Language: Macedonian

Weekly Dispatches From the Frontlines of World Literature

August 8, 2025  |  in Dispatches, News, Weekly Roundup  |  by Carol Khoury, Christina Chatzitheodorou, and Sofija Popovska

The latest from Palestine, North Macedonia, and Greece!

This week, our editors bring news of new publications continuing long-running literary genealogies, notable awardees of the PEN Translates grants, and the process of turning a lauded Greek writer’s home into an exhibition space. 

Sofija Popovska, Editor-at-Large, reporting from North Macedonia

Going back to one’s roots can be an exercise of remembering what moves us. In her novel Tri Marii (The Three Marias), published recently by Ars Lamina Press, Macedonian author Olivera Kjorveziroska examines multiple iterations of the origin concept: as literary influence, as folk practice, and as the force from and towards which all human life is drawn—love.

Originally from Kumanovo, Kjorveziroska (b. 1965) now lives and works in Skopje. Her writing has been translated into many languages, including English, French, Hungarian, and Albanian, among others, and she also works as an editor and literary critic. Being someone who reads for a living is a crucial aspect of Kjorveziroska’s life; in her own words: “If . . . I had to choose between doing something else and writing a lot more, or working in publishing and not writing at all, I would probably choose the latter, because this is the only industry I feel at home in.” This love of and proficiency in reading finds its embodiment in her writing, including in Tri Marii, which is intertextual and allusive both literarily and culturally. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

July 18, 2025  |  in Dispatches, News, Weekly Roundup  |  by Alton Melvar M Dapanas, Christina Chatzitheodorou, and Sofija Popovska

The latest from North Macedonia, the Philippines, and Greece.

In this week’s round-up of literary news, our editors bring news of resistance, commemoration, and solidarity. In North Macedonia, a powerful literary prize pushes back against repression by celebrating marginalised voices. In the Philippines, a local organisation is using independent publishing to express solidarity with Palestine and push back against the industrial market complex. In Greece, a new publication celebrates the brief life of a communist activist. Read on to find out more!

Sofija Popovska, Editor-at-Large, reporting from North Macedonia

Štefica Cvek, a regional literary contest open to Macedonian, Croatian, Serbian, Bosnian, and Montenegrin authors, recently announced the twenty-two titles of its 2025 longlist. Held for the fourth year in a row, the contest highlights the best books written from queer, feminist, decolonial, class-conscious, and ecology-minded perspectives. Akin to this year’s Budapest Pride march, which drew historic crowds despite governmental repression, the celebration of queerness at the core of the Štefica Cvek contest remains a controversial issue within the greater Macedonian cultural context.

Noting that Macedonian LGBTQ+ activists operate within “one of the most regressive anti-gay regimes in Europe,” the British human rights activist Peter Tatchell has praised them as “heroes and heroines.” Not only are same-sex marriages still unrecognized under Macedonian law, but queerness itself is actively demonized in both political and cultural spheres. As recently as February 2025, both the Macedonian government and its opposition have weaponized accusations of queerness to discredit their political rivals, and only a month prior, the Orthodox Church—with the endorsement of many prominent Macedonian politicians and writers—reviled gay marriage as “a violation of the holy will of God . . . and a prerequisite for the dissolution of the family.” READ MORE…

Weekly Dispatches From the Frontlines of World Literature

June 6, 2025  |  in Dispatches, News, Weekly Roundup  |  by Linnea Gradin, Sofija Popovska, and Xiao Yue Shan

The latest from China, North Macedonia, and Sweden!

In this week’s round-up, our editors discuss the continual relevance and essentiality of literary criticism, new projects to promote literature in translation, and a memoir that reneges on skepticism to embrace interconnectivity. 

Xiao Yue Shan, reporting for China

Last week, the ceremony of the fourteenth Tang Tao Youth Literary Research Awards took place in Shanghai, honouring five young scholars and their articles in the field of criticism, with subjects ranging from the re-interpretation of classics to the analysis of contemporary intersections between textual practice and artificial intelligence. The list of awardees included Li Jing on academic systems and knowledge transformation in the digital age; Wang Xuesong on visual forms and the construction of new poetic genres; Han Songgong on the works of novelist Bi Feiyu and their analysis of human nature; Wang Bingzhong on Lu Xun’s The True Story of Ah Q and the procession of character development through spiritual awakening; and Li Zhuang on Cai Chongda’s “Hometown Trilogy” and the potentiality of literature being a point of stability amidst a fractured era.

