perspiration is starting to accumulate around her open, smiling mouth. She is lightly made up, just enough to accentuate her beauty. She has taken great care over her clothes, loose black garments that suit her, even if many people, slaves to ideals of beauty imposed by some mysterious criterion, would say she is a few pounds overweight.

The people of The Hand That Feeds You are involved in a bank heist gone wrong, and by writing such vivid personal presences, Rosende allows readers time to catch breath between tense moments, all playing out amidst the backdrop of commentary on society and life in Montevideo—the author’s own hometown. In the crime’s aftermath, the robbers, the cop, and the lawyer who is behind the whole thing become engaged in a game of cat and mouse with Ursula—who drops in at an opportune moment to make away with the money.

The language does not try to override the plot in importance and impact (there isn’t much need for ornate style in a page-turner that has one holding one’s sides and breath in equal measure) but it has peculiarities that again, draw the eye to certain elements that Rosende and Gutteridge want us to focus on. For instance, there is something off about most of the characters that populate the novel. Ursula’s companion Diego, always at the mercy of the people around him and his own fears, “opens his eyes like a ventriloquist’s dummy”; his lawyer, Antinucci, has an unnatural smile and eyes like hard-boiled eggs. Our protagonist Ursula has schizophrenic conversations with her dead father. All these elements lend their characters something unnatural, broken. A touch of the preternatural also hangs over them, be it a haunting, a religion, or a reversion to superstition and a desperation for signs to aid decision-making in moments of stress.  READ MORE…

Weekly Dispatches From the Front Lines of World Literature

February 3, 2023  |  in Dispatches, News, Weekly Roundup  |  by Charlie Ng, Julia Sherwood, and Rubén López

The latest from Hong Kong, Guatemala, and the Czech Republic!

In this week’s roundup of literary news, we are paying tribute to the legacy of monumental writers. As Hong Kong mourns the recent loss of one of the country’s emblematic authors, Xi Xi, the Czech Republic commemorates the 100th anniversary of Jaroslav Hašek’s passing. In Guatemala, beloved writer of personal and continent-spanning histories, Eduardo Halfon, takes a new step into global recognition. Read on to find out more!

Charlie Ng, editor-at-large, reporting from Hong Kong

Renowned Hong Kong writer Cheung Yin, more commonly known by her pen name Xi Xi, passed away on December 18, 2022 from heart failure. Originally born in Shanghai, Cheung came to Hong Kong in 1950 at the age of twelve. She was educated at Heep Yunn School and the Grantham College of Education, and became a primary school teacher after graduation. Among her most prominent works are My City and Flying Carpet, both urban novels that reflect everyday lives and the transformation of Hong Kong. Another acclaimed novel, Mourning a Breast, is a semi-autobiographical work based on Cheung’s own experience of fighting breast cancer. Cheung also wrote poems and was prolific in essays, often published as articles for newspaper columns. Her most recent publications include the historical novel The Imperial Astronomer and the poetry collection Carnival of the Animals.

Loved by all generations of readers, Cheung is known for her playfulness, imagination, and experimental techniques. Blending real and fantastic elements, some of her works are described as embodying a style of “fairy-tale realism.” The Chinese characters of her pen name, Xi Xi 西西, represents the image of a little girl in skirt playing hopscotch. Cheung was awarded the Newman Prize for Chinese Literature and the Cikada Prize in 2019, and the Life Achievement Award of the 16th Hong Kong Arts Development Awards in 2022. A memorial service was held at Cheung’s alma mater, Heep Yunn School, on January 8 to commemorate her literary achievements, and on January 14, another memorial meeting was organised in Taipei, in which Hong Kong and Taiwan writers gathered to recite her works. Her translator, Jennifer Feeley, who translated Not Written Words and Mourning a Breast, also wrote a memorial, “A Translator Like Me” (available in both English and Chinese) to honour the lauded writer.

