Place: United States

Weekly Dispatches from the Frontlines of World Literature

In this week’s dispatches, literary highlights from Romania, Singapore, and the United States!

This week, join three Asymptote staff members as they report the latest in literary news from around the world. From the legacy of Romanian poet Emil Brumaru, to new releases of poetry, literary competitions, and the Iowa City Book Festival, there’s plenty to catch up and reflect on.

MARGENTO, Editor-at-Large for Romania and Moldova, reporting from Romania and Moldova

The most resounding recent piece of literary news in Romania is the passing of poet Emil Brumaru (born eighty years ago in Bessarabia, present-day Republic of Moldova), one of the greatest Romanian poets of the past fifty years. Superlative eulogies have inundated literary magazines and wide circulation newspapers alike, foregrounding both the vastness and the subtlety of the oeuvre, while also deploring the disappearance of a widely popular presence prolifically active in literary publications and even social media. Brumaru’s obsessively erotic verse, ranging from the profane and the pornographic to the angelic and the (still physically) mystical, comports a richness of nuances and a chameleonic craftsmanship that perhaps explain why such a huge voice remains for now largely unknown to the English-speaking world, except for a handful of poems translated in a couple of anthologies, graduate theses, or casual blogs.

While women are arguably the only—inextinguishable, nonetheless—subject of Brumaru’s poetry, women writers themselves are taking centre stage in Romanian letters as well. The first edition of the Sofia Nădejde literary awards—curated by poet and radio show host Elena Vlădăreanu—was in that respect a remarkable milestone. While doing justice to novels or collections by established writers such as Gabriela Adameșteanu and widely known young poets and critics like Teodora Coman, the judges also picked for the debut collection award a release significantly titled Kommos. A Hysterectomy Procession by Iuliana Lungu, an up-and-coming poet who has already won support and even accolades from living legends such as Angela Marinescu and Nora Iuga.

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Weekly Dispatches from the Frontlines of World Literature

Find the latest in world literature here!

This week, join our wonderful Asymptote staff members, Barbara, Rachael, and Nina, as they bring you literary updates from Albania, Spain, and the United States. From prestigious national literary awards to new and noteworthy titles and translations, there is plenty to discover in this week’s dispatches. 

Barbara Halla, Editor-at-Large for Albania, reporting from Albania:

December was a productive month for Albanian publishers, a natural result of the conclusion of the Tirana Book Fair and the expected increase in book sales that marks the holiday period. On December 18, 2018, the Albanian Ministry of Culture conferred the National Award for Literature for the best books published in 2017. Henrik Spiro Gjoka won the “Best Novel” award for his work Sonatë për gruan e një tjetri (A Sonnet for Another Man’s Wife), which details the life of a psychiatrist who falls in love with one of his patients. Translator Aida Baro won the “Best Translated Novel” award for her rendition into Albanian of Primo Levi’s The Truce (translated into English by Stuart J. Woolf), the continuation of Levi’s autobiography, If This is a Man.

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Weekly Dispatches from the Frontlines of World Literature

Expired copyrights, new literature, and the difficulties faced by translated literature feature in this week's updates.

As we welcome the New Year in, join our Editor-in-Chief, Yew Leong, and one of our Assistant Managing Editors, Janani, as they review the latest in world translation news. From the trials and tribulations faced by indigenous languages to new literary journals and non-mainstream literature, there’s plenty to catch up on!

Lee Yew Leong, Editor-in-Chief:

Though it was actually in 2016 that the UNESCO declared this year, 2019, to be the Year of Indigenous Languages, recent unhappy events have revealed how of the moment this designation has proven to be. A 7-year-old Guatemalan girl who was unable to communicate how sick she was died while in U.S. Border Patrol Custody—only one of several thousands of undocumented immigrants who speak an indigenous language like Zapotec, Mixtec, Triqui, Chatino, Mixe, Raramuri, Purepecha, or one of many Mayan languages, according to The Washington Post. Jair Bolsonaro, the new Brazilian president who has made insulting comparisons of indigenous communities living in protected lands to “animals in zoos,” wasted no time in undermining their rights within hours of taking office and tweeted ominously about “integrating” these citizens. On a brighter note, Canada will likely be more multilingual this year as the Trudeau administration looks set to enforce the Indigenous Languages Act before the Canadian election this year. The act will not only “recognize the use of Indigenous languages as a ‘fundamental right,’ but also standardize them,” thereby assisting their development across communities. Keen to explore literary works from some of these languages? With poems from indigenous languages ranging from Anishinaabemowin to Cree, Asymptote’s Fall 2016 Special Feature will be your perfect gateway to literature by First Nations writers.

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#ReadWomen: A Focus for 2019—And Beyond

What was activism and new awareness has become habit and daily practice.