The award, established by the National Museum of Modern Chinese Literature and given annually to scholars under the age of forty-five, has done much to nurture emerging critics and academics since its inauguration. Named after the great twentieth-century essayist, historian, and Lu Xun expert Tang Tao, the prize aims to promote innovation and passionate diligence in the field of literary studies—qualities that awardee Wang Xuesong saw as emblematic of youth itself, commenting that scholars should continually aim for the same persistence, enthusiasm, and warmth with which they began their careers (presumably before they’re crushed by the relentless pressures and depressions of academic bureaucracy).

Literary criticism can seem elitist at best and masturbatory at worst, but anyone who’s a fan will likely understand that the hermeneutics and analysis of texts are in fact interpretations and inquisitions into our most basic interests: life, reality, and the human desire for creation. To see how we continually re-engage with classical works and their sociohistorical context with the illumination of contemporary understanding, or to gauge how our faculties of intelligence and critical thinking may be altered or recalibrated with technological developments—these are pivotal questions that move beyond the page to address themes of social conflict, societal evolution, and the ever-changing modes and methodologies of expression. In substantiating the importance of these practices, judge and professor Chen Sihe noted: ‘AI has created a greater expectation for the humanities, and only when our studies prove themselves to be irreplaceable, can they have an independent and individual existence.’ It calls into question what would qualify literary criticism to be seen as irreplaceable in the greater scope of things; anyone reading this, or anyone present for Chen’s speech that evening, would certainly agree that these studies already are irreplaceable—after all, what’s more worth studying that our most integral art of communication?—but as the underfunding of the humanities continues the legacy of scholars working in uncertainty and abject poverty, and the monstrous figure of AI continues to encroach, the growing smallness of our minority cannot be denied. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

May 2, 2025  |  in Dispatches, News, Weekly Roundup  |  by Mary Noorlander and Sofija Popovska

The latest in literary updates from the United States and North Macedonia!

This week, our Editors-at-Large bring us updates on the publishing industry across the globe, from the United States to North Macedonia. In the United States, book co-op Tertulia’s virtual reading lounge features four new and exciting titles, and in North Macedonia, the latest novel of German-Macedonian author, philosopher, and artist Kitsa Kolbe sustains the momentum of the publishing scene. 

Mary Noorlander, Editor-at-Large, Reporting from the United States

In a seasonal, virtual event from the Tertulia book co-op called the “First Dibs Salon,” readers from across the United States gather on Zoom to hear from the acquiring editors of notable forthcoming books. In the spring edition of this salon, editors presented four titles: Yoko by David Sheff (Simon & Schuster, March 25); Zeal by Morgan Jerkins (HarperCollins, April 22); The Book of Records by Madeleine Thien (W.W. Norton, May 6); and Gulf by Mo Ogrodnik (Summit Books, May 6).

READ MORE…

Translating Macedonian Literature and Lidija Dimkovska’s Personal Identification Number: An Interview with Christina Kramer

March 5, 2025  |  in Interviews  |  by Sarah Gear

No matter how much I read, no matter how well I know the language, that language is constantly changing, and authors are creative.

Christina Kramer is a writer and translator known for her prolific work introducing Macedonian literature to the Anglosphere. I had the pleasure of corresponding with Christina about her role as a translator and linguist, the interplay between these two professions, and the excerpt of Lidija Dimkovska’s Personal Identification Number, which recently appeared in Christina’s translation in Asymptote. Throughout the conversation, we touched on Christina’s fascinating translation process, her love of Balkan music, her collaborative poetry translation, and the increasing number of translations coming from Macedonia.

Sarah Gear (SG): I very much enjoyed your translation in the current edition of Asymptote, an excerpt from Lidija Dimkovska’s 2023 novel Personal Identification Number. As an overworked parent of three, I can absolutely see the appeal of the ‘wasteland’ the narrator describes! Can you tell me how you came to translate the excerpt, and what challenges were specific to the text?

Christina Kramer (CK): I first learned about the novel from Lidija in 2022, then received a copy from her when we were both in Skopje in 2023. I was somewhat reluctant to translate the book because I saw many difficulties in moving between the narrative sections about Katerina and her family and the sections describing the wasteland. I knew virtually nothing about the Turkish invasion of Cyprus. Then, last summer I ended up working intensively on a full translation so it could be presented at the Frankfurt Book Fair. I will be editing that draft, of course, but I was forced to push through, to make quick decisions, and with that intensive, compressed timeframe, I was immersed in the story, and what had seemed difficult became more natural.