READ MORE…

Winter 2023: Highlights from the Team

February 1, 2023  |  in News  |  by Barbara Halla, Caridad Svich, Ellen Elias-Bursać, Georgina Fooks, Heather Green, Ian Ross Singleton, Janet Phillips, Marina Dora Martino, and Thuy Dinh

Dip your toe into our milestone Winter 2023 issue with these recommendations from our global team!

I found, as I sat down to read this issue, that what I was hungry for was urgency, vitality, wit and I found pieces that gave me what I was looking for. “There’s No Cure for the Dead” by Nazli Karabiyikoglu (tr. Ralph Hubbell) weaves a breathtakingly complex tapestry, rife with competing rhythms and energies. Selim Özdoğan’s “Seven Difficulties and One Ever-Narrowing Path” (tr. Katy Derbyshire) brought exactly the acerbic, incisive voice I needed. The Alfred Döblin story “The Woman Who Walked In Her Sleep” (tr. Joachim Redner) was filled with great verbs, gestures, colors, sounds, taking the reader on a dizzying trajectory, a plummet, really, from the character swanning about Berlin, showing off his colorful fashion ensemble, to a murderous rag doll come to life. Menke Katz’s poems with their structural challenges around diminishing or growing numbers of syllables and the love of Yiddish had me re-reading them and admiring the translation. And Aco Šopov’s deep, painful poems (tr. Rawley Grau and Christina E. Kramer) after the devastation of the 1963 Skopje earthquake show how despair communicates across decades and has much to say to us about loss and survival now, sixty years later.

—Ellen Elias-Bursac, Contributing Editor

This issue I was particularly blown away by the quality of the interviews published. The César Aira interview conducted by Michal Zechariah is truthfully hilarious, and the line of questioning really allows his trademark wit and absurdism to shine through. I found Geetanjali Shree’s interview with Rose Bialer to be incredibly generous and thoughtful, fascinating and sharp. In both cases, I thought a really strong sense of their writing came through thanks to the interviewers. The visual section brought together two incredible artists—I’m researching the interplay of poetic text and space at the moment, so Lynn Xu’s thinking (teased out by Laura Copelin) really spoke to me, and I appreciated the climate focus of Bahia Shehab’s work, and her interview with Heather Green. Last but certainly not least, I loved Jared Joseph’s review of Johannes Göransson’s Summer. As a researcher, Göransson’s thinking on poetry translation has been incredibly insightful, and I enjoyed the same insights applied to his work, really engaging in depth with poetry as a genre and mode of being. As a bonus, I thought the criticism section was pleasantly varied in terms of geographies and genres!

—Georgina Fooks, Director of Outreach

All the fiction pieces in this issue are truly marvelous, as if they’re in conversation with one another! For example, Kim Cho Yeop’s “Laura” (tr. Sukyoung Sukie Kim) and Dalih Sembiring’s “Floccinaucinihilipilificatius” (tr. Avram Maurits) can be seen as companion pieces, as both stories deal with corporeal limitations and spiritual transcendence. Laura’s sci-fi context, on various conditions related to body dysmorphia, eloquently evokes the plight of non-binary and transgender groups, while Floccinaucinihilipilificatius represents a metaphorical lotus—its trajectory from pain and putrefaction toward the light of maternal love. There’s a sense of metaphysical wonder to both stories—even though one is inspired by science and the other by magical realism. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

January 27, 2023  |  in Dispatches, News, Weekly Roundup  |  by Carol Khoury, José García Escobar, and MARGENTO

Literary News from Palestine, Central America, Romania, and Spain!

Join us this week with a new batch of literary dispatches covering a new Palestinian literary and culture magazine, the 2023 PEN Open Book Award longlist, and more. From a Palestinian literary festival to the birthday celebration for the “national poet” of Romania, read on to learn more!

Carol Khoury, Editor-at-Large, reporting from Palestine

A first is always exciting, always an event; in fact, it’s called “a first” even if a second never comes. And when there is a second time, it’s an opportunity to celebrate and to remember the first.

This week the Palestinian literary community is anticipating both a first and a second.