It’s been five years since I wrote for the Asymptote blog about my resolution to read only books by women for a year, and nearly five years since British author Joanna Walsh created the #readwomen2014 hashtag on Twitter. Around the same time, Walsh also started the @read_women Twitter account, which gained more than 25,000 followers. The account, which Walsh maintained with the help of several other people, was retired on June 16, 2018, after four and a half years online.

Walsh’s efforts sparked a worldwide movement among readers, activists, bookstores, and publishers that gained worldwide press coverage. The tag evolved to #readwomen as people continued to share the names of underappreciated writers and discuss ways to balance the literary scales that have been tipped for centuries against women. As novelist Alexander Chee wrote in an October 2014 essay for The New York Times Book Review, “Walsh’s hashtag became a rallying cry for equal treatment for women writers,” and the movement’s aim of calling out gender bias in publishing and the general public’s reading habits was, as he saw it, “for everyone.”

Near the five-year anniversary of the #readwomen movement, I wanted to look for signs of potential progress for literary fiction by women. What’s changed since 2013? Have conditions improved for literature created by women and those who identify as women or non-binary? What follows is a very brief, scattershot survey of notable points around these questions, a sketch of a small corner of the global picture from my limited perspective. READ MORE…

My 2018: Barbara Halla

It would be a lie to say that I don’t seek stories written by women about what it feels like to live as a woman.

Barbara Halla, Asymptote’s Editor-at-Large for Albania, walks us through her reading list for 2018, a diverse set of novels, short stories, and nonfiction books by women writers. Along the way, she reflects on feminist theory, the beauty of contemplative essays, and the power of collective memoirs.

Anyone who has had the (mis)fortune of following me on Twitter knows I am a dedicated disciple of Elena Ferrante. So, when I found out that Edizioni E/O had published an extended literary analysis of her work, I risked missing my flight by rushing to my favourite Milan bookstore (Rizzoli) to buy a copy.

Tiziana de Rogatis is an Italian professor of Comparative Literature, and her book Elena Ferrante. Parole Chiave (Elena Ferrante. Key Terms, not yet available in English) is exactly the kind of book my nerdy heart needed: an investigation into the literary and philosophical works underpinning Ferrante’s literary creations. I think it’s important to note that a great part of Ferrante’s appeal is in her ability to shore her works into a lived reality, one that does not require an extensive knowledge of Italian history, or feminist theory, to be appreciated fully. In fact, with the slight exception perhaps of her collection of essays and interviews Frantumaglia (translated by Ann Goldstein), you lose absolutely nothing if you go into it with little context. That being said, de Rogatis does a fantastic job at explicitly laying out and connecting Ferrante’s text to the literary foundation upon which they were built, her analysis a sort of Ariadne’s thread helping the reader through the labyrinth of Ferrante’s writing. Ferrante borrows heavily from Greek and Latin mythology, like Euripides’ Medea or Virgil’s The Aeneid. Many of the struggles her women experience and the way they think about those struggles can be mapped directly onto various modern feminist texts, including Gayatri Chakravorty Spivak’s “Can the Subaltern Speak?” and Adrienne Rich’s Of Woman Born. Hopefully Europa Editions will translate this book, too, because it is essential reading if you are even mildly obsessed with Ferrante. I am currently re-reading the series and am amazed at how much de Rogatis’s work enriched my understanding: Elena Greco, for example, uses the word “subaltern” frequently throughout the Quartet.

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Teaching and Learning Narrative Identity

"Though there is no substitute for language immersion in pursuit of fluency, you don’t need to leave home...all you need is a book"

What does it take to truly communicate? In this essay, Claire Jacobson takes us on a journey from language classrooms to the souqs of Morocco, exploring the narrative frameworks that create culture. Read on to discover the differences between learning a language, and the narrative identities that language use is built on.

Humans are inveterate storytellers. We narrativize our memories, use allegory and metaphor to communicate complex ideas, and search for meaning in suffering by placing it in the narrative arc of our lives. “When someone asks you who you are,” writes Richard Kearney, “you tell your story. That is, you recount your present condition in the light of past memories and future anticipations. You interpret where you are now in terms of where you have come from and where you are going to.” Or, as Paul Ricoeur says, “Selfhood is a cloth woven of stories told.”

But it’s not only individuals, Kearney writes. “Communities come to know themselves in the stories they tell about themselves.” When families gather, we always tell stories, sometimes new ones but mostly the old ones over and over—these stories are part of what makes us family. No Christmas celebration in my home is complete without reading about shepherds and wise men and the sociopolitical implications of the term “messiah” in first-century Palestine. These stories are part of what marks us as people of faith and also total nerds. A few weeks ago, my boss told me about the day we went from one bookmobile in town to two, traveling around to neighborhoods without access to the public library—this is one of the many stories that place me firmly in Iowa City, the only city I’ve ever known where you can find inter-bookmobile competition drama.