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

February 28, 2025  |  in Dispatches, News, Weekly Roundup  |  by Linnea Gradin, Sofija Popovska, and Wambua Muindi

The latest literary news from Kenya, North Macedonia, and Sweden!

This week, our editors-at-large report on clashes between writers and politics, recent awards, and exciting events. From Pippi Longstocking’s 80th birthday to a brand-new book fair, read on to find out more!

Sofija Popovska, Editor-at-Large, reporting from North Macedonia

Venko Andonovski was recently named the most influential writer and educator of 2024 by TRI, the renowned, Skopje-based publishing house. Andonovski, whose novels and plays have been translated into twelve languages, is known as “the most widely read Macedonian writer and the most performed Macedonian novelist in the last twenty years.” Despite his fame, he is generous with both the public and his colleagues: he taught six writing workshops in 2024 and made a statement congratulating fellow Macedonian author Rumena Bužarovska on being named TRI’s most-read author of 2024, and condemning the “culture of silence” surrounding the accomplishments of domestic authors in the same breath. Andonovski termed the disinterest demonstrated by Macedonian politicians towards the literary scene “an embarrassment”, adding that the situation is exacerbated by authors who are equally silent about their colleagues’ attainments, and whose “bodies are 80% water and souls are 80% vanity.” Adding that “if we remain a culture of silence, our culture is bound to remain in silence [on the world stage]”, Andonovski posed a question that is both incisive and (unfortunately) relevant: “If we do not appreciate ourselves, who will appreciate us?” READ MORE…

Winter 2025: Highlights from the Team

February 3, 2025  |  in News  |  by Anna Rumsby, Carissa Coane, Daniel Yadin, Devi Sastry, Ellen Elias-Bursać, Michelle Chan Schmidt, and Sayani Sarkar

Dive into our new issue with these choice recommendations from our amazing intercontinental team!

Translated by Samuel Bollier, Jurj Salem’s “At the Circus” is a discombobulatingly charming, disarmingly hair-raising tale that elides joy and frustration, obfuscates reality and performance, and makes irony sincere. Things are not what they seem, which renders Bollier’s excellent translation of Salem’s easygoing prose all the more stirring; there, suited in the circus, we must imagine S. happy.

I’ve had the chance to read Quyên Nguyễn-Hoàng’s breathstopping beautiful self-translations in The Margins before; these two pieces in the new issue exude that same intrinsic conscience of precarious simultaneity, numbered and reversed, punctuated with “+” signs, a “delirious net of ten thousand dewdreams.” Quyên Nguyễn-Hoàng’s wordly creations turn from imagistic manifestation into pure interpretation.

Samuel’s parodic brilliance in his essay “Poets of Mirror Hatred” yields real laughter in an entirely serious, paradoxically internal essay about the division between the social and the cultural in poetic personas. What language exists for that which must not be expressed, at all costs, lest the self split? How must the reader read repression? Linking Kafka to two generations of modern Korean poetry, Samuel ends by critiquing the bright, hegemonic Asian American discourse of pain, transformed by their loudness into white noise: “To want more representation of Asian-American faces in American literature is to dream of your own cage.”

When Brandon Breen translates that “writing is obliquitous, but also ubiquitous,” I return to Ubah Cristana Ali Farah’s original contrast, “obliqua” versus “ubiqua,” in “The House of Termites,” a juxtaposition that encapsulates the attractions of Ali Farah’s style. By obliquely rebounding between various writers of exile, from Baldwin to Said to Kristeva, Mernissi, and Zambrano, Ali Farah’s essay makes a sensual ubiquity of this obliquitous displacement. To misappropriate Baldwin, you need strength to live in the “house of termites”; another kind of strength to let the termites get at it. Both strengths inhabit this essay.

Zhou Junyi’s conversation with filmmaker Tan Pin Pin crystallizes a certain vision of Singapore: a prism of public languages, spaces, and systems that shift as the microwave’s glass plate spins. I particularly love how the interview conveys the sounds of Singapore, and how we intellectualize it through subtitular structures, and formal and editorial decisions. Tan’s work lies in the instant before the intellectualization: “People will always know when a guest of honor arrives, but they don’t know what it feels like before the guest of honor arrives or even question why we have a guest of honor in the first place.”