The Palestinian literary scene is witnessing the birth of Fikra Magazine, an online Palestinian cultural and literary magazine – writing and art by and for Palestinians. According to partners and co-founders Aisha and Kevin, Fikra is dedicated to “high-quality content that doesn’t conform to stereotypes and old-fashioned ideas about Palestine. It’s original, it’s inspiring, it’s bold.” What is exciting about this new publication is that every piece is professionally translated from Arabic to English—or vice versa. Since “Palestinians in the Diaspora often don’t read Arabic as their mother tongue,” the creators say in their promotional materials, “we want our writers to become part and parcel of the international writing-guild as well.” In Fikra, the creators promise, “you’ll find Palestinian writers and artists from all corners of the word – from Gaza, the West-Bank, East-Jerusalem, 48, and the diaspora.”

READ MORE…

Blog Editors’ Highlights: Winter 2023

January 23, 2023  |  in News  |  by Bella Creel, Meghan Racklin, and Xiao Yue Shan

. . . di Giorgio, standing in front of the rosebush, flicks the switch on, invites us to see.

Asymptote’s Winter 2023 Edition is out, showcasing literature from thirty-four countries and fifteen languages! Marking our twelfth year in world literature, this issue is headlined by César Aira, Geetanjali Shree, and César Vallejo. Here, blog editors Xiao Yue Shan, Meghan Racklin, and Bella Creel introduce their highlights from the issue, from an explosive, violent garden, to a perverse love story and vengeful doll, to a piece of criticism that reads more as art than review. 

In a short eulogy for the brilliant, transportive Catalan writer Mercè Rodoreda, Gabriel García Márquez recounts a brief visit he once paid her in Barcelona, around a decade before her death. Slightly taken aback by her impeccable resemblance to her characters, namely in what she had described as her “innocence,” the García Márquez intuited that Rodoreda, like the people she had raised to such stark emotional reality, had a penchant for growing flowers. “We spoke about [gardening], which I consider another form of writing,” he recounts, “and between our discussion of roses . . . I tried to talk to her about her books.”

The botanic, as both these great writers knew, is transportive. There is nothing so beguiling as the language of flowers—their ancient names, colour, perfume, their mystic properties and secret variety; we know this, because the writers before us had long known it, just as the writers before them had known it, and on and on backwards, ever since the first poets looked at the world in bloom, and saw in it an opening to the sublime. Over and over, we’ve harvested from the natural world to give our poems tint and fragrance, to purple our prose and frame our visions, and in the same way that soil can be exhausted, the power of this invocation has since waned through countless verses. The challenge to the text now, when evoking landscape, is what García Márquez knew: the writer cannot simply pick the flowers—she must grow them herself.

In Marosa di Giorgio’s excerpt from The Moth, the garden is explosive. Translated with a musical ear by Sarah María Medina, the prose poems luxuriate in their sheer volume of lush imagery, of ripe fruit and their rainbow palette, bacchanalian sweetness and insatiable appetite. Di Giorgio has always been an exceptionally visual writer, with her prodigious use of images inspiring comparison to the works of Bosch and Dalí—and here her painterly instincts are once again ravishing. In broad strokes a feast is spread before us, peaches and dates and syrup, as her image-language fills the lines with taste and spectacle. She once said that “only the poet knows what colour to give each word . . . In The Moth, I paint myself as a reciter who interprets in front of the rosebush.” 

READ MORE…

Weekly Dispatches From the Front Lines of World Literature

January 20, 2023  |  in Dispatches, News, Weekly Roundup  |  by Alton Melvar M Dapanas, Andriana Hamas, and Areeb Ahmad

Literary news from Bulgaria, the Philippines, and India!

Join us this week with a new batch of literary dispatches covering newly released audiobooks by the unofficial “hero of the Philippines,” the passing of one of Bulgaria’s most notable political figures and literary critics, and an award-winning translator’s appearance in New Delhi. From a night of chilling literature in Sofia to a bookstagrammer’s compilation of all Indian books in translation from 2022, read on to learn more!

Andriana Hamas, Editor-at-Large, reporting from Bulgaria

Although usually uneventful, January has so far proved a surprise for everyone who has taken a keen interest in the Bulgarian cultural scene.