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Winter 2018: A Treasure Hunt Without A Map

That viewer is me, is you, is us: readers of Asymptote, a journal offering the freedom of infinite interpretations.

Thanks to the hard work of Duncan Lewis, Jacob Silkstone, József Szabo, Marina Sofia, Emma Page, Kyrstin Rodriguez, Giorgos Kassiteridis, Tiffany Tsao, Alexander Dickow, and myself, November 2017 sees the launch of the Asymptote Book Club, a sustainability initiative meant to support independent publishers of world literature while also helping Asymptote stay afloat. By January 2018, after an intensive marketing campaign (e.g., I answer some questions about the Book Club here), we succeed in attracting more than 120 subscribers. In addition, our seventh anniversary is greeted by two important milestones, both to do with the number 100: We cross the 100 mark for number of team members on our masthead, and, with the addition of Amharic and Montenegrin in the Winter 2018 edition, we have gathered work from exactly 100 languages in our archive of world literature! In his interview with Asymptote that we ran in this issue, Lithuanian editor Marius Burokas laments that, as with many peripheral literatures, Lithuanian writing “can only speak of a one-way influence” from English at the moment; that said, Lithuanian literature is by no means a “small [one].” “There are only writers who are not good enough,” he observes wryly, “or writers who are not publicized enough.” This speaks to the very heart of Asymptote’s mission, which is why we have whole teams (from social media to graphic design) set up for the purpose of marketing the work that we’ve been entrusted with, as detailed in an earlier post where I released this publicity report. Where we direct our efforts applies to where we direct our funds as well: For instance, by January 2018, the money we’ve cumulatively thrown at Facebook promotion alone has exceeded $10,000 USD. It’s not only money that I’ve staked personally; in our eight years, I’ve supported almost every single Facebook post in order to encourage other team members as well as our own readers to engage with Asymptote’s feed, all so that we can be a more powerful advocate for so-called “small literatures.” Cruelly, then, around this time, because of the backlash from Russian interference of the 2016 US elections, Facebook deprioritizes social media pages like ours, hurting our ability to connect authors with new readers. I know because I was still supervising the new English Social Media Managers (as well as the Assistant Director of Outreach—whose day job was in social media analytics—I was hoping to install as a permanent team member) from the hospital ward where I was quarantined after radioactive treatment, anxious as much about our falling social media engagement as my own Geiger counter reading (which on the other hand refused to fall as quickly as the doctor and I had hoped, thereby prolonging my hospitalization and resulting in a larger medical bill). Here to introduce the Winter 2018 issue is Brazil editor-at-large Lara Norgaard.

Two parallel snapshots of everyday scenes spliced by double-circle frames form the cover image of Asymptote’s Winter 2018 issue. A woman calmly pushes a stroller on the left, mirroring a different woman on the right who wears dark sunglasses and stares directly into the camera, allowing us to only guess at her penetrating gaze. In these cover photographs, the edition’s guest artist, Elephnt, captures one of its central components: the way each contribution takes a powerful approach to perspective. The authors in this issue all write with a particular and intense gaze that confronts or perhaps commiserates with the reader.

I decided to look back at the woman on the right as I prepared to write this reflection. It is not just her staring back at me that catches my eye; she seems to recognize the camera, to acknowledge how the image representing her was created. The Winter 2018 issue of Asymptote was my first as part of the magazine’s team. I witnessed—and participated in—the compilation of so many voices into one unified whole. READ MORE…

Weekly Dispatches from the Frontlines of World Literature

This week's literary news roundup brings us to South Africa, the United States, and Guatemala.

We’re back with another round of exciting literary news from around the globe. This week’s dispatches take us to South Africa, the United States, and Guatemala. 

Alice Inggs, Editor-at-Large, reporting from South Africa:

An anticipated event on the Cape Town literary calendar, the annual Open Book festival,will take place from September 5-9. The inclusive festival, at which spoken-word performances and bookmaking classes are added to the program alongside interviews with international authors and panel discussions on feminism, appears to have a particular focus on migrancy and notions of place this year, with several talks hosted by the African Centre for Cities.

The attendance of influential urbanist, researcher, and author AbdouMaliq Simone points to this unofficial theme. Simone’s enduring optimism with regards to city spaces and the possibilities they hold for producing new forms of trade, particularly in the context of those inhabitants who are forced to adapt for reasons such as crumbling infrastructure or illegal residency, is a trait that looks to carry over to the rest of the festival.

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So you want to be a literary translator . . .

. . . but don't know where to start? Here's what you need to know.

Literary translators come from a multitude of backgrounds. Many are authors first of all, for whom translation is a natural extension of their work. Others are literary critics or academics, who translate to give a wider audience access to the works they study. With the growing popularity and visibility of global literature in the English-speaking world, on the other hand, has come increased visibility of literary translation as an art of its own.