—Michelle Chan Schmidt, Senior Assistant Editor READ MORE…

Blog Editors’ Highlights: Winter 2025

January 27, 2025  |  in News  |  by Bella Creel, Meghan Racklin, and Xiao Yue Shan

Reviewing the manifold interpretations and curiosities in our Winter 2025 issue.

In a new issue spanning thirty-two countries and twenty languages, the array of literary offers include textual experiments, ever-novel takes on the craft of translation, and profound works that relate to the present moment in both necessary and unexpected ways. Here, our blog editors point to the works that most moved them.

Introducing his translation of Franz Kafka’s The Trial in 2012, Breon Mitchell remarked that with every generation, there seems to be a need for a new translation of so-called classic works of literature. His iteration was radically adherent to the original manuscript of The Trial, which was diligently kept under lock and key until the mid-fifties; by then, it was discovered exactly to what extent Max Brod had rewritten and restructured the original looseleaf pages of Kafka’s original draft. It is clear from Mitchell’s note that he considers this edit, if not an offense to Kafka, an offense to the reader who has lost the opportunity to enact their own radical interpretation of the work: an interpretation that touched Mitchell so deeply, he then endeavored to recreate it for others.

In Asymptote’s Winter 2025 Issue, the (digital) pages are an array of surprising turns of phrase and intriguing structures—of literature that challenges what we believe to be literature, translations that challenge what we believe to be originality, and essays that challenge what we believe to be logic. I am always drawn to the latter: to criticism, and writing about writers. As such, this issue has been a treat.

With the hundredth anniversary of Kafka’s death just in the rearview and the hundredth anniversary of the publication of The Trial looming ever closer, the writer-turned-adjective has not escaped the interest of Asymptote contributors. Italian writer Giorgio Fontana, in Howard Curtis’s tight translation, holds a love for Kafka much like Breon Mitchell. In an excerpt from his book Kafka: A World of Truth, Fontana discusses how we, as readers, repossess the works of Kafka, molding them into something more simplistic or abstract than they are. In a convincing argument, he writes: “The defining characteristic of genius is . . . the possession of a secret that the poet has no ability to express.” READ MORE…

Our Winter 2025 Issue Has Landed!

January 23, 2025  |  in News  |  by Lee Yew Leong

New forms abound in our bountiful 14th anniversary issue, from Robin Munby’s “parasite poem” to Elsa Gribinski’s absurdist diary entries. 

With Trump’s inauguration, the world’s strange turn continues apace in the new year and the old ways of apprehending reality are struggling, as ever, to keep up. As Olivier Domerg puts it succinctly: “What can language do face to face with the inertia and the power of something?” This pressing question finds an enjoinder in #NewForms, our 14th anniversary issue, featuring never-before-published writing from 32 countries, by some of the most beloved names in world literature—Osip Mandelstam, Natsume Sōseki, Andrey Platonov, Agustín Fernández Mallo, and Damion Searls in our wildcard feature on new forms. Organized in memory of the recently deceased postmodernist Robert Coover, this Special Feature highlights works that transgress the boundaries of the literary form, opening our eyes to new aesthetic and ethical possibilities. From Robin Munby’s “parasite poem” whose hyperbolic language tests the boundary between translation and original authorship, to the laconic and darkly absurd diary entries of Elsa Gribinski’s “A Finger of Blue,” these pieces chafe against the strictures of traditional form (the poem, the journal, the letter) even as they pay homage to the artists who have shaped them.This spirit of formal ambition is by no means limited to our Special Feature. After all, “as the reality of each time changes,” says Fernández Mallo in an illuminating interview, “so does the notion of realism that the works of each era explore.” Thus, Vietnamese poet Quyên Nguyễn-Hoàng splices words and fragments into a manifesto for a new writing and both Macedonian novelist Lidija Dimkovska and Syrian author Jurj Salem put their fingers on an unexplored aspect of the contemporary condition—the urge to retreat from society—and envision new ways of being. Elsewhere in Fiction, Johanna Sebauer’s Pickled presents the anatomy of a cancelling in rural Austria, when a journalist splashed by acid pickle juice launches a media crusade against Big Gherkin. Notable among our nonfiction entries is frequent contributor Ubah Cristina Ali Farah’s The House of Termites, a slow-burning, lyrical meditation on her “unstoppable nomadism,” which finds an echo in award-winning Singaporean director Tan Pin Pin’s many evolving versions of banjia (Moving House) from the Visual section. Finally, in our Criticism lineup, Tomoé Hill trawls the thrilling concepts—around truth, and storytelling, and immortality—buried in Douglas Penick’s The Oceans of Cruelty, while Samuel notes the arrival of a new wave of talented young Korean poets on the shores of the United States and distills the lessons their work might hold for their Asian American counterparts.