Earlier this month, the local community lost the literary critic Elka Konstantinova. Throughout her life, the scholar, who passed away at the age of ninety, managed to balance an innate passion for the written word with a desire to bring about broader societal change by being an active participant in the country’s political life. In a recent report, the Bulgarian Telegraph Agency described her as “one of the key figures in Bulgarian politics after the fall of communism in 1989.” Her research encompassed diverse topics from the relationship between the fantasy genre and the world of today to the general development of the short story during specific periods of the twentieth century.

In other news, by the time you are reading this dispatch, the French Cultural Institute in Sofia will have begun preparations for its first Reading Night (Nuit de la Lecture). The event, organized in collaboration with the National Book Centre, is set to start today, in the late afternoon, and will last well past midnight. This year, the theme is “Fear in Literature” with a focus on fairy tales, criminal investigations, fantasy, dystopian science fiction, chilling essays, and more. Younger readers and their parents will have the chance to participate in several literary workshops and specially designed games that aim to ignite the public’s enthusiasm for books and stories.

READ MORE…

The Winter 2023 Edition Has Landed

January 19, 2023  |  in News  |  by Lee Yew Leong

Helping us celebrate our milestone 12th anniversary issue are César Aira, Geetanjali Shree, Alfred Döblin, and Choi Jeongrye in our Korean Feature!

Earthquake, war, disease, unrequited love, even a man-made hell conjured through scents—what haven’t the protagonists in our Winter 2023 edition been through? Tagged #TheReturn, this issue is not only a celebration of human resilience but also of our twelve years in world literature. Helping us mark this milestone are César Aira, one of the most beloved names in the canon, and Geetanjali Shree, 2022 International Booker Prizewinner—both give us exclusive wide-ranging interviews. Amid new work from 34 countries, we also have stunning short stories from Alfred Döblin and Dalih Sembiring, powerful drama by Anna Gmeyner, a brilliant review of past contributor Johannes Göransson’s latest publication, and a Special Feature sampling the best in contemporary letters from a world literature hotspot sponsored by LTI Korea. All of this is illustrated by our talented guest artist Weims.

In Emmelie Prophète’s slow-burning fiction, “The Return” is a dramatic answering of prayers when a former Olympic athlete turns up unannounced before his mother a lifetime after his escape from Port-au-Prince. That same longed-for return is impossible for poet Fadi Azzam—“a Syrian / who had to flee his homeland / to countries that wish to flee from him.” In Juana Peñate Montejo’s poems of exile—our first work from the Mayan language of Ch’ol—on the other hand, it’s the self that requires summoning and remembering: “Bring the scent of amber, / return me to myself.” Re-membering, in the most literal sense, is foregrounded in Kim Cho Yeop’s macabre but fascinating story, one work in a sci-fi-tinged Korean Feature of startling breadth, wherein we are initiated into a community of amputees-by-choice, since “the body is hardly capacious enough to contain the human soul, which is so full of potential.” So full of potential, perhaps, that even a lover’s reincarnation on the 49th day of his death in the womb of a stranger seems possible in a transcendent story by the Mongolian writer Bayasgalan Batsuuri.

“Six months before his death in 1991, Menke Katz had a dream. In it, his long-dead mother admonished him to return to writing in his native language, Yiddish.” This dream resulted in the Oulipian poems that Jacob Romm has beautifully translated for this issue. Proving an exception to Shree’s claim that “the creative writer is instinctively drawn to her mother tongue,” Mohammed Khaïr-Eddine describes an opposite impulse in his essay: writing in French—a second language—is his deliberate choice, and he wouldn’t have it any other way. Anyway, isn’t the true writer one who is “always a stranger in the language he expresses himself in”? In any case, even if the process of writing is estranging, the outcome when a piece of writing finds its intended reader can be sublime. For Lynn Xu, “the act of reading is the act of making kin . . . For example, when I read [César] Vallejo, I recognize that he is my mother . . .” By utter coincidence or divine fate, César Vallejo is also featured in these very pages, translated by another César, the intrepid César Jumpa Sánchez, who is determined to project Vallejo’s breakthrough collection, Trilce, to, in his own words, “a network of planetary outreach.”