As an American high schooler, I knew I wanted to translate books. But unlike my friends who wanted to be writers or performers, editors or scientists, I had no idea how to make that happen. I fumbled my way through, doing plenty of research and seeking out guidance from people in the translation industry wherever possible. I now work as a full-time translator on a combination of literary and non-literary projects, something I wouldn’t have believed possible at the age of 17 or 18.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Brazil, Indonesia, and the United States.

We are back with the latest literary news from around the world! This week we hear about various happenings in Brazil, Indonesia, and the United States. 

Lara Norgaard, Editor-at-large, reporting from Brazil:

Brazil made international headlines when black feminist city councilperson Marielle Franco was assassinated in Rio de Janeiro on March 14. Renowned authors from around the world, including Chimamanda Adichie, Ta-Nehisi Coates, Angela Davis, and Arundhati Roy, signed a petition demanding an investigation into the death of the activist and civic leader. One of Brazil’s most prominent black women writers, Conceição Evaristo, recited a poem in Marielle Franco’s honor during the days of protest and mourning that followed the murder.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of literary news brings us to Morocco, Hong Kong, and the United States.

We are back with the latest from around the world! This week we hear about Morocco, Hong Kong, and the United States. Enjoy!

Hodna Nuernberg, Editor-at-Large, reporting from Morocco

Some seven hundred exhibitors from Morocco and around the world descended on Casablanca for the Salon international de l’edition et du livre, which took place from February 9-18. Half open-air souk (rumor had it that one of the ambulatory vendors went so far as to offer women’s panties for sale!), half oasis of high culture, the book fair counted over 125,000 titles from forty-five different countries. Egypt, this year’s guest of honor, accounted for nearly fifteen percent of the titles on offer alone, and managed to ruffle more than a few feathers when an Egyptian publisher was allegedly caught displaying a book (A Brief History of Africa) whose cover featured a map of the continent depicting a “mutilated” Morocco—the disputed territory of the Western Sahara appearing as an independent nation under the Polisario flag. The presence of the book was firmly denied by the Ministry of Culture.

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Weekly Dispatches from the Frontlines of World Literature

Our weekly roundup of the world's literary news brings us to France, Singapore, and the United States.

It’s Friday, which means it is time to catch up on the literary news from around the world, brought to you by our fabulous Asymptote team! This week, we highlight France, Singapore, and the United States. 

Barbara Halla, Editor-at-Large, reporting from France:

As previewed in our January dispatch, Paris is getting ready to host its annual Book Fair, starting March 16. The spotlight this year will be on contemporary Russian literature, with thirty-eight guests including Olga Slavnikova, Vladimir Charov, and Alexandre Sneguirev—all previous winners of the Russian Booker Prize. But even before the fair opens its literal doors, another event is organized in Southern France to satisfy those readers that can’t make it to Paris. Bron, a commune of Lyon, will hold its first Book Festival, dedicated entirely to contemporary fiction, between March 7 and 11. The festival celebrates those French authors who showcase the heterogeneous nature of the novel itself, with a spotlight on the works of Jean-Baptiste Andréa, Delphine Coulin, Pierre Ducrozet, Thomas Gunzig, and Monica Sabolo.

March is also Women’s History Month and French publishers have joined in the effort to promote literature by women and on women. Folio, a Gallimard imprint, has launched its “Femmes Prodigieuses” (“Brilliant Women”—a play on Elena Ferrante’s “My Brilliant Friend”) campaign on social media, urging readers to read and share the works of their favourite women authors. Folio’s own suggested reading list include classics and contemporary authors, from Virginia Woolf to Marie NDiaye and Chimamanda Ngozi Adichie. Beyond just the campaign, publishers are celebrating Women’s History Month by simply publishing more women. Simone de Beauvoir’s memoir “L’age de discrétion” (“The Age of Discretion”), analysing womanhood at sixty and beyond, will be published for the first time as a standalone book. Albin Michel, another major publisher, will publish Susan Rubin Suleiman’s “La question Némirovsky,” a biography of Irène Némirovsky, of “Suite Française” fame, to paint a portrait of a great, and yet forgotten, author.

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What’s New with the Crew? A Monthly Update

Stay up-to-date with the literary accomplishments of the wonderful Asymptote team!

Contributing Editor Aamer Hussein participated in the Sixth Annual Lahore Literary Festival on 24 February, 2018 at the Alhamra Arts Center.

Communications Manager Alexander Dickow won a PEN/Heim grant for his translation of Sylvie Kandé’s Neverending Quest for the Other Shore: An Epic in Three Cantos.

Drama Editor Caridad Svich published an article entitled Six Hundred and Ninety-Two Million: On Art, Ethics, and Activism on HowlRound. Her play, An Acorn, recently opened at Trinity Repertory Company in Providence, Rhode Island.

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