For all the world really. The lessons that Samuel comes away with apply just as well to those not writing from a hegemonic position but who have to pitch themselves to a readership unfamiliar with their culture. It’s a conundrum we know all too well, having been the first point of contact between countless authors and readers in our fourteen years’ of work in world literature. If you’ve personally benefitted from the “Asymptote effect” (which former President of ALTA Aron Aji cited in 2017 as one of the key factors contributing to the ever-growing reception of international literature in translation), we hope you’ll consider standing with us as we enter our fifteenth year. The best way to support us is to sign up as a sustaining member from as little as USD5 a month. If you are able to afford it, come aboard as a masthead member, as wonderful readers like Yann Martel have done. Finally, if you would like to be part of an upcoming issue or even our dynamic volunteer team, check out our submission guidelines (Korean translators, take note: submissions to our upcoming paid Special Feature, organized in partnership with LTI Korea, closes Feb 15) and our latest recruitment drive (we’re on a lookout for a new Nonfiction Editor, among others; deadline: Feb 2). Thank you for your readership and your support, which have made this all worthwhile.

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Weekly Dispatches From the Frontlines of World Literature

January 17, 2025  |  in Dispatches, News, Weekly Roundup  |  by Kathryn Raver and Sofija Popovska

The latest literary news from France and North Macedonia!

This week, our team members introduce us to a prize-winning short story collection and take us to a medieval library. From a debut that negotiates the complicated politics of nostalgia to an exhibition in the newly-restored Notre-Dame, read on to find out more!

Kathryn Raver, Assistant Managing Editor, reporting from France

To the delight of tourists, historians, and French natives alike, Notre-Dame de Paris reopened its doors to the public last month. The cathedral is obviously celebrated for its religious and symbolic significance – but it has a significant literary history that has gone rather unappreciated, too (and I’m not talking about The Hunchback of Notre Dame). Since the Middle Ages, Notre Dame has been not only a church, but a scriptorium and a library, filled to the brim with science, history, and other secular literature in addition to a wealth of religious texts.

To coincide with the cathedral’s opening, the Musée de Cluny and the Bibliothèque National de France have put together an exhibition featuring over 40 of these manuscripts – just a few of the 300 that are currently housed within the BnF itself. Having just recently had the opportunity to visit the exhibition myself, I can say that it is stunning. Not only are the manuscripts themselves beautiful (and fun to try and decipher, if you can read Old French), but they also provide a fascinating look at the functioning of medieval libraries, the transmission of knowledge, and the links between texts and cultural and religious heritage. The exhibition is open until March 16th. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

November 15, 2024  |  in Dispatches, News, Weekly Roundup  |  by Jiaoyang Li, José García Escobar, and Sofija Popovska

The latest in literary news from Central America, China, and North Macedonia!

This week, our editors-at-large take us around the world for updates on award-winning literature from Nicaragua and Guatemala; the blend of art and letters in recent events centering Chinese literature in translation; and a dedication to one of the most influential literary figures in Macedonia, the late Olivera Nikolova. 

José García Escobar, Editor-at-Large, Reporting for Central America

Last month, Mexico’s FIL (Guadalajara International Book Fair) announced that the Guatemalan editor Raúl Figueroa Sarti will receive the inaugural Federico García Lorca Prize. The Premio Federico García Lorca a la Libertad de Expresión y Publicación is awarded to people or organizations that have promoted and protected freedom of speech across Latin America and Spain. Raúl Figueroa Sarti is the founder and director of F&G Editores, one of Guatemala’s and Central America’s most renowned publishing houses, and in 2021, he also won APP’s Freedom to Publish Award.

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

October 4, 2024  |  in Dispatches, News, Weekly Roundup  |  by Alton Melvar M Dapanas, René Esaú Sánchez, and Sofija Popovska

The latest from Mexico, North Macedonia, and the Philippines!

In this week’s round-up of literary news from around the world, our editors report on an exciting translation-centric colloquium in Mexico, a prestigious award going to a new translation of one of North Macedonia’s most canonical novels, and the Frankfurt Book Fair’s spotlighting of the Philippines in its 2025 edition—a choice that has met resistance from local publishers due to the fair’s Zionist sympathies.