Just as “encyclopedism has been the permanent horizon of [César Aira’s] work,“ the asymptotic impulse to realize a world literature that truly reflects the world has been our north star from the get-go. If our very existence has connected you with your kindred authors, help us get to our big 5 0 (in issues, not years!), just around the corner. The best way to support us is to sign up as a sustaining or masthead member—the New Year brings new perks and we’ll even put together a care package (rabbit theme optional) for supporters at the USD500-a-year tier and above. Thank you for being with us all these years!

READ THE ISSUE

Weekly Dispatches From the Front Lines of World Literature

December 16, 2022  |  in Dispatches, News, Weekly Roundup  |  by Alan Mendoza Sosa, Andriana Hamas, and Areeb Ahmad

The latest from Bulgaria, India, and the United States!

This week, Asymptote‘s Editors-at-Large bring us news on literary festivals, award-winning works, and poetry open-mics in Bulgaria, India, and the United States! From discussions of disinformation and machine translation at the Sofia International Literary Festival, to a poem performed in the Metaverse, to double-Booker wins in South Asia, read on to learn more!

Andriana Hamas, Editor-at-Large, reporting from Bulgaria

Writers are powerful creatures. They think up imaginary worlds that sometimes appear more tangible than the mundane reality most of us face on a daily basis. What happens, however, when malicious groups deliberately blur the line between illusion and fact in an attempt to sway public opinion in a specific direction? How does one fight disinformation, and can literature teach us to differentiate between the plausible and the ridiculous? These are only some of the questions the 2022 edition of the Sofia International Literary Festival, held December 6–11 during the Sofia International Book Fair, endeavored to answer.

READ MORE…

The Possible Transformations Between Covers: On Storybook ND

December 15, 2022  |  in Reviews  |  by Thuy Dinh

The series’ humor, experimental spirit, and eye-catching design serve as the literary equivalent of an invigorating rollercoaster ride.

Storybook ND, by various authors and translators, New Directions, 2022

In autumn, literary publishers New Directions released a new compilation, corralled under a dreamy concept: Storybook ND offers fiction “to be seen and read for an hour or two . . . [Books] to fall into for a spell, in the space of an afternoon, or early evening, or on waking.” Curated by writer and translator Gini Alhadeff, the series introduces six “long stories or short novels” that can be read as parables, travelogues, or auto-fiction. While startlingly diverse in narrative approach, the common thread among these works seems to be the writer’s classic zeal to bridge a gulf—between life and art, flawed reality and transcendent fiction.

With each book ranging anywhere from sixty to ninety-six pages, Storybook ND currently features one original English-language story—Helen DeWitt’s The English Understand Wool—and five translated works: The Woman Who Killed The Fish by Clarice Lispector, translated from the Portuguese by Benjamin Moser; Three Streets by Yoko Tawada, translated from the Japanese by Margaret Mitsutani; Early Light by Osamu Dazai, translated from the Japanese by Ralph McCarthy and Donald Keene; Spadework for a Palace by László Krasznahorkai, translated from the Hungarian by John Batki; and The Famous Magician by César Aira, translated from the Spanish by Chris Andrews. While DeWitt’s The English Understand Wool is not a translated work, it can be read as a virtuosic reflection on aesthetic representation and translation; specifically, DeWitt illustrates how both fiction and translation, in transforming reality or a foreign context into something intelligible, can also reflect the writer/translator’s inherent bias and their latent wish to control content.   READ MORE…

Weekly Dispatches From the Front Lines of World Literature

December 9, 2022  |  in Dispatches, News, Weekly Roundup  |  by Alton Melvar M Dapanas, Kristina Tatarian, and Wambua Muindi

Literary news from Armenia, the Philippines, and Kenya!

This week, our editors on the ground are watching out for multilingual poetry events, emerging Armenian writers, solidarity in language and literature, the favourite texts of Filipino readers, translation in Southeast Asia, dialogues between authors in Nairobi, and PEN/HEIM Translation Grants winners. Read on to find out more!

Kristina Tatarian, Editor-at-Large, reporting from Armenia

The beautiful auditorium of the Carfesjian Center for the Arts, located at the Cascade Complex in Yerevan, is a frequent stage for literary readings. On the night of October 8, the center hosted a performance as part of antiBabylon, a multilingual poetry event that brought together literary communities from Georgia, Armenia, Ukraine, Moldova and Germany. Organised by PANDA Platforma, an NGO from Berlin, the event took place in Georgia, Armenia, Moldova, and Ukraine, as poets visited each other’s countries for joint workshops and performances to create, translate, and perform. The Project’s aim is to create a “free multilingual poetic space,” and test if poetry can answer the most burning existential questions of today’s troubled world.

On the same day, IALA’s Emerging Writers Showcase took place online. This showcase featured readings from Armenian authors championed by the organisation as mentees or winners of the Young Armenian Poet Award. By supporting emerging literary talent, the organisation adds to the global effort of Armenian artists to accelerate cultural revival in the country.

The Armenian diaspora around the world plays a crucial part of setting the cultural agenda for Armenian literature, and now, the groundbreaking collection We Are All Armenian: Voices from the Diaspora, edited by Aram Mjorian, is available from University of Texas Press. The collection will feature essays from writers and poets of Armenian origin, shedding light on diverse experiences of “Armenianness” and personal perspectives on ethnicity, identity, and the sense of home. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

November 25, 2022  |  in Dispatches, News, Weekly Roundup  |  by Alton Melvar M Dapanas and MARGENTO

The latest from Romania and the Philippines!

In this week’s literary round-up, we’re bringing coverage from the myriad intrigues of world literature, from storybooks highlighting Indigenous narratives to diasporic Romanian writers, romance writing to exiled heroes. Read on to find out more!

MARGENTO, Editor-at-Large, reporting from Spain and Romania 

As the Romanian literary scene is gearing up for the twenty-ninth edition of Gaudeamus book fair, organized by Radio Romania in Bucharest from December 7 through the 11, the literary diaspora is both very active and a hot topic in and of itself. A one-day seminar, entitled “European Cultural Representations of Romanian Migration and Exiles” took place at the Romanian Centre, Complutense University of Madrid (UCM) last week. Presentations and roundtables on highlights from the Romanian diaspora across the Western world—such as religious studies international icon and fiction writer Mircea Eliade, Romanian-Spanish comparative literature pioneer Alexandre [Alejandro] Cioranescu, and former Asymptote contributor Matéi Visniec—were complemented by excursuses into the work and lives of personalities relevant to both Romanian and Spanish literatures. Former Asymptote contributor Felix Nicolau, Director of the Romanian Centre and Romanian Language and Literature Lecturer, gave a talk about Alexandru Busuioceanu: a poet, art historian, and essayist credited for establishing Romanian as an academic subject at UCM back in the mid-twentieth century, after founding the UCM Romanian Centre in 1943.

Another major name of the diaspora is Paul Goma, renowned opponent of Ceaușescu’s regime and dissident fiction writer forced into exile (to Paris, France) in the late 1970s, after having survived numerous attempts on his life staged by the Romanian communist secret police or their accessories—only to die from COVID in 2020. A hot-off-the-press book dedicated to the dissident hero by historian, poet, essayist, and Goma scholar Flori Balanescu, Paul Goma: Conștiință istorică și conștiință literară [Historical Conscience, Literary Conscience], is to be launched at Gaudeamus in a week’s time, and it has already grabbed considerable attention on social media. Awarded poet and fiction writer O. Nimigean, himself a Parisian exile, commented on the text as a breakthrough release and expressed his impatience to read the sequel—an already planned book he indirectly disclosed as having insider knowledge on. Such updates can only further stir interest—if not inevitable kerfuffle—since the (albeit rare) publications about Goma expose, just as the author’s own novels did, the collaborationism under communism of certain established literati or public figures: an implication to which the latter usually retort with accusations of anti-semitism. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

November 18, 2022  |  in Dispatches, News, Weekly Roundup  |  by Charlie Ng, Cristina Pérez Díaz, and Julia Sherwood

The latest in literature from Poland, Hong Kong, and Puerto Rico!