René Esaú Sánchez, Editor-at-Large, reporting for Mexico

They say that no matter what you do, there is always a saint from which you can ask for help. In the case of translators, that is Saint Jerome, who translated the Bible into Latin. Following the Council of Trent, his translation became the official Latin Bible in the western hemisphere.

With this in mind, the fourth Coloquio de Traducción Literaria San Jerónimo (Saint Jerome Literary Translation Colloquium) took place last week in Veracruz, Mexico. The event was dedicated to fully immersing participants in the art of translation and fostering discussions on what it truly means to translate. It was organized by the Culture Office of Veracruz and the independent publishing company Aquelarre Ediciones, which also sponsors a prize dedicated to literary translation.

Among the participants were notable figures such as Fabián Espejel, the recent winner of the Bellas Artes Margarita Michelena Literary Translation Award; Mario Murguía, who won the same prize last year; José Miguel Barajas, the translator of Mallarmé into Spanish; and José Luis Rivas, a poet who has translated works by Derek Walcott, John Donne, Ezra Pound, William Shakespeare, and T.S. Eliot. READ MORE…

Weekly Dispatches From the Frontlines of World Literature

August 30, 2024  |  in Dispatches, News, Weekly Roundup  |  by Alan Mendoza Sosa and Sofija Popovska

The latest in literary news from North Macedonia to the United States!

This week, our Editors-at-Large take us from North Macedonia to New York with updates on literary festivals and fairs. From Jean-Pierre Siméon’s belief in the sustaining nature of poetry, to a celebration of the many languages spoken besides Spanish in Hispanic communities, read on to learn more!

Sofija Popovska, Editor-at-Large, Reporting from North Macedonia

The conclusion of the 2024 Struga Poetry Evenings (SPE) brought conversations about the meaning of poetry nowadays to the foreground of the Macedonian literary scene. The festival’s main award, the Golden Wreath—whose recipients over the years include W. H. Auden, Allen Ginsberg, Pablo Neruda, and Ted Hughes—was awarded to French poet, writer, critic, and dramatist Jean-Pierre Siméon this year. In an illuminating conversation with the magazine Nezavisen (Independent), Siméon retraced the well-known, yet often forgotten, connection between poetry, longing, and change.

READ MORE…

Weekly Dispatches From the Frontlines of World Literature

August 2, 2024  |  in Dispatches, News, Weekly Roundup  |  by Alton Melvar M Dapanas, Andriana Hamas, and Sofija Popovska

The latest from Bulgaria, North Macedonia, and the Philippines!

This week, our editors report on the foremost developments from their respective regions. In North Macedonia, a new collection from a renowned poet and director finds solace and profundity in the complex nexus between human life and its context. In the Philippines and Bulgaria, readers bid farewell to two titans of writing and translation. 

Sofija Popovska, Editor-at-Large for North Macedonia, reporting from North Macedonia

Prostori (Spaces), the third poetry collection by renowned Macedonian film director and poet Antonio Mitrikjeski, was recently published by Dijalog Press. With a track record of two well-received collections and several films playing at festivals across the world, Mitrikjeski is equally ‘intellectually rich and emotionally lush’ in his visual language as he is in literature, per writer Dimitar Bashevski’s review of Prostori.

The collection is fittingly cinematic; weaving together a mystical sublime, oracular dreamscapes, and a loving mimesis of familiar places, Mitrikjeski’s robust poetic voice blends inner and outer worlds, delving deep into the human psyche as he wanders into distant regions—mountain peaks, the ocean’s floor, the night sky. Frequently apostrophic, he foregrounds the deep entanglement between his human subjects and their environments, their ideas, and the people around them. In ‘Saraj,’ a poem about his childhood home, Mitrikjeski celebrates the ‘fraternity of children’ and ‘the mystique and simplicity of all the silhouettes who confessed their feelings’ in the ‘house bearing the roots of beginnings,’ where he still discovers the ‘eternal. . . fraternity of those present.’ Opening the collection and dedicated to his parents, ‘Saraj’ is programmatic. Throughout Prostori, the speaker is preoccupied with finding connection amidst distance, and this search is mediated via both real and oneiric spaces, as well as the relationships they make possible: ‘The lake’s water connects us all. / The fog is lifted,’ writes Mitrikjeski in ‘The Word’. The word itself, the material of poetry—’invisible, written upon the ruins’—will remain eternally within the lake, that is, within the space of human connections, among ‘familiar names’. READ MORE…