This week on Asymptote, we’re your eyes and ears for updates on award seasons, special national literature features, and postcolonial discourse and strategy. Polish literature is soaring at a high after celebrated adaptations and translations are introducing new readers to long-loved works. From Hong Kong, the national security law once again catalyses questions in its suppression of writing, even as local writers are seeing much love abroad. in Puerto Rico, writers are questioning US-backed funding and its entrapments. Read on to find out more.

Julia Sherwood, Editor-at-Large, reporting for Poland

Autumn is Poland’s award season, and this year saw the prizes go to a variety of genres. For the first time since 2009, NIKE, Poland’s most prestigious literary prize, went to a book of poetry: Jerzy Jarniewicz’s “erotically daring” collection Mondo Cane. Edward Pasewicz, whose novel Pulverkopf was also shortlisted, took home the coveted Angelus Prize for literature from Central Europe—only the second Polish book to win the accolade in the award’s twelve-year history. The Readers’ Angelus Prize went to Czech writer Jaroslav Rudiš for his novel Winterbergs letzte Reise, written in German and translated into Polish by Małgorzata Gralińska, and his publisher Książkowe klimaty scored another success with Bartosz Sadulski’s “literary fable and anti-historical reportage” Rzeszot, garnering the Kościelskich Prize.

Polish literature has enjoyed something of a boom in English, placing second in a recent survey conducted by The Bookseller, which is based on Nielsen BookScan data for the fifty-two weeks since April 16, 2022. The results show that in this period, translated fiction accounted for 11.4% of total fiction revenue, proving that we have moved even further from the proverbial 3%. Broken down into languages, 60% of the translations were from Japanese—unsurprising given that 99.7% of the total revenue was generated by manga. The next language, French, trailed at 6.1%, and Polish came in at third with 4.6%, beating translations from Italian, German, Spanish, Swedish, Russian, and Norwegian. Much of this success appears to be linked to Andrzej Sapkowski’s blockbuster fantasy The Witcher, which has filled the Game of Thrones-shaped hole on Netflix; the first two volumes of the eight-part saga were translated by Danusia Stok and the remainder by David French, who went on to translate his Hussite Trilogy. Olga Tokarczuk’s Nobel Prize has also contributed to this success, as has the fact that Polish literature was the market focus at the 2017 London Book Fair.

Here’s hoping that this interest will extend to a slew of recent translations from the Polish. According to Her, “a book-length interview with the Mother of God” by Maciej Hen (recently interviewed on the Asymptote blog by fellow writer Wioletta Greg), was published by Holland House in Anna Blasiak’s translation on November 3. On the same day, Penguin Books released Anna Zaranko’s long-awaited translation of The Peasants, one of Poland’s most famous twentieth-century epics by the 1924 Nobel Prize winner Władysław Reymont. In What We Leave Behind: A Birdwatcher’s Dispatches from the Waste Catastrophe, translated by Zosia Krasodomska-Jones and published by MacLehose Press on October 13, ornithologist and writer Stanisław Łubieński shows how consumer society has spun out of control, leading to the point of environmental catastrophe. Finally, Vine Editions, a new non-profit publisher based in Detroit with a focus on world literature, is about to bring out its first title, Piotr Paziński’s Bird Streets (Ptasie ulice) translated by Ursula Phillips. READ MORE…

What’s New with the Crew? (Nov 2022)

November 17, 2022  |  in News  |  by Lee Yew Leong

In addition to editing your favorite literary journal, Asymptote staff have been busy with publications this past quarter!

Philippine Editor-at-Large Alton Melvar M Dapanas’s lyric collage is included in Our Stories To Tell (Texas: Folkways Press, 2022), an anthology of essays on mental health, out now.

Chris Tanasescu aka MARGENTO, Editor-at-Large for Romania and Moldova, has recently contributed, jointly with Raluca Tanasescu, a chapter on “Literary Translation in Electronic Literature and Digital Humanities” to the Bloomsbury anthology Translation Beyond Translation Studies and an article on “#GraphPoem: Holisme analytique-créatif, le genre D(H) et la performance informatique subversive” to the special issue on transmediality and convergence in literature of the journal Recherches & Travaux.

An essay, “Humor in the Dark,” by Ellen Elias-Bursac, Contributing Editor, was published in the journal Translation Review. It explored some of the strategies Elias-Bursac used when translating Dubravka Ugresic’s counterpoint of humor and trauma in her book of essays The Age of Skin.

Incoming Visual Editor Heather Green moderated a panel on “Word + Image,” featuring translator Alta L. Price and artists Verónica Gerber Bicecci and Abdulrahman Naanseh at the Center for the Art of Translation’s Day of Translation conference. She also recently reviewed poetry titles by Iman Mersal (tr. Robyn Cresswell), Shuri Kido (tr. Tomoyuki Endo and Forrest Gander), and frequent contributor Eugene Ostashevsky for the Poetry Foundation’s Harriet Books.

Ian Ross Singleton, Nonfiction Editor, took part in a two-way interview with writer Kristina Gorcheva-Newberry for Punctured Lines, a blog on Post-Soviet literature. The two writers discussed their respective novels, Two Big Differences and The Orchard.

In September, José García Escobar, Editor-at-Large for the Central American region, published his translation of Solito, a memoir by Salvadoran-American poet Javier Zamora, with Penguin En Español. READ MORE…

Weekly Dispatches From the Front Lines of World Literature

November 11, 2022  |  in Dispatches, News, Weekly Roundup  |  by Rubén López and Suhasini Patni

The latest in literary news from Central America and India!

In this week’s round-up of the latest in global literary news, we are celebrating award honourees and writers redefining their national literatures by working through the art of translation. From keeping memory alive and imagining the future, these are some of the texts that connect past, present, and future.

Rubén López, Editor-at-Large, reporting for Central America

The Guatemalan writer Gloria Hernández was awarded with the Miguel Ángel Asturias National Prize in Literature on November 3. The prize, founded in 1988, is given annually to Guatemalan writers whose career has had an impact in the international landscape. It includes a monetary compensation of Q50,000 (USD4,700), a diploma, and a medal. Additionally, one of the awarded writer’s books is reedited and published.

Hernández was the seventh woman in history to receive the prize. In her speech, she devoted the award to “the female and male writers fallen performing writing and critical thinking against the enemies of freedom, art, and light,” mentioning several martyrs from the Guatemalan state terror of the 80s, such as María López Valdizón, Alaíde Foppa, Otto René Castillo, Irma Flaquer, Roberto Obregón, and Luis de Lión. She also talked about the role of women in storytelling, as they are the ones that keep the memory of the clan alive. “That memory which was my grandmothers is now living in my mother.” Long an an advocate for children’s literature, she additionally stated that “In the face of ignorance and foolishness that considers children’s literature a minor genre, I only smile and continue with my work.”

The nineteenth edition of the International Book Fair in Guatemala (FILGUA) is close; thousands of writers, editors, scholars, and artists from a wide range of disciplines will gather from November 24 to December 4. There will be more than a hundred book releases, several contests, conferences, and workshops. The fair will resume its face-to-face format after COVID restrictions, but will also keep a virtual schedule, and the organizers hope to reach an audience of 2.4 million people there.

This year, Korea will be the honored guest, and its embassy will hold several activities like Korean writing workshops, a traditional costumes exhibition, a taekwondo demonstration, a Korean art show, and a K-pop concert. The inaugural conference is entitled “The relation between Korea and Latin America,” and will be presented by Juan Felipe López Aymes, a scholar from the Regional Center of Multidisciplinary Research form Universidad Autónoma de México. READ MORE…